102 résultats
1995185477San Francisco: Walter / McBean Gallery San Francisco Art Institute 1995. Paperback. Eight 8x8 inch cards on glossy stock one each per artist exhibit photo recto and c.v. verso these enclosed in a bright red cardstock folder printed with a three-page essay by Gallo. Faintest signs of any handling and none of age a near-fine exemplar. Walter / McBean Gallery, San Francisco Art Institute paperback books
199128740New York: BasicBooks 1991. Hardcover. x 352p. very good first edition in quarter-cloth boards and unclipped dj. BasicBooks hardcover books
199529169Los Angeles: The Bieler Press 1995. First edition. Original wrappers spine slightly faded else fine. One of 200 signed by the author and illustrator. <br/><br/> The Bieler Press unknown books
19839027432Omaha: Abattoir / University of Nebraska 1983. Paperback. Fine. One of 192 copies. Printed by Harry Duncan and Alison Wilson on T. H. Saunders paper with Romulus type. Linecut from a drawing by the author on the title page. Uncut pages. Grey wrappers with the title stamped on the front cover. Abattoir editions. Fine condition. <br/><br/> Abattoir / University of Nebraska paperback books
202057573Saint Paul: Philip Gallo at the Hermetic Press 2020. Edition limited to 35 copies 8vo approx. 10¼" x 6½" 16 leaves printed in blue green and black on rectos only; illustrations throughout; original blue card wrappers; as new in a plexiglas slipcase. "Printed on 180 gsm Rives from handset Studio & Allegro; 'a fractal of pterodactyls' was set in Illustrator from Eurostile and printed from polymer plate; the drawings were created in Illustrator from the Calligraphic Brushes Set & printed from polymer." Gallo's latest creation offered for sale here first: a children's book for adults. <br/><br/> Philip Gallo at the Hermetic Press unknown books
20069009786Minneapolis: Hermetic Press 2006. 1st. Fine Condition. A visual presentation of a poem. In five colors: green yellow orange brown and black. The text of the poem is a parody of Joyce Kilmer's "I Never Saw A Tree Lovely as A Poem." Designed and printed by hand by Philip Gallo in an edition of 100 copies from Trajan. In the shape of a tree the leaves composed of ampersands printed in four different colors and the title of the poem forming the trunk and the ground on which the tree stands. Printed for The Ampersand Club on the occasion of Gallo's presentation on Book Arts in america.Sheet measures 11 x 7.4 inches 27.9 x 18.7 cm. Philip Gallo is the proprietor of the Hermetic Press in Minneapolis and a world-renowned poet printer and typographer. More highly regarded and better known in Europe than in the United States his work as a visual artist and concrete poet is collected by the Victoria & Albert Museum the Walker Art Center the Museum Of Modern Art the University of Wisconsin Brown University and the Getty Museum to name but six. Unmatted. Matted ready for framing add 35.00. Matted and framed add 150.00. Image available on request. <br/><br/> Hermetic Press unknown books
199250352Los Angeles: Bieler Press 1992. First edition limited to 200 numbered copies signed by the poet and the illustrator 8vo pp. 22; title page with 4-color plexiglass engraving; original charcoal printed wrappers bound by Robin Price; fine. Designed and printed by Gerald Lange. This is the first color engraving made by Schanilec in about 1980 but not published until here. Quarter to Midnight A.113; Smith Bieler 40. <br/><br/> Bieler Press unknown books
201955145Saint Paul: The Hermetic Press 2019. Edition limited to 31 copies this being one of 26 lettered copies on 125 gsm Stardream paper there are also 5 on 110 gsm Plike paper 8vo approx. 9¾" x 5½"; 22 leaves; printed in color throughout handset foundry type used includes Eurostyle Normal & Extended; Aurora Condensed & Bold Condensed; Permanent; Headline & Headline Open; Impact Open; Anzeigen & Inserat Grotesk; Folio Extra Bold; Huxley Vertical; Bauer Bodoni Italic & Bold Roman; Libra; Sapphire; Prisma; Boulevard and Fry's Ornamented card covers in an orange chemise of RFID/NFC Faraday fabric. Quite a book pushing the limits of color type design and poetry found or otherwise "like a slurry full of swarth." <br/><br/> The Hermetic Press unknown books
1981121980Minneapolis MN: Bookslinger Editions - Toothpaste Press - Walker Art Center 1981. First edition. Broadside printed in two color that measures 9.5" x 13" with two deckle edges. Copy 28 from an edition of only 85 numbered copies. Signed by Gallo. Uncommon. Bookslinger Editions - Toothpaste Press - Walker Art Center unknown books
1983WRCLIT32888Omaha: Abattoir Editions 1983. Printed wrappers. First edition. One of one hundred ninety-two copies printed by Harry Duncan and Alison Wilson. Fine. Abattoir Editions unknown books
19839007047Minneapolis: Hermetic Press 1983. A visual presentation of a sound poem. The typography is designed to indicate to the speaker how the poem might be performed. Reference is also made to Karl Gerstner the German typographer and painter who designed modular systems for packaging and painting. Designed and printed by hand before the advent of Adobe Illustrator by Philip Gallo in an edition of 100 copies from Optima Roman and Italic type on white BFK Rives paper. Sheet measures 10 x 10 inches. Signed by Gallo lower right in pencil. Philip Gallo is the proprietor of the Hermetic Press in Minneapolis and a world renowned poet printer and typographer. More highly regarded and better known in Europe than in the United States his work as a visual artist and concrete poet is collected by the Victoria & Albert Museum the Walker Art Center the Museum Of Modern Art the University of Wisconsin Brown University and the Getty Museum to name but six. Unmatted. Matted ready for framing add 35.00. Matted and framed add 150.00. Image available on request. <br/><br/> Hermetic Press unknown books
199514224Minneapolis: Hermetic Press 1995. Edition limited to 250 copies 8vo pp. 8; very fine in original printed wrappers designed and printed letterpress by Phil Gallo of the Hermetic Press for friends of Rob Rulon-Miller in celebration of the holiday season 1995. <br/><br/> Hermetic Press unknown books
199519751Minneapolis 1995. Edition limited to 250 copies 8vo pp. 8; very fine in orig. printed wrappers designed and printed letterpress by Phil Gallo of the Hermetic Press for friends of Rob Rulon-Miller in celebration of the holiday season 1995. <br/><br/> unknown books
200351729Minneapolis: Stamp Pad Press / Hermetic Press 2003. Edition limited to 75 folio consisting of 4 bifolia each approx. 13" x 10" with letterpress wrappers and contents and a total of 6 visual poems printed in color as below: 1 Preface to an Autobiography by Richard Kostelanetz; 2 A Naive Topognomy of Loopules on a Fabric-Manifold of the All-Angel by Franz Kamin; 3 Dialogue with Anna Blume by Scott Helmes; 4 High-Heeled by K. S. Ernst; 5 Untitled. John M. Bennett; 6 Nuclear Child by Philip Gallo. Fine and contained in the original Zip-Loc bag as issued. <br/><br/> Stamp Pad Press / Hermetic Press unknown books
199351719Minneapolis: Phil Gallo at the Hermetic Press 1993. Ziploc plastic bag approx. 9" x 7" with typed yellow peel-off mailing label containing the following printed broadsides and cards all 6½" x 4" or smaller: 1 Lapel button: "Just Say No to Art"; 2 Homage a Maciunas; 3 William S. Burroughs Recombinant; 4 Radon Dispersal thru the typical suburban home and its effects; 5 Danger. Do not play on or around; 6 Schedule F. Fluxus surtax; 7 Some trepanned dementias; 8 Invocation and mantra for tape loop; 9 for better help we offer a smoke-free environment; 10 Real Ants / Imaginary Bugs; 11 Park even tonight; 12 Park odd tonight. 13 Three tiny plastic ants. Distributed gratis to the attendees of an interview with Phil Gallo Ides of April 1992 at the Walker Art Center Minneapolis. <br/><br/> Phil Gallo at the Hermetic Press] unknown books
201548167Minneapolis: privately printed 2015. Edition limited to 50 copies this being one of 45 there are 5 artist's proofs; small tall folio pp. 24; illustrations in the text 1 full-page and in color large double-page folding plate printed in color; original stiff orange wrappers with gilt vignette the whole in a plexiglass slipcase. As new at the published price. Electric Tulips 5.1 was conceived as a dialogue between an imaginary literary critic Gallo and the poet Gallo and revolves around the writing and presentation of his poem Electric Tulips 5.1. The essay which results Future Preterite by the esteemed critic Alessandro S. Stompanado is intended to emulate that of the essay by James Joyce written under the pseudonym Vladimir Dixon; and which appeared in the Sylvia Beach publication of 1929: Our Exagmination Round His Factification for Incamination of Work in Progress in which Joyce writes an appreciation of his own novel Ulysses. As such the book is a multi-layered pastiche of both literary and typographic treatments along with a magnificent double gatefold presentation of the poem in eight colors each of the seven stanzas in a separate color and the seminal tulip in an eighth; the type all set by hand and printed letterpress and polymer from Permanent Headline Open from the now defunct foundry Ludwig & Mayer. <br/><br/> privately printed unknown books
200652116Minneapolis: Phil Gallo at the Hermetic Press 2006. A Phil Gallo sampler: 15 letterpress invitations greeting cards and announcements 16mo to 8vo; plus Advice to Bibliophiles by Umberto Saba N.Y.: Barnes & Noble 2000 pp. 3-17 1 original black paper wrappers lettered in silver. All fine. <br/><br/> Phil Gallo at the Hermetic Press] unknown books
198852087Minneapolis: Pentagram Press 1988. Edition limited to 149 copies this no. 96 8vo pp. 24; frenchfold; printed in blue green and black; fine in original wrappers and original tissue wrapping from the publisher. Printed on Hosho paper handmade in Japan folded and sewn into handmade paper wrappers from the Richard de Bas mill in France. Each copy illustrated with printer's ornaments printed in various colors and signed by the poet. <br/><br/> Pentagram Press unknown books
198851722Minneapolis: Pentagram Press 1988. Edition limited to 149 copies this no. 76 8vo pp. 24; frenchfold; printed in blue green and black; fine in original wrappers. Printed on Hosho paper handmade in Japan folded and sewn into handmade paper wrappers from the Richard de Bas mill in France. Each copy illustrated with printer's ornaments printed in various colors and signed by the poet. This copy also with a presentation from the printer Michael Tarachow: "This one for Greg - with all best - M. T. Mpls. 6.13.88." <br/><br/> Pentagram Press unknown books
201655799Minneapolis & Saint Paul: Hermetic Press 2016. The complete series in 3 volumes edition limited to 30 copies 8vo pp. 18; 18; 56; illustrated throughout; original cream printed wrappers. Fine. On Typographica Broodthaers excerpta: "This book started out as an installation but devolved into conceptual art and lay dormant until now. But my first idea was to set it in a kind of poison pen letter fashion and as I had a complete run of Eurostile Extended-which I felt quite suited to it-I went ahead and printed it on a half sheet of Strathmore. It was not long before I decided that the copy was irrelevant-that the idea was simply an idea-or more to the point-joke-that the piece did not need to be produced and that a written description would suffice: The idea of the thing being better than the thing itself. I still have the press and the type still standing after 25 years and for the book I reprinted the form photographed the original drawing and sheet of Strathmore; along with the press and the type piled up and into it. On Word Bags: "Graffiti on a bank building. A suite of seven cibachromes showing individually the letters of the word PROTEST. Building maintenance went over the letters with lacquer thinner and then covered the entire word in clear plastic to protect passers-by. The red spray paint spread and ran down the side of the building imparting a blood & tear-like aspect to the letterforms under the billowing shroud of plastic. Hence body bag viz. word bags. On Palabra Found poems in lowercase Peignot - by way of its modified ascenders and dotted i - if handled as a unicameral may be seen as a democratization of type; or as a kind of gentrified graffiti. <br/><br/> Hermetic Press unknown books
19591322934Recklinghausen: Aurel Bongers 1959. First English Edition. Hardcover. Quarto; pp 294; Good; beige spine with gilt text; no jacket; number 149 of the English Edition; cloth has slight toning towards edges; small black smudge to front tail edge; rubbed spine corners; strong boards; text block shows slight soiling to exterior edges; frontispiece; profusely illustrated; arts - Latin American; additional shipping may be necessary due to size/weight restrictions for international/expedited orders;. 1322934. FP New Rockville Stock. Aurel Bongers hardcover books
1967677531967. GALLO Miguel Mujica. GOLD IN PERU. Meisterwerke der Goldschmiedekunst aus der Pra-Unkazeit dem Inkareich und der Ubergansara. Mit einer Einfuhrung von Raul Porras Barrenechea. Germany: Verlagd Aurel Bongers Recklinghausen 1967. Small square 4to. white cloth lettered and decorated in gilt; color illustrations. Fine in an edgeworn dust jacket. In German. unknown books
195916666Recklinghausen: Editions Aurel Bongers 1959. Hardcover. Very Good. Number 233 of an unspecified limited Fench edition. Very good hardback in a lightly edgeworn jacket that has a small closed tear to the bottom of the front panel. Publisher's slipcase a bit worn but very good. Text in French <br/><br/> Editions Aurel Bongers hardcover books
195911792Recklinghausen Germany: Aurel Bongers 1959. First edition in English 4to pp. 294-296 color frontis 144 mounted color photographs in text; hinges slightly cracked else fine copy in tan cloth gilt. <br/><br/> ] Aurel Bongers hardcover books
1959260600Recklinghausen: Aurel Bongers 1959. hardcover. very good/good. With an Introduction by Raul Porras Barrenechea. Translated from the Spanish by Roger Peniston-Bird. Illustrated with 144 mounted color plates. 296 pages. Very thick 4to natural cloth worn & torn d.w. Recklinghausen: Aurel Bongers 1959. Number 138 of the Limited Edition. Several spots on top edge and a few pages bumped in corner else a very good copy in a good dust wrapper.<br/><br/> Aurel Bongers unknown books
