304 résultats
171438383Paris, Steph.Ganeau, 1714. Folio. Bound in one beautiful cont.full mottled calf w. six raised bands, gilt compartments. Hinges, capitals and corners professionally restored. Internally very nice and clean, apart from heavy browning to the smaller woodcut of the second title-page. Engraved title-page, title-page w. woodcut vignette, XXVI, (19), 140 pp., second engraved title-page, and 334 sheets of plates, containing 1327 fine engravings on 334 sheets (being 331 sheets with four engravings on each and three sheets with one large engraving on each all of these are numbered (the engravings on the first 331 sheets are numbered 1-1324)" number 406 has to extras, being 406+ and 406*, number 673 has one extra being 673+, number 674 has one extra, being 674+, numbers 826, 827 and 828 are collected on one engraving, and numbers 1076 and 1256 (would have been within the plates that consist of four engravings each) are omitted), complete. All of the first 331 sheets consist of four illustration, and most of them are made as four separate engravings, but some of them are made frofrom just two engravings, but still depicting four illustrations of axactly the same measure as the rest.
177556657Hauniæ (Copenhagen), Mölleri, 1775. 4to. Contemp. marbled boards. Small nicks to coverpaper at edges. (1-7)8-32,CXXVI,(2),219,(1) pp., 1 engraved map (Tabula Arabiæ Felicis). A few faint brownspots. Clean and fine, printed on good paper.
173749368Amsterdam, Salomonem Schouten, 1737. 8vo. Contemporary full mottled calf. Light wear to top of spine. Light wear along fronthinge. Raised bands. Richly gilt compartments. Titlelabel in leather with gilt lettering. Engraved frontispiece. Titlepage in red/black. (40),372,(38) pp. and 12 folded engraved plates. Printed on good paper. Internally clean and fine.
1785ST18172Turin: Michael Briolus 1785. FIRST EDITION. 410 x 270 mm. 16 1/8 x 10 5/8". Volume II with pp. 3-4 bound before pp. 1-2 but complete. Three volumes. <br/> INVENTIVE AND ELEGANT BROWN CRUSHED MOROCCO BY ANNIE BOIGE stamp-signed "A. Boige" on front pastedown and dated 1996 on rear pastedown upper covers cleverly encrusted with botanical specimens leaves or branches smooth spines with silver titling leather hinges watermarked light gray endpapers. Housed together in the original suede-lined brown cloth drop-back box suede-covered separators preventing contact between volumes. WITH engraved frontispiece portrait of the king of Sardinia in volume I engraved allegorical vignette on title pages and 92 FINE ENGRAVED PLATES ILLUSTRATING 237 BOTANICAL SPECIES. A Large Paper Copy. Cleveland Collections 557; Dunthorne 6; Sitwell "Great Flower Books" p. 67 69; Nissen BBI 18. ◆One plate with minor repair to fore-edge margin another with tiny rust hole not touching image half a dozen plates with insignificant smudges made during the printing process other trivial imperfections but A VERY FINE COPY clean fresh and wide-margined in a flawless binding.<br/> <br/> This is a major work of 18th century botany describing more than 2800 species of plants found in Italy's Piedmont region illustrating 237 previously unknown specimens and--crucially--classifying them all according to the new Linnean system becoming one of the first regional botanicals to use that taxonomy; as a bonus our copy comes in a particularly appropriate and charming binding with prominent botanical design elements. "Flora Pedemontana" was the chief work of Italian physician Carlo Allioni 1728-1804 professor of botany at the University of Turin and director of its natural history cabinet and botanical garden. The illustrations were drawn and engraved by the botanical garden's resident artist Francesco Peyroleri and his son Pietro. Our flora is also an important source of information on Alpine flowers. The modern binding is by an artisan who was proclaimed the "Grande Dame of French bookbinding" by the journal "Art & Métiers du Livre." Annie Boige trained at the Estienne School and at the Vésinet Applied Art Workshop before establishing her atelier in 1985. An art bookbinder she is noted for her monochrome color schemes and her use of beautiful leathers and vegetal materials a felicitous choice here. Michael Briolus unknown