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GOR007383772Paperback. Very Good. paperback
34091985like new. unknown
1422230163.Glibrary. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. unknown
2015AME_9781634832267Nova Science Publishers 2015. 1ST. Hardcover. New/New. Nova Science Publishers hardcover
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A9781634832267Hardback. New. This book presents and discusses current research in the field of applied physics. Topics discussed include radiation effects in piezoelectric AlGaN/GaN heterostructures; fluorescence resonance energy transfer between CdTe quantum dots and organic dye; and band offsets in dielectric/InGaZnO4 thin film transistors. hardcover
cbs 9781634832267USA Edition . New. Brand New! Fast Delivery US Edition and ship within 24-48 hours. Deliver by FedEx and Dhl & Aramex UPS & USPS and we do accept APO and PO BOX Addresses. Order can be delivered worldwide within 6-10 days and we do have flat rate for up to 2LB. Extra shipping charges will be requested if the Book weight is more than 5 LB. This Item May be shipped from India United states & United Kingdom. Depending on your location and availability. unknown
ria9783639088939_inpPaperback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; N/A paperback
B9783639088939Paperback / softback. New. paperback
363908893X.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
51421647-nnew. unknown
51421647like new. unknown
2011Q-1849390495Andersen Press 2011-11-01. Hardcover. New. In shrink wrap. Looks like an interesting title! Andersen Press hardcover
19999781860496912-2025VIRAGO PRESS LTD 1999. Hardcover. New/New. <p><strong>Author:</strong> Sarah Waters</p><p><strong>Publisher:</strong> VIRAGO PRESS LTD</p><p><strong>Binding:</strong> Hardcover</p><p><strong>ISBN:</strong> 9781860496912</p><p><strong>Release Date:</strong> 1999</p><p><strong>Number Of Pages:</strong> 368</p><p><strong>Details:</strong> An upper-class woman recovering from a suicide attempt visits the women's ward of Millbank prison as part of her rehabilitation. There she meets Selina an enigmatic spiritualist - and becomes drawn into a twilight world of ghosts and shadows unruly spirits and unseemly passions until she is at last driven to concoct a desperate plot to secure Selina's freedom and her own.</p> VIRAGO PRESS LTD hardcover
19999781860496912-2025VIRAGO PRESS LTD 1999. Hardcover. New/New. <p><strong>Author:</strong> Sarah Waters</p><p><strong>Publisher:</strong> VIRAGO PRESS LTD</p><p><strong>Binding:</strong> Hardcover</p><p><strong>ISBN:</strong> 9781860496912</p><p><strong>Release Date:</strong> 1999</p><p><strong>Number Of Pages:</strong> 368</p><p><strong>Details:</strong> An upper-class woman recovering from a suicide attempt visits the women's ward of Millbank prison as part of her rehabilitation. There she meets Selina an enigmatic spiritualist - and becomes drawn into a twilight world of ghosts and shadows unruly spirits and unseemly passions until she is at last driven to concoct a desperate plot to secure Selina's freedom and her own.</p> VIRAGO PRESS LTD hardcover
2000Q-1573221562Riverhead Hardcover 2000-06-05. Hardcover. New. In shrink wrap. Looks like an interesting title! Riverhead Hardcover hardcover
2002Q-1573228737Riverhead Books 2002-01-08. Paperback. New. New. In shrink wrap. Looks like an interesting title! Riverhead Books paperback
2000DADAX1573221562Brand: Riverhead Hardcover 2000-06-05. American First. hardcover. New. 5.78x1.20x8.80. Buy with confidence. Excellent Customer Service & Return policy. Brand: Riverhead Hardcover hardcover
8433970593.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1927206461927. Waters Ethel career archive 1927-1968 documents African American performance history across stage film and music supporting research into Black entertainment racial integration in American media and queer cultural history. Waters emerged from the Harlem jazz and blues scene of the 1920s and became one of the highest-paid Black recording artists of her era later breaking barriers in Broadway film and television. The archive traces her transition from early musical theater into mid-century film and stage productions including roles that engaged directly with race relations in the United States. Her career also holds significance within LGBTQ cultural history as her bisexual identity and audience following positioned her within overlapping communities of performance and identity.<br /> <br /> Archive of eight items including five black-and-white silver gelatin photographs one sheet music booklet and two printed theatrical programs/handbills dating from 1927 to 1968. 1 Kahn Gus and Moret Neil. Chlo-e Song of the Swamp. San Francisco: Villa Moret Inc. 1927. Six-page sheet music booklet featuring a photographic image of Waters from Africana the production marking her Broadway debut; interior leaf loose. 2 Press photograph for Pinky. 1949. Waters appears with co-star Jeanne Crain during filming; verso caption describes production context. 3 Press photograph for Pinky. 1949. Scene depicting Crain leaning on Waters in a domestic interior; caption identifies film. 4 Handbill for The Member of the Wedding. Milwaukee: Davidson Theatre February 18 1952. Single sheet with photographic portrait of Waters who originated the role of Berenice Sadie Brown. 5 Lobby card for The Member of the Wedding. 1952. Waters pictured with Julie Harris and Brandon deWilde in a domestic scene. 6 Program booklet for At Home with Ethel Waters. New York: 48th Street Theatre 1953. Sixteen-page program listing 26 songs performed with accompanist Reginald Beane including "Am I Blue" and "Stormy Weather" alongside biographical text and photographs. 7 Lobby card for The Sound and the Fury. 1959. Waters appears with Jack Warden and Stephen Perry in her final film role. 8 Press photograph of Waters with Jim Brown. 1968. Image shows Brown greeting Waters at MGM studios; caption printed on verso. Materials include a mix of promotional imagery performance documentation and printed ephemera tied to specific productions.<br /> <br /> Spanning four decades the archive situates Waters within major developments in American entertainment including the expansion of Black performers into mainstream film and television and the negotiation of racial representation in works such as Pinky. Her stage and musical performances document continuity between early jazz-era entertainment and mid-century theatrical production while her later appearances reflect sustained visibility across changing media landscapes. Minor edge wear occasional creasing and one chipped corner to a photograph not affecting the image; materials remain well preserved. Overall in very good condition. unknown
1934206451934. Waters Ethel group of six items dating from 1934 to 1959 documents the stage and screen career of Ethel Waters a central figure in twentieth century African American performance history whose work in theater music and film intersected with the integration of American entertainment industries. Rising to prominence in Harlem during the 1920s as a jazz and blues vocalist Waters became one of the highest paid Black recording artists of her era and later broke racial barriers on Broadway and in television. Her starring role in As Thousands Cheer established one of the earliest instances of integrated billing between Black and white performers on the Broadway stage while later productions and film roles expanded her presence across national audiences. Her repertoire including "Stormy Weather" and "Am I Blue" achieved lasting recognition in American music history and her public persona and personal life contributed to her reception within queer audiences including lesbian and gay communities.<br /> <br /> Archive of six items comprising two original black and white silver gelatin press photographs and four playbills spanning theater and film productions from 1934 to 1959. Materials include:<br /> 1 Playbill for As Thousands Cheer. Chicago: Shubert Grand Opera House November 5 1934. Four pages. Documents Waters' featured performance in Irving Berlin's production noted for integrated billing and for introducing the song "Heat Wave."<br /> 2 Playbill for Cabin in the Sky. Chicago: Selwyn Theatre May 4 1941. Sixteen pages with cover image of Waters alongside Todd Duncan and Dooley Wilson. Early all Black musical production with a sustained theatrical run.<br /> 3 Press photograph for Cabin in the Sky film. 1943. Approximately 7 x 9.5 inches. Image of Waters with Eddie "Rochester" Anderson as Petunia and Little Joe; verso retains original press caption. Film adaptation directed by Vincente Minnelli featuring an ensemble cast including Lena Horne Louis Armstrong and Duke Ellington.<br /> 4 Playbill for The Member of the Wedding. Ivoryton Connecticut: Ivoryton Playhouse July 13 1953. Sixteen pages. Includes feature noting Waters as "Star of the Week" documenting her role as Berenice Sadie Brown.<br /> 5 Playbill for At Home with Ethel Waters. New York: 48th Street Theatre September 22 1953. Thirty two pages. Musical revue featuring twenty six songs performed with accompanist Reginald Beane including "Am I Blue" "Suppertime" "St. Louis Blues" and "Stormy Weather."<br /> 6 Press photograph for The Sound and the Fury. April 9 1959. Approximately 7.5 x 9 inches. Depicts Waters with Joanne Woodward and Yul Brynner; verso retains press caption. Final film role of Waters.<br /> <br /> These materials trace Waters' movement from early integrated Broadway performance through mid century theatrical revivals and into late career film work providing a continuous record of African American participation in mainstream entertainment across multiple media. Productions such as Cabin in the Sky and The Member of the Wedding situate Waters within a cohort of Black performers who expanded narrative and representational possibilities on stage and screen during a period of segregation and limited roles. The inclusion of both playbills and press photography documents the promotional and institutional frameworks through which Black performers were presented to audiences while the chronological range captures shifts from Harlem Renaissance performance circuits to postwar film adaptation. Light handling wear with minor edge wear to playbills; photographs retain strong contrast and clear detail with intact press captions. Overall very good condition. unknown
2004Q-1590846109Mason Crest 2004-12-01. Library Binding. New. In shrink wrap. Looks like an interesting title! Mason Crest unknown
1993736085786Judson Press 1993. Paperback. Very Good. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More Spend Less.Minor shelf and handling wear overall a clean solid copy with minimal signs of use. An excellent copy gently worn; Secure packaging for safe delivery.Dust jacket quality is not guaranteed. Judson Press paperback
1993736096176Judson Press 1993. Paperback. Good. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More Spend Less.Shelf and handling wear to cover and binding with general signs of previous use. Cover shows moderate edgewear; Binding is sound; Occasional underlining throughout text; Previous owner name on front free page; Secure packaging for safe delivery.Dust jacket quality is not guaranteed. Judson Press paperback