111 résultats
20171582214Oxford University Press 2017. Hardback. Very Good. DJ; Heavy. Top corner slightly bumped; slight wear to the dust jacket along the edges. Heavy/Large - extra postage may be required. Oxford University Press hardcover
20171407883Oxford and New York: Oxford University Press 2017. Second Printing. Hardcover. Quarto vii viii xii xiv 638 pages. In Very Good plus condition with a Very Good dust jacket. Dust jacket protected with a mylar covering. Spine pictorial green with off-white and light green lettering. Exterior has very slight wear. Boards have slight wear including sparse minor whitish scuffs and faint sunning. Text block has slight wear including minor edge wear. Volume twelve. First edition second printing.<br /> <br /> Oversized books. Additional postage necessary international/expedited orders. Economy international shipping unavailable due to size/weight restrictions. For international/expedited customers please inquire for rates.<br /> <br /> <p>NOTE: Shelved in Netdesk office Case #5. 1407883. FP New Rockville Stock. Oxford University Press hardcover
20172-0199679770Oxford Univ Pr 2017. Hardcover. New. 638 pages. 10.00x7.00x2.50 inches. Oxford Univ Pr hardcover
2016x-0691642613Princeton University Press 2016. Hardcover. New. 242 pages. 9.00x6.00x0.67 inches. Princeton University Press hardcover
2005Q-1402728379Sterling 2005-11-01. Paperback. New. In shrink wrap. Looks like an interesting title! Sterling paperback
2008Q-0756632331DK Eyewitness Travel 2008-01-21. Paperback. New. In shrink wrap. Looks like an interesting title! DK Eyewitness Travel paperback
202030822Tacámbaro y Mexico: Cuadernos del Armadillo en el Tallero Martín Pescador 2020. First edition. Paper booklet in new condition. Limited edition of 120 copies; 6.5" x 6.5"; Sewn in textured charcoal wrappers; pp. 4. Born In 1951 In Mexico City Coral Bracho has published more than a dozen volumes of poetry including her magnificent El ser que va a morir 1981 which changed the course of Mexican poetry.<p>The prominent Mexican poet David Huerta writes "The secret of Coral Bracho's poetry its prodigious originality can be traced to its tendency to surge like a living voice a silky impetuous torrent." Her biography at the Poetry Foundation website observes "Bracho's impact on Mexican poetry has been compared to poet John Ashbery's influence on American verse. Bracho's layered long-lined poems attend equally to sound patterns and lush unspooling imagery." Fellow poet Forrest Gander has said "Her diction spills out along ceaselessly shifting beds of sound. . . . Bracho's early poems make sense first as music and music propels them."<p>Bracho's poetry has appeared in dozens of anthologies of the genre. And further recognizing her achievements as a poet are her Aguacalientes National Poetry Prize and a Guggenheim Fellowship. Cuadernos del Armadillo [en el Tallero Martín Pescador] unknown
202021579Tacámbaro y México: Cuadernos del Armadillo 2020. Limited edition. Wraps. Fine. Square thin 8vo. Unpaginated 8pp. Finely printed by letterpress on Deponte handmade paper. Sewn into dark brown self wraps. One of 120 copies printed by Juan Pascoe at the Taller Martín Pescador in Tacámbaro Michoacán. And with a cut of an armadillo on the title page. A fine copy. In Spanish.<br/> <br/>Coral Bracho is a Mexican poet translator and doctor of Literature. Bracho is winner of the Aguascalientes National Poetry Prizea Guggenheim Fellowship iand the Xavier Villaurrutia Award. The poems container in this small volume are: "No está aquí mi maleta"; "Que esté roto quizás"; and "Se sabe que se sabe" Cuadernos del Armadillo paperback books
202041408Tacámbaro y Mexico: Cuadernos del Armadillo en el Tallero Martín Pescador 2020. Oblong 16mo 16.5 cm 6.5". 4 ff. <br><br>Born In 1951 In Mexico City Coral Bracho has published more than a dozen volumes of poetry including her magnificent El ser que va a morir 1981 which => changed the course of Mexican poetry.<br>Â Â Â Â The prominent Mexican poet David Huerta writes "The secret of Coral Bracho's poetry its prodigious originality can be traced to its tendency to surge like a living voice a silky impetuous torrent." Her biography at the Poetry Foundation website observes "Brachos impact on Mexican poetry has been compared to poet John Ashberys influence on American verse. Brachos layered long-lined poems attend equally to sound patterns and lush unspooling imagery." Fellow poet Forrest Gander has said Her diction spills out along ceaselessly shifting beds of sound. . . . Brachos early poems make sense first as music and music propels them.<br>Â Â Â Â Bracho's poetry has appeared in dozens of anthologies of the genre. And further recognizing her achievements as a poet are her Aguacalientes National Poetry Prize and a Guggenheim Fellowship.<br>Â Â Â Â From the famous handpress of Juan Pascoe and limited to 120 copies this => features a cunning cut of an armadillo on the title-page. New sewn in textured charcoal wrappers. Cuadernos del Armadillo [en el Tallero Martín Pescador] unknown books
2020BN235430EZ Readers 2020. 2020. Hardcover. Wheels and Axles <br/><br/>Wheels and Axles Coral Martincavage EZ Readers hardcover
2004904201623XBrill 2004. New/New. <p><strong>Author:</strong> Coral Ann Howells</p><p><strong>Publisher:</strong> Brill</p><p><strong>ISBN:</strong> 9789042016231</p><p><strong>Release Date:</strong> 2004</p><p><strong>Languages:</strong> English</p><p><strong>Binding:</strong> Hardcover</p><p><strong>Number Of Pages:</strong> 289</p><p><strong>Details:</strong> This collection of essays focuses on Canadian history and its legacies as represented in novels and films in English and French produced in Canada mainly in the 1980s and 1990s. The approach is both cross-cultural and interdisciplinary aiming at articulating Canadian differences through a comparison of anglophone and francophone cultures illustrated by works treating some of the different groups which make up Canadian society – English-Canadian Québecois Acadian Native and ethnic minorities. The emphasis is on the problematic representation of Canadianness which is closely bound up with constructions of history and its legacies – dispossession criminality nomadism Gothicism the Maritime. The English/French language difference is emblematic of Canadian difference; the two-part arrangement with one section on Literature and the other on Film sets up the pattern of relationships between the two forms of cultural representation that these essays explore. Essays in the Literature section are on single texts by such writers as: Margaret Atwood Tomson Highway Ann-Marie MacDonald Anne Michaels and Alice Munro; Gabrielle Roy Anne Hébert Antonine Maillet Bernard Assiniwi and Régine Robin. The Film section with its mirror structure both supplements and amplifies this dialogue extending notions of Canadianness with its emphasis on voices from Quebec and Acadia traditionally ‘othered’ in Canadian history. Filmmakers treated include: Phillip Borsos Atom Egoyan Ted Kotcheff Mort Ransen and Vincent Ward; Denys Arcand Gilles Carle Alanis Obomsawin Léa Pool and Jacques Savoie. Editorial Reviews Review ""…a well-edited book…a notable contribution to the continuing discussion on the importance of Canada’s past and its dialogic representation in literature and film."" - in: Anglistik Vol. 18 No. 1 2007<br> ""…welcome addition … to the international scholarship on Canadian literature…."" - in: English Studies in Canada Vol. 31 No. 4 2005 About the Author CORAL ANN HOWELLS is Professor of English and Canadian Literature at the University of Reading UK. She has written and lectured extensively on Canadian writing in English.</p> Brill hardcover
