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0331408082.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
0331399733.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
113702Stockholm L. J. Hjerta 1840. 12:o. 4 253; 250 s. Något lagerfläckig och med obetydligt nagg på titelbladet. Något nött brunt hfrbd sparsamt guldornerad rygg med markerade bind marmorerade pärmpapper och stänkta snitt. Med Carl Axel Ekstrands namnteckning. Almquistiana 233. Första upplagan. Ur Carl Axel Ekstrands född 1817 bibliotek som fanns på Lilla Nygatan i Stockholm. unknown
1463339003.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
2001Q-1565231503Fox Chapel Publishing 2001-10-01. Paperback. New. In shrink wrap. Looks like an interesting title! Fox Chapel Publishing paperback
2001DADAX1565231503Fox Chapel Publishing 2001-10-01. First Edition. paperback. New. 8.75x0.50x11.00. Buy with confidence. Excellent Customer Service & Return policy. Fox Chapel Publishing paperback
20191-0525573127Crown Pub 2019. Hardcover. New. 304 pages. 9.25x6.12x0.75 inches. Crown Pub hardcover
58995Galerie Bernanos Paris 2000 In-4 27 cm 73pp. illustr. Nb-0306 unknown
2022130443Ridinghouse. New. 2022. Hardcover. 1909932639 . IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened - - with a bonus offer-- . Ridinghouse hardcover
BIB-546705Original Hardcover. Publisher: Almlöfs Utg. 2005 Original Hardcover 176 p. This book is brand new. Language: Svenska We have this book in our store house - please allow for a couple of extra days for delivery. hardcover
45511159like new. unknown
BIB-237159250Publisher: Modernista Utg. 2025 423 p. This book is brand new. Series: Modernista klassiker Language: Svenska We have this book in our store house - please allow for a couple of extra days for delivery. unknown
1019133104.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
20161-3841662595Éditions universitaires européennes 2016. Paperback. New. 60 pages. French language. 8.66x5.91x0.14 inches. Éditions universitaires européennes paperback
1789382130.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
18824Royal Academy of Music High Street & Fitzjohns Avenue Hampstead etc London various pleaces and hotels when he travels 1926-1934. An unusual survival the letters of a composer Harold Jervis-Read to his lover illustrating the growth of a relationship and an ability to express his feelings against the backcloth sometimes foreground of his musical activities and his marriage. Total of letters circa 350 three hundred and fifty Autograph Letters 118 one hundred and eighteen apparently complete letters many start and end abruptly dated 432 four hundred and thirty two pages with some APCSs mainly 12mo 1-8pp. each 55 of these letters dated 1933 and 30 dated 1934 1926-1928 comprising one letter only. There are more than 140 undated letters and a similar quantity of apparently incomplete letters no. of pages c.150. Subjects and quotes: 1926 his one night a week flatmate found him unconscious; a lot to do; her birthday; 1928 "can't write about 'intimate things'"; 1927 asking how he should react to something she's written hot or cold etc.; 1929 lost coat; health; illness; suggestion that relationship is on the edge; social life; compliments her "fine"; dinner invitation; "My piece for Oulston went well"; quotes to illustrate attitude to her "If of herself she will not love thee ."; she has obviously complained that he doesn't show enthusiasm recurrent theme; "joy of creation" but not the "joy of human communication"; his human shortcomings; she cannot appreciate the "Marcia Buffa" because of lack of appreciation of satire in her; his company described; leaving flat for good; moving to 29 High Street NW3; his obsession with her perhaps only soluble legally marriage; nature of love and their relationship recurrent theme; movements; reference to Margery - his wife see below; he'd sacrifice all for his children; Margery has no money "I earn at an artistic profession enough for six of them"; £160 per annum private income; he describes "the littleness of her perceptions" on family finances; 6 Oct. 1929 he's been writing a lot - "a violin sonata"; suggests she book a ticket for the Royal Academy of Music where a Recital of some of his work is to be given finishing with his "6tet by professional players"; she shies away; says he'll never write a quartet; busy; "Everything here is called a 'Practice' Concert unless the Principal is personally responsible for it"; Margery wife happy for him to see Brynnie - she's had a lover for more than two years "a rich doctor"; 25 Nov. 1929 "The Concert was a good success" Malvern; literary reference recurrent - part of his not being comfortable writing about emotions. Note: Subjects from now on avoiding the personal or the ups and downs and insecurities of a relationship unless very revealing of character. Subjects continued: 1930 invitation to the Norwich Festival; too much work at the Academy; asked to give lectures where he was asked to play some of his music; lecture is being printed; asks about her progress at work Are you an Almoner yethe doesn't ask her about her work much; lecturing in Bristol then the Wigmore; 1931 "written lots of good stuff"; "I write incessantly - music lectures letters of all sorts"; "controversy with Percy Scholes on Musical Appreciation . I love fighting these doctrinaire writers"; "various new things"; Academy Lecture; "I do not follow Mac P or anyone in my method of grouping! Feste underlined; Trinity Dublin catalogue guesses published in 1933 is out ."; his pupils; Elkin & Co.; Murdoch's about to publish "other things" beside Feste; would she type a lecture of his "wanted for publication"; received a proof of a piano sonata; at studio with private pupils; getting on with his "Elegiac Symphony" discussed at length; ex-pupil Robin Tucker "starting music publishing company a most daring and novel proposition"; he advises outlines problems discusses the works he has provided them with; 1932 glad she likes the "sonatina. I love playing for you: I feel you get inside the music. You know men always like my music more than women: I wonder why this is" - theory follows about "feminine not effeminate content"; asks her of she really wants a piano - which he will provide; Troubadours book; accuses her of game-playing - adding "the sett is now finished"; "I am mezzoforte only today"; "two lines in Fioretta" misunderstood by most; pays two rents c.£200 pa; his wife wrote to Brynnie's mother; "3 new private pupils at £2.2.0 per hour!"; recalls the Wagner Brunhilda; recalls meeting her at a concert; a bit of musical notation two others in other parts of correspondence; going to the Academy for a concert; received proofs of the new song 31 March; examining at the RC; numerous literary allusions some quotes; their options secret marriage etc; she is his "musical" inspiration; his reading; going to a concert expecting a violinist in the evening and commenting on proofs "the cover of Winter Tree"; someone commenting on his writings; reminiscences; temptations; several references to George Moore as if strong influence; recurrently cruel words; meets the singer of his sonatas Marjorie Grant; thinks of them as Heloise and Abelard repeated theme involving learned discussion; angry report on poor candidate not just playing but her smell; another was the opposite; his itinerary; compares his situation to Peter Warlock's - near suicide 25 July; two new songs; enjoyment of Welsh tour; 1934 "Ethel Smythe's music is an example of what happens to a woman when she seeks inspiration of man rather that sic of God . It is insufferably dull monotonous ." 6 March; encounter with policeman while loitering at night near her flat; he gets more expressive as time goes on - inhibition goes somewhat; jealous thoughts; planning to see her father marriage though his wife is capable of "any subterfuge" including private detectives; he writes as if she's wants to break up driving him to pleading; misery; the odd meeting referred to; his misery has interfered when he's working well and he's worried about becoming "a 'hack' conventional musician - which I am not"; only his "writing" is more important than her; finds northerners "sallow and ill-featured"; shown two articles about himself in musical periodicals 3 July; he's "finished his final movement" 8 Aug.; he's hardly ever discussed or referred to her work; proofs of his book arrive but he's not able to deal with them because of her and other factors; he quotes himself on the nature of music "music never discloses her ultimate secret"; last dated letter 9 Sept. 1934. WITH: A large quantity of typed and two autograph notes and letters drafts duplicates indicating second thoughts some or many abruptly ended or unfinished from Brynhild Granger to Jervis-Read which mirror Jervis-Read adding her own thoughts accusations words of love attendance at musical events responses to his music and information about her life. She gives reasons for not marrying at one point. AND: 10 ALSs two incomplete and/or damaged undated from Margery Jervis-Read wife of Harold Jervis-Read to Brynnie attempting to undermine the relationship between Harold and Brynnie discussing the situation and Harold's character he has "good points" but. "numerous love affairs he had had and always will have" her own affair etc suggesting that she should marry but not Harold and including references to meetings. NOTE: Brunhild Granger was a member of the "Ferguson Gang" see Wikipedia - a group of women raised money for the National Trust before the War characterised by masks and mystery and recently published Anna Hutton-North's book "Ferguson's Gang: the Maidens behind the Masks". She was "Sister Agatha". [Royal Academy of Music, High Street & Fitzjohns Avenue, Hampstead, etc, London], various pleaces (and hotels) when he travels, hardcover
19981307464PN. New. 1998. Soft Cover. Date is original print. This is a reprint edition . PN paperback
19871214106PN. New. 1987. Reprint Edition. Soft Cover. Date is copyright date; this is a later reprint edition . PN paperback
1987779046PN. New. 1987. Soft Cover. Date is original print. This is a reprint edition. . PN paperback
1342274911.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1980HVD-34138-A-0University Microfilms International. Good. 1980. Paperback. 146 pages; Stain to edge of pages due to a spill. Fading sunning to spine and edge of cover. Pen notes throughout the book. Underlining in pen. Good overall condition otherwise. No other noteworthy defects. ; - Were committed to your satisfaction. We offer free returns and respond promptly to all inquiries. Your item will be carefully wrapped in bubble wrap and securely boxed. All orders ship on the same or next business day. Buy with confidence. . University Microfilms International paperback
1390498964.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1396032843.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1969736500PN. New. 1969. Soft Cover. Date is original print. This is a reprint edition. . PN paperback
21069570like new. unknown
