389 résultats
1897558066London: Longmans Green and Co 1897. Woe betide the boy of today who practises some of these pastimes!. Includes pastimes such as Birds'-nesting ! A VERY NICE COPY.Some repair to spine.Please email for further details. James Maunsell Newborough Patrickswell Co Limerick. New Edition. Red Decorated Cloth. Very Good Gilt Edge Pages/No Jacket. Illus. by 252 Illustrations. 12mo - over 6¾" - 7¾". Hardback. Longmans, Green, and Co Hardcover
18966637Sheffield:: Pawson and Brailsford 1896. First edition. Near Fine Condition. Minor foxing to edge of plate not effecting the image. A Fine Original Chromolithograph. Octavo 5.75 x 10 inches. Presented in a neutral rag mat: 12 x 16 inches. In recognition of the complete order of Ornithology the nineteenth century naturalist's collection would contain at least one Oology; a collection or study of eggs. Henry Seebohm's Eggs of British Birds are among the finest. Organized by type; Shorebird Songbird Gamebird or Bird of Prey and systematically arranged by size these original chromolithographs are richly printed from multiple stones allowing for a subtle variation of color and texture not commonly found in many egg prints of this period. Historical text documentation accompanies the plate. Wood 561. Matted in neutral rag mat sized to 12 x 16 inches. Pawson and Brailsford, unknown
18401241680Stuttgart, Cotta, 1840. 8, 222 S. Späterer Karton (Einbd etwas fleckig u. beschabt, Stempel recto/verso Titel).
186410095041864. 4to. 4 Bl., 28 S., 8 Chromolithographien. Lwdbd d. Zeit (braunfl.).
1853146715Zeitz. Verlag von Louis Garcke. 1853. XV, 84 Seiten. Original-Kart.-Einband mit dekorativ lithographierter Titelumrahmung. (Gestempeltes Bibliotheks-Exemplar. Teils etwas fleckig). 20x12 cm
185953277ABFrankfurt, Meidinger & Sohn, 1859. Ca. 22,5 x 15,5 cm. XVI S., 450 S., (4) Seiten. Mit zahlreichen Textholzstichen, getönten Tafeln und zwei großen farbigen lithographierten Karten. Halblederband der Zeit. 4., verm. u. verb. Auflage, illustrirte Prachtausg
183753237ABStuttgart, Julius Weise, 1837. Ca. 19,5 x 14 cm. 407 Seiten, mit Stahlstich-Fronispiz, gestochenem Titelblatt und 3 lithographierten Tafeln, 380 Seiten, mit 10 lithographierten Tafeln (davon 8 farbigen); Halblederbände der Zeit mjit Rückengoldprägung. 2 Bände. [3 Warenabbildungen]
1854ZOOL0145Leipzig, J.J. Weber 1854. XVI, 612 S., mit 24 Abb. von E. Rittmeyer und W. Georgy, blindgepr. Lnbd. d. Zt. mit gldgepr. Rückendekoration, berieben, hellfleckig, Ecken bestoß., Rücken fleckig, Rückenkanten etwas rissig, vord. flieg. Vors. herausgerissen, Vortit., Titel, Front.verso mit Namenszug, Gelenke leicht beschäd., S.53-60 u. S. 415/165 sowie 2 Taf. lose, vereinzelt leichte Wasserränder an Ecken, S. 607-10 leicht gelockert., vereinzelt schwach schmutzfl. bzw. braunfl., einzelne hs. Bleistiftnotizen im Text. Nissen ZBI 4178.
18355583Edinburgh:: WH Lizars 1835. First edition. Fine with original hand-coloring. A fine original hand-colored steel engraving with bright original hand-coloring. 6.75 x 4.25 inches 10.8 x 17.15 cm. This engraving is classified as one of the finest natural history miniatures produced during the mid-nineteenth century. A refined and intelligent work The Naturalist's Library was created for everyone with an interest in the natural world. Sir William Jardine 1800-1847 noted Scottish Ichthyologist and Ornithologist combined the talents of his colleagues; Edward Lear Prideaux John Selby William Swainson to contribute to The Naturalist's Library. The intention of the series was to create a fine yet affordable work describing and illustrating all elements of the natural world save botany. In addition several plates were engraved after noted artists: John James Audubon John Gould and Maria Sibylla Merian. The success of the publication was apparent by the production of forty subsequent volumes. The engraver of the work was William H. Lizars who at the time produced the first ten plates of John James Audubon's magnum opus the Double Elephant Folio Edition of The Birds of America. For The Naturalist's Library Lizars engraved the miniature plates in steel opposed to copper to render meticulously detailed settings for each described species. Traditionally only the major subject either bird animal insect or fish was individually painted with watercolor the background remained uncolored. This work has withstood the test of time and continues to be a fine and affordable option to the lavish engraved work of many natural history masters. WH Lizars, unknown
18355573Edinburgh:: WH Lizars 1835. First edition. Fine with original hand-coloring. A fine original hand-colored steel engraving with bright original hand-coloring. 6.75 x 4.25 inches 10.8 x 17.15 cm. This engraving is classified as one of the finest natural history miniatures produced during the mid-nineteenth century. A refined and intelligent work The Naturalist's Library was created for everyone with an interest in the natural world. Sir William Jardine 1800-1847 noted Scottish Ichthyologist and Ornithologist combined the talents of his colleagues; Edward Lear Prideaux John Selby William Swainson to contribute to The Naturalist's Library. The intention of the series was to create a fine yet affordable work describing and illustrating all elements of the natural world save botany. In addition several plates were engraved after noted artists: John James Audubon John Gould and Maria Sibylla Merian. The success of the publication was apparent by the production of forty subsequent volumes. The engraver of the work was William H. Lizars who at the time produced the first ten plates of John James Audubon's magnum opus the Double Elephant Folio Edition of The Birds of America. For The Naturalist's Library Lizars engraved the miniature plates in steel opposed to copper to render meticulously detailed settings for each described species. Traditionally only the major subject either bird animal insect or fish was individually painted with watercolor the background remained uncolored. This work has withstood the test of time and continues to be a fine and affordable option to the lavish engraved work of many natural history masters. WH Lizars, unknown
18804954London:: Cassell Petter Galpin & Co. 1880. First edition. Fine. A Fine original Chromolithograph. Octavo 10.75 x 8.75 inches. Matted in archival board sized to 14 x 16 inches suitable for framing. In the fine tradition of classic animal portraiture this formal portrait of one of Great Britain's prized canine breeds is set in its traditional British Scottish or Welsh landscape or interior. Finely produced by Vincent Brooks Day & Son Lithographers to the Queen in London c. 1880. Matted in Rag Board Cassell, Petter, Galpin & Co., unknown
1876147070Tübingen, H. Laupp'sche Buchhandlung 1876. XII, 281, (2) Seiten und 6 Tafeln auf festem Papier. Halbleinwand-Einband der Zeit mit Leinwandecken. (Gebrauchsspuren. Bindung etwas gelockert. Titelblatt unten rechts repariert. Papier teils etwas fleckig). 24x17 cm
182659544Ilmenau. Gedruckt und verlegt bei Bernh. Friedr. Voigt. 1826. (2), 90 Seiten. Neue Broschur mit leinwandverstärktem Rücken unter Verwendung des Originalumschlages (Mit neuem Vorsatzpapier. Originalumschlagblatt am linken Rand mit Fehlstellen, jedoch ohne Textverlust. Titelblatt mit Namenseintrag. Seite 85 bis Seite 88 am oberen Rand mit Faltspuren u. Knicken durch Fehldruck. Blatt 91/92 mit Verlagsanzeigen fehlt!) 17x10 cm
1884137683Leipzig F.A. Brockhaus 1884. X, 308 Seiten. Halbleinwand-Einband der Zeit mit Rückentitel u. marmorierten Deckeln. (Einband am Rücken teils beschädigt u. etwas brüchig. Titelblatt mit Nummerneintrag). 19x12,5 cm
18355598Edinburgh:: WH Lizars 1835. First edition. Fine with original hand-coloring. A fine original hand-colored steel engraving with bright original hand-coloring. 6.75 x 4.25 inches 10.8 x 17.15 cm. This engraving is classified as one of the finest natural history miniatures produced during the mid-nineteenth century. A refined and intelligent work The Naturalist's Library was created for everyone with an interest in the natural world. Sir William Jardine 1800-1847 noted Scottish Ichthyologist and Ornithologist combined the talents of his colleagues; Edward Lear Prideaux John Selby William Swainson to contribute to The Naturalist's Library. The intention of the series was to create a fine yet affordable work describing and illustrating all elements of the natural world save botany. In addition several plates were engraved after noted artists: John James Audubon John Gould and Maria Sibylla Merian. The success of the publication was apparent by the production of forty subsequent volumes. The engraver of the work was William H. Lizars who at the time produced the first ten plates of John James Audubon's magnum opus the Double Elephant Folio Edition of The Birds of America. For The Naturalist's Library Lizars engraved the miniature plates in steel opposed to copper to render meticulously detailed settings for each described species. Traditionally only the major subject either bird animal insect or fish was individually painted with watercolor the background remained uncolored. This work has withstood the test of time and continues to be a fine and affordable option to the lavish engraved work of many natural history masters. Matted in Rag Board WH Lizars, unknown
18355571Edinburgh:: WH Lizars 1835. First edition. Fine with original hand-coloring. A fine original hand-colored steel engraving with bright original hand-coloring. 6.75 x 4.25 inches 10.8 x 17.15 cm. This engraving is classified as one of the finest natural history miniatures produced during the mid-nineteenth century. A refined and intelligent work The Naturalist's Library was created for everyone with an interest in the natural world. Sir William Jardine 1800-1847 noted Scottish Ichthyologist and Ornithologist combined the talents of his colleagues; Edward Lear Prideaux John Selby William Swainson to contribute to The Naturalist's Library. The intention of the series was to create a fine yet affordable work describing and illustrating all elements of the natural world save botany. In addition several plates were engraved after noted artists: John James Audubon John Gould and Maria Sibylla Merian. The success of the publication was apparent by the production of forty subsequent volumes. The engraver of the work was William H. Lizars who at the time produced the first ten plates of John James Audubon's magnum opus the Double Elephant Folio Edition of The Birds of America. For The Naturalist's Library Lizars engraved the miniature plates in steel opposed to copper to render meticulously detailed settings for each described species. Traditionally only the major subject either bird animal insect or fish was individually painted with watercolor the background remained uncolored. This work has withstood the test of time and continues to be a fine and affordable option to the lavish engraved work of many natural history masters. WH Lizars, unknown
18355584Edinburgh:: WH Lizars 1835. First edition. Fine with original hand-coloring. A fine original hand-colored steel engraving with bright original hand-coloring. 6.75 x 4.25 inches 10.8 x 17.15 cm. This engraving is classified as one of the finest natural history miniatures produced during the mid-nineteenth century. A refined and intelligent work The Naturalist's Library was created for everyone with an interest in the natural world. Sir William Jardine 1800-1847 noted Scottish Ichthyologist and Ornithologist combined the talents of his colleagues; Edward Lear Prideaux John Selby William Swainson to contribute to The Naturalist's Library. The intention of the series was to create a fine yet affordable work describing and illustrating all elements of the natural world save botany. In addition several plates were engraved after noted artists: John James Audubon John Gould and Maria Sibylla Merian. The success of the publication was apparent by the production of forty subsequent volumes. The engraver of the work was William H. Lizars who at the time produced the first ten plates of John James Audubon's magnum opus the Double Elephant Folio Edition of The Birds of America. For The Naturalist's Library Lizars engraved the miniature plates in steel opposed to copper to render meticulously detailed settings for each described species. Traditionally only the major subject either bird animal insect or fish was individually painted with watercolor the background remained uncolored. This work has withstood the test of time and continues to be a fine and affordable option to the lavish engraved work of many natural history masters. WH Lizars, unknown
18355585Edinburgh:: WH Lizars 1835. First edition. Fine with original hand-coloring. A fine original hand-colored steel engraving with bright original hand-coloring. 6.75 x 4.25 inches 10.8 x 17.15 cm. This engraving is classified as one of the finest natural history miniatures produced during the mid-nineteenth century. A refined and intelligent work The Naturalist's Library was created for everyone with an interest in the natural world. Sir William Jardine 1800-1847 noted Scottish Ichthyologist and Ornithologist combined the talents of his colleagues; Edward Lear Prideaux John Selby William Swainson to contribute to The Naturalist's Library. The intention of the series was to create a fine yet affordable work describing and illustrating all elements of the natural world save botany. In addition several plates were engraved after noted artists: John James Audubon John Gould and Maria Sibylla Merian. The success of the publication was apparent by the production of forty subsequent volumes. The engraver of the work was William H. Lizars who at the time produced the first ten plates of John James Audubon's magnum opus the Double Elephant Folio Edition of The Birds of America. For The Naturalist's Library Lizars engraved the miniature plates in steel opposed to copper to render meticulously detailed settings for each described species. Traditionally only the major subject either bird animal insect or fish was individually painted with watercolor the background remained uncolored. This work has withstood the test of time and continues to be a fine and affordable option to the lavish engraved work of many natural history masters. WH Lizars, unknown
18801193354Bremen, Heinsius, 1880. 1 Bl., 24, 152 S., 1 Bl. m. 1 Abb. u. mehreren Tabellen. Lwdbd d. Zeit (St. verso Titel).
1850BOOKS075221ILeipzig: Arnoldische Buchhandiung 1850. HC. good- paper covered boards spine repair hardcover SEE NOTES. 20 lithograph plates. First published in 1832 discusses fossil plants with illuatrations and descriptions including some new species. Images available - ask for link. 89pp. Arnoldische Buchhandiung unknown
1837102694Stuttgart. Verlag Paul Neff. 1837. Zwei Bände. XIV, 434 Seiten u. 13 lithographierte Tafeln (und) IV, 513, (3) Seiten u. 14 lithographierte Tafeln. Halbleinwand-Einbände der Zeit mit Rückentitel u. marmorierten Deckeln (Papier wellig u. teils fleckig. Titelblätter gestempelt) 21x14 cm
1900147474Halle. Druck und Verlag von Otto Hendel (Ohne Jahr. Um 1900). (4), 135, (1) Seiten und fünf farbig lithographierte Tafeln. Dekorativ illustrierter, grauer Original-Leinwand-Einband. (Einband teils etwas randfleckig. Ansonsten gutes Exemplar). 16x12 cm
188553220ABNördlingen, C.H. Beck'sche Buchhdlg., 1885. Ca. 18 x 12,5 cm. IV S., 1 Bl., 170 Seiten. Orig.-Halbleinenband.
187210323521872. 24, 614 S., 1 Bl. Mit einigen Textholzschn. u. 3 gefalt. Tab. (Theoretisch-praktische Ackerbau-Chemie 2). Geprägter OLwdbd m. Rverg. (etwas braunu. fingerfl., am Schluß wasserrandig).
18731242589Berlin, Wiegandt, Hempel u. Parey, 1873. 22, 469, (3) S. m. 109 Textholzschnitten, 16 Farbtaf. (davon 2 doppelseitig). OHldr m. Rückenvergoldung u. allseitigem Farbschnitt (etwas beschabt, durchgehend minimal, die Tafeln etwas stärker braunfleckig).