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601 résultats
188083103c.1880. Charming country scene showing the river Thames with Windsor Castle in the background. Original watercolour. Size: 360 x 520 mm Excellent condition. unknown
1815952London: Robert Wilkinson 1815. Etching and engraving on wove paper with an "1809" watermark 13 1/2 x 10 inches 342 x 252 mm full margins. In very good condition with some age related toning and light spots of discoloration in the lower sheet quadrant. Damaged in the Blitz and largely demolished in the 1960s what remains of St Mary Elsing includes these doorways which still stand looking back towards London Wall. The ruins include tall arches which once formed the base of the tower. There is also a low wall with an arched recess which may have been used to house a tomb. Robert Wilkinson unknown
185212381852. Ink wash in brown ink on cream wove paper 9 7/8 x 13 inches 250 x 330 mm titled and dated in brown ink lower right. In fair condition with minor scattered soiling uniform age tone and edge 'nics;' all consistent with age. Laid down to archival mat board. unknown
185014271850. Pencil on tissue-thin wove paper 4 1/2 x 7 1/4 inches 115 x 185 mm. Scattered foxing horizontal creases and general toning. The name "Groves" or "Grovel" appears in graphite in the area of the field to the right and below the house structures. unknown
189014161890. Pencil on cream wove paper 5 1/2 x 8 5/8 inches 140 x 218 mm. In good condition with uniform toning and a partial sketch of boats on the verso. Adhered lightly to cardstock at three corners. unknown
189019731890. Two images each a lithograph in colors printed on one sheet of cream wove paper 10 1/2 x 7 5/8 inches 265 x 193 mm sheet full margins. In good condition with a repaired horizontal edge tear at the left-center sheet edge with associated tape on the verso and a pencil inscription in the lower left margin recto well outside of image area. Colors are fresh. unknown
189014261890. Pencil on white buff wove paper 9 15/16 x 6 7/8 inches. General toning handling creases and soft folds throughout. unknown
189014251890. Pencil on white buff wove paper 9 15/16 x 6 7/8 inches. General toning handling creases and soft folds throughout. unknown
18251890London: Thomas McLean 1825. Aquatint with engraving and handcoloring in watercolor on wove paper 8 7/8 x 10 3/4 inches 225 x 272 mm wide margins. Light handling wear and four small dots of adhesive residue at each of the four corners on the verso. Coloring is extensive and fresh. Thomas McLean unknown
189021901890. Watercolor on watercolor paper 9 3/4 x 11 3/4 inches 248 x 299 mm the full sheet. With charming primo pensiero and unfinished detail in the form of a small child lying in his stomach in the grass. On the verso are two landscape compositions; a patchwork farm landscape and a wooded meadow with foothills in the distance both in watercolor. Minor light toning and several scattered small spots of light brown discoloration. Pigments remain fresh and saturated. unknown
182024241820. Pen and ink in grayish black ink and watercolor on handmade watermarked Russell & Co. 1810 wove paper with a deckle edge 10 x 13 3/4 255 x 350 mm the full sheet. Uniform toning and some wear along the extreme sheet edges. unknown
18301891London 1830. Lithograph with hand coloring in watercolor on cream wove paper 12 1/4 x 9 5/16 inches 312 x 235 mm full margins. In good condition with some light areas of minor foxing throughout. Hand coloring is extensive and vibrant. An ass wears his Lord Mayor's gown and chain over court dress with big bows on his shoulders. Published in November 1830 this anthropomorphic satirical caricature is of Sir John Key 1st Baronet 16 August 1794 - 14 July 1858 who was a wholesale stationer and Whig politician in England. He was elected Sheriff of the City of London in 1824 and Lord Mayor of London for two years from 1830 to 1832. <br /> <br /> An uncolored impression of this work may be found in the permanent collection of the British Museum accession No. 16302. unknown
19005131900. Etching with aquatint on cream laid paper with a partial Arches watermark 5 3/8 x 4 inches 135 x 100 mm full margins. Signed illegibly in pencil in the lower right margin. unknown
18306526London 1830. Aquatints coloured by hand. A fine complete series of four anonymous prints of hunting scenes possibly after the Alkens.<br/> <br/> The style and naming of these prints suggests an Alken origin for the series. Siltzer records a number of series by the Alken family in which the first plate is titled "Unkennelling." This title appears to be unique to them and supports the supposition that the present series are after the Alkens. Henry Thomas Alken was born into what became an artistic dynasty. He studied under the miniature painter J. T. Barber and exhibited his first picture a miniature portrait at the Royal Academy when he was sixteen. From about 1816 onwards he "produced an unending stream of paintings drawings and engravings of every type of field and other sporting activity. He is best remembered for his hunting prints many of which he engraved himself until the late 1830s.To many sporting art is "Alken" and to describe his work or ability is quite unnecessary." Charles Lane British Racing Prints pp. 75-76<br/> <br/> Cf. Siltzer pp.57-76. unknown
182024251820. Watercolor and graphite on wove paper laid down to board 7 1/2 x 10 1/2 inches 190 x 267 mm the full sheet. Uniform toning and minor attenuation. A wonderful plein-air landscape likely a preparatory painting for a larger planned work. A scene reminiscent of Cotman and Constable the image is of an industrial riverbank where goods were transferred from water to land and vice versa. Moored along a jetty is a Thames Sailing Barge identifiable by its iconic reddish-brown sprit sail. These flat-bottomed barges were perfectly adapted to the Thames Estuary with its shallow waters and narrow tributary rivers. unknown
189022291890. Watercolor and graphite on heavy wove paper 4 3/8 x 6 1/8 inches 110 x 154 mm the full sheet. In good condition. On the verso is a study of the Roman Forum. unknown
1820955London: Robert Wilkinson 1820. Copperplate engraving on buff wove paper 13 x 9 3/4 inches 330 x 247 mm full margins. In good condition with some minor toning and surface soiling consistent with age. Robert Wilkinson unknown
187922081879. Watercolor on watercolor paper 5 1/8 x 8 1/4 inches 130 x 210 mm the full sheet. Initialed "H.D.W.L." in watercolor in the left image area in the area of the sky and titled and dated in pencil on the verso. In good condition with scattered light spots of minor foxing and with the lower right corner lightly dog-eared. unknown
184021491840. Graphite and ink and wash in sepia and brown ink on two sheets of heavyweight wove paper 8 1/8 x 11 inches 207 x 280 mm the full sheet. With a hard horizontal crease along the top sheet edge approximately 2-inches from the top. A strip of non-archival tape along the center sheet edge where the two sheets were joined. Minor uniform toning throughout consistent with age. unknown
1851953London: Tallis & Co 1851. Lithograph on cream wove paper 11 3/4 x 15 3/4 inches 297 x 398 mm with vaulted margins at the top sheet edge. Significant toning and some edge wear. Laid down to archival paper. From a group of views of London England printed by Tallis & Co. in commemoration of the Great Exhibition of 1851. Tallis & Co unknown
185014791850. Lithograph with hand coloring in watercolor on cream laid paper 3 1/2 x 3 inches 90 x 75 mm trimmed to the plate. In good condition with uniform toning and edge wear. There is some adhesive residue on the verso with associated discoloration. Members of a Scottish naval regimen in their slops and kerchiefs performing an informal highland dance while a piper in traditional Black Watch tartan plays on. unknown
188122171881. Pencil on white wove paper 4 x 6 1/2 inches 102 x 165 mm the full sheet. Titled and dated in ink on the recto. On the verso is a sketch of a house. A lively cursory sketch of boats on a river. Scattered handling wear lights folds and creases. unknown
187922101879. Watercolor and graphite on watercolor paper 5 1/8 x 8 1/4 inches 130 x 210 mm the full sheet. Initialed "H.D.J." in watercolor in the lower right image area and titled and dated on the recto. Scattered light foxing and a small corner loss at the lower right corner. unknown
18201889London 1820. Lithograph with handcoloring in watercolor 9 x 6 1/2 inches 230 x 165 mm full margins. Light pencil inscriptions in the lower margins which are largely illegible. Light handling wear and some surface soiling otherwise in good condition with beautiful saturated watercolor work in the area of the subject's face. Whitehead's brother Philip was employed by the Bank of England from 1797 to 1810. During his employment at the Bank Philip Whitehead "adopted an extravagant lifestyle" and evidence came to light that he had defrauded Robarts & Co. by "forging an acceptance to a Bill." He was charged with forgery in 1811 and executed on 29 January 1812. The news of her brother's conviction was kept from his sister Sarah as long as possible. Learning of the execution Sarah Whitehead's mental health became unstable and she began to visit the Bank daily asking if Phillip was there. This continued until 1818 when the Directors offered Whitehead a financial grant on the condition that she stopped coming to the bank. Whitehead wore black crepe clothing which was a sign of mourning and as a result became known as the "Black Nun." To this day Whitehead's ghost reputedly haunts the Bank of England as well as the area on Threadneedle Street nearby. The myth of Whitehead's ghost appears in the poem New Year Letter by W. H. Auden. unknown
18601967London 1860. Engraving with hand coloring in watercolor on cream laid paper; 7 1/2 x 10 3/4 inches 190 x 272 mm platemark; 8 5/8 x 13 3/4 inches 217 x 348 mm sheet. Significant toning and handling wear edge wear including a missing left corner outside of image area and an expertly repaired vertical edge tear in the center top margin outside of image area and two tabs of archival mending tape at the top corners on the verso. unknown
