52 résultats
1910140940357Paris: Charles Carrington 1910. First Illustrated Edition. Very Good. First illustrated edition. 312 pp. with publisher's tipped-in slip announcing delay and frontispiece. Original white three-quarter faux vellum over gray boards with gilt ruling and spine lettering. Very Good with dampstaining to foot toning to head contents generally bright and in nicer shape. In a serviceable example of the rare original jacket chipped at head 2" and tail small closed tear to top of front panel rubbed along edges toning and dampstaining to spine. Oscar Wilde's classic Gothic horror tale with full-page wood engravings by Eugene Dété from drawings by Paul Thiriat each with a tissue guard titled in crimson. Charles Carrington unknown books
1926176360Paris: Societe d'edition "le livre" Emile Chamontin directeur 1926. No. 10 of 20 of this edition. Paperback. VG but with soiling to covers where glassine was lacking minor age toning to extremities of some pages not bad overall a tight copy that could have been stored better. The front cover is slightly cattywampus from the two extra sets of engravings being inserted in the front of the book as might be expected. Printed wraps with glassine remnants on inside flaps. 24 pp. 15 engravings etchings withing the text and two extra sets of these illustrations each set representing a different state are included only 20 such sets were issued of the overall edition of 430 copies. Text is in French. The book itself has been printed on Imperial Japon and the extra engraving printed on Imperial Japon and on Holland Van Gelder it appears from the colophon and limitation at the rear of the book. Quite rare as a result of this limited configuration. Each set of plates is wrapped in glassine and the extremities of these plates show age-toning or light soiling. Societe d'edition "le livre", Emile Chamontin, directeur paperback books
1932LD5812Lyon: Association Lyonnaise des Cinquante "La Belle Cordiere" 1932. Limited Edition. Hardcover. Fine. Printed wraps in glassine dust jacket; 4to; pp. 86 unbound loose gatherings as issued and uncut with illustrations throughout. Number 37 from a limited edition of 50 for members this one printed for M. Rozendaal total limitation of 90. Fine in chemise and lightly scuffed slipcase. <br/><br/> Association Lyonnaise des Cinquante "La Belle Cordiere" hardcover books
191819071903Ditchling Sussex: Printed at the Ditchling Press by Douglas Pepler 1918. First and Limited Edition. Wraps. Good . Gill Eric and Beedham R. John. One of 240 copies duodecimo size 126 pp. "Woodwork" contains twenty-one wood engravings of tools by the inimitable Eric Gill 1882-1940; a highly regarded printmaker sculptor and typographer as well as a complicated man Gill provided illustrations for numerous fine press publications by the Golden Cockerel Press and the Saint Dominic's Press as well as with Pepler under the imprint of the St. Dominic's Press.<br/><br/>An informative look at the art of carpentry by craftsman-woodworker Arthur Romney Green 1872-1945 who like Gill and Pepler was influenced by William Morris and the Arts and Crafts movement. Although the book is stated as "Volume I" no further volumes were issued.<br/><br/>___DESCRIPTION: Brown paper wraps black lettering on the front wrap fore- and bottom edges uncut title page with black-and-white wood engraving a total of thirty-one wood engravings in the text throughout: twenty-one wood engravings of carpentry tools by Eric Gill ten wood engravings by R. John Beedham; Caslon O. F. type Batchelor handmade paper duodecimo size 7.75" by 5" pagination: i-iv v-xvi 1 2-110 one of 450 copies this number 161.<br/><br/>___CITATION: Better than good with clean wraps a strong square text block the interior is clean and bright and entirely free of prior owner markings; overall minor edgewear to the wraps some loss to the paper at the spine exposing parts of the gatherings however text block still solid small loss to the bottom fore-edge corner of the title page.<br/><br/>___CITATIONS: Gill no. 269; Taylor and Sewell no. A31.<br/><br/>___POSTAGE: Â International customers please note that additional postage may apply as the standard does not always cover costs; please inquire for details.<br/><br/>___Swan's Fine Books is pleased to be a member of the ABAA ILAB and IOBA and we stand behind every book we sell. Please contact us with any questions you may have we are here to help. Printed at the Ditchling Press by Douglas Pepler unknown books
1946002383Paris: Edition de la Galerie Charpentier 1946. Limited First Edition. Folio with slipcase. Near Fine. Exemplaire imprime pour Madame Fernand Leval and thus presumably among the small number of copies reserved for collaborateurs of the work. Folio 33 by 26 cm. 98 1 pp. Evocative charcoal drawings by Ayme. Clean with minor wear and some sunning to the perimeter of the slipcase. <br/><br/> Edition de la Galerie Charpentier unknown books
193117082110London: Jonathan Cape Printed by Walter Lewis at the University Press Cambridge 1931. Limited Edition. Hardcover. Near fine. Gill Eric. No. 129 of 160 octavo size 206 pp. signed by Eric Gill. Clothing has long been an integral part of society and can be used to reflect diverse religious and cultural identities. In this essay Eric Gill 1882-1940 discusses the significance of clothes in society and argues for a more egalitarian approach to clothing; for example Gill advocates the suitability of men's clothing trousers for women as a way to liberate the sexes and create a more equal society.<br/><br/>Gill provides wood engravings for the book illustrating his concepts and showcasing his masterful rendering of the technique; his illustrations have a slightly satirical slant while evoking the pathos of his arguments.<br/><br/>___DESCRIPTION: Quarter brown pigskin with marbled paper boards gilt rules and lettering on the spine top edge gilt fore- and bottom edges uncut illustrations include title page device "Woman Dancing" P712; "Art and Prudence" P714; "Clothes as Houses" P715; "Clothes as Workshops" P716; "Clothes as Churches and Town Halls" P717; "Clothes for Special Parts" P718; "The Tyranny of Tailors" P719; "Nature and Nakedness" P720; "Trousers" P21; and a tailpiece of "Trousers and Spats" P722; octavo 7.5" by 5.25" pagination: i-vii 1-2 3-196 197-198 1 colophon one of 160 copies this number 129 signed "Eric G" on the colophon.<br/><br/>___CONDITION: Volume is near fine with clean boards straight corners a strong square text block with solid hinges the interior is clean and bright and entirely free of prior owner markings; some slight rubbing to the bottom edges of the boards and to the corners a faint stain to the gutter of Contents page and very slight cracking to the gutter at pages 128 and 129 but hinges are still tight.<br/><br/>___CITATION: Gill 22. <br/><br/>___POSTAGE: International customers please note that additional postage may apply as the standard shipping charge does not always cover costs; please inquire for details. <br/><br/>___Swan's Fine Books is pleased to be a member of the ABAA ILAB and IOBA and we stand behind book we sell. Please contact us with any questions you may have we are here to help. Jonathan Cape [Printed by Walter Lewis at the University Press, Cambridge] hardcover books
1929CNJL722Newtown Wales: The Gregynog Press 1929. Limited Edition. Hardcover. Fine. Bray Horace Walter. Two volumes complete no. 34 of 285 octavo size 488 total pp. The essays in this collection were first published in "The London Magazine" and brought Charles Lamb 1775-1834 fame and popularity; his essays have an easy-going and conversational style that appealed to his early readers and they roam through a variety of subjects all down-to-earth and taken from Lamb's actual experiences. This lovely two-volume set printed by The Gregynog Press in Wales comprises Lamb's essays collected under the name "Elia" a kind of pseudonym that refers to Lamb himself.<br/><br/>The essays are illustrated with wood-engraved headpieces by Horace Walter Bray whose attention to minute details and charming figures complements the gentle humour of Lamb's writing; overall a fine edition of one of England's foremost essayists.<br/><br/>___DESCRIPTION: Full grey cloth gilt lettering on the spines bevelled boards fore- and bottom edges rough cut both volumes with black-and-white wood-engraved frontispiece by Horace Walter Bray both volumes with black-and-white wood-engraved headpieces by Bray throughout; octavo size 9.25" by 6.25" pagination: Volume I: i-iv v-vii viii 1-265 266 1 colophon; Volume II: i-iv v-vii viii 1-219 220 1 colophon one of 285 copies this number 34. Bookseller's ticket "Philip C. Duschnes / Rare Books / New York" on the rear paste-down endpaper of Volume II. In a slipcase covered with brown paper with a cream paper spine label with black lettering and ruled borders and the edition number 34 written in pen on the bottom board.<br/><br/>___CONDITION: Both volumes are fine; the covers clean the corners straight and unrubbed the bindings tight with solid hinges the interiors clean and bright and free of prior owner markings; front paste-down endpaper of Volume I is slightly wrinkled else fine. The slipcase is almost very good still strong and sturdy clean overall with some ares of soiling some overall edgewear including a split at the seam where the top of the box meets the spine and a small tear to the spine near the bottom of the box. <br/><br/>___POSTAGE: Â International customers please note that additional postage may apply as the standard does not always cover costs; please inquire for details.<br/><br/>___Swan's Fine Books is pleased to be a member of the ABAA ILAB and IOBA and we stand behind every book we sell. Please contact us with any questions you may have we are here to help. The Gregynog Press hardcover books
195319052011Kentfield: The L D Allen Press 1953. Limited Edition. Hardcover. Fine/near fine. Dean Mallette. One of 160 copies octavo size 55 pp. The thirteenth publication from The Allen Press this story by Honore de Balzac 1799-1850 was originally titled "Maitre Cornelius" and first appeared in 1831 in the "Revue de Paris"; it was published in book form in 1832. Balzac was a prolific French novelist and playwright perhaps best remembered today for "Eugénie Grandet" his first bestseller; in this famous wayward love story set in fifteenth-century France Marie de Saint-Vallier daughter of Louis XI is unhappily married and becomes entangled in an unusual love affair. <br/><br/>The book features four wood engravings by the incomparable Mallette Dean 1907-1975 painter and illustrator who worked for most of his career in San Francisco on projects such as the WPA Mural Project the murals in Coit Tower and for fifteen years illustrated books for the Grabhorn Press and other Bay-Area presses such as the Allens'. Dorothy Allen hand-colours each wood engraving bringing a bright simplicity to the scenes of the story.<br/><br/>___DESCRIPTION: Quarter blue paper with marbled paper boards red lettering on the spine fore- and bottom edges uncut title page with wood-engraved historiated initial "T" by Mallette Dean with hand-colouring by Dorothy Allen running heads in blue throughout four wood engravings by Dean with hand-colouring by Allen throughout; Romanee type handmade Highclere paper octavo size 9" by 5.75" pagination: i-v vi-lv one of 160 copies unnumbered. With prior owner bookplate on the front paste-down. In publisher's original acetate wrapper.<br/><br/>___CONDITION: A fine copy; the covers clean the corners straight and unrubbed the binding tight with solid hinges the interior clean and bright; some faint sunning to the spine an Ex-Libris on the front pastedown of James Wilson Mull else fine. The acetate wrapper is near fine clean with some light scuff marks without wear but for small chips to the corners and a very small closed tear to the head of the spine.<br/><br/>___CITATION: The Allen Press Bibliography no. 13.<br/><br/>___POSTAGE: International customers please note that additional postage may apply as the standard shipping charge does not always cover costs; please inquire for details.<br/><br/>___Swan's Fine Books is pleased to be a member of the ABAA ILAB and IOBA and we stand behind every book we sell. Please contact us with any questions you may have we are here to help. The L D Allen Press hardcover books
195420011203Kentfield California: The L-D Allen Press 1954. Limited Edition. Hardcover. Fine/very good. Dean Mallette. One of 175 copies quarto size 146 pp. Marie-Henri Beyle 1783-1842 is likely best remembered today for his novels "Le Rouge et le Noir" and "La Chartreuse de Parme" and is considered one of the earliest authors of realism. Stendhal saw much of the Europe of his day; as part of the Napoleonic army he participated in the 1812 invasion of Russia and the retreat therefrom; served as the French consul in parts of Italy and eventually moved to Paris being buried in Montmarte. <br/><br/>Stendhal's "Journals" provide a fascinating glimpse not only into some of the places to which he travelled but more importantly into his inner thoughts; he was one of the Allens' "esteemed authors" and they were excited at the chance to publish an excerpt of his "Journals" when approached with the idea by Professor Francis Carmody. <br/><br/>As stated in the Allen Press bibliography "this was our fourth edition to be produced entirely by hand with hand-crafted materials throughout. We were now convinced that this method was our proper métier - that the handpress is the most satisfactory instrument in a chimerical attempt at the craftsmanship standards set by Kelmscott Doves and Ashendene presses" p. 39. This book was selected as one of the AIGA fifty books of the year. <br/><br/>___DESCRIPTION: Bound in full Fortuny printed cloth from Venice of antique red on a dull gold background headbands of black and gilt title page in red and black in opposing vertical columns each section with headpieces of one of the two wood engravings by Mallette Dean one of an elaborate quill pen forming the shape of a fleur-de-lis the other of a cluster of grapes and leaves; handset Romanée type Crown & Sceptre paper hand-made in England with the watermark "British Hand Made" quarto size 10.25" by 7.25" pagination: 1-6 7-146. Dust wrapper of plain black Italian laid paper with gilt lettering on the spine. <br/><br/>___CONDITION: Fine with clean boards perfectly straight corners totally without rubbing a strong square text block with solid hinges the interior is clean and bright and entirely free of prior owner markings; clean crisp as new. The paper dust jacket we are grading as very good due to minor overall edgewear and a rectangular chip at the top of the rear joint approx. one inch by one-third inch; as the Allens stated in their bibliography "this paper proved to be too perishable; a clear acetate jacket would have been more durable and would have revealed the handsome Italian cloth." <br/><br/>___CITATION: Allen Press bibliography no. 15; Hawk no. 319.<br/><br/>___POSTAGE: International customers please note that additional postage may apply as the standard does not always cover costs; please inquire for details.<br/><br/>___Swan's Fine Books is pleased to be a member of the ABAA ILAB and IOBA and we stand behind every book we sell. Please contact us with any questions you may have we are here to help. The L-D Allen Press hardcover books
1988012539Wakefield: Fleece Press 1988. 1st Edition Limited. Hardcover. Fine. 225 copies with 160 for sale quarter cloth. Fine apparently unused copy in light blue cloth slipcase that has a modestly faded edge. Dedicated to wood engraver Stanley Lawrence 1900-1987. Fleece Press hardcover books
194428607London: Golden Cockerel Press 1944. First Edition. One of 350 numbered copies this being copy no.69. Octavo 23.5cm; burgundy cloth blocked and titled in green and gilt on spine; top edge gilt; 12pp; illus. A couple spots of residue from binders glue to endpapers else very Near Fine. Handsome edition of Swinburne's poem illustrated with seven wood engravings throughout the text by John Buckland-Wright. Golden Cockerel Press unknown books
1964240569Iowa City: Printed for the author at The Stone Wall Press 1964. Hardcover. 20p. 8x5 inches landscape layout preface woodcuts tissue guards rubricated title page #169/250 limited first edition thus in sewn blue boards and gilt. Printed for the author at The Stone Wall Press hardcover books
1924007589Berkshire England : The Golden Cockerel Press 1924. #333 of 380 copies 350 of which were for sale. Vellum spine over handmade patterned paper boards gilt lettering at spine Near Fine petite period bookplate front paste down the usual toning to front and rear end pages. An essay taken from "Walden or Life in the Woods" by Henry David Thoreau 46 pp. with wood engravings in blue by Robert Gibbings. A lovely tight copy that feels unread. . Limited and Numbered First Edition. Vellum Over Handmade Paper Boa. Near Fine/No Jacket As Issued. 16mo - over 5¾" - 6¾" tall. Limited Edition. The Golden Cockerel Press Hardcover books
1923210503006Waltham Saint Lawrence Berkshire: Golden Cockerel Press 1923. Limited Edition. Hardcover. Near fine/very good. White Ethelbert. No. 200 of 320 copies on paper duodecimo size 49 pp. Edmund Spenser 1552/3 to 1599 is probably best known for his epic poem "The Faerie Queene" an ode to Elizabeth I. Even today he is considered one of the greatest poets of the English language. <br/><br/>This work "The Wedding Songs" is a publication uniting two works which were published a year apart both dealing with love and romance.<br/><br/>According to "Chanticleer" this is the first work of the Press to be illustrated with wood-engravings; however they go on to state that "there is no great feeling of harmony between the engravings and the type" p. 16. We find the three wood-engravings charming; Ethelbert White 1892-1972 was a founding member of the English Wood Engraving Society beginning his career with water colour but being introduced to wood-engraving in 1920. <br/><br/>___DESCRIPTION: Quarter linen white paper spine label with black lettering blue paper sides over boards fore- and bottom edges uncut the frontispiece one of three wood engravings and the only one in three colours rust green and yellow the other two only in rust; Caslon type on hand-made unbleached Arnold paper duodecimo size 7 3/8" by 4 1/2" pagination: 1-8 9-46 47 final wood-engraving 48 colophon 49 publisher's device; no. 200 of the 320 copies on paper per the colophon; per the bibliography there were 350 copies on paper there were an additional 25 copies on Japanese vellum. In the original plain glassine dust jacket. <br/><br/>___CONDITION: Volume near fine with clean boards perfectly straight corners without rubbing a strong square text block with solid hinges the interior is clean and bright with many signatures still unopened and entirely free of prior owner markings; some light sunning at the top edge the glassine wrapper was cut a bit short else fine. The glassine wrapper very good entire the spine sunned and with several tears and chips along the spine. <br/><br/>___CITATION: Chanticleer no. 14. <br/><br/>___POSTAGE: International customers please note that additional postage may apply as the standard does not always cover costs; please inquire for details.<br/><br/>___Swan's Fine Books is pleased to be a member of the ABAA ILAB and IOBA and we stand behind every book we sell. Please contact us with any questions you may have we are here to help. Golden Cockerel Press hardcover books
19579011607New York: Museum of Modern Art 1957. Hardcover. Fine condition in a very good folder. Leonard Baskin. Wood engravings by Leonard Baskin. Bound in publisher's original wrappers in a paper covered folder. The folder is sunned and has closed tears to the extremities and water stains to the back cover. <br/><br/> Museum of Modern Art hardcover books
1912292504Richmond: Clarence E. Weaver; W. C. Hill Print. Co 1912. Original Wrappers. Good binding. Issued in the Spring of 1912 this tourist guidebook has photographic illustrations throughout accompanied with explanatory text. 48 pp. plus 2 ads. Rebound in burgundy cloth with the printed wrappers bound in. Illustrations throughout. Because of the protection of the later binding the wrappers are quite bright.~With the bookplate of Claude Monteiro of Richmond descendant of Confederate surgeon Aristides Monteiro.~~This guidebook is local item for us. Having said that this is but the second copy we have had. Uncommon with but a single copy found on OCLC. Good binding. Clarence E. Weaver; W. C. Hill Print. Co unknown books
192534365Bale: Heufeld & Henius 1925. Limited. hardcover. very good. Illustrated with 48 handsomely printed color plates mounted on heavy art paper protected with numbered tissue guards. No text other than title and list of plates. Slim folio original 1/2 blue calf over patterned boards with ornate gilt-decorated spine. Bale: Heufeld & Henius no date circa 1925. A very good copy of this unusual book.<br/><br/> One of 260 numbered copies.<br/><br/> Heufeld & Henius unknown books
1958263089New York: Thomas Yoseloff Inc 1958. Signed. Hard Cover. Very Good binding/Very Good dust jacket. #23 of 100 copies Signed by Robert Graves and illustrator James Metcalf. The dustjacket presents nicely with small chip at the top of the spine and two small chips at the top of the rear panel. There is modest loss to the bottom of the spine and a piece at the bottom has been reattached from the verso using heat-set tissue. Very Good binding / Very Good dust jacket. Thomas Yoseloff, Inc unknown books
1976244306New York: Library of Keepsakes 1976. Hardcover. 51p. 4.75x7.25 inches decoative endpapers forword illustrated with wood engravings personal inscription signed by Asimov on half-title sunning to spine otherwise very good first edition thus in green boards and gilt. Printing Week Library of Benjamin Franklin Keepsakes #23. Three short stories by Asimov that appeared in the Saturday Evening Post in 1974 reprinted to observe the Bicentennial and Benjamin Franklin's 270th birthday. The stories concern Benjamin Franklin his philosophy his patriotism and his ghost who is speaking the authorial "I" Asimov himself. Library of Keepsakes hardcover books
1929136253London: The Blackmore Press / Harper and Brothers 1929. First Edition. First Edition preceded by a French edition titled "Le voyageur sur la terre" 1927. One of 350 copies this being No. 56 printed on watermarked Rives vellum. Quarter-bound blue cloth cream calf gilt rule top page edges and spine titles. <br/><br/>From the collection of noted bibliophile Ruth Helen Kaufmann with her bookplate on the front pastedown. <br/><br/>Near Fine in a Very Good plus example of the scarce dust jacket housed in a Very Good example of the original slipcase. Jacket spine toned with a small puncture and brief chipping at the extremities. Slipcase extremities faded long split to one bottom edge. The Blackmore Press / Harper and Brothers unknown books
1931135672London: Golden Cockerel Press 1931. Limited edition 360/500 copies this one bound by Sangorski and Sutcilffe. Hardbound. VG very faint evidence of small label at base of leather spine faint. Half-leather with patterned cloth-covered boards. 66 pp.6 large and small engravings. Signed by the author on the Limitation page. Very nice copy. Golden Cockerel Press hardcover books
19711187927Boston: Godine 1971. First/Limited Edition. Approx. 8.5" x 11.75" VG hardcover in black quarter-leather with gilt lettering in VG dark denim blue slipcase with marbled olive/blue paper-covered sides. This copy is one in a Limited Edition of 100 quarter-leather bound by hand; the artist has SIGNED on the colophon and hand-numbered this copy #XVII. Rubbing to corners and spine ends of slipcase and boards with mild color loss to marbled sides of case. Interior clean and tight throughout. Shelve with Folio Society. 1187927. Shelved Dupont Bookstore. Godine unknown books
1932135673London: Golden Cockerel Press 1932. Limited edition 133/500 copies this one most likely bound by Sangorski and Sutcilffe. Hardbound. VG evidence of small label at base of leather spine. Half-leather with patterned cloth-covered boards. 67 pp.Title decorations and 7 wood engravings in the text plus the press device below the colophon. Very nice copy. Golden Cockerel Press hardcover books
1979JC6303Michael Russell 1979. Limited Edition. Hardcover. Fine/Very Good. Black-and-white patterned cloth black cloth backstrip gilt-stamped lettering on spine; glassine dust jacket. Number 159 from a limited edition of 450 copies signed by the author and illustrator on the limitation page. Book is fine in VG dust jacket with large chip out of bottom edge of front panel. <br/><br/> Michael Russell hardcover books
1970011151Barre MA: Barre Publishers 1970. 1st Edition Lim. Hardcover. VG. This one of 100 copies that has a suite of single-sheet engravings each signed by the artist in envelope on pastedown at rear of book not one of the 1000 as usually seen. Quarter leather over marbelized boards which is slightly sun-faded else near fine. Signed by the artist on colophon. Barre Publishers hardcover books
