Almqvist, Carl Jonas Love,Biblio.com
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45511159like new. unknown
BIB-237159250Publisher: Modernista Utg. 2025 423 p. This book is brand new. Series: Modernista klassiker Language: Svenska We have this book in our store house - please allow for a couple of extra days for delivery. unknown
1019133104.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
Faint creasing to front wrap. Very minor shelfwear. Else fine. ; Collection Latomus Volume 274; 317 pages
1900ED2-889Vienne, Autriche, Biblioth?que ?os, [circa 1900]. original illustrierter Halbleinenband, kl.-8?, 46 S. Text und Abbildungen auf Tafeln; Zustand: sehr gut
in-8°, 126 pp., broche, couv. Bel exemplaire. [109B-7]
201220982En.p. France: Les Films du Losange n.d. 2012. First Edition. Small format 5 1/2†x 8 1/2†67 pages staplebound in the upper left corner. Specially printed for distribution to members of the Academy of Motion Pictures Arts & Sciences in consideration for nomination of the Best Screenplay. Shooting script for the film Amour written and directed by Michael Haneke starring Jean-Louis Trintignant Emamanuelle Riva and Isabelle Huppert. With a trace of use to the covers else fine. The film won an Oscar for Best Foreign Language Film of the Year and was nominated for Best Picture Best Director Best Original Screenplay and Best Leading Actress Riva. Les Films du Losange unknown books
in-12, 387 pages, relie cartonnage toile decor editeur. Bel exemplaire. [AR-2]
in-12, 223 pages, relie cartonnage toile decor de l'editeur, jaquette rhodoid. Etat proche du NEUF. [NV-27]
Paris, Nouvelle Revue, 1886, in-16, brossura editoriale, pp. VII, (1), 215, (5). Condizioni molto buone.
1974A2-005Comédie en 3 actes. In-8° broché 200 pp. Couverture souple de couleur jaune clair. Editions Grasset, Paris 1974. Amour et vengeance... Jusqu'à la comédie. La 38e version d'Amphitryon, selon Giraudoux, mais il y en aura d'autres encore...
20161-3841662595Éditions universitaires européennes 2016. Paperback. New. 60 pages. French language. 8.66x5.91x0.14 inches. Éditions universitaires européennes paperback
1789382130.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
18824Royal Academy of Music High Street & Fitzjohns Avenue Hampstead etc London various pleaces and hotels when he travels 1926-1934. An unusual survival the letters of a composer Harold Jervis-Read to his lover illustrating the growth of a relationship and an ability to express his feelings against the backcloth sometimes foreground of his musical activities and his marriage. Total of letters circa 350 three hundred and fifty Autograph Letters 118 one hundred and eighteen apparently complete letters many start and end abruptly dated 432 four hundred and thirty two pages with some APCSs mainly 12mo 1-8pp. each 55 of these letters dated 1933 and 30 dated 1934 1926-1928 comprising one letter only. There are more than 140 undated letters and a similar quantity of apparently incomplete letters no. of pages c.150. Subjects and quotes: 1926 his one night a week flatmate found him unconscious; a lot to do; her birthday; 1928 "can't write about 'intimate things'"; 1927 asking how he should react to something she's written hot or cold etc.; 1929 lost coat; health; illness; suggestion that relationship is on the edge; social life; compliments her "fine"; dinner invitation; "My piece for Oulston went well"; quotes to illustrate attitude to her "If of herself she will not love thee ."; she has obviously complained that he doesn't show enthusiasm recurrent theme; "joy of creation" but not the "joy of human communication"; his human shortcomings; she cannot appreciate the "Marcia Buffa" because of lack of appreciation of satire in her; his company described; leaving flat for good; moving to 29 High Street NW3; his obsession with her perhaps only soluble legally marriage; nature of love and their relationship recurrent theme; movements; reference to Margery - his wife see below; he'd sacrifice all for his children; Margery has no money "I earn at an artistic profession enough for six of them"; £160 per annum private income; he describes "the littleness of her perceptions" on family finances; 6 Oct. 1929 he's been writing a lot - "a violin sonata"; suggests she book a ticket for the Royal Academy of Music where a Recital of some of his work is to be given finishing with his "6tet by professional players"; she shies away; says he'll never write a quartet; busy; "Everything here is called a 'Practice' Concert unless the Principal is personally responsible for it"; Margery wife happy for him to see Brynnie - she's had a lover for more than two years "a rich doctor"; 25 Nov. 1929 "The Concert was a good success" Malvern; literary reference recurrent - part of his not being comfortable writing about emotions. Note: Subjects from now on avoiding the personal or the ups and downs and insecurities of a relationship unless very revealing of character. Subjects continued: 1930 invitation to the Norwich Festival; too much work at the Academy; asked to give lectures where he was asked to play some of his music; lecture is being printed; asks about her progress at work Are you an Almoner yethe doesn't ask her about her work much; lecturing in Bristol then the Wigmore; 1931 "written lots of good stuff"; "I write incessantly - music lectures letters of all sorts"; "controversy with Percy Scholes on Musical Appreciation . I love fighting these doctrinaire writers"; "various new things"; Academy Lecture; "I do not follow Mac P or anyone in my method of grouping! Feste underlined; Trinity Dublin catalogue guesses published in 1933 is out ."; his pupils; Elkin & Co.; Murdoch's about to publish "other things" beside Feste; would she type a lecture of his "wanted for publication"; received a proof of a piano sonata; at studio with private pupils; getting on with his "Elegiac Symphony" discussed at length; ex-pupil Robin Tucker "starting music publishing company a most daring and novel proposition"; he advises outlines problems discusses the works he has provided them with; 1932 glad she likes the "sonatina. I love playing for you: I feel you get inside the music. You know men always like my music more than women: I wonder why this is" - theory follows about "feminine not effeminate content"; asks her of she really wants a piano - which he will provide; Troubadours book; accuses her of game-playing - adding "the sett is now finished"; "I am mezzoforte only today"; "two lines in Fioretta" misunderstood by most; pays two rents c.£200 pa; his wife wrote to Brynnie's mother; "3 new private pupils at £2.2.0 per hour!"; recalls the Wagner Brunhilda; recalls meeting her at a concert; a bit of musical notation two others in other parts of correspondence; going to the Academy for a concert; received proofs of the new song 31 March; examining at the RC; numerous literary allusions some quotes; their options secret marriage etc; she is his "musical" inspiration; his reading; going to a concert expecting a violinist in the evening and commenting on proofs "the cover of Winter Tree"; someone commenting on his writings; reminiscences; temptations; several references to George Moore as if strong influence; recurrently cruel words; meets the singer of his sonatas Marjorie Grant; thinks of them as Heloise and Abelard repeated theme involving learned discussion; angry report on poor candidate not just playing but her smell; another was the opposite; his itinerary; compares his situation to Peter Warlock's - near suicide 25 July; two new songs; enjoyment of Welsh tour; 1934 "Ethel Smythe's music is an example of what happens to a woman when she seeks inspiration of man rather that sic of God . It is insufferably dull monotonous ." 6 March; encounter with policeman while loitering at night near her flat; he gets more expressive as time goes on - inhibition goes somewhat; jealous thoughts; planning to see her father marriage though his wife is capable of "any subterfuge" including private detectives; he writes as if she's wants to break up driving him to pleading; misery; the odd meeting referred to; his misery has interfered when he's working well and he's worried about becoming "a 'hack' conventional musician - which I am not"; only his "writing" is more important than her; finds northerners "sallow and ill-featured"; shown two articles about himself in musical periodicals 3 July; he's "finished his final movement" 8 Aug.; he's hardly ever discussed or referred to her work; proofs of his book arrive but he's not able to deal with them because of her and other factors; he quotes himself on the nature of music "music never discloses her ultimate secret"; last dated letter 9 Sept. 1934. WITH: A large quantity of typed and two autograph notes and letters drafts duplicates indicating second thoughts some or many abruptly ended or unfinished from Brynhild Granger to Jervis-Read which mirror Jervis-Read adding her own thoughts accusations words of love attendance at musical events responses to his music and information about her life. She gives reasons for not marrying at one point. AND: 10 ALSs two incomplete and/or damaged undated from Margery Jervis-Read wife of Harold Jervis-Read to Brynnie attempting to undermine the relationship between Harold and Brynnie discussing the situation and Harold's character he has "good points" but. "numerous love affairs he had had and always will have" her own affair etc suggesting that she should marry but not Harold and including references to meetings. NOTE: Brunhild Granger was a member of the "Ferguson Gang" see Wikipedia - a group of women raised money for the National Trust before the War characterised by masks and mystery and recently published Anna Hutton-North's book "Ferguson's Gang: the Maidens behind the Masks". She was "Sister Agatha". [Royal Academy of Music, High Street & Fitzjohns Avenue, Hampstead, etc, London], various pleaces (and hotels) when he travels, hardcover
19981307464PN. New. 1998. Soft Cover. Date is original print. This is a reprint edition . PN paperback
19871214106PN. New. 1987. Reprint Edition. Soft Cover. Date is copyright date; this is a later reprint edition . PN paperback
1987779046PN. New. 1987. Soft Cover. Date is original print. This is a reprint edition. . PN paperback
24mo, 120 pages, black and white illustrations. eng
1342274911.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1980HVD-34138-A-0University Microfilms International. Good. 1980. Paperback. 146 pages; Stain to edge of pages due to a spill. Fading sunning to spine and edge of cover. Pen notes throughout the book. Underlining in pen. Good overall condition otherwise. No other noteworthy defects. ; - Were committed to your satisfaction. We offer free returns and respond promptly to all inquiries. Your item will be carefully wrapped in bubble wrap and securely boxed. All orders ship on the same or next business day. Buy with confidence. . University Microfilms International paperback
1390498964.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1396032843.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1969736500PN. New. 1969. Soft Cover. Date is original print. This is a reprint edition. . PN paperback
21069570like new. unknown
1490727949.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
