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Four Volumes bound in two. Illustrated with Eighty-Five full page copperplates. Early manuscript ownership of Sarah B. Roger, 1847 on title pages of Volume One and Volume Three. Light age stain in volumes one and two. Mild damp stain on bottom corner margins of volume three and four. 230 mm. Original full leather bindings, worn. Spines very worn with loss. Front board of volume one detached, other boards very fragile. Hardbound. Fair. Text good. Oliver Goldsmith (1728-1774) was an Irish novelist, playwright and poet, who is best known for his novel 'The Vicar of Wakefield' (1766), his pastoral poem 'The Deserted Village' (1770), and his plays 'The Good-Natur'd Man' (1768) and 'She Stoops to Conquer' (1771). He is thought to have also written the classic children's tale 'The History of Little Goody Two-Shoes' (1765). First published in 1774 'A History of the Earth and Animated Nature' was also extremely popular. This Philadelphia 1845 edition is scarce and complete examples are rarely offered for sale. PAIMP20
2nd printing. 8vo, 32 pages, illustrated in colour. Illustrated by Ray Keane, name of previous owner on title page in pen. Light creasing to the covers. eng
143p., illus. Allabout series 16 Hardcover Very good condition
8vo. Pp. [vi],143,[3], many nice drawings, index. Orig. cloth.
111 pages. An awesome collection of blues songs including: All Your Love, Back Door Man, Blues Get Off My Shoulder, Boom Boom, Bring it on Home, Call Me, Can't Hold On Much Longer, Carol, Checkin' Up on my Baby, Close to You, Don't Start Me Talkin', Every Day I Have the Blues, Evil is Going On, Fattening Frogs for Snakes, Goin' Down Slow, Good Morning Little School Girl, Here Tis', I Can't Quit You Baby, I Love the Life I Live, I'd Rather Go Blind, It do me so Good, Killing Floor, Little Queenie, Mellow Down Easy, Mother Earth, Reconsider Baby, The Seventh Son, Sitting on Top of the World, Smokestack Lightnin', So Many Roads, Spoonful, Steppin' Out, The Sun is Shining, Susie-Q, Tell Me, That's All Right, Walking by Myself, Wang Dang Doodle, Who Do You Love, Who's Been Talking, You Shook Me. Binding intact. Above-average wear. Unmarked. Three-inch opening to front cover at base of spine. A worthy copy of this superlative compilation. Book
Telephone Talk was the glossy bimonthly publication of the British Columbia Telephone Company. It was written by employees for employees to present information of interest to those engaged in the plant, traffic, commercial, operating, accounting and other departments of the service. Each issue is replete with black and white photos and information on topics such as: company, industry and technological news, traffic levels, expansion plans, personnel announcements, publicity and social events, deaths, weddings, lists of exchanges, and more. As such, these issues serve as a vital preserve of rare and fascinating British Columbia history. This volume covers topics including: Photo of downton Nelson; Bird's-eye photo of Nelson from atop a mountain on north shore of west arm; Kootenay Feature 'The Romance of the 1890s - 8 pages of text and archival photos, including electric street cars in Nelson!; Table showing 'Exchanges in order of percent good toll calls; Cover advert. for Northern Electric Vacuum Cleaner!; Review of growth show steady expansion - 3 pages; Telephoning across Atlantic by AT&T Wireless continued for hours; When the Victoria and Esquimalt Telephone Company issued its own (one call) nickels; B.C. Industrial Review - statistics; Bar graph of # of phones operated from 1906 through 1923; the company's operator school; Issuing of monthly phone bills a work of magnitude - 4 page article with photos; photos of the halibut industry before 'the fish were scarcer in quantities and their habitats more scattered'; William Farrell- an appreciation of the former company president; 7 page article on B.C.'s deep sea fishing industry - great photos - halibut, herring, flounder; multiple photos from the Kootenays of snakes which have climbed up phone poles onto the wires!; photo of 25 year-old phone; Great full-page photo of the CIBC building at Hastings and Granville; 8 page article on the banks of vancouver with excellent photos; First interdepartmental football game; new power plant at Seymour office; A phone in B.C. for every 6 persons; Feature on Dams and the water-powers that turn the wheels of industry - photos of dams and various industries which use electricity, including the American Can factory and grain elevators; new power plant at Seymour office - illustrated; photos of productive farms and ideal homesites with super centerfold luxury Saanich home; Cover photo of U.S. President Harding in Stanley Park; Full-page photos of the U.S.S. Henderson entering the narrows and at dock with President Harding aboard; 13 page illustrated feature on the visit of President Harding - the first visit to Canada made by a President of the United States (President Harding died mere days later on August 2nd in San Francisco and this is reported as well); Photo of Crosland Bros. Farm in Duncan; 9 page illustrated feature on the seed growers of B.C.; photo of Duncan office under construction; Nice 8-page illustrated feature on Haney and area; photographing sound; Exploring Kootenay - Bill Skilling; 9 page illustrated feature on the Delta and Ladner district; Many miles of new long distance circuits; Improved inter-office trunk lines in Vancouver; and more. Half-leather binding. Average wear overall with the exception of the backstrip which is missing small chips and loose at back edge. Ink stamp of company executive E.P. LaBelle upon top edge else unmarked. Binding intact. Spine leaning moderately. Book
pp. xvi, 423 + Frontis. Slight foxing. 12mo. 19 cm. Original full cloth binding. Engraved ExLibris of George Dawson Coleman. Very good. This first American edition of the first of what eventually became four series. It includes Buckland's popular essays on: 'A Hunt in a Horse-pond; 'Rats'; 'The Cobra di Capello'; 'Fish and Fishing'; and 'My Monkey Jacko.' Known as the People's Naturalist, Buckland was trained as a medical doctor but spent a great part of his time as a fisherman, antiquary, and naturalist. In 1867 he was appointed to the congenial post of Inspector of the Salmon Fisheries. "Genial, sagacious, enthusiastic, always prone to look at the humorous side of his subject, Buckland aimed rather at enlisting the sympathies of others in his favourite studies than at acquiring the name of a profound writer on science. He held the ordinary usages of society in supreme contempt when they appeared to interfere with his zeal for experiment and research in natural history. His friends love to recall him - now wading into some icy cold river to capture salmon for the purposes of artificial breeding - now smoking and in his shirt sleeves as he arranged curiosities at South Kensington - and now again humorously dilating in his house in Albany street about the habits of the pet animals which generally ran loose through his rooms" - From the 'Dictionary of National Biography' Scarce. **PRICE JUST REDUCED! W147
In -8°, pp. (8), 83, (1), stemma cardinalizio inciso su legno al frontespizio. Legatura in mezza pergamena. Edizione originale. Trattato medico sui veleni, sulla prevenzione e sul modo di curarsi. Andrea Bacci (Sant’Elpidio, Ancona 1524 - Roma 1600), medico, naturalista e filosofo, professore di botanica e di farmacologia a Roma, offre una definizione di veleno come elemento dannoso alla salute di origine sia naturale, quindi animale, vegetale e alimentare, che non naturale. Le cause di avvelenamento per morso di serpente sono trattate in maniera particolare, anche rispetto alla preparazione degli antidoti e al modo di riconoscere il morso o una generica assunzione di elemento velenoso. Un capitolo specifico è dedicato al morso del cane affetto da rabbia. Durling 428; Wellcome 604 Original edition. A medical work on poisons, their prevention and the way to take soon of. Andrea Bacci (1524-1600), doctor, naturalist and philosopher, teacher of bothanics and farmacy at Rome University, gives a definition of poison as a harmful agent of an either natural or innatural source. The poisoning by a snake bite is considered apart, even in order to antidotes’ composition and to the way of distinguishing a snake’s bite from generic poisoning. A specific chapter is dedicated to the rabid dog’s bite. Durling 428; Wellcome 604
pp. 183-233, 4 photogr. pls., 8 figs., 1 graph, refs. 8vo. Journal issue wrs. Spine neatly mended.
Features: The First Men on the moon - the ultimate assignment, by John H. Faber; Caucasus Mountain Expedition - a naturlist returns to Central Asia; Sea Bears of the Pribilofs - will they survive human predation?; Saturation Diving - a new frontier of nautical archeology; Exploring Nepal's Rivers - the Talu Beri, Beri and the Karnali; Australia's Lake Eyre - when the rains came; East African Field Trips - students sample ethnic lifeways; Solar Energy - a return to basics; Sea Snakes of Gato Island - an exotic resource of the Philippines. Average wear. Unmarked. A sound copy. Book
A clean, unmarked book with a tight binding. 365 pages. Attractive small format: 4 1/8"w x 6 7/8"h. Full maroon cloth boards. Small tears and edge wear to dust jacket. With four colored plates and 103 drawings by Albert A. Enzenbacher.
74 pages. Features: Kitbashing the Bachmann flatcar and gondola; Acoma Central No. 4; Eliminating rail snakes; Locomotive aging made easy; Installing sound systems; The Marietta & Cincinnati; Working M/U cables; The 7th Annual National Garden Railway Convention. Moderate wear. A sound copy.. Book
125 pages. Brings three characters to life doing what they do best - telling tall tales collected by the author from across North America. In the author's hands the art of storytelling is still rolling along... like hoop snakes after tree frogs. Moderate wear and soiling. Unmarked. Book
Bella incisione colorata a mano del 1856 che rappresenta una scena naturale con una specie di Boa. Planche estratta da libro. TECNICA: Incisione su acciaio colorata DIMENSIONI FOGLIO: cm 25,5x20 DIMENSIONI INCISIONE: cm 20,5x16 EPOCA: 1856 In buone condizioni, qualche fioritura Nice coloured engraving of 1856 representing a natural scene with a species of Boa. Planche removed from a book In good conditions, foxings. TECHNIQUE: coloured steel engraving LEAF SIZE: cm 25,5x20 PRINT'S SIZE: cm 20,5x16 PERIOD: 1856
Pages 393-504. Features: The Education of Linton Usher; Descendants of the Dumonts of Vevay; The Fur Trade of the Ohio Valley; Pioneer Folklore Relative to Snakes; Indiana Historical Society; Social Studies in High School; Danger on Wabash (Vincennes Letters of 1786); Living in a Distracted World, 1914-1920; and more. Moderate wear. Clean and unmarked with moderate wear. Binding intact. A quality vintage copy. Book
Bella incisione colorata a mano del 1825 circa tratta dalla monumentale opera di storia naturale di Buffon, carta spessa. L'incisione rappresenta due specie di serpenti: Bitis atropos del Sud Africa e un Dipsas<BR>In buone condizioni, fioriture. TECNICA: Incisione su acciaio colorata AUTORE: Lacepede DIMENSIONI FOGLIO: cm 22x13,5 DIMENSIONI INCISIONE: cm 15,5x9,5 EPOCA: 1825 circa Buffon fu un'esponente del movimento scientifico legato all'illuminismo e le sue teorie influenzarono le generazioni successive di naturalisti in particolare Jean Baptiste Lamarck e Charles Darwin.<BR>Questa è la sua opera più celebre ed è l'"Histoire Naturelle" pubblicata per la prima volta tra il 1749 ed il 1789 in 36 volumi di cui 8 postumi grazie al lavoro di Bernard Lacepede. Buffon espone tutto il sapere dell'epoca nel campo delle scienze naturali e proprio in questo scritto rilevò le somiglianze tra l'uomo e la scimmia e la possibilità di una genealogia comune. Nice engraving of 1825 circa taken from the monumental work of natural history by Buffon, wide paper.<BR>The engraving represents ttwo species of snakes: Bitis atropos of South Africa and one Dipsas.<BR>In good conditions, foxings. TECHNIQUE: coloured steel engraving AUTHOR: Lacepede LEAF SIZE: cm 22x13,5 PRINT'S SIZE: cm 15,5x9,5 PERIOD: 1825 circa Buffon was an exponent of the scientific movement connected to illuminism and his theories inspired the next generations of naturalists in particular Jean Baptiste Lamarck and Charles Darwin.<BR>His most famous work is l'"Histoire Naturelle" published for the first time between 1749 and 1789 in 36 volumes of which 8 are posthumous thanks to the work of Bernard Lacepede. Buffon exposes in the work all the notions in natural history and in this writing in particular underlined the similarity between monkeys and man with a possibility of common genealogy.
Bella incisione colorata a mano del 1825 circa tratta dalla monumentale opera di storia naturale di Buffon, carta spessa. L'incisione rappresenta due specie di serpenti: una vipera e un serpente brasiliano<BR>In buone condizioni, fioriture. TECNICA: Incisione su acciaio colorata AUTORE: Lacepede DIMENSIONI FOGLIO: cm 22x13,5 DIMENSIONI INCISIONE: cm 15,5x9 EPOCA: 1825 circa Buffon fu un'esponente del movimento scientifico legato all'illuminismo e le sue teorie influenzarono le generazioni successive di naturalisti in particolare Jean Baptiste Lamarck e Charles Darwin.<BR>Questa è la sua opera più celebre ed è l'"Histoire Naturelle" pubblicata per la prima volta tra il 1749 ed il 1789 in 36 volumi di cui 8 postumi grazie al lavoro di Bernard Lacepede. Buffon espone tutto il sapere dell'epoca nel campo delle scienze naturali e proprio in questo scritto rilevò le somiglianze tra l'uomo e la scimmia e la possibilità di una genealogia comune. Nice engraving of 1825 circa taken from the monumental work of natural history by Buffon, wide paper. The engraving represents ttwo species of snakes: one viper and a Brazil snake. In good conditions, foxings TECHNIQUE: coloured steel engraving AUTHOR: Lacepede LEAF SIZE: cm 22x13,5 PRINT'S SIZE: cm 15,5x9 PERIOD: 1825 circa Buffon was an exponent of the scientific movement connected to illuminism and his theories inspired the next generations of naturalists in particular Jean Baptiste Lamarck and Charles Darwin.<BR>His most famous work is l'"Histoire Naturelle" published for the first time between 1749 and 1789 in 36 volumes of which 8 are posthumous thanks to the work of Bernard Lacepede. Buffon exposes in the work all the notions in natural history and in this writing in particular underlined the similarity between monkeys and man with a possibility of common genealogy.1
Bella incisione colorata a mano del 1825 circa tratta dalla monumentale opera di storia naturale di Buffon, carta spessa. L'incisione rappresenta due specie di serpenti: La biscia comune e il Cervone (Elaphe quatuorlineata) In buone condizioni, fioriture. TECNICA: Incisione su acciaio colorata AUTORE: Lacepede DIMENSIONI FOGLIO: cm 21,5x13,5 DIMENSIONI INCISIONE: cm 15,5x9,5 EPOCA: 1825 circa Buffon fu un'esponente del movimento scientifico legato all'illuminismo e le sue teorie influenzarono le generazioni successive di naturalisti in particolare Jean Baptiste Lamarck e Charles Darwin.<BR>Questa è la sua opera più celebre ed è l'"Histoire Naturelle" pubblicata per la prima volta tra il 1749 ed il 1789 in 36 volumi di cui 8 postumi grazie al lavoro di Bernard Lacepede. Buffon espone tutto il sapere dell'epoca nel campo delle scienze naturali e proprio in questo scritto rilevò le somiglianze tra l'uomo e la scimmia e la possibilità di una genealogia comune.Nice engraving of 1825 circa taken from the monumental work of natural history by Buffon, wide paper.<BR>The engraving represents two species of snakes: common snake and Four lined snake (Elaphe quatuorlineata).In good conditions, foxings. TECHNIQUE: coloured steel engraving AUTHOR: Lacepede LEAF SIZE: cm 21,5x13,5 PRINT'S SIZE: cm 15,5x9,5 PERIOD: 1825 circa Buffon was an exponent of the scientific movement connected to illuminism and his theories inspired the next generations of naturalists in particular Jean Baptiste Lamarck and Charles Darwin.<BR>His most famous work is l'"Histoire Naturelle" published for the first time between 1749 and 1789 in 36 volumes of which 8 are posthumous thanks to the work of Bernard Lacepede. Buffon exposes in the work all the notions in natural history and in this writing in particular underlined the similarity between monkeys and man with a possibility of common genealogy.
Librairie Delagrave 1934, grand et fort In-8 broché, 343 pages. 11 planches en couleurs et 24 planches en noir et blanc + 13 fgures en trait dans le texte. Couverture un peu abimée en dos, corps de l'ouvrage en bon état. Edition originale.
Gr. In-8, 343p. Deuxième édition. Illustré 11 planches en quadrichromie et de 24 planches en héliogravure. Inscription en page de garde, sinon bel exemplaire, agréablement relié.
Gr. In-8, 343p. Troisième édition. Illustré 11 planches en quadrichromie et de 24 planches en héliogravure. Tampon de possesseur en page de garde, sinon exemplaire en parfaite condition.
Bella incisione colorata a mano del 1825 circa tratta dalla monumentale opera di storia naturale di Buffon, carta spessa. L'incisione rappresenta tre specie di vipere delle quali una vipera comune, una vipera aspis, una vipera rostrata. In buone condizioni, fioriture. TECNICA: Incisione su acciaio colorata AUTORE: Lacepede DIMENSIONI FOGLIO: cm 22x14 DIMENSIONI INCISIONE: cm 15,5x9 EPOCA: 1825 circa Buffon fu un'esponente del movimento scientifico legato all'illuminismo e le sue teorie influenzarono le generazioni successive di naturalisti in particolare Jean Baptiste Lamarck e Charles Darwin.<BR>Questa è la sua opera più celebre ed è l'"Histoire Naturelle" pubblicata per la prima volta tra il 1749 ed il 1789 in 36 volumi di cui 8 postumi grazie al lavoro di Bernard Lacepede. Buffon espone tutto il sapere dell'epoca nel campo delle scienze naturali e proprio in questo scritto rilevò le somiglianze tra l'uomo e la scimmia e la possibilità di una genealogia comune. Nice engraving of 1825 circa taken from the monumental work of natural history by Buffon, wide paper.<BR>The engraving represents three species of snakes: one of them a common viper, an aspis viper, a Rostrata viper. In good conditions, foxings. TECHNIQUE: coloured steel engraving AUTHOR: Lacepede LEAF SIZE: cm 22x13,5 PRINT'S SIZE: cm 15,5x9 PERIOD: 1825 circa Buffon was an exponent of the scientific movement connected to illuminism and his theories inspired the next generations of naturalists in particular Jean Baptiste Lamarck and Charles Darwin.<BR>His most famous work is l'"Histoire Naturelle" published for the first time between 1749 and 1789 in 36 volumes of which 8 are posthumous thanks to the work of Bernard Lacepede. Buffon exposes in the work all the notions in natural history and in this writing in particular underlined the similarity between monkeys and man with a possibility of common genealogy.
Bella incisione colorata a mano del 1825 circa tratta dalla monumentale opera di storia naturale di Buffon, carta spessa. L'incisione rappresenta due specie di vipere delle quali una vipera ferro di lancia<BR>In buone condizioni, fioriture. TECNICA: Incisione su acciaio colorata AUTORE: Lacepede DIMENSIONI FOGLIO: cm 22x14 DIMENSIONI INCISIONE: cm 15,5x9 EPOCA: 1825 circa Buffon fu un'esponente del movimento scientifico legato all'illuminismo e le sue teorie influenzarono le generazioni successive di naturalisti in particolare Jean Baptiste Lamarck e Charles Darwin.<BR>Questa è la sua opera più celebre ed è l'"Histoire Naturelle" pubblicata per la prima volta tra il 1749 ed il 1789 in 36 volumi di cui 8 postumi grazie al lavoro di Bernard Lacepede. Buffon espone tutto il sapere dell'epoca nel campo delle scienze naturali e proprio in questo scritto rilevò le somiglianze tra l'uomo e la scimmia e la possibilità di una genealogia comune. Nice engraving of 1825 circa taken from the monumental work of natural history by Buffon, wide paper.<BR>The engraving represents ttwo species of snakes: one of them lancehead viper.<BR>In good conditions, foxings. TECHNIQUE: coloured steel engraving AUTHOR: Lacepede LEAF SIZE: cm 22x13,5 PRINT'S SIZE: cm 15,5x9 PERIOD: 1825 circa Buffon was an exponent of the scientific movement connected to illuminism and his theories inspired the next generations of naturalists in particular Jean Baptiste Lamarck and Charles Darwin.<BR>His most famous work is l'"Histoire Naturelle" published for the first time between 1749 and 1789 in 36 volumes of which 8 are posthumous thanks to the work of Bernard Lacepede. Buffon exposes in the work all the notions in natural history and in this writing in particular underlined the similarity between monkeys and man with a possibility of common genealogy.
Bella incisione colorata a mano del 1825 circa tratta dalla monumentale opera di storia naturale di Buffon, carta spessa. L'incisione rappresenta due specie di serpenti: la Natrix natrix o biscia dal collare e una specie di Bali In buone condizioni, fioriture. TECNICA: Incisione su acciaio colorata AUTORE: Lacepede DIMENSIONI FOGLIO: cm 21,5x13,5 DIMENSIONI INCISIONE: cm 15,5x9,5 EPOCA: 1825 circa Buffon fu un'esponente del movimento scientifico legato all'illuminismo e le sue teorie influenzarono le generazioni successive di naturalisti in particolare Jean Baptiste Lamarck e Charles Darwin.<BR>Questa è la sua opera più celebre ed è l'"Histoire Naturelle" pubblicata per la prima volta tra il 1749 ed il 1789 in 36 volumi di cui 8 postumi grazie al lavoro di Bernard Lacepede. Buffon espone tutto il sapere dell'epoca nel campo delle scienze naturali e proprio in questo scritto rilevò le somiglianze tra l'uomo e la scimmia e la possibilità di una genealogia comune. Nice engraving of 1825 circa taken from the monumental work of natural history by Buffon, wide paper.<BR>The engraving represents tto species of snakes: Natrix natrix or grass snake and a species from Bali<BR>In good conditions, foxings.TECHNIQUE: coloured steel engraving AUTHOR: Lacepede LEAF SIZE: cm 21,5x13,5 PRINT'S SIZE: cm 15,5x9,5 PERIOD: 1825 circa Buffon was an exponent of the scientific movement connected to illuminism and his theories inspired the next generations of naturalists in particular Jean Baptiste Lamarck and Charles Darwin.<BR>His most famous work is l'"Histoire Naturelle" published for the first time between 1749 and 1789 in 36 volumes of which 8 are posthumous thanks to the work of Bernard Lacepede. Buffon exposes in the work all the notions in natural history and in this writing in particular underlined the similarity between monkeys and man with a possibility of common genealogy.
Bella incisione colorata a mano del 1825 circa tratta dalla monumentale opera di storia naturale di Buffon, carta spessa. L'incisione rappresenta due specie di serpenti dei quali il cobra dagli occhiali o cobra indiano. In buone condizioni, fioriture. TECNICA: Incisione su acciaio colorata AUTORE: Lacepede DIMENSIONI FOGLIO: cm 22x14 DIMENSIONI INCISIONE: cm 15,5x9 EPOCA: 1825 circa Buffon fu un'esponente del movimento scientifico legato all'illuminismo e le sue teorie influenzarono le generazioni successive di naturalisti in particolare Jean Baptiste Lamarck e Charles Darwin.<BR>Questa è la sua opera più celebre ed è l'"Histoire Naturelle" pubblicata per la prima volta tra il 1749 ed il 1789 in 36 volumi di cui 8 postumi grazie al lavoro di Bernard Lacepede. Buffon espone tutto il sapere dell'epoca nel campo delle scienze naturali e proprio in questo scritto rilevò le somiglianze tra l'uomo e la scimmia e la possibilità di una genealogia comune. Nice engraving of 1825 circa taken from the monumental work of natural history by Buffon, wide paper.<BR>The engraving represents two species of snakes: one of them the Indian Cobra.<BR>In good conditions, foxings. TECHNIQUE: coloured steel engraving AUTHOR: Lacepede LEAF SIZE: cm 22x13,5 PRINT'S SIZE: cm 15,5x9 PERIOD: 1825 circa Buffon was an exponent of the scientific movement connected to illuminism and his theories inspired the next generations of naturalists in particular Jean Baptiste Lamarck and Charles Darwin.<BR>His most famous work is l'"Histoire Naturelle" published for the first time between 1749 and 1789 in 36 volumes of which 8 are posthumous thanks to the work of Bernard Lacepede. Buffon exposes in the work all the notions in natural history and in this writing in particular underlined the similarity between monkeys and man with a possibility of common genealogy.