367 résultats
M., Gráficas Reunidas, 1934, 29’5 x 23 cm., ilustraciones intercaladas, VIII págs. – 1 h. – 540 págs. - 2 h. (Ejemplar intonso. Tirada de 600 ejemplares).
Two volumes, 1829, 1831. Pages of both 4. ii. 202. . Text pages alternating French and English. With additional titlepages, engraved. 100 steel engraved plates in each volume. The plates have titles and production details. Half leather covers worn at extremities. Light foxing and marks on prelims and occasionally throughout in both volumes. Heavier foxing on first title pages.
New Turkish Original color photograph on positive paper. In original cover with its cartoon frame. Size: (all 50x60 cm - photograph 23x36 cm). Positive paper is a light-sensitive paper on which the image taken on the negative film was created in accordance with the original image. A short biography on verso. Signed by the photographer. 400 copies were printed. All copies were numbered. This is no. 27. Ersin Alok was born in 1937, in Istanbul, Turkey. He graduated from Istanbul University, School of Arts and Letters, Psychology Department, and from Journalism and Commerce Department of The I.I.T.I Academy. (Academy of Economic and Commercial Sciences). He founded the Photography Institute of the Mimar Sinan University. Alok, who started his art career as a painter, held his first exhibition in 1953, at the exhibition hall of the School of Languages, History, and Geography of Ankara University. He started his professional career as a photographer in 1967. He won the first prize, with his Absurd in photography, in the 5th Paris Biennial Then first prizes in Rome, Brussels, Sofia, Warsaw, and USA Barkley follow In 1989, World Photography Association gave Alok the right to represent Asia, and held his panoramic triangular exhibition with three other artist Alok, who has realized 199 exhibitions, has also had 41 exhibitions abroad He has formed a sound archive with his studies on sound recording. He also founded the first DIABANK in Turkey with his 6,500,000 dia archive. Alok has 21 published books.
Paris, Alexis de la Roche, 1735, 28 x 22 cm., p.e., 8 h. – 552 págs. incluso 275 láminas a media página grabadas en madera. (Ejemplar con la portada remarginada, falto de una hoja, pág. 221-222, y con restauración en varias hojas afectando al texto
Fine English Original bdg. and paperback. 4to. (34 x 23 cm). In English and Turkish. 7 volumes set: (959, [17] p.; 295 p., 288 p.; 300 p., 300 p.), b/w ills. Very comprehensive catalogues of engravings of Turkey. Turkey in gravures.= Gravürlerle Türkiye. 7 volumes full set. Vol. 1-3: Istanbul. Vol. 4-5: Anadolu = Anatolia. Vol. 6-7: Giysiler portreler = Garments, portraits. First Edition.
2 vols., 8vo., First Edition thus, with fine wood-engraved illustrations throughout; Facsimile in ivory cloth, gilt back, a fine copy in unclipped dustwrapper; Essay 4pp; the whole housed in publisher's custom-made blue board solander case lettered in gilt with mounted illustration (repeated from text). EDITION LIMITED TO 750 NUMBERED COPIES (THIS COPY NO. 96). Splendid facsimile reissue of the renowned Golden Cockrel Press edition of 1926.
This is a very good hardcover copy in the original marbled paper-covered boards with the title-page print reproduced and tipped-on to the front cover. Leather spine tooled in gilt with an elaborate device and title. Covers rubbed, edge wear and wear to top and bottom of spine. The map of Paris and 60 engravings (complete) are generally clean, but some light foxing and soil. Beautifully engraved plates ca.1820, engraved by Couche fils, depict well known monuments in Paris as well as other parts of France. Most plates are of Paris. Now in a mylar wrap in the French style. Oblong 8vo, 5 1/2" high X 8" wide. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.
Fourteen (14) Rare French Literary Pamphlets in two volumes. All 8vo. 205 mm. Leather backed marbled boards, very slightly worn. Hardbound. Text in fine condition; some offsetting from the engravings. Contents include: Vol. I - 1). LETTRE AMOUREUSE D'HELOISE A ABAILARD. Translation of: Eloisa to Abelard, by Alexander Pope. New Edition corrected by the autor. Chez la veuve Duchesne, Paris: 1766. 30 p. + large engraving by Eisen; Engraved headpiece by Colardeau. 2). LETTRE DE DON CARLOS A ELISABETH, SUIVIE DUN PASSAGE DE L'AMINTE DU TASSE, TRADUIT EN VERS, & Du Poeme De La Nuit, imite de Gesner. Panckoucke, Paris & Duchesne, Lille: 1768. pp. VIII, 29 + Gravelot engraved plate. 3). LETTRE DE JULIE, FILLE D'AUGUSTE, A OVIDE. By Claude Dorat. A Geneve, Et se trouve a Paris: Chez Bauche: 1766. 23p. With Engraved head and tail pieces by Eisen and Massard. 4). LETTRE D'OVIDE A JULIE, PRECEDEE DUNE LETTRE EN PROSE A M. DIDEROT. [By the Marquis de Pezay]. [Geneva]: 1767. 32p. + Full page engraved plate and vignettes after Eisen. 5). LETTRE DE SAPHO A PHAON, Precedee d'une Epitre a Rosine, D'une vie de Sapho, & suivie d'une Traduction en Vers des Ouvrages de ce Poete. By Blin de Sainmore. Sebastien Jorry, Paris: 1766. 32 p. + Engraved plate by Aliamet after Gravelot; Vignettes by Ghendt after Eisen, another by Choffard. 6). LETTRE DE CATON D'UTIQUE A CESAR. By Abbe Parmentier. Lambert, Paris: 1766. 34 p. + Engraved plate after Gravelot. 7). LETTRE D'ALCIBIADE A GLICERE: Bouquetiere d'Athenes, suivie d'une Lettre de Venus a Paris, et d'une Epitre a la Maitresse que J'Aurai. By Marquis de Pezay. S. Jorry, Geneva & Paris: 1764. 36 p. Large engraved plate and vignettes by Eisen. Vol. II - 1). LETTRE DU COMTE DE COMMINGES A SA MERE: Suivie d'une Lettre de Philomele a Progne. By Claude-Joseph Dorat. S. Jorry, Paris: 1764. 68 p. Two full page engravings + vignettes by Eisen & Massard. 2). L'HEUREUX JOUR, EPITRE A MON AMI. By le Parquis de Pezay. (Duchene, Paris): 1768. pp. 29, (1). + Engraved title, full page engraving, & vignettes by Eisen & Massard. Cohen p. 797. 3). LISLE MERVEILLEUSE. Poeme en Trois Chants, Traduit du Grec, Suivi d'Alphonse ou de l'Alcide Espagnol, Conte tres Moral. By C. J. Dorat. Geneva: 1768. 85 p. Engraved plate after Eisen. 4). L'HOPITAL DES FOUS [Aesculapius - or, The Hospital of Fools] by William Walsh. [A Play translated by De La Flotte]. Jorry, Paris: 1765. Large plate, head-piece and tail-piece engraved by Delafosse after Eisen. Two lines of French manuscript about Fools. 5). EXTRAIT DE QUELQUES PIECES PRESENTEES A L'ACADEMIE FRANCOISE, Pour concourir au Prix de poesie de L'Annee 1766. Regnard, Paris: 1766. 27 p. 6). EPITRE AUX MALHEUREUX, Piece qui a Eu L'Accessit du Prix de l'Academie Francois 1766. par M*** [G.-H. Gaillard]. Paris, Regnard: 1766. 10p. 7). EPITRE A UN AMI SUR LA RECHERCHE DU BONHEUR. Cette Piece a concouru au Price de l'Academie Francois 1766. par M.D.*** Avocat au Parlement, Cuissart & Regnard, Paris: 1766. 19p. Small circular stain on first 10 pages. ** This collection is sometimes found with the texts in a different order and with different pagings and signatures and/or with one or more pieces omitted. There are often different printers and publishers where identified. The artists and engravers were among the best of this great era in illustration: Charles-Dominique-Joseph Eisen (1720-1778); Charles-Pierre Colardeau (1732-1776); Hubert Francois Gravelot (1699-1773); Jacques Aliamet 1726-1788); Jean Francois Rousseau; Emmanuel Jean Nepomucene de Ghendt (1738-1815); Joseph de Longueil (1730-1792); Jean Massard (1740-1822); Pierre-Philippe Choffard (1730-1809). A classic of 18th century French book illustration. CHEST 2/1
pp. 34, (4) [Publisher's catalogue] + Twelve charming full page engravings and a folding engraved map. Map soiled at folds with insect damage on bottom margin. Offsetting from plates. Light age stain. Wide margins. 250 mm. Full plain cloth binding, worn. Front board detached and faded. Corners rubbed with loss. Edward Francis Finden (1791-1857) was considered one of the greatest engravers of his era. This original edition of illustrations drawn in the (French) Canton of Vaud, Switzerland is quite scarce. **PRICE JUST REDUCED! VERIA 3
The monumental catalogue raisonne of all prints by and after Moreau le jeune. XII, 4, 752 pp. plus frontispiece engraved portrait of Moreau, by St Aubin after Cochin. Edition limited to 525 numbered copies, of which this is one of 500 printed on fine laid paper. Over 2,000 items exhaustively described. Thick folio. Elegantly bound in quarter vellum and marbled boards. Original wraps preserved. ENTIRELY UNCUT. FINE AND BRIGHT. A scarce and important book, extremely rare in such fine condition.
Abundant black and white illustrations and reproductions of photos. Features: The Doctor's Story - Thrilling narrative from Hudson's Bay country from the ship's doctor, Dr. Craig, of the Canadian survey steamer "Minto"; The Princess Haamoura - a stirring tale of love and adventure on the South Seas island of Aitutaki; Two Girls on a Ranch - Part I - City girl Miss Laura Colston describes how she and her sister Mildred adventured to run a ranch in the wilds of Arizona - article with photos; Under False Colours - A very strange story of life in the United States Army in which the author enlists with another man's papers and is rapidly promoted; A City in the Rocks - a photo-illustrated visit to the remarkable ancient city of Petra; Mr. X.'s Ghost - a decidedly creepy story; Raiding the "Moonshiners" - David A. Gates, a high official of the U.S. Revenue Service, describes an eventful raid on "moonshine" stills in the wilds of Kentucky, and the thrilling battle which followed; Down the Amazon From Source To Mouth - Part IV - J. Campbell Besley and his party continue their dangerous trip down the Amazon, losing one man who was shot with a poison arrow; A Persistent Stowaway - time and again an Irishman bobs up in most unexpected fashion; Housekeeping in Far Japan - A bright little photo-illustrated article describing the experiences of the first white woman to be seen or set up house in a village in remote Satsumaland, in the extreme southern corner of Japan; Five Men in a Boat - the terrible tale of mutiny and murder on the last voyage of the barque "Veronica"; Sensational six-page two-color ad for the Burlington Watch Company; and more. pp. 6 [ads], [3], 196-284, 7-40 [ads]. Clean and unmarked with moderate wear. A sound vintage copy. Book
Second Edition, with additions, 4to, vi,151,[1]pp., with the armorial bookplate of Lady Frances Scott, engraved frontis., light water stain to lower outer corner of first 15 pages, cont. calf, hinges cracked, label chipped. First published in 1745 and Dedicated to the Duchess of Portland, from whose most extensive collection it was compiled. Vertue derived much of the information for the life of Hollar from the younger Faithorne and Mr. F. Place, both of them engravers, who were very conversant with Hollar during his residence in London.
8 incisioni su rame finemente colorate a mano a tempera, raffiguranti alcune stazioni della Via Crucis. Elenco delle stazioni disponibili: Stazione III; VII; VIII; IX; XI; XII; XIII; XIV. 8 copper engravings finely colored by hand with tempera, depicting some stations of the Via Crucis. List of available stations: Station III; VII; VIII; IX; XI; XII; XIII; XIV. Misure: mm. 210x305 alla battuta; mm. 335x225 il foglio intero. Titolo al centro del foglio, senza nome dell'incisore e del disegnatore. Size: mm. 210x305 the engraved part; mm. 335x225 the whole sheet. Title in the center of the sheet, without the name of the engraver and the designer. Codice inv.1031165
In-8° oblungo, frontespizio e 16 tavole numerate incise al tratto. Esemplare in barbe. Alcuni fori di tarlo passanti e difetti. Le incisioni riproducono gli affreschi che Giulio Romano realizzò nella villa al Gianicolo, da lui stesso progettata per la famiglia Turini poi acquistata dai Lante.
London, Mc. Queen, 1870, 31'5 x 44'5 cm., tela original gastada, portada - 1 h. - 20 láminas grabadas por C.G. Lewis.
Seven Volumes in Fourteen. Illustrated with mounted proofs on India paper with original tissue guards. Title pages printed in red and black. Text printed on Japanese Vellum. Uncut and unopened. LIMITED EDITION. Number 29 of only 100 copies. Printed and inked ownership of Dr. Wm. M. Findley. Tall 8vo. Original full cloth bindings. Original paper spine labels. Head and tail of some volumes lightly chipped. Hardbound. Very good set of an extremely scarce edition. **PRICE JUST REDUCED! HAKESPEARE BOX 3
pp. 15, 144, 3 + Plus numerous full-page and folding engraved plates. Illustrated throughout with engraved vignettes, culs-de-lampe, etc. Normal foxing and off-setting. Tall 8vo. [221 x 135 mm.] Contemporary full leather binding, worn. Lacks original spine label. Generally, Very Good. "Containing only the Bucolics and Georgics, this work was left unfinished by old Pine, and was published by his son Robert" - Dibdin II, p. 561. Probably, in realit y, somewhat scarcer than Pine's justly famous Horace.**PRICE JUST REDUCED! W153
Fine English In modern black frame. Size; (26 x 57 cm). Limited edition. Original graphic poster of Altintas in memoriam François Truffaut for 13. International Istanbul Film Festival, 2-12 April, 1994. He was born in 1935 in Istanbul. He graduated from the Poster Atelier of the Istanbul Academy of Fine Arts in 1957. His first solo exhibition was held in 1964 in Istanbul and it was recognized as the first Turkish graphic design exhibition. In 1968 he pioneered the establishment of the Association of Graphic Artists. In 1976 he became a lecturer at the Academy of Fine Arts, School of Applied Industrial Arts, and he was appointed as the director of the school in 1979. He was the chairman of the Professional Association of Graphic Designers in 1982 and from 1987 to 1993. He held exhibitions in Turkey and abroad, and participated in many collective exhibitions. He showed his artworks in international biennials and triennials in different countries. By virtue of 60. birthday, he invited selected graphic designers worldwide and held an international poster exhibition in 1995 in Istanbul. Eventually he initiated the establishment of the international poster archive in Mimar Sinan University, Department of Graphic Design, with the posters sent to the exhibition. He became a professor in 1995, was appointed as the chair of the Department of Graphic Design in 1996, and as a member of the board of directors of Mimar Sinan University in 2001. Altintas has retired from the same university in 2002. A number of his works were accepted by museums and archives in countries such as Switzerland, Poland, France, and the USA. He received various national awards. In 2004, he was awarded Icograda Achievement Award by ICOGRADA (International Council of Graphic Design Associations) due to his contributions in Turkish graphic arts. In 2009, he was selected as a member to AGI (Alliance Graphique Internationale). In 2011 he received the 'Artist of Honor Award' of the TÜYAP 21st Istanbul International Art Fair. In 2012 he was awarded the Gloria Artis Medal, a decoration in Arts awarded by the Ministry of Culture and National Heritage of the Republic of Poland, and in 2014 "Knight's Cross of the Order of Merit of the Republic of Poland". He has been working as a Professor at Feyziye Schools Foundation, Isik University, Faculty of Fine Arts, Visual Communication Design Department since 2012.
Paris, Emanuel Langlois, 1667, 2 tomos, 39 x 25?5 cm., plena piel de época, 3 hojas. incluso portada a dos tintas + 696 págs. a dos columnas incluso 6 bellas láminas grabadas en cobre + 9 hojas. = portada a dos tintas + 736 págs. a dos columnas incluso 6 láminas grabadas en cobre + 9 hojas.
Madrid, Edit. Rowohlt, 1990. Edición de 221 ejemplares. El nuestro Núm. 20 de la edición de 175 ejemplares numerados y firmados por los artistas. Ilustraciones serigráficas y con protector transparente de José Caballero, Luis Caruncho, Alvaro Delgado, Carlos Evangelista, J.L. Fajardo, José M. Iglesias, Agueda de la Pisa y Salvador Victoria, numeradas y firmadas. 163p. 4º apaisado. Símil piel editorial algo rozada. Interior en perfecto estado. Buen ejemplar.
New Turkish Original color print with its green frame. Oblong folio. (39 x 53 cm). In Turkish. Printed to 53 copies. This copy is no. 16. Signed by Altintas as 'Yurdaer'. [ORIGINAL PRINT] Kösk kapisi, Hacivat, Karagöz. (16/53).
Roy. 4to., First Edition thus, with numerous engravings throughout; original navy buckram, gilt back, marbled endpapers, gilt top, a near fine copy in publisher's marbled slip-case. EDITION LIMITED TO 150 NUMBERED COPIES SIGNED BY THE ARTIST (THIS COPY NO. 126). THIS EDITION INCLUDES AN ORIGINAL UNPUBLISHED WOOD-ENGRAVING 'PRESCELLY MOUNTAINS, SOUTH WALES' (1972) SIGNED BY THE ARTIST AND HOUSED IN SEPARATE CARD PORTFOLIO. The compliments slip of the Burlington Fine Arts Club Library is loosely inserted.
New Turkish Original color photograph on positive paper. In original cover with its cartoon frame. Size: (all 50x60 cm - photograph 30x20 cm). Positive paper is a light-sensitive paper on which the image taken on the negative film was created in accordance with the original image. A short biography on verso. Signed by the photographer. 400 copies were printed. All copies were numbered. This is no. 196. Ara Güler was an Armenian-Turkish photojournalist, nicknamed "the Eye of Istanbul" or "the Photographer of Istanbul". He was "one of Turkey's few internationally known photographers". In 1958, the American magazine company Time-Life opened a branch in Turkey, and Güler became its first correspondent for the Near East. Soon he received commissions from Paris Match, Stern, and The Sunday Times in London. After completing his military service in 1961, Güler was employed by the Turkish magazine Hayat as head of its photographic department. About this time, he met Henri Cartier-Bresson and Marc Riboud, who recruited him for the Magnum Photos agency, which he joined (though later withdrew from). He was presented in the British 1961 Photography Yearbook. Also in that year, he was accepted as the only Turkish member of the American Society of Magazine Photographers (ASMP) (today called the American Society of Media Photographers). The Swiss magazine Camera honored him with a special issue. In the 1960s, Güler's photographs were used to illustrate books by notable authors and were displayed at various exhibitions throughout the world. His works were exhibited in 1968 in 10 Masters of Color Photography at the New York Museum of Modern Art and at Photokina Fair in Cologne, Germany. His book Türkei was published in Germany in 1970. His photos on art and art history were used in Time, Life, Horizon, and Newsweek and publications of Skira of Switzerland. Güler traveled on assignment to Iran, Kazakhstan, Afghanistan, Pakistan, India, Kenya, New Guinea, Borneo, as well as all parts of Turkey. In the 1970s he photographed politicians and artists such as Indira Gandhi, Maria Callas, John Berger, Bertrand Russell, Willy Brandt, Alfred Hitchcock, Ansel Adams, Imogen Cunningham, Marc Chagall, Salvador Dalí, and Pablo Picasso. Some critics consider his most renowned photographs to be his melancholic black and white pictures taken mostly with a Leica camera in Istanbul, mainly in the 1950s and 1960s. He has exhibited frequently since then, and also had his work published in special supplements. International publishers have featured his photographs.
Paris, Calmann-Lévy, 1946, 33 x 27 cm., ejemplar en rama con sus cubiertas originales en cartoné y estuche en cartoné (la tapa superior que cierra el estuche está desprendida), 2 h. + 315 págs. con grabados intercaldos + (Suite des eaux-fortes aux deux états de Pierre Watrin:) 59 láminas. (Ejemplar de la tirada de 60 ejemplares numerados en papel de hilo Velin, de una tirada total de 400 ejemplares).
Folio (480 x 310 mm), engraved dedication portrait frontispiece, 44 ENGRAVINGS OF 46 (LACKING PLATES 9 & 10), 22 of which are double-page, the plates and the text pages are paginated continuously from 1 to 52, faint staining to blank upper margins, some light browning, nineteenth-century half calf, covers detached. Berlin Catatalogue, 1864.