881 résultats
180367960First Edition Of The First Work On Orthodontics FOX Joseph. The Natural History of the Human Teeth. Including a Particular Elucidation of the Changes Which Take Place During the Second Dentition and Describing the Proper Mode of Treatment to Prevent Irregularities of the Teeth. To Which is Added An Account of the Diseases Which Affect Children During the First Dentition. Illustrated with Thirteen Copper-Plates. London: Printed for Thomas Cox 1803. First Edition. Quarto 10 7/8 x 8 7/8 inches; 275 x 225 mm. viii 100 13 explanation of plates 1 blank pp. Presentation copy from the author on a slip tipped in at the head of the title-page which reads "Mr. Pitt with best respects/from the Author". With thirteen copper-plates. Contemporary half calf over marbled boards rebacked with original spine neatly laid down. Spine with green calf spine label. Label lettered in gilt. Spine tooled in gilt. Calf ruled in blind. Newer endpapers. Some mild oxidation mainly to title-page and first few leaves as well as some mild foxing to a few plates but mainly along edges. A small wormhole at the very edge of the lower margin not affecting text. Overall a very good copy. "Fox's classic treatise on the teeth is the first to include explicit directions for correcting dental irregularities. It is the first work on orthodontics"--Garrison-Morton 3679. "In the spring of 1799 Fox began a course of lectures on the teeth to students at Guy's and he continued as a lecturer there until his death. This was certainly the first series of lectures specifically on dentistry to be given in Britain and probably in the world. On them he based his two books The Natural History of the Human Teeth 1803 and The History and Treatment of the Diseases of the Teeth 1806 which were the first important dental works in English to have illustrations of operative dental procedures and of pathological dental conditions. Fox was also the first to give specific instructions for the correction of irregularities of the teeth. There were three English editions of his works two American editions and a French translation by Lemaire. These works were the first true textbooks on dentistry for students and practitioners and for the next fifty years they were the most quoted ones in the English-speaking world." Oxford Dictionary of National Biography. Garrison and Morton 3679. Norman Library 825. HBS 67960. $3500 Printed for Thomas Cox hardcover books
1960250268Cambridge. Mass: Dept. of Printing and Graphic Arts Harvard College Library 1960. Number 29. Copies 1-50 with a series of preliminary trial proofs of the original lithographs . Also a complete extra set of the original lithographs contained in the book separately cased and enclosed with the book in a box case. illustrations by Walter Stein 61 pp. Oblong 8vo. Original quarter calf in original quarter black calf folding linen case. Number 29. Copies 1-50 with a series of preliminary trial proofs of the original lithographs . Also a complete extra set of the original lithographs contained in the book separately cased and enclosed with the book in a box case." illustrations by Walter Stein 61 pp. Oblong 8vo. With note in Phil Hofer's hand on colophon "Special Copy with sheet of proof lithographs for Bob and Deirdre Pirie." The Artist and the Book 1860-1960 #292 p. 197 Dept. of Printing and Graphic Arts, Harvard College Library unknown books
1960173978Cambridge MA: Dept. of Printing and Graphic Arts Harvard College Library 1960. Limited to 600 copies in three formats this being No. 75 of copies 51 to 150 that contain an extra set of lithographs. Hardcover. VG/VG case showing very mninor wear to the leather at the base of the spine. pale bluish green printed paper-covered boards with black leather spine with gilt title. 61 pp. 13 mounted lithographs along with a complete extra set of the original lithographs contained in the book separately cased and enclosed with the book in a box case. all contained in a linen covered clamshell case with matching black leather spine with gilt title. Numbered 75 on the limitation page and also signed by the artist and the translator. From a total edition of 600 this is number 56 of 100 copies 51-150 signed by both artist and translator printed on hand-made paper and containing an extra suite of 13 loose lithographs each signed or initialed by Stein in pencil. Dept. of Printing and Graphic Arts, Harvard College Library hardcover books
1966159288New York: George Braziller 1966. First edition. Hardcover. Text by Renard translated from the French by Elizabeth Roget and with black and white illustrations by Toulouse-Lautrec. A near fine copy with some light foxing to the page edges in a near fine dust jacket with some slight sunning to the spine and some very minute edge wear. George Braziller unknown books
199338946Norwalk: Laser Images 1993. Paperback. Very good. 173pp index. Very good in publisher's wraps. <br/><br/> Laser Images paperback books
1923152481New York: The Macaulay Company 1923. Octavo pp. i-iv v-vi vii-viii vii a-viii a 9-308 309-310: blank note: last leaf is a blank original olive green cloth front and spine panels stamped in black all edges stained green. First edition in English. The author's first and best novel first published in 1908 as LE DOCTEUR LERNE. Renard ". stands out as one of the most original authors to emerge at the beginning of the twentieth century . LE DOCTEUR LERNE impresses the reader with its up-to-date flavor and topicality. In his best pages Maurice Renard comes across as someone far ahead of his time someone who could be called a science fiction visionary." - Survey of Science Fiction Literature II pp. 560-63. ". a major step toward a recognizable modern science fiction ." - Anatomy of Wonder 1981 p. 13. ". generally regarded in France as the most important native SF writer for the period 1900-1930 ." - Clute and Nicholls eds The Encyclopedia of Science Fiction p. 1003. Bleiler Science-Fiction: The Early Years 1855. Clareson Science Fiction in America 1870s-1930s 646. Bleiler 1978 p. 165. Reginald 12141. A fine copy in fine printed dust jacket printed on green paper stock. A superior copy of a book seldom found in nice condition. #152481 The Macaulay Company unknown books
1923138506New York: The Macaulay Company 1923. Octavo pp. i-iv v-vi vii-viii vii a-viii a 9-308 309-310: blank note: last leaf is a blank original olive green cloth front and spine panels stamped in black all edges stained green. First edition in English. The author's first and best novel first published in 1908 as LE DOCTEUR LERNE. Renard ". stands out as one of the most original authors to emerge at the beginning of the twentieth century . LE DOCTEUR LERNE impresses the reader with its up-to-date flavor and topicality. In his best pages Maurice Renard comes across as someone far ahead of his time someone who could be called a science fiction visionary." - Survey of Science Fiction Literature II pp. 560-63. ".a major step toward a recognizable modern science fiction ." - Anatomy of Wonder 1981 p. 13. ". generally regarded in France as the most important native SF writer for the period 1900-1930 ." - Clute and Nicholls eds The Encyclopedia of Science Fiction p. 1003. Bleiler Science-Fiction: The Early Years 1855. Clareson Science Fiction in America 1870s-1930s 646. Bleiler 1978 p. 165. Reginald 12141. A fine copy in fine printed dust jacket printed on green paper stock with light tanning to spine panel. A superior copy of a book seldom found in nice condition. #138506 The Macaulay Company unknown books
192384547New York: The Macaulay Company 1923. Octavo pp. i-iv v-vi vii-viii vii a-viii a 9-308 309-310: blank note: last leaf is a blank original olive green cloth front and spine panels stamped in black all edges stained green. First edition in English. The author's first and best novel first published in 1908 as LE DOCTEUR LERNE. Renard ".stands out as one of the most original authors to emerge at the beginning of the twentieth century. LE DOCTEUR LERNE impresses the reader with its up-to-date flavor and topicality. In his best pages Maurice Renard comes across as someone far ahead of his time someone who could be called a science fiction visionary." - Survey of Science Fiction Literature II pp. 560-63. ".a major step toward a recognizable modern science fiction." - Anatomy of Wonder 1981 p. 13. ".generally regarded in France as the most important native SF writer for the period 1900-1930." - Clute and Nicholls eds The Encyclopedia of Science Fiction p. 1003. Bleiler Science-Fiction: The Early Years 1855. Clareson Science Fiction in America 1870s-1930s 646. Bleiler 1978 p. 165. Reginald 12141. Some offsetting to endpapers previous owner's bookplate affixed to front paste-down a near fine copy in near fine dust jacket with slight age-darkening to spine panel. #84547 The Macaulay Company unknown books
1923110277New York: The Macaulay Company 1923. Octavo pp. i-iv v-vi vii-viii vii a-viii a 9-308 309-310: blank note: last leaf is a blank original olive green cloth front and spine panels stamped in black all edges stained green. First edition in English. The author's first and best novel first published in 1908 as LE DOCTEUR LERNE. Renard ".stands out as one of the most original authors to emerge at the beginning of the twentieth century. LE DOCTEUR LERNE impresses the reader with its up-to-date flavor and topicality. In his best pages Maurice Renard comes across as someone far ahead of his time someone who could be called a science fiction visionary." - Survey of Science Fiction Literature II pp. 560-63. ".a major step toward a recognizable modern science fiction." - Anatomy of Wonder 1981 p. 13. ".generally regarded in France as the most important native SF writer for the period 1900-1930." - Clute and Nicholls eds The Encyclopedia of Science Fiction p. 1003. Bleiler Science-Fiction: The Early Years 1855. Clareson Science Fiction in America 1870s-1930s 646. Bleiler 1978 p. 165. Reginald 12141. Slight spine lean mild bruise to lower front corner tip else a fine copy in nearly fine printed dust jacket printed on green paper stock with some tanning to spine panel and along flap folds. A superior copy of a book seldom found in nice condition. #110277 The Macaulay Company unknown books
1923159253New York: The Macaulay Company 1923. Original American Edition. Hardcover. NF contents; VG covers; Good DJ with some fading to spine a bump to upper outer front corner and small tears to head/tail of spine. Moss green cloth/boards; black lettering. Moss green dj with black lettering including an excerpt from the dedication to H.G. Wells. All edges painted green. 308 pages with no illustrations. A scarce copy of the American English edition of Renard's early sci-fi novel originally published in France as Le Docteur Lerne. "The publication of Renard's first sf novel in 1908 Le Docteur Lerne Doctor Lerne gained him rave reviews and launched him into the limelight of Parisian literary circles. Although strongly derivative of Wells' The Island of Dr Moreau 1896-an influence openly acknowledged by Renard in his dedication-Le Docteur Lerne extrapolates the notion of biological engineering much further than Wells all the way into the fantastic. After years of experimentation in grafting animal parts to plants and vice-versa producing at times some quite amazing results Dr. Lerne begins interchanging brains between animals between humans and even between animals and humans. As a result of these experiments he ultimately learns how to project his own mind and spirit into other animate and not-so-animate objects like people trees and even an automobile. The narrative itself is recounted in the first person by Dr. Lerne's visiting nephew Nicolas: he gradually in detective-like fashion uncovers the truth of his uncle's experiments and his reactions to them range from morbid curiosity to outright horror. Part of the originality of the tale however is not in the sometimes outlandish plot sequences but in the manner in which they are told. The originality of this novel is two-fold: in its sf eroticism and in how it portrays the mind-body split through narrative point of view. One example: Nicolas is forced to have his brain exchanged with that of a bull. Following the surgery the young man must now struggle to acclimate himself to the alien: not only to his new bovine body and instincts but also to seeing his old self as the "other"-especially when the latter makes overtly sexual advances toward "his" mistress. Another example: later in the text after receiving his own brain back again the narrator is in the throes of a steamy sexual interlude with his aforementioned mistress when he suddenly feels the presence of another person's identity intruding into his mind and taking over his body: it is Dr. Lerne who gazing through a peephole nearby decides to become a more-than-first-hand observer to the proceedings. Such risqué subject matter and offbeat points of view in Le Docteur Lerne-continually oscillating as it does between the vicarious and voyeuristic-make it a quite original sf text and one that foreshadows other erotic science-fiction works by writers like Philip José Farmer Robert Silverberg and Kate Wilhelm published over a half century later. Of course if one were to judge Renard's Le Docteur Lerne from its only-available English translation New Bodies for Old one would never have the opportunity to read such passages. They are not there. In fact this translation seems to aptly exemplify the marketplace strategy known as "bait-and-switch." On its intentionally provocative dust jacket after the title "Maurice Renard's Startling Novel New Bodies for Old or The Strange Experiments of Dr. Lerne" the publisher chooses to quote the most enticingly suggestive portions of the author's dedication to Wells: "When Fortune.allowed me to discover the subject of this allegorical novel I felt bound not to set it aside because of a few audacities which a faithful rendering involved. Far from desiring to arouse.instinct in my reader and amuse him with scandalous descriptions my work is addressed to the philosopher." But when one then reads the actual narrative one discovers that all such "audacities" and "scandalous descriptions"-i.e. all passages of sexuality like those I have discussed-have been thoroughly and meticulously excised. Despite its cover's subtle promises of titillation the content of Renard's book has been truncated so as not to offend its anglophone audience's supposed sense of moral propriety." - by Arthur B. Evans from depauw.edu. The Macaulay Company hardcover books
Q19M-00092Pantheon. Used - Very Good. Very Good condition. Owner's name on endpage. Pantheon unknown books
19029027341Albany: New York Monuments Commission 1902. Hardcover. Very good. New York at Gettysburg. Bound in publisher's original grey cloth with printed label on spine top edge gilt. Volume 2 front inner hinge separated from text block text block is tight. Volume 3 both inner hinges are separated text bloc is tight. All three spine labels are scuffed. <br/><br/> New York Monuments Commission hardcover books
198932065San Diego: Harcourt Brace & Company. Fine in Fine dust jacket. 1989. Hardcover. 0152005439 . Illustrated by Terry Denton. Third printing. Fine in a fine dust jacket. . Harcourt Brace & Company hardcover books
WALTER-FILM004347No binding. Very Good. Photo Hollywood: Twentieth Century Fox 1950. Set of five 5 vintage original 8 x 10"" 20 x 25 cm. photos USA. Slight marginal spotting on two else JUST ABOUT FINE. Sidney Poitier's film debut he was previously an uncredited extra in the 1947 SEPIA CINDERELLA as a young African American doctor unjustly accused by a white racist hoodlum of having murdered his brother in a prison hospital ward. Most of the original advertising materials for the film emphasized the white actors. These five photos are entirely of the black actors two of them of the 22-year-old Poitier and three of Ruby Dee Amanda Randolph and Mildred Smith. unknown books
WALTER-FILM001074No binding. Fine. Fine Art Print Vintage original 11 x 14"" 28 x 35 cm. title lobby card USA. Richard Widmark Linda Darnell Stephen McNally Sidney Poitier dir: Joseph L. Mankiewicz; Twentieth Century Fox. Brilliant Academy Award-nominated screenplay by director Mankiewicz which dealt with racism and bigotry. The film was shocking and controversial when released for its subject matter and perhaps more so today but for the reasons of its political incorrectness. It is an important document of where Americans were in 1950 and how far things have come in the years since. This is one of the most dynamic pieces of poster art ever created. The campaign was known to feature some of the very earliest of Saul Bass' art. The lay out for this piece of art is attributed to Paul Rand with Saul Bass perhaps involved in the title treatment. Card features Aug. 12 1950 stamp on verso is like new pristine and never used FINE. unknown books
201244682Atlanta: Possible Futures 2012. Paperback. Very Good. 260pp. Very good in publisher's wraps. <br/><br/>exc n Possible Futures paperback books
2012129852Atlanta Georgia: Possible Futures Inc 2012. Softcover. As New. Black/blue/gray illustrated wraps with french folds. ix 260 pp. Profusely illustrated mostly in color. Text in English Portuguese and Chinese. "Noplaceness is a collection of attempts to understand what contemporary art made in Atlanta means in a globalized world. The works presented here may not offer answers but together they ask one of the questions most urgent in our time: Where is our common ground when the space we occupy doesn't add up to a place we can define." - back cover. From the preface: This volume launches a biennial critical series that explores work by Atlanta artists who are engaged in the global contemporary art dialogue. Possible Futures, Inc paperback books
WELLER9780393248852New. New book. unknown books
201836346NY: W.W. Norton 2018. Hardcover. Very good. First Edition. Very good hardback in a very good dustjacket. <br/><br/> W.W. Norton hardcover books
1970URENNOT00DCeditions du seuil 1970. Very Good. Renard Jean-Claude. Notes Sur la Poesie. Paris: editions du seuil 1970. 153pp. 8vo. Paperback. Book condition: Very good with gentle bumps and light rubbing. editions du seuil paperback books
199921078Portland: Oasis Press 1999. First edition. Paperback. Fine. Sold here together are 14 issues of Oasia: B-Side Series poetry broadsides. Each issue is one large sheet folded once to form a four page booklet. All are in fine condition. All were published in slender editions of 50 trade copies and 26 lettered. This grouping is all from the trade editions except for the Arielle Greenberg Signed Letter M and Mitch Highfill also Signed Letter M. All published between 1999 and 2000 and edited by Stephen Ellis. <br/><br/> Oasis Press paperback books
2014168959Seattle WA: Marquand Books 2014. First edition. Hardcover. First printing. 159 pages. Features essays by Claudia Bohn-Spector and Howard N. Fox. Includes numerous color illustrations list of illustrations list of previous exhibitions selected bibliography and artist's acknowledgments. A very near fine copy in illustrated boards. No dust jacket as issued. Signed and very nicely inscribed by Muller on the title page. Marquand Books unknown books
200628047Portland OR: Nazraeli Press 2006. First Edition. Hardcover. Fine. Stunning aerial photographs of the Los Angeles area by photographer David Maisel. Photographs take on an almost surveillance-like feel from the height at which they were taken and printed as they appear in the original negative form. The photographs are preceded by Mark Strand's poem "Black Maps" and ends with an essay by William L. Fox entitled "Shadowlands." First Printing. Unpag. 15 black and white plates. Clean crisp copy with Maisel's photograph illustration of reprinted on cover. Nazraeli Press hardcover books
2006153600Portland OR: Nazraeli Press in association with The Joy of Giving Something Inc 2006. First edition. Hardcover. Text by Maisel with an essay by William L. Fox and a poem by Mark Strand. A collection of 15 duotone images of aerial photographs of Los Angeles. A fine copy in boards. No dust jacket as issued. Signed by Maisel on the title page. Nazraeli Press in association with The Joy of Giving Something, Inc unknown books
2006157490Portland OR: Nazraeli Press in association with The Joy of Giving Something Inc 2006. First edition. Hardcover. One of only 5 copies. Text by Maisel with an essay by William L. Fox and a poem by Mark Strand. A collection of 15 duotone images of aerial photographs of Los Angeles. A fine copy in boards. No dust jacket as issued and in a fine clamshell box. Includes an orginal c-print of Oblivion 3n 2004. The book is signed by Maisel on the title page.T he original photograph is in fine condition and is signed by Maisel on the verso. Uncommon. Nazraeli Press in association with The Joy of Giving Something, Inc unknown books