Harrison, JosephBiblio.com
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1856035042London: Simpkin and Marshall 1856. Book. Illus. by C.W. Harrison. Very Good. Hardcover. First Edition. 8vo 13 X 21cm. Two volumes handsomely bound by Sotheran Sackville Street London years 1855 and 1856. pp332 Volume 1855 with 12 highly attractive hand-coloured plates all with tissue guards very clean slight toning to just a few pages no inscriptions or annotation. pp 372 and bound to the back the pp33 Gardener's and Naturalist's Almanack 1856. Half leather bindings by Sotheran gilt decoration and lettering to spine title label to each volume some loss of colour to the spines but with lustre and strong no cracking. A very good pair with fine bright plates and some in text diagrams. Simpkin and Marshall Hardcover
19090006911Brooklyn NY: Charles Meeker Kozlay` 1909. First Limited edition. Hardcover. Fine. 16mo 53 pages t.e.g. partially unopened deckle-edged the fragile binding recently rebound in new brown cloth with the original leather label on the top cover. <br/><br/>Copy no. 83 of only 100 of the limited edition. Includes the first book appearance of Mark Twain's "Letter to John Camden Hotten" pp. 48-51 in which Clemens complains that adding injury to insult Hotten not only pirated some of Twain's work but added his own chapters to Twain's writings. Hotten also pirated Bret Harte. Harte's editor Kozlay has collected Harte's lectures on "The Argonauts of '498" and "American Humor" his "Reply to 'Toast to Literature'" three Fables followed by Kozlay's essay on their piracy. Three of the 7 illustrations here were done by Merle Johnson artist and Twain's bibliographer. BAL 3510 7407. Eight plates inserted. Charles Meeker Kozlay` hardcover
007910Painting. Illus. by Barbara Everard. Fine. Unframed. This is the original plate No. 117 from "Wild Flowers of the World" - a fine water-colour painting by the renowned botanical artist Barbara Everard b. 1910 died . It is a highly decorative work in very good condition with vibrant but accurate colours being much finer than the rather poor reproduction in "Wild Flowers of the World" suggests. And far larger too measuing 47 x 37cm. It has hand-written pencil notes to the reverse presumably in the hand of Everard regarding the species depicted and various printing notes. there are a few inconspicuous corrections/revisions to the painting Barbara Everard worked at Kew and is one of only nineteen "contemporary" botanical artists whose work features in William T. Stearn's "Flower Artists of Kew" 1990 plates 9 10 & 11 also published in America under the title "Botanical Masters: Plant Portraits by Contemporary Artists. New York: Prentice Hall 1990". Everard began drawing and painting flowers in 1947 when in the Far East. She has provided illustrations for many works among them O. Pulin and A. Huxley Flowers of the Mediterranean 1965 but her major work was the superb and highly successful 'Wild Flowers of the World' 1970 with text by Brian D. Morley. This monumental work whilst neither rare nor expensive has become a classic of the botanical literature in large part due to the 192 plates by Everard featuing over 1000 of the world's exotic and colourful plants - and this is a rare opportunity to acquire one of these original plates. Everard was a keen and accomplished gardener with a fine collection of orchids. She set up the "The Barbara Everard Trust for Orchid Conservation" recognising the need to conserve private collections of orchids as they often contained plants no longer growing in their native habitat. The Trust is administered by the Orchid Society of Great Britain as a separate charity. As much of her time was spent illustrating books she rarely sold her paintings privately and on her death left her orchids and the majority of her paintings and studies to the Royal Botanical Gardens Kew. Consequently her original paintings are rare but given their quality should be in every serious collection. We have a few other orginal plates from "Wild Flowers of the World" and would be pleased to offer discounts on multiple orders. For further details or images please do not hesitate to contact us. Please note: this painting supplied with mount and backing but not framed. 0. unknown
2008045292Rizzoli 2008. Book. Illus. by Martinet Francois-Nicolas. Fine. Hardcover. Both book and slipcase are in fine condition. Extremely heavy to ship. Rizzoli Hardcover
19830050421983. Hardcover. Good. Publisher: Academic Press Inc. 1983 Good HB ISBN: 0-12-710780-0 hardcover
19980384851998. Painting. Illus. by Mitsuharu Mishima. Very Good. Framed. Signed by THE ARTIST. Original. An original watercolour study of Opithandra primuloides by Mitsuharu Mishima signed and dated 1998 in pencil lower right; titled lower left. Image 345 x 370 mm frame 530 x 545 mm. Single cream mount 'clean-lined' gilt frame very slightly rubbed. Painting in very good condition bright and unmarked. Provenance: with Tryon & Swan Gallery Ltd London W1X 1HB label to reverse. Biography. Mitsuharu Mishima 1932 to 2016. Japanese. Graduated University of Chiba in 1956 then at Kuwazawa Design Institute during 1957. Became a freelance graphic designer working in pen & ink watercolour and gouache. Exhibited 1985 1986 Gallery Du Mont Yokohama; 1986 Higashiyama Botanic Garden Gallery Nagoya; 1987 Happy Fair Higashiyama Botanic Garden Nagoya; 1987 12th World Orchid Conference Tokyo. Bibliography. The Bosei. Tokai Education Research Institute 1984.Encyclopaedia Heibonsha. Tokyo. Heibonsha 1984. The Grand Atlas of Alpine Flora. Tokyo. K. K. Hokuryukan 1987.Imai Kunikatsu. The wonder of lily. Tokyo. Akane Publishing 1987.Moriya Sumi. The secrets of water plants. Tokyo: Akane Publishing 1983.Yanagida Kunio. The Memorandum of Wild Flowers. Kanda Tokyo: Yasaka Book Publishing 1985. Information adapted from Hunt Botanical Institute Please contact us if you would like to view any of our artwork in person. The shipping cost on this painting within the UK is likely to be in the region of £20. unknown
007906Painting. Illus. by Barbara Everard. Fine. Unframed. This is the original plate No. 37 from "Wild Flowers of the World" - a fine water-colour painting by the renowned botanical artist Barbara Everard b. 1910 died . It is a highly decorative work in very good condition with vibrant but accurate colours being much finer than the rather poor reproduction in "Wild Flowers of the World" suggests. And far larger too measuing 47 x 37cm. It has hand-written pencil notes to the reverse presumably in the hand of Everard regarding the species depicted and various printing notes. there are a couple of inconspicuous corrections/revisions to the painting Barbara Everard worked at Kew and is one of only nineteen "contemporary" botanical artists whose work features in William T. Stearn's "Flower Artists of Kew" 1990 plates 9 10 & 11 also published in America under the title "Botanical Masters: Plant Portraits by Contemporary Artists. New York: Prentice Hall 1990". Everard began drawing and painting flowers in 1947 when in the Far East. She has provided illustrations for many works among them O. Pulin and A. Huxley Flowers of the Mediterranean 1965 but her major work was the superb and highly successful 'Wild Flowers of the World' 1970 with text by Brian D. Morley. This monumental work whilst neither rare nor expensive has become a classic of the botanical literature in large part due to the 192 plates by Everard featuing over 1000 of the world's exotic and colourful plants - and this is a rare opportunity to acquire one of these original plates. Everard was a keen and accomplished gardener with a fine collection of orchids. She set up the "The Barbara Everard Trust for Orchid Conservation" recognising the need to conserve private collections of orchids as they often contained plants no longer growing in their native habitat. The Trust is administered by the Orchid Society of Great Britain as a separate charity. As much of her time was spent illustrating books she rarely sold her paintings privately and on her death left her orchids and the majority of her paintings and studies to the Royal Botanical Gardens Kew. Consequently her original paintings are rare but given their quality should be in every serious collection. We have a few other orginal plates from "Wild Flowers of the World" and would be pleased to offer discounts on multiple orders. For further details or images please do not hesitate to contact us. Please note: this painting supplied with mount and backing but not framed. 0. unknown
007907Painting. Illus. by Barbara Everard. Fine. Unframed. This is the original plate No. 36 from "Wild Flowers of the World" - a fine water-colour painting by the renowned botanical artist Barbara Everard b. 1910 died . It is a highly decorative work in very good condition with vibrant but accurate colours being much finer than the rather poor reproduction in "Wild Flowers of the World" suggests. And far larger too measuing 47 x 37cm. It has hand-written pencil notes to the reverse presumably in the hand of Everard regarding the species depicted and various printing notes. Barbara Everard worked at Kew and is one of only nineteen "contemporary" botanical artists whose work features in William T. Stearn's "Flower Artists of Kew" 1990 plates 9 10 & 11 also published in America under the title "Botanical Masters: Plant Portraits by Contemporary Artists. New York: Prentice Hall 1990". Everard began drawing and painting flowers in 1947 when in the Far East. She has provided illustrations for many works among them O. Pulin and A. Huxley Flowers of the Mediterranean 1965 but her major work was the superb and highly successful 'Wild Flowers of the World' 1970 with text by Brian D. Morley. This monumental work whilst neither rare nor expensive has become a classic of the botanical literature in large part due to the 192 plates by Everard featuing over 1000 of the world's exotic and colourful plants - and this is a rare opportunity to acquire one of these original plates. Everard was a keen and accomplished gardener with a fine collection of orchids. She set up the "The Barbara Everard Trust for Orchid Conservation" recognising the need to conserve private collections of orchids as they often contained plants no longer growing in their native habitat. The Trust is administered by the Orchid Society of Great Britain as a separate charity. As much of her time was spent illustrating books she rarely sold her paintings privately and on her death left her orchids and the majority of her paintings and studies to the Royal Botanical Gardens Kew. Consequently her original paintings are rare but given their quality should be in every serious collection. We have a few other orginal plates from "Wild Flowers of the World" and would be pleased to offer discounts on multiple orders. For further details or images please do not hesitate to contact us. Please note: this painting supplied with mount and backing but not framed. 0. unknown
007908Painting. Illus. by Barbara Everard. Fine. Unframed. This is the original plate No. 30 from "Wild Flowers of the World" - a fine water-colour painting by the renowned botanical artist Barbara Everard b. 1910 died . It is a highly decorative work in very good condition with vibrant but accurate colours being much finer than the rather poor reproduction in "Wild Flowers of the World" suggests. And far larger too measuing 47 x 37cm. It has hand-written pencil notes to the reverse presumably in the hand of Everard regarding the species depicted and various printing notes. there are a couple of inconspicuous corrections/revisions to the painting Barbara Everard worked at Kew and is one of only nineteen "contemporary" botanical artists whose work features in William T. Stearn's "Flower Artists of Kew" 1990 plates 9 10 & 11 also published in America under the title "Botanical Masters: Plant Portraits by Contemporary Artists. New York: Prentice Hall 1990". Everard began drawing and painting flowers in 1947 when in the Far East. She has provided illustrations for many works among them O. Pulin and A. Huxley Flowers of the Mediterranean 1965 but her major work was the superb and highly successful 'Wild Flowers of the World' 1970 with text by Brian D. Morley. This monumental work whilst neither rare nor expensive has become a classic of the botanical literature in large part due to the 192 plates by Everard featuing over 1000 of the world's exotic and colourful plants - and this is a rare opportunity to acquire one of these original plates. Everard was a keen and accomplished gardener with a fine collection of orchids. She set up the "The Barbara Everard Trust for Orchid Conservation" recognising the need to conserve private collections of orchids as they often contained plants no longer growing in their native habitat. The Trust is administered by the Orchid Society of Great Britain as a separate charity. As much of her time was spent illustrating books she rarely sold her paintings privately and on her death left her orchids and the majority of her paintings and studies to the Royal Botanical Gardens Kew. Consequently her original paintings are rare but given their quality should be in every serious collection. We have a few other orginal plates from "Wild Flowers of the World" and would be pleased to offer discounts on multiple orders. For further details or images please do not hesitate to contact us. Please note: this painting supplied with mount and backing but not framed. 0. unknown
1920009623Covent Garden London: Lawrence & Jellicoe Ltd 1920 Pictorial card cover with edge and spine wear soiled and marked completely unused painting book. A book containing 8 spreads with an example color plate and its corresponding plate that is meant to be colored in by the user. The title page is also meant to be colored in. Amazingly this copy is completely uncolored. The paper used in the production of this book is meant to take the paint well however it is also very fragile so it will need to be handled with great care. This is an uncommon Aldin item especially unused. Pictorial Card Covers. Very Good -/No Jacket. Illus. by Cecil Aldin. 4to. Lawrence & Jellicoe, Ltd paperback
1758699London:: The Royal College of Physicians 1758-1764. First edition. Fine. A fine original hand-colored copperplate engraving. Quarto 9 x 12 inches. George Edwards London 1694-1773 was a Fellow of the Royal Society and Fellow of the Society of Antiquaries in London who rejected his early formal training and potential career in business to pursue his passion in natural history. His dedication and talent as a draftsman and naturalist was evident thus gaining the attention of Sir Hans Sloane President of the College of Physicians and the Royal Society. Sir Hans offered Edwards the post of Librarian of the Royal College of Physicians in London and enlisted him to draw the natural curiosities of Sloane's private museum. This connection became the inspiration for Edward's masterful achievements; A Natural History of Uncommon Birds Published between 1743 and 1751 and the subsequent work; Gleanings of Natural History which was produced between 1758 and 1764. These two works illustrated and documented many previously unrecorded specimens of birds reptiles and insects held in England's private collections up to the mid eighteenth century. A monumental achievement Edwards documented- in English and French- painted engraved and hand-colored every one of the fine compositions in this Pre-Linnaean natural history opus. Although not a field naturalist Edwards placed many of his birds and animals in landscaped settings which was unusual for the time. In other compositions birds are elegantly perched on stylized branches in a classic Georgian format more decorative than realistic charming nonetheless. A gracious and humble man Edwards established firm and respected alliances with naturalist pioneers Carl Linnaeus 1707-78 Mark Catesby 1683-1749 from whom he learned the art of engraving and subsequently aided Catesby in the revision of his publication; The Natural History of Carolina Florida and the Bahama Islands London c.1754 as well as William Bartram from whom he acquired several species of Pennsylvanian birds included in his volumes. As Edwards' work predates the completion of the Linnaean classification system Linnaeus was to borrow the English names of many of Edwards species for his renowned work on classification and nomenclature. Ref: Buchanan Jackson Fine Bird Books. Matted in Rag Board The Royal College of Physicians, unknown
1932010102Garden City: Doubleday Doran & Co. 1932 Illustrated boards with light shelf wear previous owner's name erased from endpaper; in a matching color pictorial dustjacket with edge wear and a few closed tears erased name from rear panel original price intact $1.00. A very nice copy of the third Angus book with wonderful color lithos on nearly every page. Very scarce. . Stated First Edition. Illustrated Boards. Near Fine/Very Good. Illus. by Marjorie Flack. Oblong 4to. Doubleday Doran & Co. hardcover
17906401London:: G. Shaw and F.P. & E. Nodder 1790-1813. First edition. Fine in original bright hand-coloring. A Fine and rare original hand-colored copperplate engraving by Frederick Polydore Nodder and/or his son Richard Polydore Nodder from The Naturalist's Miscellany. Archivally framed in one inch walnut burl moulding. Sized to 19.5 x 17 inches. Includes the original text in both English and Latin by George Shaw MD FRS. The Naturalist's Miscellany distinguished by the refined hand-colored copperplate engravings and astute naturalists' observations was aptly named as a diverse naturalists' compendium of the birds mammals reptiles insects fish and crustacean identified by seventeenth and eighteenth century naturalists spanning the globe particularly around the South Seas. Many of nature's most fascinating and unusual creatures were discovered during this period several of which were introduced through The Naturalist's Miscellany. Doctor George Shaw 1751-1813 Fellow of the Royal Society cofounder of the Linnaean Society as well as Zoologist of the British Museum contributed the text. Publication of the Naturalist's Miscellany ceased with his death in 1813. Upon the death of the artist FP Nodder 1770-1800 his wife Elizabeth and their son Richard Polydore Nodder 1793-1820 contributed artistically and editorially to the publication. Indeed a family affair both Frederick Polydore Nodder and his son Richard produced every one of the plates. A gifted and distinguished naturalist Frederick P. Nodder was the preferred Botanical Painter to Her Majesty Queen Charlotte. His early skills as botanical and animal draughtsman and engraver were honed from his association with Sir Joseph Banks who employed Nodder to complete and engrave the drawings from the sketchbooks of the late Sydney Parkinson. Parkinson accompanied Banks as botanical draughtsman aboard Captain James Cook's The Endeavor in 1771. Parkinson died on the return of this South Seas Voyage. These engravings along with the natural history collections of the British Museum were the basis for the mastery of the Naturalist's Miscellany. Frederick's son Richard P. Nodder a gifted animal painter in his own right was distinguished as botanic painter to King George III. At the time of its creation The Naturalist's Miscellany was highly coveted as a definitive natural history offering and as was the custom the work was issued in installments between 1790 and 1813. Each volume was dedicated by permission and dutifully inscribed to the most devoted patrons and contributors of the natural historical pursuits of eighteenth and early nineteenth century Britain: Queen Charlotte Sir Joseph Banks Thomas Pennant Esq. The Universities of Oxford and Cambridge The Trustees of the British Museum to name a few. Andrews1986 Blunt 151Coats 25 Sitwell FBB 142 Wood 482. Copyright: Lowry-James Rare Prints & Books 1/09. Archivally Framed G. Shaw and F.P. & E. Nodder, unknown
1957013397New York: Viking 1957. Turquoise cloth binding lightly soiled slight spine cock else square and tight. Hinges good. Illustrated endpapers - interior clean with slightly yellowing pages. 199 pages. DJ has sun-faded spine covers a bit faded and lightly soiled shelfwear wrinkles a few chips. Not price-clipped - $2.75 on front flap. Scarce 1st edition. Basis for the Disney movie but oh-so-much better a story! The book club edition does not include the many illustrations of this original edition. Story of Pongo and Missis - Perdita is actually a nurse-dog in the book. The original story goes into much more detail on the Dalmatians' search for their puppies. Size: 8vo - over 7¾" - 9¾" tall. Illus. by Grahame-Johnstone Janet and Anne. 1st US. Hardcover. Good/Good. Viking Hardcover
201520050381Pan Macmillan Australia 2015. First Edition. Hardcover. Very Good/No Dust Jacket. Hardcover. 224 pages. PUBLISHING DETAILS: Pan Macmillan Australia 2015. First Edition. This is the first printed edition non-digital. CONDITION: This book is in very good condition. More specifically: Covers have superficial rubbing/wear. Edges of boards have superficial wear. Pages are lightly tanned. ABOUT THIS BOOK: A young hero. Barbaric monsters. An impossible quest. In a remote valley a tribe of humans is being killed off by a terrible disease. There is a rumour that the trolls of Troll Mountain have a cure for the illness: a miraculous elixir. When Raf's sister gets sick and his tribal leaders refuse to help him he makes a courageous decision. He sets out on his own for Troll Mountain .to steal the elixir. The journey to the mountain has begun . Quantity Available: 1. Category: Children & Young Adult; Teenage Fiction; ISBN/EAN: 9781743537053. Inventory No: 20050381. 9781743537053 Pan Macmillan hardcover
1867011099<p>London: Read & Co. 1867 Circa 1867. Color pictorial covers with illumination printed on violet paper mounted on linen spine worn some loss to lower cover occasional marks but clean overall. A cat recounts the troubles of her life and how she eventually came to her present pleasant situation. The tale is told in verse and illustrated with and-colored engravings. Rare with only two institutional copies located. Not in Necker. Date based on publisher's name and address they operated as Read & Co until 1867 having merged with Brooks in 1868 to become Read & Brooks. . Pictorial Wraps. Good Plus/No Jacket. Illus. by Jas W Barfoot. Small 4to.</p> Read & Co.
2007091523-DNew York: Skarstedt Fine Art 2007. Book. Illus. by Gregory Creadson. New. Hardcover. Inscribed by Authors. 1st Edition. 4to - over 9¾ - 12" tall. 1st. Edition 1st. Printing 2007. Dark purple cloth hardcover embossed letters to boards128 page book. Illustrated with black & white full page plates of Grewdson's photographic art . A very scarce signed and inscribed on the title page copy . Condition : NEW. Skarstedt Fine Art Hardcover
1944011190<p>New York: Harper & Brothers 1944 Red cloth pictorially stamped in black ink; color pictorial dust jacket with edge wear long closed tear to front panel original price intact $1.75. A really lovely copy of the book in a presentable dust jacket. The first book for which Margret Rey received author credit. The story of a long daschund called Pretzel. Illustrated in color throughout. ".the beginning of Harper picturebooks about the difficulties of being different." Bader pg 248. Stated First Edition. Cloth Hard Cover. Fine/Good Plus. Illus. by H A Rey. 4to.</p> Harper & Brothers hardcover
200626050215The Australian Bloodhorse Review Australia 2006. First Edition. Hardcover. Very Good/Near Fine. Hardcover. 981 pages. PUBLISHING DETAILS: The Australian Bloodhorse Review Australia 2006. First Edition. CONDITION: The book itself is in very good condition and comes in near fine dust jacket. More specifically: Boards have no wear rubbing or soiling. Edges of dust jacket have light bumping. . Pages are clean and unmarked and in excellent condition except for previous owner's name ink-stamped on half-title page and title page. the title page also has patches of shadowing from the picture opposite. ABOUT THIS BOOK: A profile of the 20th century's most successful sires Their sire sons and grandsons in the major thoroughbred breeding countries of the world. Quantity Available: 1. Category: Animals & Birds; Sports & Pastimes. ISBN: 0958619972. ISBN/EAN: 9780958619974. Inventory No: 26050215. 9780958619974 The Australian Bloodhorse Review hardcover
2006036051Norfolk 2006. Drawing. Illus. by Robert Gillmor. Fine. Framed. Signed by THE ARTIST. Original. 24cm x 27cm. Pencil layout on tracing paper with original pen and ink drwing on paper; artwork design for the colophone on the spine of the New Naturalist Gower No.99. In 1985 Robert took on the design of the jackets for Harper Collins' renowned New Naturalists series until 2022. Much of his work has been at sell-out exhibitions at the Pinkfoot Gallery in Cley he is one of the UK's most collectable printmakers. Acid free mount glazed with frame. Frame size 38cm x 42cm. Robert Allen Fitzwilliam Gillmor MBE 1936 - 2022 was a British ornithologist artist illustrator author and editor. He was a co-founder of the Society of Wildlife Artists SWLA and was its secretary chairman and president. He contributed to over 100 books most notably the New Naturalist series. unknown
2019034314Minehead Studio 2019. Print. Illus. by Rachel Ann Le Bas. Fine. Framed. Signed by Authors. Limited Edition. 22cm x 26.5cm. Limited edition signed number 1 of a possible 75 an aquatint and line engraving by Rachel Ann Le Bas. This is an opportunity to acquire a piece of Ann Le Bas' work from her estate and personnal studio collection. Exhibited at the Royal Society of Print makers in 2019. Bibliography : Rachel Ann Le Bas 1923-2020 Member of the Royal Society of Painter-Etchers and Engravers elected 1960 now known as the Royal Society of Painter-Printmakers RE. Le Bas studied under Middleton Todd Henry Wilkinson and Rodney Burn at the London Art School. Elected to the New English Art Club in 1972. In 1969 she was elected to the Art Workers Guild and from 1995-1999 was Master of the Somerset Guild of Craftsmen. Le Bas' was an exhibitor for many years at the Royal Academy and her work is found internationally and at the Royal Albert Memorial Museum London and Ashmolean Oxford. Near fine frame lightly marked glazed with acid free mount unmarked. A fine signed limited print.Please contact us if you would like to view any of our artwork in person. unknown
2000004989ACMRS Press 2000. Book. Very Good. Hardcover. 2nd Edition. Nice copy with just minor wear. Pages of text are clean bright and free of markings. Binding is tight and secure. Shipped within 24 hours from the beautiful Baltimore inner harbor area. First class service; accurate descriptions. Most items packed in boxes not envelopes. . ACMRS Press Hardcover
19382221949<p>First edition. 10 1/2" x 8 1/2". Color and b/w illustrations by Elise. Format and design by Merle Armitage. Dust jacket unclipped; soft creases; small chips. Gift pencil inscription on back of last page. Enclosed in a new blue cloth chemise and slipcase; leather spine label. Very good. unpaginated.</p><p>Children's tale of an adventurous and pampered dachshund in Vienna U.S. and Paris.</p> Longmans, Green & Co. hardcover
199926050216The Australian Bloodhorse Review Australia 1999. First Edition. Hardcover Printed Boards. Very Good/No Dust Jacket. Hardcover Printed Boards. 514 pages. PUBLISHING DETAILS: The Australian Bloodhorse Review Australia 1999. First Edition. CONDITION: This book is in very good condition. More specifically: Boards have no wear rubbing or soiling. Pages are clean and unmarked and in excellent condition. Bumping to ends of spine and a know to top edge of from board. Quantity Available: 1. Category: Animals & Birds; Sports & Pastimes. ISBN: 0958619905. ISBN/EAN: 9780958619905. Inventory No: 26050216. 9780958619905 The Australian Bloodhorse Review hardcover
24020079Vanguard Press USA No date. Book Club Edition. Hardcover Printed Boards. Near Fine. Hardcover Printed Boards. Size: 16cm x 22.5cm. PUBLISHING DETAILS: Vanguard Press USA No date. Book Club Edition. CONDITION: This book is in near fine condition. More specifically: Covers have no creasing. Edges of covers have superficial wear. Pages are clean and unmarked and in excellent condition. ABOUT THIS BOOK: Praise for And To Think That I Saw it On Mulberry Street: "The cleverest book I have met with for many years. The swing and merriment of the pictures and the natural truthful simplicity of the untruthfulness." Beatrix Potter author of The Tale of Peter Rabbit Quantity Available: 1. Category: Children & Young Adult; Children's Picture Books; Inventory No: 24020079. Vanguard Press hardcover
