[Bob Godfrey Films Ltd.]Antiquariat.de
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1972904575BG[1972]. Blattmaß: 27,5 x 34,5 cm (quer).
19452691Paris, Union Latine d’Edition, 1945 ; in-folio, sous emboîtage cartonné et papier marbré ; plein-vélin, dos lisse, titre doré, décor à froid sur le premier plat en forme de croix, sur laquelle est placée une épée dorée, toutes tranches dorées; (5) ff. (3 bl., faux-titre, titre), XXXI pp. (préface, avant-propos), 198 pp., (11) ff. (table, justification, cinq études d’Yves Brayer pour l’illustration, 3 bl.) ; 16 gouaches hors-texte.
1998111599Saint-Malo, Centre régional d'archéologie d'Alet, coll. « Les dossiers du Centre régional d'archéologie d'Alet. Suppléments 1997-1998. N° T - U » 1998 2 volumes. In-4 29,5 x 21 cm. Brochés, couvertures noires, titre en blanc sur les dos et les premiers plats illustrés, 167-230 pp., 59-82 illustrations, sommaire, bibliographie, index. Exemplaires en bon état.
1929866871929 Paris, PIazza, 1929, peitt in 4° broché.
1988109904Turnhout-Belgium, Brepols, coll. « Typologie des sources du Moyen âge occidental ; 51 » 1988 Livre en allemand. In-8 broché 24 cm sur 16. 117 pages. 9 pages de planches. Très bon état d’occasion.
1993884721993 Paris, Le Grand Livre du Mois, 1993, in 8°, reliure souple illustrée de l'éditeur, 289 pages
1906163451906 Caen, Delesques, 1906, in 8° broché, 43 pages ; non coupé ; couverture fanée, dos cassé.
1937865771937 Paris, Champion (Bibliothèque de l'Ecoles des Hautes Etudes), 1937, grand in 8° broché, XXVIII-354 pages ; 5 planches dépliantes.
1935808991935 Paris, Société d'Histoire Ecclésiastique, 1935, plaquette in 8° brochée, 32 pages ; couverture imprimée.
19639152Berkeley: The Space Craft Convention 1963. First edition. 21x14cm 20pp. Reproduced from typescript. Staple bound in illustrated paper wraps green endpapers. Some staining and scuffing to covers clean internally and very good. <br /> <br /> Very scarce booklet being a special lecture given at the Space Craft Convention at Berkeley on November 2nd and 3rd 1963. Hunt 1900-1973 was an English spiritual healer who specifically wrote about and practiced chromatherapy. His most famous work was The Seven Keys to Color Healing 1940. This esoteric text is about achieving higher attunement and knowledge through the building of a spiritual bridge via light energy of different frequencies and colors. <br /> <br /> <br /> Not to be found in OCLC nor can we find it mentioned elsewhere. . The Space Craft Convention unknown
19317161931 Paris, Lanore, 1931, in 4° broché, 209 pages ; gravures hors-texte ; plat supérieur détaché.
193196061931 P., Lanore, 1931, in 4°, broché, 209 pages ; illustrations hors-texte.
193058055Portland OR: Hollywood College of Music Dancing & Fine Arts Baker Studio Granada Studio La Vere Photo Shoppe Photo Craft Studios ca. 1930-1933. Oblong 4to. 24 original photographs all preserved in archival mylar sleeves sized 6.25 x 7 in. up to 8 x 10 in. some w/ photographer’s imprint w/in negative others w/ manuscript captions added a few w/ annotations and/or photographer’s instructions on versos all with bright strong contrast a few w/ offsetting from previous mounting on versos and one w/ very small pinholes at corners from prior mounting. Recent cloth binder stamping front cover excellent grouping. These photographs vividly document the dance and music studio operated by Annabelle Knowles reflecting the fast evolving costumes and aesthetics of the twilight of the Roaring 20’s as the U.S. descended into the Great Depression. These photos also clearly reflect the influence of Gus Edwards 1879-1945 vaudeville’s premier producer of kiddie acts and who had produced and released the shorts “Kiddie Revue†in 1930 and 1931. His influence was not only driven by his songs “By the Light of the Silvery Moon & “School Days†but also discovering such stars as Groucho Marx Eddie Cantor Mae Murray Sally Rand and many others. The images depict girls in two-piece outfits in front of Art Deco staging for “Body and Soulâ€; bare-backed girls in Flapper Era inspired costumes for chorus line “Kiddie Revueâ€; song and dance routines featuring Ronald Chetwood in top hat with Marcile Shillito Virginia Collins and chorus line in Jazz Age era costumes and canes; and several show Barbara Jane Wicks Shirley Jay Mulkey and Sunny Dentler in Spanish inspired costumes for “Baby Vanities.†Another shows adolescent boy and girl dance team in an “Apache†dance inspired costume number. The Hollywood College of Music Dance & Fine Arts offered classes and instruction in all ages with the last few photos showing teenage girls in chorus line with short hair coquettish expressions and teamwork or chorus line numbers. Annabelle Knowles 1900-1989 was a musician and dancer who founded the Hollywood College of Music Dancing & FIne Arts at 4112 NE Sandy Blvd. some time in the late 1920’s. Most of the street directory references focus on 1929-1932 and her British-America theatre-director husband at the time Vincent Knowles 1883-1944 worked at the studio as well. Baker 1882-1972 was a longtime commercial studio photographer in Portland OR who had initially begun as a photographer with noted tourist travel guide Howard Eaton photographing tours through National Pakrs. Beem 1892-1984 was founder and photographer at Granada Studio located in the 1930’s at 515 Swetland Building in Portland. Centlivere 1878-1964 owned and operated La Vere Photo Shoppe and Photo Craft Studios on Sandy Blvd. in Portland for nearly all of his career. We could find no similar collections or photographs or even references to Annabelle Knowles and very few examples of any of these three photography studios in institutional holdings. Hollywood College of Music, Dancing & Fine Arts, Baker Studio, Granada Studio, La Vere Photo Shoppe, Photo Craft Studios, hardcover
192358318New York: Arthur Murray 801 Madison Ave. 1923. 4to. 32 pp. Blue-tinted photo illustrations text diagram illustrations. Textured brown softcovers gilt lettering & decorative border on front cover yapp fore-edges minor soiling & fading front cover to lettering minor bumping to couple corners still a VG copy. First edition of one of the renowned dance studios’ instruction books after they opened their dance studio in New York in 1923 in conjunction with their struggling mail-order business. Murray pioneered dance instruction and dance schools to encourage exercise and build self-confidence and poise and was the first to broadcast live dance music on the radio in March 1920. Murray originated the idea of the “footprints†style of teaching dance now an Arthur Murray trademark and this book includes instructions for The Chasse Waltz the Tango foxtrot and The Cortez. Worldcat locates 4 copies w/ similar titles and different collations NYPL - 2 copies 51 & 24 pp. British Lib. 51 pp. BYU 63 pp. Arthur Murray, 801 Madison Ave., paperback
1980223104Unknown.: No publication details. circa1980. A poster with the image of an old man Lao Lai Zi outlined with white characters on a black background text in simplified Chinese characters 77 x 52.5cm small 1cm closed tear right edge and lower left corner repaired. In good condition with clear and well defined characters making the text easy to read. Lao Lai Zi a symbol of aging and filial piety is here represented in what appears to be a white line drawing on a black background. On closer inspection however the lines are made up of poignant and occasionally amusing rhyming verses listing the indignities of old age imploring the young not to look down on the elderly. <br> <br>The original stele carved with a similar image titled “Lao Lai Nan” Growing Old is Hard is located at the Temple of the Medicine King in Beipo village in Shaanxi Province. It isn’t known exactly when the Beipo stele was carved but it is said to be related to a Mrs Li who lived in the temple and wanted it carved to teach her unfilial children a lesson. The use of simplified characters and catchy verse written in modern Chinese indicate that it is a 20th century artefact. The Beipo stele includes smaller carvings of eight old people using sticks along the vertical edges. <br> <br>This poster is a modern artistic stone rubbing interpretation of the main visual feature on the Beipo stele i.e. the central figure outlined in characters in a pose and design similar to the original. A well known educational Chinese folk illustration “Lao Lai Nan” is a moral lesson on respect for the elderly. <br> <br>老来难， 老来难，劝人别把老人嫌， 当初嫌别人老，如今轮到我头前，千般苦， 万般难，听我从头说一番。耳聋难与人说话， 差七差八惹人嫌. … <br> <br>Getting old is hard it’s hard I urge you not to look down on the elderly. Earlier I despised others for being old but now that I’m facing it head on with a thousand kinds of troubles and difficulties listen to everything I say. <br>Being hard of hearing makes it difficult to communicate if you miss this or that you annoy people… <br> <br>… …痛苦难言聆，明不明睡不着， 一夜小便七八遍，怕夜长， 怕风寒， 时常受风病来缠 年老肺虚常咳嗽， 一口一口吐粘痰，儿女们都恨咱说，我邋遢不像前，老的这样还不死，你还想活多少年… … <br> <br>… It’s hard to explain all the difficulties one can’t sleep and every night one gets up to urinate seven or eight times. I hate long nights cold breezes and I get sick from being in draughts. My lungs are weak and I cough and cough and cough up phlegm so my children dislike talking to me. They seem to think I’m unkempt and don’t look like my former self. So old and still not dead how much longer am I planning to live . No publication details. unknown
1989865671989 Paris, Editions du C. T. H. S., 1989, in 8° broché, 279 pages ; couverture illustrée.
1993110647Paris, Nrf Gallimard, coll. « Bibliothèque des histoires » 1993 In-8 broché 22,5 cm sur 14. 516 pages. 17 pages de planches. Bon état d’occasion.
1933691871933 P. , Piazza, 1933, grand in 8° broché, 191 pages ; couverture illustrée.
192447496Dayton OH: The Comer Manufacturing Co. 1924. Tall 8vo. 5.5 x 10.5 in. 36 pp. Numerous illustrations 4 colour plates 4 sepia-tinted plates 64 wool wool blend canvas linen leather cotton and patterned fabrics some treated w/ coating tipped-in occasional offsetting from samples either surrounding the sample or on facing leaves. Dark red printed softcovers decoration & lettering in orange & blue minor soiling some creasing still a VG- copy. First edition of this scarce salesman sample catalogue for men and women’s Jazz Age raincoats and overcoats in the mid-1920s. The company was founded before World War I by Charles E. Comer b. 1887 who quickly established the company as one of the largest manufacturers in Ohio of raincoats. The colour fashion plates are quite striking for the period and offer invaluable historical reference for the styles and weight of raincoats sold during the Flapper Era. Comer produced rubber-lined coats offered deals if you ordered two coats at once and also offered Mackinaws General Purpose coats Rubber rain slickers reversible coats and even waterproof aprons for housewives. This catalogue notes that they had just completed their new 40000 square foot and even offered waterproof luggage and garment bags. They were well known for advertising in labor magazines trade magazines and professional magazines constantly promoting their product and recruiting new salesmen. Worldcat locates only 1 copy Vol. 166. The Comer Manufacturing Co., paperback
192658100New York & Chicago: J.L. Taylor & Co. 1926. Thick elephant folio 17 x 23.25 x 2.5 ins. 75 3 pp. printed on thick card stock each mounted on linen hinge. With 17 colour fashion plates illustrating Taylor styles of the period verso of almost all pages with 364 of 375 mounted textile samples in wool wool-rayon blends some felt backed silk moleskin corduroy cashmere waistband sample and more -- all samples clearly marked with prices and availability some of the 12 missing samples are indicated in pencil as being “Out†as well as a few present 1 additional pinned-in numerous illustrations throughout in blue-green colour tinting including Chicago & New York factories some diagrams charts and graphs. Original half-green cloth over gray green cloth corners gilt lettering on front cover colour plate w/ J.L. Taylor tailor mounted front cover some wear & minor bumping to fore-edges corners some minor soiling & occasional foxing to interior leaves -- some of it dust from the wool samples 10-15 samples with minor deterioration and evidence of old predation still a very good unsophisticated and remarkably complete example w/ original 9 x 21 in. double-sided stock list in red & black laid-in. First edition of this scarce and unusually complete salesman sample catalogue for Jazz era men’s suits in 1928-1929. J.L. Taylor maintained a huge tailoring operation in both Chicago and New York until after World War II employing hundreds of tailors and seamstresses to fill orders. The catalogues were very expensive to produce and so were most often found in department stores mercantiles and men’s stores which would have these catalogues on the sales floor for two years or more. The catalogue offers invaluable illustrated historical reference for the colours styles and fabrics during the era of F. Scott Fitzgerald and the Flappers. Most of the colour fashion plates illustrating the available styles have elegantly dressed women and settings in the background including with an emphasis on sporting in summer so golf tennis croquet canoeing boating and swimming all make an appearance. Of particular interest is the wonderful dress chart indicating styles needed clothes accessories and shoes which one would need for Day Wedding Matinee Reception Evening Dress and many others offering an excellent marketing opportunity for the store to sell the customer items to compliment his suits overcoats and other fashion wear ordered from J.L. Taylor. The final plate focuses on the lightweight “Palm Beach†& “Mohair†suits at the height of the 1920’s boom in Florida featuring snappily dressed models in Panama straw hats and a lightweight fedora. Worldcat locates 1 partial copy Preserved at the Library of Congress stripped of samples and used as scrapbook for Wilbur’s Drug Store prescriptions of Portland ME -- not an unusual occurrence. J.L. Taylor & Co., hardcover
1937837581937 Paris, à l'enseigne du Pot Cassé (Bibliothéca Magna), 1937, in 12 broché, 217 pages ; non coupé ; couverture illustrée.
1960760381960 Montbrison, Association des Chartes du Forez Fondation Guichard, 1960, grand in 8° broché, 231 pages ; jaquette illustrée.
1970818131970 Lyon-Strasbourg, Sté de Linguistique Romane, 1970, plaquette in 8° brochée, 12 pages.
1953813711953 Paris, Ecole des Chartes, 1953, plaquette in 8° broché, 21 pages.
1992210021992 St Etienne, PUSE, CERCOR, 1992, in 8° broché, 428 pages.
