Opium

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OPIUM AND THE CHINA QUESTIONBiblio.com

OPIUM AND THE CHINA QUESTION

[CHINA -- OPIUM WARS]. MINETA FUKOBiblio.com

In Japanese. Kaigai Shinwa Shui. Gleanings from the foreign news: relations between China and Great Britain and the story of the Opium War based on the I fei fan chiang lu. Illustrated by Utagawa Sadahide.

184956871Edo Tokyo: n.p. Kaei 2 1849. Five vols. Tall 8vo. 40; 44; 48; 42; 34 pp. With 1 double-page colour woodblock map 18 double-page woodblocks 7 w/ colour 1 single-page woodblock plate. Uniformly bound in textured embossed pattern limp softcovers manuscript titles punch-sewn at gutter margins wear soiling some worming through fore-edges text in portions thumbing to fore-edges soiling lower 2/3 of front title leaf stating â€œForbidden from Saleâ€ torn away still a G- reference set of this noted rarity. First edition of the authorâ€™s â€œsecond seriesâ€ recounting further events in the First Opium War fought between Great Britain and China in 1839-1842. The text and illustrations vividly stressed the terrible effects of opium on Qing Dynasty China and the brave Chinese resisting the British military. Buttressed with striking illustrations by Utagawa Sadahide 1807-1879/79 which depict such incidents as Chinese fire-boats approaching a British warship; a captured spy; Chenshi the Monk putting up a valiant fight; a Chinese Woman warrior fighting the British; a Taiwanese fort sinking a British Warship; the fall of Zhenhai; French diplomatic ships arriving on the Yangtze and even an omen appearing in the heavens. In addition there are a number of woodblock prints depicting British cannons mortars and firearms employed during the Opium Wars. The Kaigai Shinwa printed on Mino paper was written in a sensationalistic and simple style with Japanese syllabaries attached to all Chinese characters and intended as a cautionary tale advising Japan and other Asian countries of the pitfalls of foreign invaders and intervention just four years before the appearance of Perryâ€™s squadron in Tokyo Bay. Mineta Fuko 1817-1883 was thrown into prison for having published the work without official consent and later after he was released was deprived of the right to live in Edo Kyoto or Osaka -- the santo kamae tri-urban banishment and many of the volumes were seized and others were censored or removed. See: Timothy Brook & Bob Tadashi Wakabayashi Opium Regimes: China Britain and Japan 1839-1952 2000 pp. 60-65; Masuda Wataru Seigaku tozen to Chukoku jijo: zassho sakki The Eastern Spread of Western Learning and Conditions in China: Notes on Various Books 14. Kaigai Shinwa. . . Tokyo 1979 Translated by Joshua A. Fogel UCSB pp. 27-39. n.p., paperback

Zephyr Used & Rare Books · États-Unis1 250,00 $US≈ 1 057,63 €

CHINESE SIMA OPIUM SCALEBiblio.com

CHINESE SIMA OPIUM SCALE: Hand-Carved Violin-Shaped Bamboo Wood Bone Measure B.

42112501China ca 1875-80's.Chinese opium scale contained in a hand made Bamboo clam-shell case end pivot the inside matches the exact form of the scale & bone measure barcase:27 x 6.5 cm.brass bowl:5.6 cm. bone bar 24.5 cm. RARE & COMPLETE . . . SIMA CHINESE SCALE . . . AN EXCELLENT EXAMPLE OF VINTAGE NATIVE . . . CREATIVITY & WORKMANSHIP . . . USING BONE BRASS COPPER & BAMBOO WOOD MATERIAL . . A lovely piece of native workmanship. The "violin-shaped" wooden top and bottom cases was carved to match the scales quite precisely with a grooves to accommodate the scale bone measurement bar the brass counter weight and copper ring lock. . To unlock & open one simply slides the copper ring to the far end. Then pivot the top side up or down to open. . The whole case is kept tightly closed by sliding the copper ring back to the left to lock the covers closed. . At one end of the bone measurement bar is a brass pointer & hook to measure accuracy the bar has many graduations to indicate various weights in ten's. . The brass bowl is held fast with buff colored strings carefully tied to the bone measure bar. . The counter balance is an oval brass piece with a hole and tie thread to adjust along the bone measure bar. . The square brass counter balance is slid along the bone bar until the scale is balanced rendering the weight reading. Simple but accurate ! One holds the bone bar by use of the black thread. . This practical object has been used for centuries throughout Asia and S.E. Asia in most all cultures. . This example made from two matching Bamboo parts is quite quaint and unusual. The patina is quite fine showing a nice color after more than a century of use nicely polished and smooth. . The scale is contained in a crimson velvet bag with draw strings. . Color photos are posted to our website. . CONDITION: The scale is contained in a hand-made Bamboo wooden case with typical signs of use age and wear. It is complete intact and a good working example. . The inside also shows normal use age and dustiness typical of a vintage and genuine item. . In original condition still easily used as it has been for more than a century. . Nicely done work. . REFERENCES: . The Wellcome Historical Medical Museum and Library: CHINESE MEDICINE AN EXHIBITION ILLUSTRATING THE TRADITIONAL MEDICINE OF CHINA exhibit text & photo numbers 233. This text describes the photo item as a "violin-shaped" hand-carved wooden case with brass opium scales. This example is exactly the shape and format of our item. We quote: ".the ivory beams are not uncommon." An unusual and fascinating piece ! . . unknown

Rare Oriental Book Company, ABAA, ILAB - AN ART AND INTELLECTUAL PROPERTY COMPANY · États-Unis150,00 $US≈ 126,92 €

[OPIUM USE IN MALAYA].Biblio.com

British Malaya Opium Committee. Proceedings of the Committee Appointed by His Excellency the Governor and High Commissioner to inquire into Matters relating to the Use of Opium in British Malaya.

1924178121Singapore.: J. E. Tyler Government Printer. 1924. 74 122 ix 324pp. Text divided into 3 parts. A. Part I. Includes a report list of attendances and minutes of the British Malaya Opium Committee. Material covered inlcudes many aspects of opium use eg origin consumption retail sale of prepared opium by the government registration of users the Chinese community in British Malaya and the anti-opium movement education as the means of eradicating the habit. The section concludes with a 24 point summary by the committee which sat on 23 occasions between November 1923 and February 1924. B. Part II consists of 77 appendices including opium statistics; statistics of consumers of prepared opium of opium shops dross returns and miscellaneous official and unofficial correspondence and memoranda relating to opium consumption. C. Part III deals in detail with the evidence given by witnesses before the committee and lists their names and occupations. Dark blue cloth covered boards lettered in gilt on the spine very lightly marked original blue wrappers bound in. A sound and clean copy of a fascinating and important report. Amongst the most peculiar aspects of British colonial rule of Malaya was the opium trade where in the late 19th and early 20th centuries revenue raised formed a major part of colonial government budgets Bailey & Truong 2001. In the early 1920s revenues derived from the government opium monopoly together with import duties on alcohol and tobacco were the three largest components of the colony's revenues of the Straits Settlement and remained as major sources of revenue until the end of the 1930s. By the beginning of the 20th century the problem of opium addiction in British Malaya particularly among the Chinese community had become a major concern. Under mounting pressure from the Chinese community leaders an Opium Commission was set up in 1907 to investigate the problem and this resulted in the abolition of opium tax farms in 1912 and the subsequent loss of a major source of revenue for the colonial government Turnbull 1989; Sugimoto 2002. In order to address this major loss of revenue the British colonial administration attempted to introduce income tax in the Straits Settlements.' Ern Chen Loo and Margaret McKerchar The Impact of British Colonial Rule on the Malaysian Income Tax System in eJournal of Tax Research 2014 vol. 12 No. 1. . J. E. Tyler Government Printer. hardcover

Asia Bookroom · Australie950,00 $AU≈ 626,15 €

TIANJIN; SECOND OPIUM WARBiblio.com

Album of sketches made in Tianjin by Ensign Francis Sadleir Brereton.

1861152570Tientsin: 1861. Peace reigns in Tianjin after the bloody taking of the Taku Forts Highly engaging album the core of which comprises 26 sketches of Tientsin Tianjin in 1861 sketched by Ensign Francis Sadleir Brereton the year following the conclusion of the Second Opium War; with additional views of Singapore and Java. A unique visual record of Qing dynasty Tianjin as seen through the eyes of a young British army officer. Brereton 1838-1911 was commissioned ensign in the Royal North Gloucestershire Militia in November 1855 transferring to the 2nd Battalion 60th Rifles in December of the same year. Even among sharpshooters he was clearly a crack shot serving as inspector of musketry and winning both the Ladies' Purse and Challenge Prize. In 1857 he sailed with his battalion to South Africa. Following service in India during the Rebellion and in China during the Second Opium War he resigned his commission in 1865. He afterwards practised as an architect with his father-in-law Frederick Beeston then independently as an architect and surveyor. In 1889 he was elected to serve on the first London County Council. During the 18th century drawing masters were established at the military training centres at Woolwich Chatham High Wycombe and Addiscombe with the aim of instructing officer cadets in drawing and watercolour. Although there is no record of Brereton having studied in this way his sketchbook comprises an accomplished series of views very much in the tradition of the soldier-artist. In light of his subsequent career his interest in architectural detail is evident in a number of highly worked and painstaking sketches of temples and cityscapes occasionally employing dense hachures and some interesting compositional framing. To the modern eye they have a haunted quality reminiscent of the deserted vistas of Giorgio de Chirico. Views are in the main captioned on verso some at lower right of image all of Tientsin each dated 1861 and initialled unless otherwise noted: View of traditional roundhouses in a landscape "Head Quarters Square 2/60th Royal Rifles" "South West angle Tien Tsin Wall" "Mahomedan Temple" "Bell Temple" "Treaty Joss House" "Pallisir's Grave" Lieut. John R. Palliser 2. Battalion 1st Royal Foot died of fever after taking part in the capture of the Taku Forts "Old Castle near Tien Tsin" View of wall and fort View of fortified tower Three temples "South Forts" double-sheet panorama "Angles of Treaty Joss House" "Treaty Joss House" "Tien Tsin from West Gate" "West Gate from the Wall" "Tien Tsin from East Gate" "Tien Tsin from North Gate" "North Gate Tien Tsin from street" "Tien Tsin from South Gate" "English burial ground & Treaty Joss House from South Gate" "Chinese Graves French Side Tien Tsin" "South Forts Tien Tsin" "South Taku Fort" "2nd North Taku Fort" "Chinamans Houses French Side Tien Tsin" 59th Regiment graveyard "Singapore" seascape "Singapore Nov. 16 1861" double-sheet panorama of the coastline showing junks and ships Java double-sheet panorama with shipping in the foreground View of palm trees in a mountainous landscape Plus another 26 views and sketches 6 double-sheet executed later with appealing panoramas in the west of Scotland Dunoon Tarbert Dumbarton Bowling and elsewhere. The album is accompanied by a typed letter by the popular boys author Lt.-Col. F. S. Brereton 1872-1957 reading in full: "These sketches were made by my father Ensign Frank Sadleir Brereton 2nd Battn. 60th Rifles when on service with his regiment in China 1861. The first action in which he was engaged was I believe an attack on the Taku Forts when he and a small command went over the side and waded ashore" undated personal stationery. Albums such as this are certainly not common on the open market and this is a particularly attractive exemplar. Landscape octavo 105 x 182 mm. Contemporary dark red roan sketchbook by Henry Penny metal clasp stamped with his name label to front pocket gilt patterned endpapers marbled edges; some 60 leaves in all 26 with views of Tientsin and environs plus blanks one of two leaves toward the end excised. Housed in a burgundy cloth flat-back box by the Chelsea Bindery. Loss of leather at foot of spine minor scuffing expected rubbing and signs of handling otherwise remarkably well preserved. hardcover

Peter Harrington · Royaume-Uni7 500,00 £GB≈ 8 563,50 €

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