102 résultats
2000264947Leiden The Netherlands: Hotei Publishing 2000. Hardcover. 133p. cloth-covered boards 7.75x11 inches profusely illus. very good condition in like dj. Blomhoff was the Dutch embassy to Japan from 1817 to 1823. Hotei Publishing hardcover books
199514224Minneapolis: Hermetic Press 1995. Edition limited to 250 copies 8vo pp. 8; very fine in original printed wrappers designed and printed letterpress by Phil Gallo of the Hermetic Press for friends of Rob Rulon-Miller in celebration of the holiday season 1995. <br/><br/> Hermetic Press unknown books
199519751Minneapolis 1995. Edition limited to 250 copies 8vo pp. 8; very fine in orig. printed wrappers designed and printed letterpress by Phil Gallo of the Hermetic Press for friends of Rob Rulon-Miller in celebration of the holiday season 1995. <br/><br/> unknown books
1988TB25580Piscataway NJ: Railpace Company Publications 1988. First Edition. First printing Very good in heavy printed paper wraps over an adhesive binding. An oblong octavo measuring 8 1/2" by 11" with light creasing to the front panel and slight soiling to the title page. Without a dust jacket as issued. 96 pages of text and photographs in both color and black and white . The Broadway Limited was a special all-Pullman train operated by the Pennsylvania Railroad. Railpace Company Publications paperback books
1995185477San Francisco: Walter / McBean Gallery San Francisco Art Institute 1995. Paperback. Eight 8x8 inch cards on glossy stock one each per artist exhibit photo recto and c.v. verso these enclosed in a bright red cardstock folder printed with a three-page essay by Gallo. Faintest signs of any handling and none of age a near-fine exemplar. Walter / McBean Gallery, San Francisco Art Institute paperback books
1981002517Roma: Edizioni Dell'Ateneo 1981. 200p. dj Filologia e critica 38. Edizioni Dell'Ateneo unknown books
197432099New York: E. P. Dutton and Company 1974. 390p. 24p. photos first US edition so stated clothbacked boards in dj mildly faded panel to dj very good. E. P. Dutton and Company unknown books
19839027432Omaha: Abattoir / University of Nebraska 1983. Paperback. Fine. One of 192 copies. Printed by Harry Duncan and Alison Wilson on T. H. Saunders paper with Romulus type. Linecut from a drawing by the author on the title page. Uncut pages. Grey wrappers with the title stamped on the front cover. Abattoir editions. Fine condition. <br/><br/> Abattoir / University of Nebraska paperback books
1983WRCLIT32888Omaha: Abattoir Editions 1983. Printed wrappers. First edition. One of one hundred ninety-two copies printed by Harry Duncan and Alison Wilson. Fine. Abattoir Editions unknown books
S18C-02708McGraw-Hill Education. Used - Very Good. Very Good condition. McGraw-Hill Education unknown books
1976206602n.p.: Self-published by the author 1976. Pamphlet. 20p9.5x12 inches text in French b&w full-page photos of the sculptures brief CV at rear personal inscription to Piri Thomas signed by the sculptor very good monograph/catalog in stapled glossy pictorial wraps. Inscribed to Puerto Rican American author Piri Thomas and his wife when they visited Salvatore's studio in France. From his library. The Italian-American artist studied with David Siqueiros in the 1950s in Mexico. Self-published by the author unknown books
2019113370Medellín: Universidad de Antioquia Facultad de Comunicaciones 2019. 24 cm. Colección Cine 336 pages color plates bibliographical references p.297-309 color pict. wrps. Originally presented as the author's thesis doctoral--Universitat Autonoma de Barcelona 2012. The author analyzes the main changes in cinema rhetorics of non-fiction in the era of the post-truth as an attempt to chart the blurry discursive boundaries of this cinematographic form which to respond to new ways to understand truth and reality in contemporaneity is exploring rhetoric territories that go way beyond the classic and modern paradigms so embedded in the centrality of the documentary institution. Likewise with the use of hermeneutics and an audiovisual specifically rhetorical analysis I seek to understand the situational contexts the intertextualities and the conception of reality behind the speeches of post-truth non-fiction cinema. Then I explore how these speeches are aware of their own history of their intrinsic subjectivity and the complexity that implies to represent the real on this era where the concept of truth has transformed and relativized answering to sensibilities and air of the current time. This is the reason why non-fiction cinema interacts inspiring and inspiring itself with actual discursive strategies like the ones developed in science the social movements arts or mass media giving place to own novel rhetoric that can be detected in audiovisual statement actio in style and in rhetoric auditive and visual figures elocutio the documentary structures dispositio the arguments and modalities inventio the projected world and context intellectio. As such this representation method has been expanded to even more complex forms that among its characteristics they suspect deconstruct satirize reflect recycle perfomatize fictionalize such reality constituting itself in one of the main sources of creativity innovation and auto reflection of current cinematography and an important speech about contemporaneity. CONTENTS: Presentación -- Metodologia -- La retórica y la hermeneutica en el analisis del cine de no ficción -- La retórica: un sistema integral de analisis y producción de discurso documentales -- Aproximacion de la retórica -- La nueva retórica -- Retórica posestructuralista -- La nueva retórica -- El canón retórico en el cine de no ficción -- Actio: la enunciación y enunciación -- Dispositio: la organización estructural de la imagen y el sonido -- Macroestructuras y superstructuras -- La partición del discurso en secciones -- Ordenación de las partes del discurso -- Inventio: busqueda de ideas y materiales en el desarrollo y preproducción -- La voz documental y el grado de autoridad -- Aproximación al dacumental y al cine de no ficción de la posverdad -- Documento y documental -- Las fronteras borrosas con la ficción y lo experimental -- Una frontera ambigua: documental y cine de no ficción -- Hacia una imposible delimitación del cine de no ficción -- El cine de no ficción en la era de la posverdad -- Retóricas de la era posverdad y cine de no ficción -- Cambio de paradigma y nuevas sensibilidades contemporaneas -- El giro retórico: la forma si importa -- Nuevos discursos cientificos y sus relaciones con el cine de no ficción -- La crisis de la historiagrafia retórico subjetividad y pequeños relatos -- Nuevos discursos de la subjetividad como estrategia autobiograficoas performativas poetico experimentales y ensayisticas de representación de la realidad -- Analisis retórico de algunas peliculas ejemplares del cine de no ficción de la posverdad -- Sin sol Chris Marker 1982 Francia -- Las playas de Agnes -- Harun Farocki 1988 Alemania -- Bien despierto -- Los rubios -- Fotografias -- Digital -- El cine como espejo del mundo -- Conclusiones -- Bibliografia citatada -- Bibliografia complementaria -- Indice analitico -- Indice Onomástico -- Ondice de titulos Listas de figuras -- Ejes retóricos -- Modelo de analisis retórico -- Voz y niveles del relato -- Punto de vista -- Distancia -- La superstructura -- Categorias de estructuracion tropologica -- Esquem de la forma filmico de Bordwell -- Generos y clasificaciones desde la retórica y la literatura -- Modelos de clasificacion del documental -- Esquemas de la intellectio -- Hibridaciones del cine de no ficción de la posverdad. Universidad de Antioquia, Facultad de Comunicaciones unknown books
010246New York: American Elsevier Publishing Company Inc. 1972. First Edition. Octavo 7¾" - 9¾" tall. Hard Cover. Very Good/Good. 776pp. index tables graphs and charts. Previous owner's name and date inked on ffep. Dust jacket has age wear and light dampstains. New York: American Elsevier Publishing Company Inc. 1972 unknown books
173582395Basle: Chez Christophe Revis 1735. First edition of Le Coq de Villeray's response to Voltaire's Letters Concerning the English Nation published in 1733. Octavo bound in contemporary calf gilt title to the spine raised bands marbled endpapers. In very good condition. Rare. Voltaire composed his Letters Concerning the English Nation based on his experiences living in England between 1726 and 1729. The volume was first published in English in 1733 and then in French the following year where it was seen as an attack on the French system of government and was rapidly suppressed. The letters concerned Voltaire's views on Anglicanism the Quakers William Penn and John Locke. Chez Christophe Revis hardcover books
008807No Place: The Artist #ed 14/115 SIGNED BY ARTIST. No Place no date circa 1980s. Frank Gallo 1933-2019 was a University of Illinois professor best known today as a sculptor of the female form using polyester resin with fiberglass. Gallo's work has been exhibited in more then 50 galleries and museums worldwide including The Art Institute of Chicago; the Whitney Museum of American Art and the Smithsonian Institute. Near Fine small corner creases residue of old tape verso that does not show through to front. Well suited for framing will be shipped loosely rolled in mailing tube. . SIGNED BY ARTIST. Limited and Numbered Edition. Print. Near Fine. 19 1/2" x 25 1/4". The Artist Paperback books
198924028Boston: Twayne Publishers. Fine in Fine dust jacket. 1989. Hardcover. 0805782095 . Number 554 in Twayne's United States Authors Series. First edition. Fine in a fine dust jacket. . Twayne Publishers hardcover books
1935WRCLIT79628Philadelphia: Burlington Chapbooks 1935. 444pp. 16mo. Printed wrappers. Wrapper lightly spotted a few tiny spots to blank verso of last leaf otherwise very good. First edition. One of 180 copies printed by hand at the ALPress by Frank Ankenbrand Jr. issued as #6 of the Burlington Chapbooks. An excellent association copy inscribed by the author to her father. Le Coq also published an appreciation of John Reed. OCLC/Worldcat locates only two copies Syracuse Univ. and Temple Univ. OCLC: 457279676. Burlington Chapbooks unknown books
197227809New York: American Heritage Publishing Company. Very Good. 1972. Hardcover. 8.5x11.5" Tan cloth with black title on spine. 315 pages with over 300 color & black and white pictures. Excellent condition great pictures. . American Heritage Publishing Company hardcover books
197432251NY: American Heritage. Very Good in Near Fine dust jacket. 1974. Hardcover. 0070227357 . 450 illustrations color and black and white. Translated from the Italian by Alfred and Bruni Mayor. First American edition. Front free endpaper has been removed else very good in a near fine dust jacket. . American Heritage hardcover books
20089005829Albuquerque New Mexico: Fresco Fine Art Publications 2008. 1st. Hardcover. Book fine Dust jacket fine. Bound in the publisher's origina blue cloth with the front cover and spine stamped in silver. <br/><br/> Fresco Fine Art Publications hardcover books
1928894521928. Gallo Eleonora. PEASANT ART IN ITALY. English Version by C. Danyell Tassinari. Florence: Buido Giannini's Press 1928. Limited edition of 250 copies this copy being out of series unnumbered. 114pp. illustrated with color woodcuts by Eleonora Gallo printed on the recto of each page. Rectangular lg. 4to. Cream colored linen stamped in brown on the front cover brown and white printed end papers. Scattered foxing throughout. Fine bright hardcover lacking the brown fabric ties. hardcover books
1998240791Santa Barbara: Spirium Press 1998. 6p. 5.5x8.5 inches signed by the poet fine first edition chapbook in stapled gray pictorial wraps. Published upon the death of the poet Octavio Paz. Excerpt from Paz's "The Labyrinth of Solitude" below a photo of Paz on rear cover. Gallo's father was from Nicaragua. Also of Italian lineage. No holdings located in OCLC as of 7/2019. Spirium Press unknown books
1986012121Los Angeles: Museum of Cultural History / University of California Los Angeles 1986. Cloth. Very Good. 4to - over 9¾" - 12" tall. 188p. bibliography. The hardcover edition has the map in the pocket in the back and it has been untouched. Profusely illustrated with photographs of mounds line drawings of locations etc. Seldom seen in hardcover. Museum of Cultural History / University of California, Los Angeles unknown books
197520479ELos Angeles: Universal 1975. First Edition. Paperbound folded 10 5/8†x 9 1/8â€. A special film program made by the studio for advance screenings of the film Rooster Cogburn directed by Stuart Millar written by Martin Julien Martha Heyer - suggested by the character from the novel ‘True Grit’ by Charles Portis starring John Wayne in the title role Katharine Hepburn Anthony Zerbe Richard Jordan and Strother Martin Fine in printed wrappers. Universal unknown books
19889009785Minneapolis: Hermetic Press 1988. 1st. Fine Condition. A visual presentation of a poem by Karl Kempton. In three colors: red black and yellow. Designed and printed by hand by Philip Gallo in an edition of 90 copies from Permanent Headline and Bauer Bodoni Bold type with Glint ornaments for display on white Johannot paper. Sheet measures 7.5 x 19.8 inches 19.1 x 50.2 cm. Philip Gallo is the proprietor of the Hermetic Press in Minneapolis and a world-renowned poet printer and typographer. More highly regarded and better known in Europe than in the United States his work as a visual artist and concrete poet is collected by the Victoria & Albert Museum the Walker Art Center the Museum Of Modern Art the University of Wisconsin Brown University and the Getty Museum to name but six. Unmatted. Matted ready for framing add 35.00. Matted and framed add 150.00. Image available on request. <br/><br/> Hermetic Press unknown books
