MareMagnum
MareMagnum
Stone engravings in Huizhou District / Hui zhou shi diao yi shu
A clean, unmarked book with a tight binding. Text in Chinese and English. 10 1/8"w x 9 7/8"h. Many b&w photos.
Bookshop Pistil Books Online · Seattle, US139,08 €
367 résultats
London, P. & D. Colnaghi & Co., 1975, 25 x 16,5 cm., 30 hojas de textos + 133 láminas en papel couché con 160 reproducciones de grabados.
Paris, Galerie Marcel Guiot, 1929-30, 2 folletos, 21 x 13'5 cm., 15 págs. - 12 láminas en papel couché = 15 págs. - 20 láminas en papel couché.
London, Victor Waddington, 1966, 23 x 16,5 cm., cartulina editorial, 4 hojas + 10 hojas con 48 ilustraciones + 2 hojas.
M., Imprenta Helénica, 1936, 23 x 16?5 cm., retrato ? 2 láminas ? 130 págs. ? 2 h. ? XXVIII láminas ? 1 h.
Presentado por Christopher Finch.
Paris, Abel Pilot, sin fecha (Siglo XIX), 45 x 31 cm., holandesa piel gastada, 2 h. - 111 págs. y 69 láminas. (Carecemos del Tomo I de esta obra. Ejemplar con algunas manchas de humedad).
A clean, unmarked book with a tight binding. Text in Chinese and English. 10 1/8"w x 9 7/8"h. Many b&w photos.
Facsimile of the original published around 1845. 48 pages.
A clean, unmarked book with a tight binding. Wear to cover. Staple-bound. 58 pages. 12"w x 11 1/8"h. Exhibition catalogue for an event at the Vancouver Art Gallery, 29 November 1980 - 4 January 1981. Essay by Ilaria Bignamini.
Very Good English Original color engraving with its frame. Oblong folio. (28 x 41 cm). Description in English. Originally folded. It's in frame. It's from the book named 'A Journey through Albania, and other Provinces of Turkey in Europe and Asia, to Constantinople, during the years 1809 and 1810' by John Cam Hobhouse printed in 1813, London. Attractive one of 17 color plates in the book. Scarce.
pp. 265, 30 [Robert Smith Surtees Sketch of His Career], 30 [John Leech His Illustrations to Surtees' Novels, etc.] + Eight handsome full page hand colored steel engravings by John Leech. Full page and text engravings by H. K. Browne and W. T. Maud. Title page decorated in color with a fox jumping a fence. Top edge gilt. 215mm. Virtually disbound. Leather and cloth boards detached. Bookplate of J. Frederic Byers, a prominent Pittsburgh businessman and sportsman, who had a large estate at Sewickley. Lacks spine. Text is very nice, but should be rebound. ENGLAND BX 5
First edition, large folio, [2], 2pp., without the list of subscribers, engraved frontispiece and 10 engraved plates with a total of 26 portraits of royalists, letter-press title and preface, some minor spotting and light browning but overall the plates are very clean and bright, expertly rebound in cont. style calf calf, marbled boards, red morocco spine label, an attractive copy. Rare: ESTC locates only three copy in the UK (all at Oxford) and four copies in North America. A reason for the scarcity of the complete volume may be found in a note on the title page, which advises that: "As these Prints are an agreeable Ornament for Rooms, they may be had of the Proprietors in neat black Frames and Glasses". Vertue's parents had served in the court of the exiled James II, and the publication of this volume in praise of loyal servants to the Stuart crown in the year of Culloden may well suggest Jacobite sympathies. This may be signalled by couplet from Pope quoted in the frontispiece: "Rich Industry Sat Smiling on the Plain | And Peace, and Plenty, told a Stuart's reign."
WITH ONE OF KIYOSHI HASEGAWA'S MOST IMPORTANT PRINTS. *** 12 pp. plus 6 loose engravings. *** A monograph on engraving followed by short biographies of each of the six artists, accompanied by a suite of six large engravings, one each by Cami, Cottet, Decaris, Jeannisson, Hasegawa, and Lemagny. From a total edition of 320 copies, all printed on fine Marais wove paper. Hasegawa's engraving, "Anemones et fleurs de champs dans un verre a facettes" (Kyoto 368, also known as "Bouquet sur fond de dentelle"), is considered one of his masterpieces. Folio (38 x 28 cm). Loose as issued. Missing title-page and justification, but with complete text and all prints. The Cami and Jeannisson prints have a bit of mat burn on the recto and the Lemagny a bit on the verso. The other three prints, including the Hasegawa, are FINE AND BRIGHT.
WITH TWO IMPRESSIONS, IN FIRST AND SECOND STATES, OF ONE OF KIYOSHI HASEGAWA'S MOST IMPORTANT PRINTS. *** Etched half-title, 16 pp. plus 12 loose engravings. *** A monograph on engraving followed by short biographies of each of the six artists, accompanied by a suite of large engravings by Cami, Cottet, Decaris, Jeannisson, Hasegawa, and Lemagny. From a total edition of 320 copies, all printed on fine Marais wove paper, this is ONE OF ONLY 60 SETS WITH THE ENGRAVINGS IN TWO STATES: THE FIRST STATE ON RIVES WOVE PAPER, SIGNED IN PENCIL, AND THE SECOND STATE ON MARAIS WOVE PAPER. Hasegawa's engraving, "Anemones et fleurs de champs dans un verre a facettes" (Kyoto 368, also known as "Bouquet sur fond de dentelle"), is considered one of his masterpieces. Folio (38 x 28 cm). Loose as issued in the original folding case. Folding case lightly worn and spotted. CONTENTS FINE AND BRIGHT. ALL OF THE PRINTS IN BRILLIANT CONDITION.
Very Good Very Good Turkish Paperback. Roy. 8vo. (24 x 17 cm). In Turkish. 108, [1] p., b/w plates, 14 unnumbered folded color plates. Aliye Berger [Boronai]: Yasami / sanati / yapitlari. Photos by Ara Güler.
Very Good English Paperback. Large 8vo. (26 x 14 cm). In Turkish, English, and French. 47, [1] p. Color and b/w plates. Aliye Berger [Boronai]. 24.12.1903 - 9.8.1974. [Exhibition catalogue]. 16 Ekim - 1 Kasim 1975, DGSA. Texts by Orhan Peker, Halikarnas Balikçisi et all.
Grande foglio sciolto che contiene, in 5 lastre di rame incise differenti, una raffigurazione di Madonna col bambino, ai lati le personificazioni della Fede e della Costanza, in alto e in basso due motivi ornamentali, e la parte di testo al centro. Il foglio misura cm 77x50.
New Turkish Original color photograph on positive paper. In original cover with its cartoon frame. Size: (all 50x60 cm - photograph 30x20 cm). Positive paper is a light-sensitive paper on which the image taken on the negative film was created in accordance with the original image. A short biography on verso. Signed by the photographer. 400 copies were printed. All copies were numbered. This is no. 196. Ara Güler was an Armenian-Turkish photojournalist, nicknamed "the Eye of Istanbul" or "the Photographer of Istanbul". He was "one of Turkey's few internationally known photographers". In 1958, the American magazine company Time-Life opened a branch in Turkey, and Güler became its first correspondent for the Near East. Soon he received commissions from Paris Match, Stern, and The Sunday Times in London. After completing his military service in 1961, Güler was employed by the Turkish magazine Hayat as head of its photographic department. About this time, he met Henri Cartier-Bresson and Marc Riboud, who recruited him for the Magnum Photos agency, which he joined (though later withdrew from). He was presented in the British 1961 Photography Yearbook. Also in that year, he was accepted as the only Turkish member of the American Society of Magazine Photographers (ASMP) (today called the American Society of Media Photographers). The Swiss magazine Camera honored him with a special issue. In the 1960s, Güler's photographs were used to illustrate books by notable authors and were displayed at various exhibitions throughout the world. His works were exhibited in 1968 in 10 Masters of Color Photography at the New York Museum of Modern Art and at Photokina Fair in Cologne, Germany. His book Türkei was published in Germany in 1970. His photos on art and art history were used in Time, Life, Horizon, and Newsweek and publications of Skira of Switzerland. Güler traveled on assignment to Iran, Kazakhstan, Afghanistan, Pakistan, India, Kenya, New Guinea, Borneo, as well as all parts of Turkey. In the 1970s he photographed politicians and artists such as Indira Gandhi, Maria Callas, John Berger, Bertrand Russell, Willy Brandt, Alfred Hitchcock, Ansel Adams, Imogen Cunningham, Marc Chagall, Salvador Dalí, and Pablo Picasso. Some critics consider his most renowned photographs to be his melancholic black and white pictures taken mostly with a Leica camera in Istanbul, mainly in the 1950s and 1960s. He has exhibited frequently since then, and also had his work published in special supplements. International publishers have featured his photographs.
pp. xii, 52; xviii, 62. Illustrated with text drawings and wood engravings. Green silk moire endpapers. All edges gold gilt. Original green page ribbon. 4to. 390 mm. Original full green leather binding gold decorated in an over-all design of birds in flight. Spine with same gold design and raised bands. Hardbound. Very beautiful, crisp copy. Original bookplate from the Easton Press, left blank. This Collector's Edition is published in advance for the subscribers of the Easton Press collection of "The 100 Greatest Books Ever Written". **PRICE JUST REDUCED! PRESS/W75 # 300PR.
Ex-library book with the usual stamps, stickers, etc. Very heavy book on glossy paper, a huge number of b&w photos, drawings, prints with a small section of color prints. Encyclopedic in scope. 416 pages. Book is from the reference section and shows very little wear.
A clean, unmarked book with a tight binding. Full white cloth boards. Slight edge wear to cover. 448 pages.
7 vols., 8vo., with wood-engraved frontispieces, numerous engraved illustrations in the text and pictorial endpapers; original patterned paper boards, dark cloth backs lettered and tooled in gilt, ivory endpapers, a near fine set in publisher's board slip-case. The text is based on Chapman's definitive edition; the patterned paper boards were designed by Hassall. First published by Folio Society between 1957-1963, with the Second Edition reset in 1975. In this reissue several novels contain additional wood-engravings. Gilson, E281(P&P; 1957); E286(S&S; 1958); E300(MP; 1959); E307(NA; 1960); E328 (P; 1961); E340(E; 1962); F17 (SW; 1963).
493 page exhibition catalogue. 405 handsome photographic plates, many in colour. Represents "a full and definitive recognition of the culture of the Inuit - a people who had, down through the centuries, developed techniques of getting food, clothing, shelter, and warmth from the mammals of the arctic wastes and from the birds and animals of the barren lands." - from foreward. Somewhat above-average wear. Unmarked. Binding intact. Worthy reference copy. Book
