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First edition, large folio (520 x 355 mm), [32]pp., with a list of subscribers, and an initial leaf stating "Entered at stationers' Hall", 11 engraved plates (some lightly offset), each with explanatory leaf, with an original watercolour sketch for a heating device loosely inserted, occasional lightly foxing, orig. quarter calf, marbled boards, a very nice copy in original condition. Little is known of James Shaw, other than he was head gardener at Mulgrave Caslte, North Yorkshire, and this appears to be his only published work. He dedicates the book to his Patron and employee the Right Honourable Henry, Lord Mulgrave and states in his advertisement "Gardening at this period, is an object of general pursuit, from its useful and admirable effects. The most elegant and superior branch of it, is that of forcing fruit, which are natives of warmer climates; and the perfection of them, in some measure, depends upon proper constructed forcing-houses for the reception. I was therefore induced, from an unremitted application of Practice and Theory, commenced at an early period, to offer the following Plans, &c, to the Public; which may enable any Gentleman to be his own architect, in the most important part of the science alluded to, and also accommodate the practical Gardener, who may not have had an opportunity of acquiring this part of Theory: and, I trust, this work (which I believe to be the only general one yet published) will not be unacceptable to the admirers of Horticulture; particularly those who are, or may be in the future, interested in such improvements." The first seven plates depict a different design for constructing stoves and heated walls for the said appropriate fruit (i.e. the melon, the peach and nectarine, the vinery, pine and vine and the winter-fruiting pine stove), these are followed by four designs for the conservatory and the green-house. Each plate is accompanied by an explanatory leaf which also includes instructions on how to variegate the amount of heat used and the best way of propagating different fruits or vegetables. Several of the designs are after those already in use at Mulgrave Castle. Provenance: Signed by William Thomas Salvin (of Croxdale Hall, Durham) at head of title-page, Salvin is included in the list of subscribers. Not in Henrey, RIBA, Archer or Harris. An extremely rare book which has not appeared at auction for the last 50 years.
1773019039London: Printed for the author 1773. Second edition "corrected and enlarged". Folio pp iv ii 716 with an engraved frontispiece 60 engraved plates plates 66 - 80 in the appendix i.e. LACKING five plates in the appendix some age-toning internally the odd blemish here and there the frontispiece with two earlier minor repairs a partly unpressed copy which has resulted in a horizontal crease to the last sixty pages or so see illustration and a slight depression to earlier ones bound in a recent half calf with very slight signs of use with marbled endpapers. Plate 31 is bound slightly out of order and plate 59 has a small ink scribble in the margin and has the plate number corrected in ink. Blanche Henrey 805 mentioning a portrait as well as an allegorical frontispiece; the portrait is not present in our copy. Sir John Hill was an English composer actor author and botanist. He contributed to contemporary periodicals and engaged in literary battles with poets playwrights and scientists. A controversial figure John Hill's often provocative and scurrilous writings involved him in many quarrels both in the field of science and that of literature. Nevertheless his general approval of Linnaeus resulted in many of Hill's publications using the Linnean system for the first time. Second edition. Full Leather. Good. Printed for the author Hardcover
First edition, folio (330 x 210 mm), 3 parts in one, [2], 36; [4], 70; [4], 87, [5]pp., three separate title-pages within border of type ornaments, 39 engraved folding plates of fruits, all with bright contemporary hand-colouring, several related notes in ink to front free-endpaper, cont. half calf, paper covered boards (peeled away from upper cover), uncut. Johann Hermann Knoop (1700-1769), carried out much of his botanical research whilst curator of the gardens of Princess Maria Louisa in Leeuwarden. He broke new ground in the study of fruit varieties and he is regarded as the father of pomology. The first two part are devoted to the kitchen garden, the first part is illustrated with 20 splendid full-page engraved plates with hand-colouring, 12 are apples, 8 of pears, all showing several varieties, each labelled with its time of ripening, many for species now lost. The second has 19 engraved plates with contemporary hand-colouring showing peaches, plums, cherries, berries, etc. Part three is devoted to the cultivation of the garden and was issued un-illustrated. The fruit monographs are among the earliest books on the subject to be illustrated with coloured plates. Knoop himself made the original drawings, which were engraved by Jan C. Philips (1700-1773) or Jacob Folkema (1692-1767). Landwehr, Dutch Books with Coloured Plates, 88 (I) & 92 (II); Nissen, 1078 (I) & 1077 (II); Pritzel, 4754-4755.
18215366Paris, Audot, Libraire-Éditeur, 1821. 2 vol. in-4 (280 x 220 mm), (3) ff. : blanc, faux-titre, titre, 95-(1), (2) ff. : faux-titre, titre, 176-(2) pp. + (1) f. : titre, 90 planches en couleurs (dont 1 dépl.) protégées par des serpentes et numérotées de I - X et de 1 à 77, 9 bis, 10 bis et 52 bis. Le premier volume contient le premier et second tome de texte. Reliure basane racinée d'époque, dos lisse orné d'un décor doré, plats encadres d'une roulette dorée, tranches mouchetées, mors et coupes frottés, plats frottés avec épidermures, rousseurs. 4 planches (10 bis, 15, 33, 57) présentent un découpage aux ciseaux avec perte d'une partie des illustrations.
First edition, folio (340 x 230 mm), xii, [2], 187, [1]pp., with half-title, engraved frontispiece portrait of the author, title printed in red and black with large engraved vignette, 2 folding plans of the Garden, 50 engraved botanical plates by Cosimo Mogalli after drawings by Tilli, alphabetically arranged with one to four specimens to a plate, cont. calf, neatly rebacked, a nice copy with the text and plates being bright and fresh. First edition of an important record of the botanical garden at Pisa which was founded around 1543 and was one of the finest and earliest gardens in Europe. Hunt notes that the alphabetical list of plants in this work is "one of the most important of the eighteenth century, and the volume memorializes the garden for all time." Hunt II, 457; Nissen BBI, 1967; Pritzel, 9356.
021394The Bell in St Paul's Churchyard: Jo. Martin & J. Allestry First edition. "Sylva Or A discourse of forest-trees and the Propagation of Timber in His Majesties Dominions. By J.E. Esq; As it was Deliver'd in the Royal Society the xvth of October MDCLXII. upon Occasion of certain Quæries Propounded to that Illustrious Assembly by the Honorable the Principal Officers and Commissioners of the Navy. To which is annexed Pomona; Or An appendix concerning Fruit-tTrees in relation to cider; the Making and several ways of Ordering it. Published by express Order of the Royal Society. Also Kalendarium Hortense; Or Gard'ners Almanac; Directing what he is to do Monethly throughout the Year." Tall quarto pp 16 120 4 20 ii 21-40ii 41-50ii 55-83 iii with the license leaf the errta leaf and the two unpaginated leaves in Pomona which are often not present the first title page printed in red and black as is the Kalendarium title and also the name of each month is in red two small woodcuts in the text a small stain at the bottom margin runs throughout slight staining to the gutter margins of the last few pages the cintents are unpressed so slightly waved throughout vey slight signs of use internally slightly age-toned the first blank is creased and frayed the license leaf also but less so a neat contemporary manuscript note on page 83 the hinge at pages 32/33 cracked but without weakness the hinge at the title page similar but less so contemporary full calf rubbed scuffed and marked but still very sound loss of the leather surface here and there "SYLVA" faintly written on the spine recased at some point not recently and with later endpapers. One of the most influential books on forestry ever published. Janson Pomona's Harvest page 146; Catalogue of Botanical Books in the Collection of Rachel M. M. Hunt No. 296; Blanche Henrey British Botanical and Horticultural Literature before 1800 Volume 1 No. 132; Sandra Raphael An Oak Spring Sylva a selection of The Rare books on Trees in the Oak Spring Garden Library No. 32. First Edition. Full Leather. Good. Jo. Martin & J. Allestry Hardcover
First edition, 4to, xii, 215, [1]pp., with half-title, 42 hand-coloured lithographed plates, marbled endpapers, green half crushed morocco gilt by Zaehnsdorf, spine tooled with floral decorations within raised bands, corners lightly rubbed otherwise a fine copy. An exceptionally clean copy of this work by one of the most popular and successful female botanical illustrators. Provenance: Bookplate of Mrs. L. Bartlett to front paste-down. Nissen BBI 1236.
45 vols., (vol. 43 lacking title page) numerous engraved plates, from the library of the Royal Agricultural Society of England with their bookplate, uniformly bound in brown buckram, a couple loose gatherings but overall a very good set. Young wrote many of the articles in the Annals himself, it was a labour of love and exhibited his belief in the importance of agriculture and the benefits of pursuing improvements. "It was intended, among other things, to put before the public the views and experience of the foremost agriculturists, but Young was bitterly disappointed in its sales." (ODNB). Contributors included King George III, writing under the name of "Ralph Robinson", and he had extensive correspondences with George Washington, who's library contained thirty-one volumes of the periodical ranging from 1784 to 1798. This periodical was continued until 1815 when Young's eyesight failed. Provenance: From the library of The Royal Agricultural Society of England.
2 tomes reliés en 1 volumes In-8, [8]-130; VIII-168p. Ouvrage fort rare et recherché contenant 50 planches hors texte coloriées à la main. Rousseurs éparses sur les pages de texte, les planches ont été épargnées, sauf les 2 dernières planches de la première partie (Pelargonium villosum coccineum / Pelargonium Lord Withword) qui souffrent d'importantes rousseurs. Envoi de photographies sur demande. [Nissen 1610].
1850022864Amen Corner Paternoster Row London: William S. Orr & Co. 1850. Second edition not dated - 1850 is sometimes suggested. Quarto pp x 270 with 58 superb hand-coloured plates one plate with a very small mark very occasional very minor marks to the text but otherwise extremely clean intermally original green cloth blind-stamped and decorated in gilt very slightly marked the spine a little faded slight splitting to both joints towards the top recased with new endpapers. One of the most desirable of this series and extremely uncommon with the cloth binding preserved. The Lindley Library copy of the second edition has a different publisher. Interestingly Noel Humphreys' obituary in The Garden vol. 18 1881 p. xii names Humphreys as the artist for the Ladies' fFower-garden series. Second edition. Cloth. Very Good. Illus. by Noel Humphreys. William S. Orr & Co., Hardcover
50292G.de Gonet.1847.In-8 relié.Les fleurs animées: introduction par A.Karr.Texte de Taxile Delord.Planches en couleurs de Grandville.1ère et 2ème partie: 364 p.Botanique des Dames par A.Karr.Botanique moderne des Dames.62 p.2 planches en noir.En 2 parties.Horticulture des Dames par A.Karr.132 p.Textes et planches dans une même reliure romantique.Plats soulignés de filets dorés.Encadrement fleurie autour du mot "Souvenir",en caractères dorés.Dos richement orné de motifs floraux avec petite couronne dorée dominant une rose surmontée de faisceaux lumineux.1er tirage.Complet.Peu de rousseurs.Reliure légèrement frottée.Tranches dorées.
1638018234Roma: Pier Ant Facciotti 1638. Small thick quarto pp 12 520 26 illustrated with an engraved title page an engraved frontispiece though here bound in after the preliminary pages and 45 plates of 46 - lacking the plate which occupied pages 55/56 some age-toning and slight foxing throughout the plates a bit more browned but without the intense browning often found in this book overall quite tight internally one preliminary page and pages 395-398 protruding slightly and a little chipped and frayed at the margins full vellum binding probably original rather used and marked but quite sound and firm the upper and lower cover a bit warped and bowed the front hinge cracked but firm and showing traces of old glue. The first Italian edition. Ferrari 1584 - 1655 was an Italian Jesuit and professor in Rome and a botanist. He devoted himself till 1632 to the study and cultivation of ornamental plants and published De Florum Cultura which was illustrated with copperplates by amongst others Anna Maria Vaiani possibly the first female copper-engraver. The first book deals with the design and maintenance of the garden and garden equipment. The second book provides descriptions of the different flowers while the third book deals with the culture of these flowers. The fourth book continues with a treatise on the use and beauty of the flower species including their different varieties and mutations. The plants featured in Ferrari's research came from Cardinal Francesco Barberini's private botanical garden the Horti Barberini a garden which was under the care of Ferrari. Several Cape bulbs are illustrated for the first time - most notably Haemanthus coccinea but also Amaryllis bella-donna Brunsvigia orientalis and Ferraria crispa. Hunt Library Catalogue rather downbeat in its comment - "The fame rests more on the quality of the engraved plates than on their contribution to botanical knowledge". Perhaps so but horticulturally I feel this is a fundamental work for its period. Nissen BBI 620; Pritzel 2877. Vellum. Good. Pier Ant Facciotti Hardcover
178521817Paris caenAvranches BELIN Manoury, Le Court 1785-1788 -in-8 plein-veau 4 volumes, reliure plein veau havane moucheté in-octavo (binding full calfskin in-8) (20,3 x 12,8 cm), Reliure d'Epoque, dos à nerfs (spine with raised bands), décoration or et à froid (gilt and blind stamping decoration), titre frappé or (gilt title), pièce de titre sur fond marron-clair avec double filets "or" en encadrement, tomaison frappée "or" avec double filets "or" en encadrement, double filets "or" de part et d'autre des nerfs et en tête et en pied, dos légèrements frottés, restauration ancienne en tête du tome VI, filet "or" sur les coupes avec manques de dorure, toutes tranches lisses rouges, Edition Ornée de 12 planches dépliantes hors-texte gravées sur bois en noir in-fine du tome 1 + 15 planches dépliantes gravées sur bois en noir in-fine du tome IV, [(4)p. d'avis + XXIV p. de calendrier du jardinier + 410 + 1 ff de privilège + 12 planches] + [416] + [518] + [ (4) p. d'avis + 523 + 15 planches] Pages, 1785-1788 à Avranches chez LE COURT Impimeur-Libraire Editeur pour les 2 premiers volumes puis à Paris chez BELIN, à Caen chez Manoury, à Avranches chez Le Court Editeurs pour les 2 derniers volumes,
In-4°; pp. (10), 522, (18), 42 tavole nella segnatura incise su rame; frontespizio inciso, esemplare privo dell’antiporta, manca A1, D4, D5, Gg7, Kk4. Edizione originale, dedicata a Francesco Barberini del primo trattato di floricoltura, splendidamente illustrato dai principali artisti del tempo; opera dalla godibilità scientifica e estetica, è anche importante testimonianza del gusto del tempo. Tra le tavole anche le incisioni allegoriche di J.F.Greuter, e Claude Mellan, da Pietro da Cortona, Guido Reni, Andrea Sacchi; alcune mostrano disegni di giardini, strutture, vasi e attrezzi per il giardinaggio, molti sono dedicati alle varie specie di fiori e alle composizioni floreali. Ferrari si occupò dei giardini del Qurinale. Legatura in mezza pelle moderna, dorso lacunoso restaurato. Spotting su alcune carte.
1900D11309Paris c. 1900. Hardcover. Fine. Half black calf and mottled green cloth gilt-stamped lettering on upper board; oblong folio 381x280 mm; containing 71 mounted photographs by Constant Robert of 65 Avenue de la Bourdonnais credited on the front board of a French exposition of orchids roses lillies irises bonsai trees and fruit. 57 platinum prints and 14 silver prints ranging in size from 89x127 to 164x229 mm mounted to sheets creating a thin border of beige white or pale grey and heavy grey boards arranged 1 to 4 per page recto only. A lavish album just a bit rubbed along the edges. <br/><br/>The Paris horticultural society originated in 1827 and as it grew became the Royal Horticultural Society 1835 then in 1885 the "Societe Nationale d'Horticulture de France." The exposition portrayed here was extensive and possibly associated with one of the great international French expositions of the turn of the century. All but two images are interior photographs of plants or displays including close-ups of specific blooms arrangements of fruit wide views of the room and an array of Bonsai trees in Oriental ceramic pots. hardcover
1900D11309Paris c. 1900. Hardcover. Fine. Half black calf and mottled green cloth gilt-stamped lettering on upper board; oblong folio 381x280 mm; containing 71 mounted photographs by Constant Robert of 65 Avenue de la Bourdonnais credited on the front board of a French exposition of orchids roses lillies irises bonsai trees and fruit. 57 platinum prints and 14 silver prints ranging in size from 89x127 to 164x229 mm mounted to sheets creating a thin border of beige white or pale grey and heavy grey boards arranged 1 to 4 per page recto only. A lavish album just a bit rubbed along the edges. <br/><br/>The Paris horticultural society originated in 1827 and as it grew became the Royal Horticultural Society 1835 then in 1885 the "Societe Nationale d'Horticulture de France." The exposition portrayed here was extensive and possibly associated with one of the great international French expositions of the turn of the century. All but two images are interior photographs of plants or displays including close-ups of specific blooms arrangements of fruit wide views of the room and an array of Bonsai trees in Oriental ceramic pots. hardcover books
1767112921ganeau bauche estienne houry 1767 in-folio A Paris chez Ganeau, Bauche, les Freres Estienne, D'HOURY, 1767, 3 volumes in-folio de 245 x 390 mm environ, (1) f., (2) ff. (faux-titre, page de titre), xvj pages (Préface), 959 pages - (1) f., (2) ff. (faux-titre, page de titre), 919 pages - (1) f., (2) ff. (faux-titre, page de titre), 909 pages, (1) f. De nombreux bois gravés in-texte et 2 planches dépliantes. Pleines reliures marbrées d'époques, dos à 6 nerfs portant titres et tomaisons dorés sur pièce de cuir havane, caissons ornés, filets dorés sur les coupes, tranches rouges, gardes marbrées à la coquille. Bel ensemble, reliures agréables malgré 4 coiffes accidentées, des frottements sur les coins et les coupes, 4 plats griffés, tache sur le plat inférieur du T. I, de petits manques de cuir au dos des tomes I et III; intérieur frais, des rousseurs éparses et 2 déchirures sans manque.
Third edition, with large additions, 8vo (167 x 105 mm), [2], x, [4], 278, [18]pp., with the final advert leaf and additional engraved title page, 3 engraved plates, some light browning to blank fore-edges, cont. full mottled calf, small crack to upper lower joint else a very nice copy in a nice contemporary binding. "This popular treatise, with a title-page and three plates engraved by F. H. van Hove, contains much useful advice and information for the practical gardener. The author... is generally considered one of the most enlightened of the seventeenth-century writers on gardening and husbandry."?Henry. Henry, pp.205-206; Hunt, 380; Wing, W2606.
175619822Paris la Compagnie des libraires 1756 in-4 plein-veau deux volumes, reliure plein veau havane raçiné in-quarto (binding full calfskin)(20,5 x 26,2 cm), reliure d'époque, dos à nerfs (spine with raised bands), dos décoré or (gilt and blind stamping decoration) et à froid, titre frappé or, pièce de titre sur fond bordeaux avec filets or et filet perlé or en encadrement, Tomaison frappée or avec filets or et filet perlé or en encadrement, entre-nerfs à fleurons or dans un encadrement à filet or et filet perlé or avec rinceaux aux angles, filet à froid de part et d'autre des nerfs, anciennes restaurations aux coiffes propres, toutes tranches lisses rouges, Etiquette ex-libris : Georges Durivault ( Directeur du Jardin des Plantes de la Ville de Nantes) en noir sur fond blanc signée Bernard ROY, orné de 12 planches hors-texte gravées sur bois en noir dont deux dépliantes + 15 gravures in-texte gravées sur bois en noir + 12 Bandeaux têtes de Chapitre "Historiés"gravés sur bois en noir + lettrines et culs-de-lampes gravés sur bois en noir, [ (3 feuillets non chiffrés d'Epître au Roy + 16 pages (dont un poème de Perrault en hommage à La Qintinye) + pagination de XVII à XLVIII de p. de Préface + 4 feuillets non chiffrés de Table des chapitres + 591 pages + 1 p. de privilège) + (5 feuillets non chiffrés de Chapitres + 587 pages + 29 p. de Table générale)] pages, 1756 à Paris : la Compagnie des libraires Editeur,
1802402220Weimar, Berlin u. Ulm, Gädicke; Ebner, 1802-40. M. 1 gest. Portr. Verschied. geb. m. Rsign. Teilw. St. a. Tit. Stellenw. etwas fleckig.
12 volumes reliures demi-basane. (Bon état).
18523127CBErlangen, Enke, 1852-55. Gr.-8°. Mit 144 lith. Tafel, gedr. bei A. Kolb, Nbg. Marmor. Ppde. d. Zt. mit roten Rückenschildchen. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden + Erster - vierter Jahrgang.
Second edition, folio, half-title, [2], 56 (pages 29-32 misbound after page 36), [2, errata leaf]pp. 57 lithographed plates, orig. boards, rubbed at extremities, with a rather crude cloth reback. The second edition of these interesting and beautiful designs for landscaped gardens, by Gabriel Thouin (1747-1829), brother of the celebrated botanist Andr? Thouin to whom the work is dedicated. Strongly influenced by contemporary English garden designs and the idea of the "picturesque", these parks are noteworthy for their elegance and ease which retains some of the great French tradition of formal gardening. There are designs for municipal and private parks and also for fruit gardens, orangeries, vegetable plantations etc. The margins of the plates, beautifully lithographed by C. Motte, show designs for buildings meant to adorn the gardens; among the more exotic there are several ruins, both classical and mediaeval, Chinese pavilions, arabic coffee houses, pagodas and a host of other small buildings and garden ornaments. Johnston, The Cleveland Herbal, Botanical and Horticultural Collections, 838 (First Edition).
8vo (185 x 115 mm), iv, 121, [1]pp., very clean internally, cont. calf, boards with gilt rolled tool border, marbled endpapers, a little scuffed and rubbed, the spine dulled, a.e.g. One of the leading nursery gardens in Scotland, originally founded around 1729 by Robert Dickson of Hassandeanburn and later moving to Edinburgh. This catalogue is of particular interest "both for the extraordinary number of plates listed and also for those named which are still considered as rarities, many of them America". Provenance: Ownership signature of Lady Hope of front-free endpaper. JISC locates copies at the BL, National Library of Scotland and Kew; Not listed on OCLC. Cox, A History of Gardening in Scotland. p.166.
18523127CBErster - vierter Jahrgang. Erlangen, Enke, 1852-55. Gr.-8°. Mit 144 lith. Tafel, gedr. bei A. Kolb, Nbg. Marmor. Ppde. d. Zt. mit roten Rückenschildchen.