223 résultats
1785ah214Gravure 1785 "Gravure en noir (16 x 21 cm sur support 19,5 x 25 cm), tirée du ""Cours complet d'Agriculture"" de l'abbé Rozier (1785) ; planche XXIV : Maladies du mouton ; petite brunissure, par ailleurs très bon état général. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande."
1785ah215Gravure 1785 "Gravure en noir (16 x 21 cm sur support 19,5 x 25 cm), tirée du ""Cours complet d'Agriculture"" de l'abbé Rozier (1785) ; planche IX : Maladies du chien ; petites brunissures, par ailleurs très bon état général. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande."
1785ah231Gravure 1785 "Gravure en noir (16,5 x 21 cm sur support 19,5 x 25 cm), tirée du ""Cours complet d'Agriculture"" de l'abbé Rozier (1785) ; planche VIII : Maladies du cochon ; très bon état général. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande."
17711240031771 A Paris, Chez Lottin le Jeune, Libraire - M. DCC. LXXI. Avec Approbation, & Privilège du Roi. (1771) - Un volume in-12; reliure plein veau d'époque; dos à 5 nerfs; pièce de titre sur fond rouge, caissons ornés de fleurons en doré au dos; toutes tranches rouges; ornements (bandeaux, culs-de-lampe) - 556 pages
17972604Dublin: P. Wogan 1797. First Edition . Cloth. Very Good. 8vo - over 7¾" - 9¾" tall. Light blue boards.34-489p17. Uncut pages. Thin split on spine Very minor age spotting interior First edition has no map Second edition calls for maps <br/> <br/> P. Wogan hardcover
1770100046046Imprimerie royale 1770 in16. 1770. Relié. illustrations en noir et blanc
178764132CBDeux-Ponts [Zweibrücken], Sanson Verlag, 1787. 12°. 17 x 10 cm. [2] Blatt, 328 Seiten. 11 Tafeln. Lederband der Zeit auf 5 Bünden mit floraler Rückenvergoldung, Rundum-Rotschnitt und marmorierten Vorsätzen.
176984395Imprimerie Royale 1769 In-12. Reliure de l’époque plein veau fauve raciné, dos à nerfs encadrés de fers dorés, pièces de titre maroquin fauve et brun, XLVIII-349 pp. Coins de pied émoussés et frottés, petits accrocs en pied de dos.
1752CZC-13389Tome II. Théorie de la Terre Table; sur les inégalités de la surface de la terre, des fleuves, des mers et des lacs, du flux et du reflux, des inégalités du fond de la mer et des courants, des vents irréguliers, des ouragans, des trombes et autres phénomènes causés par l'agitation de la mer et des airs, des volcans et des tremblements de terre, des iles nouvelles, des cavernes, des fentes perpendiculaires, de l'effet des pluies, des marécages, des bois souterrains et eaux souterraines, des changements de terre en mer et de mers en terre. vol in8, 18x10cm, relié pleine basane époque, accrocs, traces de mouillures anciennes en marge, bien frais, 458pp. Paris, Imprimerie Royale, 1752 ref/27/2
1752CZC-13389Tome II. Théorie de la Terre Table; sur les inégalités de la surface de la terre, des fleuves, des mers et des lacs, du flux et du reflux, des inégalités du fond de la mer et des courants, des vents irréguliers, des ouragans, des trombes et autres phénomènes causés par l'agitation de la mer et des airs, des volcans et des tremblements de terre, des iles nouvelles, des cavernes, des fentes perpendiculaires, de l'effet des pluies, des marécages, des bois souterrains et eaux souterraines, des changements de terre en mer et de mers en terre. vol in8, 18x10cm, relié pleine basane époque, accrocs, traces de mouillures anciennes en marge, bien frais, 458pp. Paris, Imprimerie Royale, 1752 ref/27/2
1797cv2740A Paris, chez Plassan, Imprimeur-Libraire, rue du Cimetière André-des-Arcs, n°10 Relié 1797 "In-12 (10,5 x 17,5 cm.), relié plein veau, caissons et fleurons dorés au dos, pièce de titre et de tomaison au dos, filet doré à la coupe, gardes et tranches marbrées couleurs, ccvj + 288 pages, 9 planches, daté de ""l'an VI de la République"", signet ; coins et bords frottés, mors marqués, légères rousseurs, quelques traces aux plats, bon état. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande."
1797cv2741A Paris, chez Plassan, Imprimeur-Libraire, rue du Cimetière André-des-Arcs, n°10 Relié 1797 "In-12 (10,5 x 17,5 cm.), relié plein veau, caissons et fleurons dorés au dos, pièce de titre et de tomaison au dos, filet doré à la coupe, gardes et tranches marbrées couleurs, 415 pages, 11 planches, daté de ""l'an VI de la République"", signet ; coins et bords frottés, mors marqués, quelques trous de vers sans conséquence au dos et mors postérieur, intérieur frais, bon état. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande."
179998033Paris Impr. de Guilleminet, an VIII [1799] 1 vol. relié in-16, relié pleine basane racinée havane, dos lisse orné de fleurons et frises dorées, tranches marbrées (reliure de l'époque), X + 228 pp., frontispice gravé. Seconde édition revue et corrigée de ces six journées de promenades dans les galeries d'histoire naturelle et dans les serres du Jardin des plantes. Beau frontispice dessiné par Monnet et gravé par Gaucher (Le montreur d'ours), seule gravure présente, l'édition originale comportait également la gravure montrant Jussieu planter le cèdre du Liban. Tous les exemplaires de cette seconde édition semblent n'avoir qu'une seule gravure. Ex-libris.
179998033Paris Impr. de Guilleminet, an VIII [1799] 1 vol. relié in-16, relié pleine basane racinée havane, dos lisse orné de fleurons et frises dorées, tranches marbrées (reliure de l'époque), X + 228 pp., frontispice gravé. Seconde édition revue et corrigée de ces six journées de promenades dans les galeries d'histoire naturelle et dans les serres du Jardin des plantes. Beau frontispice dessiné par Monnet et gravé par Gaucher (Le montreur d'ours), seule gravure présente, l'édition originale comportait également la gravure montrant Jussieu planter le cèdre du Liban. Tous les exemplaires de cette seconde édition semblent n'avoir qu'une seule gravure. Ex-libris.
17902261London:: G. Shaw and F.P. & E. Nodder 1790-1813. First edition. Fine in original bright hand-coloring. A Fine and rare original hand-colored copperplate engraving by Frederick Polydore Nodder and/or his son Richard Polydore Nodder from The Naturalist's Miscellany. Octavo 6 x 9.5 inches 15.24 x 24.13 cm. Includes the original text in both English and Latin by George Shaw MD FRS. The Naturalist's Miscellany distinguished by the refined hand-colored copperplate engravings and astute naturalists' observations was aptly named as a diverse naturalists' compendium of the birds mammals reptiles insects fish and crustacean identified by seventeenth and eighteenth century naturalists spanning the globe particularly around the South Seas. Many of nature's most fascinating and unusual creatures were discovered during this period several of which were introduced through The Naturalist's Miscellany. Doctor George Shaw 1751-1813 Fellow of the Royal Society cofounder of the Linnaean Society as well as Zoologist of the British Museum contributed the text. Publication of the Naturalist's Miscellany ceased with his death in 1813. Upon the death of the artist FP Nodder 1770-1800 his wife Elizabeth and their son Richard Polydore Nodder 1793-1820 contributed artistically and editorially to the publication. Indeed a family affair both Frederick Polydore Nodder and his son Richard produced every one of the plates. A gifted and distinguished naturalist Frederick P. Nodder was the preferred Botanical Painter to Her Majesty Queen Charlotte. His early skills as botanical and animal draughtsman and engraver were honed from his association with Sir Joseph Banks who employed Nodder to complete and engrave the drawings from the sketchbooks of the late Sydney Parkinson. Parkinson accompanied Banks as botanical draughtsman aboard Captain James Cook's The Endeavor in 1771. Parkinson died on the return of this South Seas Voyage. These engravings along with the natural history collections of the British Museum were the basis for the mastery of the Naturalist's Miscellany. Frederick's son Richard P. Nodder a gifted animal painter in his own right was distinguished as botanic painter to King George III. At the time of its creation The Naturalist's Miscellany was highly coveted as a definitive natural history offering and as was the custom the work was issued in installments between 1790 and 1813. Each volume was dedicated by permission and dutifully inscribed to the most devoted patrons and contributors of the natural historical pursuits of eighteenth and early nineteenth century Britain: Queen Charlotte Sir Joseph Banks Thomas Pennant Esq. The Universities of Oxford and Cambridge The Trustees of the British Museum to name a few. Andrews1986 Blunt 151Coats 25 Sitwell FBB 142 Wood 482. Copyright: Lowry-James Rare Prints & Books 1/09. G. Shaw and F.P. & E. Nodder, unknown
1736117510Paris Chez Durand 1736 1 vol. relié in-4, veau tabac, dos à nerfs, caissons ornés de motifs dorés, (14) + 970 pp., frontispice et 11 planches gravées hors-texte, 8 figures sur bois in-texte et à pleine page. Tome 1 seul. Quatrième édition, augmentée considérablement, & mise en ordre avec La vertu des simples, L'apoticairerie etc. [par H. Besnier]. Exemplaire de travail : reliure de l'époque usée, manques aux coiffes, toutes les planches sont détachées. Manque 1 planche. En l'état.
1736117510Paris Chez Durand 1736 1 vol. relié in-4, veau tabac, dos à nerfs, caissons ornés de motifs dorés, (14) + 970 pp., frontispice et 11 planches gravées hors-texte, 8 figures sur bois in-texte et à pleine page. Tome 1 seul. Quatrième édition, augmentée considérablement, & mise en ordre avec La vertu des simples, L'apoticairerie etc. [par H. Besnier]. Exemplaire de travail : reliure de l'époque usée, manques aux coiffes, toutes les planches sont détachées. Manque 1 planche. En l'état.
17263479Paris: Andre Knapen 1726. First Edition . Paperback. Very Good. 4to - over 9¾" - 12" tall. Paper Broad Sheet 8 Pages Folded Very clean copy De L'Imprimerie d' Andre Knapen au bout du Pont S. Michel a l'entree de la rue S. Andre des Arcs French Text Original no a paperback reprint <br/> <br/> Andre Knapen paperback
1769026262Päris de l'imprimerie Royale 1769 un volume in-12°, (4) 388 pp. Reliure en pleine basane marbrée, dos à nerfs avec pièces de titre et de tomaison, caissons fleuronnés dorés, tranches rouges, gardes marbrées (reliure de l'époque). (volume coiffe supérieure manquante, coins légèrement tassés et légèrement frottés, tâches sur les pages 14 à 20, rousseurs parfois fortes). Volume consacré aux mammifères (castor, lion, tigre, panthère, ours, civette, loup) contenant 17 figures.
17902263London:: G. Shaw and F.P. & E. Nodder 1790-1813. First edition. Fine in original bright hand-coloring. A Fine and rare original hand-colored copperplate engraving by Frederick Polydore Nodder and/or his son Richard Polydore Nodder from The Naturalist's Miscellany. Octavo 6 x 9.5 inches 15.24 x 24.13 cm. Includes the original text in both English and Latin by George Shaw MD FRS. The Naturalist's Miscellany distinguished by the refined hand-colored copperplate engravings and astute naturalists' observations was aptly named as a diverse naturalists' compendium of the birds mammals reptiles insects fish and crustacean identified by seventeenth and eighteenth century naturalists spanning the globe particularly around the South Seas. Many of nature's most fascinating and unusual creatures were discovered during this period several of which were introduced through The Naturalist's Miscellany. Doctor George Shaw 1751-1813 Fellow of the Royal Society cofounder of the Linnaean Society as well as Zoologist of the British Museum contributed the text. Publication of the Naturalist's Miscellany ceased with his death in 1813. Upon the death of the artist FP Nodder 1770-1800 his wife Elizabeth and their son Richard Polydore Nodder 1793-1820 contributed artistically and editorially to the publication. Indeed a family affair both Frederick Polydore Nodder and his son Richard produced every one of the plates. A gifted and distinguished naturalist Frederick P. Nodder was the preferred Botanical Painter to Her Majesty Queen Charlotte. His early skills as botanical and animal draughtsman and engraver were honed from his association with Sir Joseph Banks who employed Nodder to complete and engrave the drawings from the sketchbooks of the late Sydney Parkinson. Parkinson accompanied Banks as botanical draughtsman aboard Captain James Cook's The Endeavor in 1771. Parkinson died on the return of this South Seas Voyage. These engravings along with the natural history collections of the British Museum were the basis for the mastery of the Naturalist's Miscellany. Frederick's son Richard P. Nodder a gifted animal painter in his own right was distinguished as botanic painter to King George III. At the time of its creation The Naturalist's Miscellany was highly coveted as a definitive natural history offering and as was the custom the work was issued in installments between 1790 and 1813. Each volume was dedicated by permission and dutifully inscribed to the most devoted patrons and contributors of the natural historical pursuits of eighteenth and early nineteenth century Britain: Queen Charlotte Sir Joseph Banks Thomas Pennant Esq. The Universities of Oxford and Cambridge The Trustees of the British Museum to name a few. Andrews1986 Blunt 151Coats 25 Sitwell FBB 142 Wood 482. Copyright: Lowry-James Rare Prints & Books 1/09. G. Shaw and F.P. & E. Nodder, unknown
17902262London:: G. Shaw and F.P. & E. Nodder 1790-1813. First edition. Fine in original bright hand-coloring. A Fine and rare original hand-colored copperplate engraving by Frederick Polydore Nodder and/or his son Richard Polydore Nodder from The Naturalist's Miscellany. Octavo 6 x 9.5 inches 15.24 x 24.13 cm. Includes the original text in both English and Latin by George Shaw MD FRS. The Naturalist's Miscellany distinguished by the refined hand-colored copperplate engravings and astute naturalists' observations was aptly named as a diverse naturalists' compendium of the birds mammals reptiles insects fish and crustacean identified by seventeenth and eighteenth century naturalists spanning the globe particularly around the South Seas. Many of nature's most fascinating and unusual creatures were discovered during this period several of which were introduced through The Naturalist's Miscellany. Doctor George Shaw 1751-1813 Fellow of the Royal Society cofounder of the Linnaean Society as well as Zoologist of the British Museum contributed the text. Publication of the Naturalist's Miscellany ceased with his death in 1813. Upon the death of the artist FP Nodder 1770-1800 his wife Elizabeth and their son Richard Polydore Nodder 1793-1820 contributed artistically and editorially to the publication. Indeed a family affair both Frederick Polydore Nodder and his son Richard produced every one of the plates. A gifted and distinguished naturalist Frederick P. Nodder was the preferred Botanical Painter to Her Majesty Queen Charlotte. His early skills as botanical and animal draughtsman and engraver were honed from his association with Sir Joseph Banks who employed Nodder to complete and engrave the drawings from the sketchbooks of the late Sydney Parkinson. Parkinson accompanied Banks as botanical draughtsman aboard Captain James Cook's The Endeavor in 1771. Parkinson died on the return of this South Seas Voyage. These engravings along with the natural history collections of the British Museum were the basis for the mastery of the Naturalist's Miscellany. Frederick's son Richard P. Nodder a gifted animal painter in his own right was distinguished as botanic painter to King George III. At the time of its creation The Naturalist's Miscellany was highly coveted as a definitive natural history offering and as was the custom the work was issued in installments between 1790 and 1813. Each volume was dedicated by permission and dutifully inscribed to the most devoted patrons and contributors of the natural historical pursuits of eighteenth and early nineteenth century Britain: Queen Charlotte Sir Joseph Banks Thomas Pennant Esq. The Universities of Oxford and Cambridge The Trustees of the British Museum to name a few. Andrews1986 Blunt 151Coats 25 Sitwell FBB 142 Wood 482. Copyright: Lowry-James Rare Prints & Books 1/09. G. Shaw and F.P. & E. Nodder, unknown
17903245London:: George Shaw and E. Nodder 1790. First edition. Fine in original bright hand-coloring. A Fine and rare original hand-colored copperplate engraving by Frederick Polydore Nodder and/or his son Richard Polydore Nodder from The Naturalist's Miscellany. Octavo 6 x 9.5 inches 15.24 x 24.13 cm. Includes the original text in both English and Latin by George Shaw MD FRS. The Naturalist's Miscellany distinguished by the refined hand-colored copperplate engravings and astute naturalists' observations was aptly named as a diverse naturalists' compendium of the birds mammals reptiles insects fish and crustacean identified by seventeenth and eighteenth century naturalists spanning the globe particularly around the South Seas. Many of nature's most fascinating and unusual creatures were discovered during this period several of which were introduced through The Naturalist's Miscellany. Doctor George Shaw 1751-1813 Fellow of the Royal Society cofounder of the Linnaean Society as well as Zoologist of the British Museum contributed the text. Publication of the Naturalist's Miscellany ceased with his death in 1813. Upon the death of the artist FP Nodder 1770-1800 his wife Elizabeth and their son Richard Polydore Nodder 1793-1820 contributed artistically and editorially to the publication. Indeed a family affair both Frederick Polydore Nodder and his son Richard produced every one of the plates. A gifted and distinguished naturalist Frederick P. Nodder was the preferred Botanical Painter to Her Majesty Queen Charlotte. His early skills as botanical and animal draughtsman and engraver were honed from his association with Sir Joseph Banks who employed Nodder to complete and engrave the drawings from the sketchbooks of the late Sydney Parkinson. Parkinson accompanied Banks as botanical draughtsman aboard Captain James Cook's The Endeavor in 1771. Parkinson died on the return of this South Seas Voyage. These engravings along with the natural history collections of the British Museum were the basis for the mastery of the Naturalist's Miscellany. Frederick's son Richard P. Nodder a gifted animal painter in his own right was distinguished as botanic painter to King George III. At the time of its creation The Naturalist's Miscellany was highly coveted as a definitive natural history offering and as was the custom the work was issued in installments between 1790 and 1813. Each volume was dedicated by permission and dutifully inscribed to the most devoted patrons and contributors of the natural historical pursuits of eighteenth and early nineteenth century Britain: Queen Charlotte Sir Joseph Banks Thomas Pennant Esq. The Universities of Oxford and Cambridge The Trustees of the British Museum to name a few. Andrews1986 Blunt 151Coats 25 Sitwell FBB 142 Wood 482. Copyright: Lowry-James Rare Prints & Books 1/09. George Shaw and E. Nodder, unknown
17901955London:: G. Shaw and F.P. & E. Nodder 1790-1813. First edition. Fine in original bright hand-coloring. A Fine and rare original hand-colored copperplate engraving by Frederick Polydore Nodder and/or his son Richard Polydore Nodder from The Naturalist's Miscellany. Octavo 6 x 9.5 inches 15.24 x 24.13 cm. Includes the original text in both English and Latin by George Shaw MD FRS. The Naturalist's Miscellany distinguished by the refined hand-colored copperplate engravings and astute naturalists' observations was aptly named as a diverse naturalists' compendium of the birds mammals reptiles insects fish and crustacean identified by seventeenth and eighteenth century naturalists spanning the globe particularly around the South Seas. Many of nature's most fascinating and unusual creatures were discovered during this period several of which were introduced through The Naturalist's Miscellany. Doctor George Shaw 1751-1813 Fellow of the Royal Society cofounder of the Linnaean Society as well as Zoologist of the British Museum contributed the text. Publication of the Naturalist's Miscellany ceased with his death in 1813. Upon the death of the artist FP Nodder 1770-1800 his wife Elizabeth and their son Richard Polydore Nodder 1793-1820 contributed artistically and editorially to the publication. Indeed a family affair both Frederick Polydore Nodder and his son Richard produced every one of the plates. A gifted and distinguished naturalist Frederick P. Nodder was the preferred Botanical Painter to Her Majesty Queen Charlotte. His early skills as botanical and animal draughtsman and engraver were honed from his association with Sir Joseph Banks who employed Nodder to complete and engrave the drawings from the sketchbooks of the late Sydney Parkinson. Parkinson accompanied Banks as botanical draughtsman aboard Captain James Cook's The Endeavor in 1771. Parkinson died on the return of this South Seas Voyage. These engravings along with the natural history collections of the British Museum were the basis for the mastery of the Naturalist's Miscellany. Frederick's son Richard P. Nodder a gifted animal painter in his own right was distinguished as botanic painter to King George III. At the time of its creation The Naturalist's Miscellany was highly coveted as a definitive natural history offering and as was the custom the work was issued in installments between 1790 and 1813. Each volume was dedicated by permission and dutifully inscribed to the most devoted patrons and contributors of the natural historical pursuits of eighteenth and early nineteenth century Britain: Queen Charlotte Sir Joseph Banks Thomas Pennant Esq. The Universities of Oxford and Cambridge The Trustees of the British Museum to name a few. Andrews1986 Blunt 151Coats 25 Sitwell FBB 142 Wood 482. Copyright: Lowry-James Rare Prints & Books 1/09. G. Shaw and F.P. & E. Nodder, unknown
17902266London:: G. Shaw and F.P. & E. Nodder 1790-1813. First edition. Fine in original bright hand-coloring. A Fine and rare original hand-colored copperplate engraving by Frederick Polydore Nodder and/or his son Richard Polydore Nodder from The Naturalist's Miscellany. Octavo 6 x 9.5 inches 15.24 x 24.13 cm. Includes the original text in both English and Latin by George Shaw MD FRS. The Naturalist's Miscellany distinguished by the refined hand-colored copperplate engravings and astute naturalists' observations was aptly named as a diverse naturalists' compendium of the birds mammals reptiles insects fish and crustacean identified by seventeenth and eighteenth century naturalists spanning the globe particularly around the South Seas. Many of nature's most fascinating and unusual creatures were discovered during this period several of which were introduced through The Naturalist's Miscellany. Doctor George Shaw 1751-1813 Fellow of the Royal Society cofounder of the Linnaean Society as well as Zoologist of the British Museum contributed the text. Publication of the Naturalist's Miscellany ceased with his death in 1813. Upon the death of the artist FP Nodder 1770-1800 his wife Elizabeth and their son Richard Polydore Nodder 1793-1820 contributed artistically and editorially to the publication. Indeed a family affair both Frederick Polydore Nodder and his son Richard produced every one of the plates. A gifted and distinguished naturalist Frederick P. Nodder was the preferred Botanical Painter to Her Majesty Queen Charlotte. His early skills as botanical and animal draughtsman and engraver were honed from his association with Sir Joseph Banks who employed Nodder to complete and engrave the drawings from the sketchbooks of the late Sydney Parkinson. Parkinson accompanied Banks as botanical draughtsman aboard Captain James Cook's The Endeavor in 1771. Parkinson died on the return of this South Seas Voyage. These engravings along with the natural history collections of the British Museum were the basis for the mastery of the Naturalist's Miscellany. Frederick's son Richard P. Nodder a gifted animal painter in his own right was distinguished as botanic painter to King George III. At the time of its creation The Naturalist's Miscellany was highly coveted as a definitive natural history offering and as was the custom the work was issued in installments between 1790 and 1813. Each volume was dedicated by permission and dutifully inscribed to the most devoted patrons and contributors of the natural historical pursuits of eighteenth and early nineteenth century Britain: Queen Charlotte Sir Joseph Banks Thomas Pennant Esq. The Universities of Oxford and Cambridge The Trustees of the British Museum to name a few. Andrews1986 Blunt 151Coats 25 Sitwell FBB 142 Wood 482. Copyright: Lowry-James Rare Prints & Books 1/09. G. Shaw and F.P. & E. Nodder, unknown