12 555 résultats
2019500095113HARPERCOLLINS 2019 200 pages 12x14 8x2 4cm. 2019. Broché. 200 pages.
2019500104000HARPERCOLLINS 2019 200 pages 12x14 8x2 4cm. 2019. Broché. 200 pages.
500310196Éditions G.P Sans date. Ce livre raconte l'histoire d'Églantine une héroïne dont l'enfance pathétique avait été racontée dans un précédent ouvrage. Perdue pendant la débâcle de 1940 l'enfant est miraculeusement retrouvée par sa tante
26605, Paris, société de législation comparée 2006, in-8, br., neuf, 344p.
1873WOC-18629ème édition. Paris, Charpentier et Cie, Libraires-Éditeurs «Philosophie Sociale», 1873. 2 volumes petits in-8 (18x12cm) reliés demi toile beige. 356pp. + 378pp.
New English Paperback. Pbo. Roy. 8vo. (23 x 16 cm). In Turkish. 272 p. Çagdas Türk yazi dilleri 4: Kuzeydogu grubu. Contemporary Turkish / Turkic script languages 4: Northeast group. TURKOLOGY Philology Turkish / Turkic language Linguistics Reference Script Central Asia Siberia.
New English Paperback. Pbo. Roy. 8vo. (23 x 16 cm). In Turkish. 589 p. Çagdas Türk yazi dilleri 3: Kuzeybati - Kipçak grubu. Contemporary Turkish / Turkic script languages 3: Northwest - Cuman / Kipchak group. TURKOLOGY Philology Turkish / Turkic language Linguistics Reference Script Central Asia Turkestan Kuman / Kiptchak Turks.
New English Paperback. Pbo. Roy. 8vo. (23 x 16 cm). In Turkish. 164 p. ÇÇagdas Türk yazi dilleri 2: Güneydogu - Karluk grubu. Contemporary Turkish / Turkic script languages 2: Southeast - Karluk group. TURKOLOGY Philology Turkish / Turkic language Linguistics Reference Script Central Asia Turkestan Karluk.
New English Paperback. Pbo. Roy. 8vo. (23 x 16 cm). In Turkish. 280 p. Çagdas Türk yazi dilleri 1: Güneybati - Oguz grubu. Contemporary Turkish / Turkic script languages 1: Southwest - Oghuz group. TURKOLOGY Philology Turkish / Turkic language Linguistics Reference Script Central Asia Oghuz.
3733793<p>Massachusetts likely Boston ca. late 18th to early 19th c. 14 x 11 inches. Watercolor ink pencil gouache highlights on a sheet of laid 18th c. paper very browned and mounted to a thin wooden backing. jnsbjc367325</p> <p>Watercolor arms were produced by a number of New England painters but the most prolific of the post-Revolutionary heraldic artists was John Coles Sr. 1749-1809 and his son John Coles Jr. 1778–1854 who studied with Frothingham under Gilber Stuart. The Senior Coles first appears in the Boston directories in 1796 as a “Heraldry Painter†but he was also a printer and publisher of engravings. From 1806-1807 he was located at 61 Newberry Street. Coles Jr. began his career in 1803. Nina Fletcher Little; American Antiquarian Society</p> <p>The present coat-of-arms was accomplished for the Hammonds of Massachusetts. It is unlike any other coat-of-arms we have seen for the Hammonds in America. The fronds or “cornstalks†are almost identical to those drawn by the Coles. See our example of the coat-of-arms for the Nickerson family also of Massachusetts for comparison. </p> <p>The arms may have been partly-derived from an English origin or completely made up from whole cloth by the Coles. Depicted on the gold-decorated shield of the coat of arms are a cross bearing a single fleur-de-lis and lion heads in each quadrant. The crest depicts the Great Seal of the United States atop a knight’s helmet. Supporting elements include two additional eagle heads in gold the “Cole†fronds in green additional vegetation in red and a banner with the legend “By the Name of Hammond.â€</p> <p>The likely patron for this coat-of-arms is Samuel Hammond 1748–1842 a Boston Tea Party participant cited in a recent article: “In 1773 he was 25 when he participated in the Boston Tea Party and a small quantity of tea accidentally lodged in his boot.†</p> <p>The Coles’s watercolor may have sought to re-brand the Massachusetts Hammond branch as a newly-minted and distinctly American family using the American eagle in the crest to mythologize Samuel Hammond’s role in the American Revolution.</p> <p>“Samuel Hammond was born in 1748 in Newton Mass. and was a ‘teamer’ meaning that he owned a team of horses and several wagons that could carry goods between Boston and neighboring towns and later a farmer in Vermont. In 1770 he married Mary née Rogers and had three children. In 1773 he was 25 when he participated in the Boston Tea Party and a small quantity of tea accidentally lodged in his boot. In the late 1770s he and his family moved north and were one of the founding settlers of Wardsboro where he died in 1842.†accessed online per “Wardsboro man honored as part of Boston Tea Party anniversary†and via Brattleboro Reformer. See Falk.</p> unknown
3733792<p>Massachusetts possibly Boston or Winchester ca. late 18th to early 19th c. 14 x 10 inches. Watercolor ink pencil gouache highlights on a sheet of laid and watermarked 18th c. paper that is soiled and has an early large in-painted repair on wove paper affixed to its lower left corner. jncbc367323</p> <p>Watercolor arms were produced by a number of New England painters but the most prolific of the post-Revolutionary heraldic artists was John Coles Sr. 1749-1809 and his son John Coles Jr. 1778–1854 who studied with Frothingham under Gilber Stuart. The Senior Coles first appears in the Boston directories in 1796 as a “Heraldry Painter†but he was also a printer and publisher of engravings. From 1806-1807 he was located at 61 Newberry Street. Coles Jr. began his career in 1803. Nina Fletcher Little; American Antiquarian Society</p> <p>The present coat-of-arms was accomplished for the Nickersons of Massachusetts:</p> <p>"“The first of this family to come to America was William Nickerson whom it is believed was a descendant of William Nickerson Lord Bishop of Derry Ireland whose coat-of-arms hanging in the hall of of the home of Captain Phineas Adams Nickerson in Winchester Massachusetts is: Azure two bars ermine in chief three suns and is attested as followings: This writing was found on the back of the original picture in Boston 1802 Possibly the present object but this writing now effaced or erased. From the beginning of the settlement of this family in this country the members thereof have figured prominently in its commerce and trade during the colonial period and they also asserted their patriotism during the struggle for independence….â€"</p> <p>Phineas Nickerson 1733–1812 a descendant of William Nickerson served in the American Revolution as “corporal in Captain Elijah Smalley’s company Major Zenas Winslow’s regiment and as a Minuteman on alarm at Bedford and Falmouth September 1778.†</p> <p>Phineas or his father John Nickerson 1702–1794 might have enlisted the Coles who sometimes painted as itinerants to produce this watercolor.</p> <p>Ref. Cutter and Adams Genealogical and Personal Memoirs relating to the families of the state of Massachusetts New York 1910 II: 737–740. See Falk.</p> unknown
1997100136164Inserm 1997 in8. 1997. Broché.
2007100149183SOLAR 2007 202 pages 22x2 2x14 2cm. 2007. Broché. 202 pages.
2004500081949EDL 2004 120 pages 12 4x1 2x18 4cm. 2004. Broché. 120 pages.
2005500091459GALLIMARD JEUNE 2005 384 pages 14x3x21 8cm. 2005. Broché. 384 pages.
2017500094516JOUVENCE 2017 192 pages 14 5x21x1 3cm. 2017. Broché. 192 pages.
2017500104050JOUVENCE 2017 192 pages 14 5x21x1 3cm. 2017. Broché. 192 pages.
2017500113905JOUVENCE 2017 192 pages 14 5x21x1 3cm. 2017. Broché. 192 pages.
2017500114022JOUVENCE 2017 192 pages 14 5x21x1 3cm. 2017. Broché. 192 pages.
2017500114423JOUVENCE 2017 192 pages 14 5x21x1 3cm. 2017. Broché. 192 pages.
197229767HBDJ VOL 2 ONLY 1972 1ST EDITION LATER REPRINT ISSUE VG/VG- SOLD AS-IS Small Red Cloth with bright Gold Gilt Titles on Spine Cvr APPEARS Very Little Read VG with DJ PGS ARE Clean Bright & Tight Minimal Wear to Bk DJ Has Very Lite Shelf Wear No Inscription or Marking LITE DJ Scuffing & wear X572 ADS BLUE TOPSTAIN NOT ILLUSTRATED Front DJ Flap L 1.50 NET U.K. PRICE Introduction by Marcel Girard Professor French Literature in LONDON DJ BY FRED EXELL Plain Blue Endpapers<br /><br /> UK EVERYMAN’S LIBRARY J.M.DENT LONDON NY DUTTON Printed in GB
16192607n.p. 1619. Early 17th-century account ledger of Giulio Cesare and Luco Spinola two brothers of the Genoese patrician family recording debts and credits over a period beginning in 1619 and ending in 1631. Information about individual debts is registered at the top of each page with ample blank space underneath for successive transactions relating to the debt. Other pages are filled with tables recording transactions in a given period of time pertaining to different debtors and creditors. Although the book was evidently begun in 1619 some of the entries record transactions dating back to 1599. The entries are written in a single neat hand which only occasionally turns into a hasty scrawl. Six loose leaves inserted into the pages contain records of transactions from 1599 to 1630. The brothers were evidently responsible for the finances of their mother Lamilla whose name appears frequently as well as their sisters. One of them Luiggia born Livia was in a convent while the other Benedetta had her dowry managed by her brother until her marriage to her cousin Paris Salvago. Reflecting the Spinola familys twin spheres of influence in Genoa and Naples both places appear in the transactions with somewhat more mentions of Naplesprobably an indication of the focus of Giulio Cesare and Lucos business interests and a plausible explanation for why their accounting ledger should be bound in such a splendid Spanish-Neapolitan binding. Folio manuscript 25 x 35 cm consisting of 119 numbered leaves and 70 blank leaves; 6 loose folded leaves. Contemporary black morocco wallet binding most likely Neapolitan or Spanish elaborately and densely tooled with original morocco reinforcements with decorative red stitching on lower edge i.e. spine; some minor worming and abrasion. Vellum title shows minor soiling and so do extremities of scattered leaves but generally in an excellent state of preservation. hardcover books
16192607n.p. 1619. Early 17th-century account ledger of Giulio Cesare and Luco Spinola two brothers of the Genoese patrician family recording debts and credits over a period beginning in 1619 and ending in 1631. Information about individual debts is registered at the top of each page with ample blank space underneath for successive transactions relating to the debt. Other pages are filled with tables recording transactions in a given period of time pertaining to different debtors and creditors. Although the book was evidently begun in 1619 some of the entries record transactions dating back to 1599. The entries are written in a single neat hand which only occasionally turns into a hasty scrawl. Six loose leaves inserted into the pages contain records of transactions from 1599 to 1630. The brothers were evidently responsible for the finances of their mother Lamilla whose name appears frequently as well as their sisters. One of them Luiggia born Livia was in a convent while the other Benedetta had her dowry managed by her brother until her marriage to her cousin Paris Salvago. Reflecting the Spinola familys twin spheres of influence in Genoa and Naples both places appear in the transactions with somewhat more mentions of Naplesprobably an indication of the focus of Giulio Cesare and Lucos business interests and a plausible explanation for why their accounting ledger should be bound in such a splendid Spanish-Neapolitan binding. Folio manuscript 25 x 35 cm consisting of 119 numbered leaves and 70 blank leaves; 6 loose folded leaves. Contemporary black morocco wallet binding most likely Neapolitan or Spanish elaborately and densely tooled with original morocco reinforcements with decorative red stitching on lower edge i.e. spine; some minor worming and abrasion. Vellum title shows minor soiling and so do extremities of scattered leaves but generally in an excellent state of preservation. hardcover
19873501833Frankfurt, 1987. XVII, 240 S. OKart.
