881 résultats
1984USHOMOU00AFKodansha 1984. Fine. Shoumatoff Alex. The Mountain of Names: A history of the Human Family. Fox Introduction Robin. NY: Kodansha 1984. 318pp. Indexed. 8vo. Paperback. Book condition: Near fine. Kodansha paperback books
197217610London: Jarrold & Sons 1972. Brown cloth with gilt lettering/bust of Shakespeare on front board. Dust jacket. NF/VG. 128 pp. Profusely illustrated primarily from photographs. Royal 8vo. <br/><br/> Jarrold & Sons hardcover books
178348446London: Printed for J. Stockdale opposite Burlington House Piccadilly 1783. Disbound now housed in an archival mylar sleeve. Some dust soiling to outer leaves else VG. 4 37 1 blank 3 1 blank pp. 8vo. 8-3/16" x 5" <br/><br/>Concerning Fox's bill for the reform of the East India Company. Printed for J. Stockdale, opposite Burlington House, Piccadilly unknown books
199120942Edinburgh: Lutton Press Morning Star 1991. First edition. Loose Sheets. Fine. Single sheet printed on both sides. Folded several times so that it fits into a 7 x 10" envelope. Contains poems by surrealist Kurt Schwitters that have been translated by Rothenberg and Joris plus a work by Jackson Mac Low and one by Christopher Fox. Edited and designed by Alec Finlay. One of 350 copies hand-INITIALED by Finlay. Folio in fine condition. Original printed envelope is just slightly worn. <br/><br/> Lutton Press, Morning Star unknown books
1929W9501New York: The Macmillan Company 1929. Original green cloth with gilt titling. Some overall wear but generally good. An extensive study of American life authored by the leading historians of the day. First Edition. Cloth. Good/No Jacket. 8vo - over 7¾" - 9¾" tall. Trade. The Macmillan Company Hardcover books
2000165298Princeton NJ: Princeton University Press 2000. Later printing. Hardcover. 264 pages. Text by Larry J. Schaaf. Includes 100 plates. A fine copy in a fine dust jacket. Princeton University Press unknown books
2011168074New York: Guggenheim 2011. Hardcover. New in shrinkwrap though shrinkwrap is torn. Brown cloth boards color-illustrated dust jacket with white lettering. 173 pp. Color and BW illustrations. Contents: Astute and Refined: the Schulhofs' Discerning Vision / Nicholas Fox Weber -Schulhof Collection at home / Photography by David Heald -Conversation with Hannelore Schulhof / Lisa Jacobs. Guggenheim hardcover books
18971253538London: Bellairs & Co 1897. Volume One Only; Octavo; VG-/no-DJ; Red fabric spine with darkened gilded text and illustration. Boards have wear age toned pine rubbing on edges and front/rear surface tears on ends of spine slight bumping on corners apart from that binding strong; Textblock has age toned edges foxing on pages small label of previous bookstore on front paste down cracking on gutters between p180 and 181 also between p196 and 197 otherwise free of marks on pages; pp 336. 1253538. Rockville Non-Retail Listings. Bellairs & Co unknown books
1998234281San Francisco: Cleis Press 1998. Paperback. xix 263p. introductionvery good first edition trade paperback original in pictorial wraps. Cleis Press paperback books
2010129760Pasadena California: Armory Center for the Arts 2010. Softcover. New. White and green wraps with color illustration 64 pp. color illustrations throughout includes CD. Product description from Amazon: Southern California artist Steve Roden is known as more than a painter; his internationally acclaimed multi-media sound-driven works use musical scores that offer him a set of options to compose a segment of painting sculpture or other formal composition. This template results in a startlingly diverse array of images objects sounds and spaces. Roden's every artwork whatever its form is both familiar yet utterly unexpected. He's an eccentric virtuoso whose paintings look abstract but only in the way that a chair a tree a face or even a Pop-Tart becomes abstract the longer you look at it. This catalog of a 20-year mid-career survey of Roden's work includes an illustrated essay by curator Howard N. Fox and a CD with the four soundtracks from Roden installations. Armory Center for the Arts paperback books
1994150134N.p.: N.p. 1994. Vintage borderless double weight color reference photograph of director Robert Altman with Julia Roberts and Lyle Lovett on location at Roissy Airport Charles de Gaulle Airport for the 1994 film. French and English printed "Sipa Press" snipe and "Pica Pressfoto" label on verso. <br/><br/>Altman's lightly sardonic take on Paris Fashion Week featuring an enormous and star-studded ensemble cast of international actors models and designers.<br/><br/>Set in and shot on location in Paris France . <br/><br/>8 x 10 inches. Near Fine. N.p. unknown books
1990190077St. Peter's Parish 1990-01-01. Hardcover. Very Good. Clean has a good binding and crisp pages no marks or notations. Light wear. HB HS St. Peter's Parish hardcover books
1972128339N.p.: New World Pictures 1972. Original US one sheet poster a variant size in a variant yellow color scheme for the 1972 Italian film. <br/><br/>An early role for Vonetta McGee who would star in television shows like "L.A. Law" and "Bustin' Loose" and several other blaxploitation films in the 1970s. The film poster here is the yellow variant also known to have been printed in red.<br/><br/>23 x 34.25 inches folded. Studio label on the verso. Very Good plus with a couple of short closed tears and a couple of light stains. <br/><br/>Parish and Hill 14. New World Pictures unknown books
199921078Portland: Oasis Press 1999. First edition. Paperback. Fine. Sold here together are 14 issues of Oasia: B-Side Series poetry broadsides. Each issue is one large sheet folded once to form a four page booklet. All are in fine condition. All were published in slender editions of 50 trade copies and 26 lettered. This grouping is all from the trade editions except for the Arielle Greenberg Signed Letter M and Mitch Highfill also Signed Letter M. All published between 1999 and 2000 and edited by Stephen Ellis. <br/><br/> Oasis Press paperback books
1972655Paris: Honore Champion 1972. Good. 129 p. Wraps unopened. The text of Branch 1 accounting for the birth and formation of Reynard. Honore Champion paperback books
00654London: Printed by T. Ilive for Edward Brewster 1701. Early English Edition of the Reynard Fables<br/><br/>REYNARD THE FOX. The Most Delectable History of Reynard the Fox. Newly Corrected and Purged from all grossness in Phrase and Matter. Augmented and Enlarged with sundry Excellent Morals and Expositions upon every several Chapter. To which may now be added a Second Part of the said History: As also the Shifts of Reynardine the Son of Reynard the Fox Together with his Life and Death &c. London: Printed by T. Ilive for Edward Brewster 1701.<br/><br/>Bound together with:<br/><br/>REYNARD THE FOX. The Most Pleasant and Delightful History of Reynard the Fox. The Second Part. Containing Much Matter of Pleasure and Content. Written For the Delight of young Men Pleasure of the Aged and Profit of all. To which is added many Excellent Morals. London: Printed by A.M. and R.R. for Edward Brewster 1681.<br/><br/>And:<br/><br/>REYNARD THE FOX. The Shifts of Reynardine The Son of Reynard the Fox Or a Pleasant History of His Life and Death. Full of Variety &c. And may fitly be applied to the Late Times. Now Published for the Reformation of Mens Manners. London: Printed by T.J. for Edward Brewster and Thomas Passenger 1684.<br/><br/>Three parts in one small quarto volume 7 5/16 x 5 9/16 inches; 186 x 141 mm. 156 2 table of contents 2 publisher's advertisements; 111 1 publisher's advertisements; 8 160 pp. Mostly black letter with titles and side notes in roman letter. Sixty-two woodcuts in the first part printed from thirty-nine blocks and fifteen woodcuts in the second part five repeated all repeats from the first part. Most cuts signed "E.B." Edward Brewster. Woodcut on C1 recto Part I printed upside down.<br/><br/>Contemporary sprinkled sheep. Covers ruled and decoratively tooled in blind spine decoratively tooled in gilt in compartments with two red morocco gilt lettering labels. Minor restoration to covers. Some browning occasional light dampstaining and soiling. Part I with tiny puncture marks in the lower blank margin through gathering I just touching one letter in the imprint on the title-page six small holes in I3 and one tiny hole in I4 causing loss of a couple of letters. Part III with paper flaw in the upper blank corner of A3 and A4 tiny tear 1/4 inch in the lower blank margin of F4 and paper flaw in the lower blank corner of I2 none affecting text. Armorial bookplate of Gloucester on front free endpaper. Bookplate of Hugh Cecil Lowther 5th Earl of Lonsdale 1857-1944 on front pastedown his sale 12 July 1937 lot 445. An excellent copy. Housed in a quarter morocco clamshell box.<br/><br/>Reynard the Fox "hero of several medieval European cycles of versified animal tales that satirize contemporary human society. Though Reynard is sly amoral cowardly and self-seeking he is still a sympathetic hero whose cunning is a necessity for survival. He symbolizes the triumph of craft over brute strength usually personified by Isengrim the greedy and dull-witted wolf. Some of cyclic stories collected around him such as those telling of the wolf or bear fishing with his tail through a hole in the ice are found throughout the world; others like that of the sick lion cured by the wolf's skin are derived from Greco-Roman sources. The cycle arose in the area between Flanders and Germany in the 10th and 11th centuries when clerks began to forge Latin beast epics out of popular tales. The main literary tradition of Reynard the Fox descends from the extant French ‘branches' of the Roman de Renart about 30 in number nearly 40000 lines of verse. The facetious portrayal of rustic life the camel as a papal legate speaking broken French the animals riding on horses and recounting elaborate dreams all suggest the atmosphere of 13th-century France" Merriam-Webster's Encyclopedia of Literature.<br/><br/>"Caxton's immediate successors as printers of the Historye of Reynart the Foxe Wynkyn de Worde and Richard Pynson both published illustrated editions using the same woodcuts. Although neither a de Worde nor a Pynson edition survives intact there are fragments and there is circumstantial evidence to show that a Wynkyn de Worde edition of about 1495 or earlier was illustrated by a series of 43 woodcuts.apparently newly made for that edition.The earliest nearly complete fully illustrated History of Reynard the Fox to come down to us probably dates from the period 1560-1586. It survives in a unique copy.sometimes described as the ‘Anonymous' edition because it lacks the first few and the last few pages were we would expect to find the name of the printer and the place of publication. It contains 39 of the 43 Wynkyn de Worde cuts. To judge by their worn state.they had been much used since they were first made. This Anonymous edition also contains a series of 19 smaller artistically inferior pictures.They too are quite worn and may date from soon after the earliest illustrated editions.I have ascribed this Anonymous edition to the period 1560-1586. It is therefore just possible that it is either the lost William Powell edition of 1560-1561 or the lost Edward Allde edition of 1586 for both of these are mentioned in the Stationer's Register but neither survives" Kenneth Varty Reynard Renart Reinaert and Other Foxes in Medieval England: The Iconographic Evidence Amsterdam: 1999 pp. 98-99.<br/><br/>"From William Caxton's first edition 1481 to Thomas Gaultier's only edition 1550 the story is divided into 43 chapters. This may explain why the Wynkyn de Worde picture cycle contained 43 vertical cuts though in fact some chapters were not illustrated and some were illustrated with more than one picture. In the period before the appearance of the Anonymous edition we know.of only three illustrated editions: the one by Wynkyn de Worde sometime before or in 1495 and the other by him c. 1515; and the one by Richard Pynson somewhere between 1501 and 155. In the Anonymous edition between 1560 and 1585 the story is divided into 58 chapters. This may account for the frequent repetition of the vertical cuts as space-fillers and even for the introduction and occasional repetition of the smaller horizontal cuts. For most of the seventeenth century the story now short-titled The Most Delectable History of Reynard the Fox is divided into 25 chapters but this does not result in any noticeable reduction in the number of cuts used of either the vertical or the horizontal kind nor in the introduction of new illustrative material. In short the same cuts go on in much the same order apart from space-filler repetitions illustrating the same episodes. The first seventeenth-century edition to continue this picture cycle tradition is Edward Allde's 1620 followed by Elizabeth Allde's 1629. It continues in the two editions published in 1640 by Richard Oulton one for John Slater and the other for John Wright; also in the editions published by Jane Bell in 1650 1654 and 1656; and in the first edition published by Edward Brewster in 1662. By this date the Wynkyn de Worde blocks had become so worn and damaged that it is not surprising to discover a totally new set closely modelled on them and on the sixteenth-century horizontals and that this set should appear in an edition made for the publisher who last owned the de Worde blocks; that is in Edward Brewster's second edition in 1671 of The most Delectable History of Reynard the Fox.The forty different cuts which illustrate this edition all prominently display his initials EB. He published further illustrated editions in 1676 1681 1694 and 1701. In 1671 Brewster gave a new lease of life to the old picture cycle and in 1672 he grafted new life onto the old story with A Continuation Or Second Part Of The Most Pleasant and Delightful History of Reynard the Fox.In due course this new story about Reynard was to attract new illustrations but in this volume Brewster makes do with a sprinkling of fifteen cuts from his new cycle bearing the initials EB and he uses them again in his 1676 edition of the old story now called Part One and in his 1681 edition of both Part One and Part Two.In 1684 Brewster marketed a further sequel to this Continuation. Since Reynard was dead the chief role in this new story is given to one of his sons the one called Reynardine. It is entitled The Shifts of Renardine The Son of Reynard the Fox.Edward Brewster was not the only late seventeenth-century publisher of the Beast Epic to feel the need to renew it. His contemporary John Shurley sometimes spelled Shirley also felt that need and in 1681 he published his Most Delightful History of Reynard the Fox in Heroic Verse.Unlike other earlier renovations of the story it was never reprinted perhaps because the verse form was unpopular and because the illustrations were poor and few" Varty pp. 254-257.<br/><br/>Brunet IV cols. 1228-1229. Lowndes p. 2076. Varty Appendix Three: "A Short-Title List of All Extant Illustrated Histories of Reynard the Fox from Wynkyn de Worde c. 1495 to A. Soulby c. 1800 which are kept in United Kingdom libraries based on H. Menke Bibliotheca Reinardiana" 24 18 and 21. Wing S3512 Part II and S3436 Part III. London: Printed by T. Ilive, for Edward Brewster, 1701 unknown books
1684WRCLIT66732London: Printed by T.J. for Edward Brewster . and Thomas Passenger . 1684. Three parts bound in one volume. 80 leaves A-U4; 56 leaves A-O4; and 8160pp. Quarto. Modern blind paneled calf raised bands gilt label. First two parts illustrated with spirited woodcuts. Occasional foxing and mild spotting marginal smudges to first title usual tanning lower forecorners of E2-3 in first part torn away and replaced with a few letters and a few words in the sidenote in ms a few upper margins dust-soiled last three gatherings in third part supplied from another copy and trimmed slightly shorter at lower margin; a good sound copy neatly bound. First edition of the third part. An omnibus gathering of these three separately printed editions each with independent register and with the title of the first part taking into account the presence of the latter two. The terminal advert leaf to the first part is present. Wing attributes the text of the first part to John Shirley and that for the third is occasionally attributed to the publisher Edward Brewster. The first part is illustrated with 62 woodcut illustrations signed 'E.B.' of which 23 are repeats; the second part includes 15 woodcuts all of which appear as well in the first part. The first part was first printed in this form in 1667 and the second in 1672; the first part was reprinted again in 1701. Among the most widely adapted of the beast fables the tales of Reynard the Fox originated in the 12th and 13th centuries with early versions in French Dutch Latin and German being notable. Caxton printed a translation based on a Flemish text in 1481. The character of Reynard an anthropomorphic fox and trickster has since become almost an archetype in the literatures of several languages. ESTC R24532 & R218371 & R40614. WING S3513 & M2912 & S3436. BRUNET IV:1228. LOWNDES VII:2076. Printed by T.J. for Edward Brewster ... and Thomas Passenger ... hardcover books
1915CAT0127New York et al. 1915. Silver gelatin prints roughly 8 x 8 8 x 10 and 5 x 7 inches the last on a larger mount. Very Good. In 1914 Francis Red Fox James now presumed to be related to the Blackfoot tribe rode a horse across the country seeking states' approval for an American Indian national holiday. He delivered endorsements from 24 states to the federal government but a commemoration never materialized. The Washington Herald reported that James rode 4000 miles from a Crow reservation in Montana and was received by President Wilson to discuss the possibility of a "national Indian's Day" in October. Washington Herald 12/16/14 <br /> <br /> Although his mother was probably Blackfoot James claimed Native American heritage only as an adult. He changed his name by adding "Red" and later "Skiuhushu" to Francis Fox James. Two of the images in this collection contain familiar tropes of American Indian portraiture but the third offers an arresting image of James holding the American flag aloft as a kind of offering. This enigmatic gesture could be read as evidence of an optimistic belief in a mutual relationship between the US and American-Indian nations. It is also undoubtedly related to James' interest in legitimizing his Indian heritage as the founder of the Tepee Order a youth organization addressed mainly to white Protestant children. By 1920 the Order had evolved into an adult secret fraternal organization shrouded in mysticism. James was also associated with the Boy Scouts; he is credited with organizing the first All-Indian Boy Scout Troop in 1915. <br /> <br /> In The Search for an American Indian Identity 1970 Hazel Hertzberg writes that James "was deeply troubled by his degree of Indian 'blood.'" In addition to changing his name several times to seem more "Indian" he theorized that his Welsh ancestry was pre-Columbian using the Tepee Order to create a kind of third space a "pan-Indian society" that was neither Indian nor white. <br /> <br /> We find no other examples of these photographs though a US flag does appear on James' saddle in a photo documenting his White House visit. One picture signed by James with "Indian in Prayer "Great Spirit. / Red Fox James. Blackfeet." on recto and the following on verso: "A Gift / To my dear Friend / Eugene Beaton / c/o Burns Studio / Bucyrius sic Ohio. From Red Fox James / Blackfoot Tribe." Generally a very good collection with some fading to images but well preserved overall. unknown books
19961331514London: Lynne Rienner Publishers Inc 1996. First U.S. Edition. Hardcover. Octavo; pp 147; VG; gray spine with red text; no jacket; cloth shows clean exterior; cocked spine; text block clean; illustrated. 1331514. FP New Rockville Stock. Lynne Rienner Publishers, Inc hardcover books
19281327379Chicago: The White House Publishers 1928. First Edition. Hardcover. Octavo; G/VG-; Tan spine with red and black lettering; 323 pages; Some wear to the jacket with chips missing at the fore edge and the corners jacket spine is slightly faded; Boards are bumped with some light soiling at the spine; Some cracking at the gutters but all pages are bound; Text block age toned but clean; Shelved case 6. 1327379. Shelved Dupont Bookstore. The White House Publishers hardcover books
193019557New York: E.P. Dutton & Co. Inc. Near Fine in Very Good dj. 1930. 3rd printing. Hardcover. minor wear at spine ends top corner slightly bumped vintage price sticker from The White House San Francisco department store on rear pastedown; jacket a bit edgeworn short closed tear and associated diagonal crease at bottom of front panel light soiling to rear panel. Dutton Clue Mystery Series Mystery tale with a Parisian setting about "a young Frenchman of good family whose engagement to Gilberta Laval a lovely exquisite girl is poisonously opposed by Madame De Prasse and her idolized and gay son Lionel." By the author of "The Hands of Orlac" and "New Bodies for Old." Not a book you'll see every day of the week or maybe even once a year especially in such decent condition. . E.P. Dutton & Co., Inc. hardcover books
192919847New York: E.P. Dutton & Co. Inc. Very Good in Fair dj. 1929. 2nd printing. Hardcover. book is lightly worn with a touch of dust-soiling and faint spotting on the top edge of the text block; the jacket alas is badly compromised due to a large chunk having been torn away from the top left corner of the front panel taking with it about half of the title. "Body horror" novel about the psychological havoc wrought upon a famous pianist when his hands mangled in an accident are surgically replaced by those of a recently-executed murderer. Originally published in France in 1920 the novel was first filmed as a 1924 silent in Austria directed by Robert Wiene of "Caligari" fame; subsequent movie versions acknowledging the source novel were MAD LOVE 1935 starring Colin Clive and Peter Lorre and THE HANDS OF ORLAC 1960 with Mel Ferrer and Christopher Lee. It was also unofficially remade without source attribution as HANDS OF A STRANGER 1962 and is often acknowledged as an inspiration for the 1946 thriller THE BEAST WITH FIVE FINGERS. Rare in the dust jacket this example of which apart from the noted large missing piece is virtually unworn and is a great candidate for professional restoration. Alternatively one could take the much less expensive approach of obtaining a beautiful facsimile of the original jacket from the well-known purveyor of such things; details upon request. . E.P. Dutton & Co., Inc. hardcover books
1923152481New York: The Macaulay Company 1923. Octavo pp. i-iv v-vi vii-viii vii a-viii a 9-308 309-310: blank note: last leaf is a blank original olive green cloth front and spine panels stamped in black all edges stained green. First edition in English. The author's first and best novel first published in 1908 as LE DOCTEUR LERNE. Renard ". stands out as one of the most original authors to emerge at the beginning of the twentieth century . LE DOCTEUR LERNE impresses the reader with its up-to-date flavor and topicality. In his best pages Maurice Renard comes across as someone far ahead of his time someone who could be called a science fiction visionary." - Survey of Science Fiction Literature II pp. 560-63. ". a major step toward a recognizable modern science fiction ." - Anatomy of Wonder 1981 p. 13. ". generally regarded in France as the most important native SF writer for the period 1900-1930 ." - Clute and Nicholls eds The Encyclopedia of Science Fiction p. 1003. Bleiler Science-Fiction: The Early Years 1855. Clareson Science Fiction in America 1870s-1930s 646. Bleiler 1978 p. 165. Reginald 12141. A fine copy in fine printed dust jacket printed on green paper stock. A superior copy of a book seldom found in nice condition. #152481 The Macaulay Company unknown books
1923138506New York: The Macaulay Company 1923. Octavo pp. i-iv v-vi vii-viii vii a-viii a 9-308 309-310: blank note: last leaf is a blank original olive green cloth front and spine panels stamped in black all edges stained green. First edition in English. The author's first and best novel first published in 1908 as LE DOCTEUR LERNE. Renard ". stands out as one of the most original authors to emerge at the beginning of the twentieth century . LE DOCTEUR LERNE impresses the reader with its up-to-date flavor and topicality. In his best pages Maurice Renard comes across as someone far ahead of his time someone who could be called a science fiction visionary." - Survey of Science Fiction Literature II pp. 560-63. ".a major step toward a recognizable modern science fiction ." - Anatomy of Wonder 1981 p. 13. ". generally regarded in France as the most important native SF writer for the period 1900-1930 ." - Clute and Nicholls eds The Encyclopedia of Science Fiction p. 1003. Bleiler Science-Fiction: The Early Years 1855. Clareson Science Fiction in America 1870s-1930s 646. Bleiler 1978 p. 165. Reginald 12141. A fine copy in fine printed dust jacket printed on green paper stock with light tanning to spine panel. A superior copy of a book seldom found in nice condition. #138506 The Macaulay Company unknown books
192384547New York: The Macaulay Company 1923. Octavo pp. i-iv v-vi vii-viii vii a-viii a 9-308 309-310: blank note: last leaf is a blank original olive green cloth front and spine panels stamped in black all edges stained green. First edition in English. The author's first and best novel first published in 1908 as LE DOCTEUR LERNE. Renard ".stands out as one of the most original authors to emerge at the beginning of the twentieth century. LE DOCTEUR LERNE impresses the reader with its up-to-date flavor and topicality. In his best pages Maurice Renard comes across as someone far ahead of his time someone who could be called a science fiction visionary." - Survey of Science Fiction Literature II pp. 560-63. ".a major step toward a recognizable modern science fiction." - Anatomy of Wonder 1981 p. 13. ".generally regarded in France as the most important native SF writer for the period 1900-1930." - Clute and Nicholls eds The Encyclopedia of Science Fiction p. 1003. Bleiler Science-Fiction: The Early Years 1855. Clareson Science Fiction in America 1870s-1930s 646. Bleiler 1978 p. 165. Reginald 12141. Some offsetting to endpapers previous owner's bookplate affixed to front paste-down a near fine copy in near fine dust jacket with slight age-darkening to spine panel. #84547 The Macaulay Company unknown books
