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1818000211Constable & Co. Ltd, Edinburgh 1818. 1. Auflage Halbleinen/Hartkarton. Sehr gut
189086644[ca. 1890]. Bildgröße 7 x 12,5 cm. Feinkartonpassepartout.
1816019837, 1816. Sehr gut
180877390(Hamburg, 1808). Blattgröße 17,5 x 10,5 cm. Unter Passepartout.
190077639[ca. 1900. Bildgröße 7,5 x 12 cm. Unter goldgrpägtem schwarzen Passepartout (17 x 24 cm).
185078886[ca. 1850]. Bildgröße 9 x 10,5 cm. Feinkartonpassepartout (23,5 x 25 cm).
1832644871832. Auf hellgrauem Fond. (Bildgröße ca. 8 x 12 cm), aufgewalzt u. unter Passepartout).
183847929Londres. A. Asher & Co. (1838). Mehrere Textblätter u. 15 teils kolorierte Stahtstichtafeln. Geprägter OLwd.-Einband (5 Tafeln fehlen. Bindung teils aufgebrochen) 23x16 cm
1850GRAP0046Ldn., Kershaw & Son ca. 1850. quer 18,5 x 13, 5 cm, 12 Stahlstiche (Format ca. 9 x 6 cm), OBr., am Umschlag Gebrauchsspuren, nur vereinzelt etwas stockfl., meist nur im w. Rd.
1837STLL0043München, M. Lindauer [1837]. 16° (82 x 50 mm). 32 nn. Bll. Text, 12 Tafeln, 5 Bll. vakat; mit 12 Leerblättern durchschossen. Rotes OLdr. mit Blind- u. Goldpräg. sowie Voll-Goldschnitt. Mit Lasche, Schlaufe u. lederner Bleistiftschlaufe. Gering berieben. Fehlt bei Köhring. Die 12 altkolorierten Kupfertafeln zeigen die Kalendermonate mittels kindlicher Darsteller. Der 'Münchener Sackkalender' erschien von 1832-1865. Nach Genealogie u. Kalendarium (mit Wetterprognosen) enthält der vorliegende Jahrgang zwei lyrische Beiträge König Ludwigs, Charaden, Rätsel, ein detailliertes Verzeichnis der Briefpost- und Wagen-Verbindungen in Bayern, zuletzt sogar eine Übersicht über die wöchentliche Floßverbindung von München über Passau nach Wien. Mit einigen zeitrgen. Bleistift-Notizen auf den letzten Leerblättern.
1875142800(Um 1875). Bildformat 15x22,5 cm (Gering fleckig)
1860GRAP0045o.O., Vlg. u. J. (ca 1860). 16 x 12 cm, 32 Stahlstiche (Format 10,5 x 7,3 cm), Oln. m. gldgepr. Deckeltit., etwas fleckig, leicht berieben, Spiegel u. Vorsätze mit starken Braunspuren, Stiche nur im weißen Rand vereinzelt leicht stockfrl. vgl. Thieme-B. 5/6, 351. - Chamouin, Claude Hilaire Alphonse C., Kupferstecher und Landschaftsmaler.
1847EEzz3402aLeipzig, Verlag der Englischen Kunstanstalt von A.H. Payne 1847. quer-4°. Gest. Schmucktitel, Titel, 96 S. Text, 47 Stahlstich-Tafeln. HLn. d. Zt., stärker berieb. u. bestoß., Rückenleinen an den Kap. zerschlissen, Exlibris, Vorsatzpapier fingerfleckig, Bindung beschäd., etliche Lagen stark gelockert bzw. lose, stockfleckig. Die Tafeln zeigen Stockholm, Neapel (2), Hong Kong, Rouen, Marokko, Leipzig, Florenz, Fulda, Meissen u.a.
1860EEzz8681Leipzig, Payne o. J. (um 1860). quer 29,5x19,5 cm, 96 S., mit gestoch. Tit., Tit. u. 37 Stahlstich-Tafeln (einige dav. laienhaft koloriert), HLdr. d. Zt. m. marmor. Buntpapierbezug, berieb., Kanten u. Ecken etw. bestoß., Leder beschabt, innen schwach stockfleck.
180878941(Hamburg, 1808). Blattgröße ca. 19 x 13 cm. Unter handdekor. zweifachem Schrägschnittpassepartout im Mahagoni-Rahmen (37 x 28 cm).
183645942Leipzig, Edward Kummer, 1836. Small folio-oblong. (23x37 cm.). Contemp. modest hcloth. Boards rubbed. (4),27 pp. in double-columns with description of the plates. Before the plates an engraved titlepage with the text: ""Biblia Sacra Veteris et Novi Testamenti representata Centum Imaginibus Aeri incisis in Forma dimidii Plagulae transverssae, una cum Expositione dilucidativa. Augustae Vindelicorum. Prostat apud Antonium Klauber. MDCCCXXXV"". With 100 large engraved plates. (Plates sign. C.P.S.C.M. - Klauber Cath. Sc. et exc. A.V.). A bit of browning to edges of text and plates. Otherwise internally fine.
1832ST15199b-e<p>London 1832-58. Quartos. 26 leaves; 40 leaves of text 1 leaf ads; iv 4 256 pp. errata slip; 2 p.l. 192 pp. Four separately published works. <br />Court Album in blue publisher's cloth decorated in gilt and blind; "Waverley Gallery" in green half morocco over green cloth raised bands spine gilt in compartments with central fleuron; "Heath's Picturesque Annual" in publisher's red morocco decorated in gilt and blind; "Tourist in Wales" in half calf over purple buckram raised bands spine panels with gilt floral sprig at center. Court Album with 14 engraved portraits of female aristocrats; "Waverley Gallery" with 36 engravings of the principal female characters in Sir Walter Scott's romances; "Heath's Picturesque Annual" with extra engraved title page and 26 engravings by Ritchie after drawings by Clarkson Stanfield; "Tourist in Wales" with extra engraved title page and 49 engravings of views. ◆Bindings with minor imperfections but all solid and pleasing; occasional mild offsetting or minor marginal foxing a couple of short marginal tears to text leaves bur excellent copies internally the text clean and fresh the plates bright with fine impressions.<br /><br />These are appealing examples of the illustrated works that were so popular in the Victorian era providing readers with glimpses of the nobility images of their favorite literary characters and the opportunity to enjoy dramatic scenery from the comfort of their drawing rooms. The first two works here contain portraits of beautiful women both real society belles and heroines of bestselling romances. The latter two transport the armchair traveller to the wilds of Wales to the Austrian and Italian Alps and to the Rhine River. Although in black and white the engravings are so detailed and finely executed particularly in the use of shadow and light that both portraits and landscapes come to life. In the days before photography--much less streaming videos--books like these brought beauty and imagination into everyday lives.</p>
1894EEzz2676Wien, Verlag des Oesterr. Museums [für Kunst und Industrie] 1894. gr.-8°. 123 S. Mit 6 Tafeln. Flex. OHLnBd., Vorderdeckel in gold, rot u. schwarz bedruckt, Ränder berieb., kleiner Eckabriß oben. Rücken mit Bibliotheks-Beschriftung. Verzeichnet 595 Exponaten, kommentierter Katalog zu einer seltenen Technik des Kupferstichs, die vom ausgehenden 17. Jhdt. bis tief ins 19. Jhdt. im Gebrauch wa.- Text mit alten Buntstiftunterstreichungen der Künstler.
185843455London: Longman Brown Green and Longmans. Printed by Woodfall and Kinder 1858. Newly revised and much enlarged edition the 3rd printing to include "Foreign and Jewish Cookery." Late 19th Century Cloth Binding 12mo; xlvii 643 32 pages 714 total 8 leaves of plates all present. 18 cm. <br> Early printing following the addition in 1855 three years earlier of a new section on "Foreign and Jewish Cookery;" That was also the first edition issued under the now-famous title Modern Cookery for Private Families.<br> Includes index and 32-page publisher's catalogue after text.<br> <br> Famously Lady Judith Montefiore published the first English-language Kosher cookbook The Jewish Manual in 1846 primarily for other Jewish housewives and meal planners. <br> Less than a decade later however leading British cookbook author Eliza Acton took Lady Montefiore's Jewish cooking tips one step further celebrating and normalizing them for cooks of all backgrounds across the Commonwealth through a new expanded edition of her best-selling cookbook Modern Cookery.<br> Journalist Rita Ehrlich notes that between these two works "The first Jewish recipes published in English reveal the place of accomplished Jewish women in 19th Century high society.<br> Among the welter of cookbooks published in 19th century England Eliza Acton's Modern Cookery for Private Families stands out for its clarity its practicality its occasional humour and its inclusion of Jewish food.<br> First published in 1845.The 1855 edition included a section on Foreign and Jewish Cookery and among the recipes was one for Jewish Almond Pudding. It was one of the few recipes Acton had not tested herself. 'We have tasted the puddings . more than once and have received the exact directions for them from the Jewish lady at whose house they were made.'<br> A Jewish lady - presumably the same one - provided her and thereby the readers with the address of a Jewish butcher in the London suburb of Aldgate from whom one could procure smoked beef and a chorissa sausage. Acton noted that 'all meat supplied by Jew butchers is sure to be of first-rate quality as they are forbidden by the Mosaic Law to convert into food any animal which is not perfectly free from all 'spot or blemish''. She also noted that the Jewish dietary laws which forbade the mixing of dairy and meat were 'not very rigidly observed' by most English Jews.<br> The date of that book is striking. Jews were part of English society by 1855 with a Jewish Lord Mayor of London Sir David Salomons a leader in the campaign to allow Jews to sit in Parliament. Lionel de Rothschild took his seat in Parliament in 1858 the year of this copy's publication following the passing of the Jews Relief Act. He had been elected a number of times; the sticking point had been the need to swear the oath 'upon the true Faith of a Christian'.<br> Even if we did not know about the number of wealthy highly regarded and influential Jews in London at that time the fact that an author would include specifically Jewish recipes and shopping advice in a bestselling cookbook that also recommended Jewish butchers for the quality of the meat suggests strongly that there was companionable social exchange.<br> The almond pudding recipe appeared in an earlier book published in 1846 called The Jewish Manual edited by A Lady no doubt the same lady who had entertained Eliza Acton. She was almost certainly Lady Judith Montefiore wife of the influential philanthropist Sir Moses Montefiore and the book was the first Jewish cookbook in the English language" Rita Ehrlich When 'A Lady' taught the English to cook kugel and Jews to be English 2022. <br> thejewishindependent.com.au/when-a-lady-taught-the-english-to-cook-kugel-and-jews-to-be-english.<br> <br> Eliza Acton 1799-1859 "was an English food writer and poet who produced one of Britain's first cookery books aimed at the domestic reader Modern Cookery for Private Families this work. The book introduced the now-universal practice of listing ingredients and giving suggested cooking times for each recipe. It included the first recipes in English for Brussels sprouts and for spaghetti.Some time after Modern Cookery was published Acton moved from Tonbridge to Hampstead north west London. She became the cookery correspondent for the weekly magazines The Ladies' Companion and Household Words and began writing.a new edition of Modern Cookery. This was published in 1855 and renamed as Modern Cookery for Private Families the name by which it is best known. This version contains an additional chapter named 'Foreign and Jewish Cookery'; the Jewish recipes are from Ashkenazi cuisine" Wikipedia.<br> Indeed Eliza Acton's "Modern Cookery. "is considered the first practical cookbook specifically geared toward the everyday cook. The schoolteacher poet and cookery writer Eliza Acton 1799-1859 published a number of poems as a young woman and 'in 1837 . her publishers Longmans suggested she should write something more practical than poetry so for the next few years she applied herself to meticulous research for the work by which she is best known: Modern Cookery for Private Families first published in 1845. The book was well received on its first appearance; critics thought it the best cookery book they had seen combining as it did clarity of instructions with excellent organisation. <br> The book was a lasting success running into several editions and was the standard work on the subject until the end of the century establishing Eliza Acton as the first of the modern cookery writers. She wrote with great charm and clarity but what marked the book as innovative was her original plan of listing very exactly the ingredients the time taken and pitfalls for the inexperienced cook. This was a completely new format all other books on the subject being far less exact in their instructions. <br> This became the standard way of writing cookery books."Oxford Dictionary of National Biography. <br> <br> Modern food journalists Sue Dyson and Roger McShane suggest that Acton's Modern Cookery "is an absolutely essential part of any serious cookbook collection" https://foodtourist.com/modern-cookery-for-private-families-by-eliza-acton. <br> <br> Contents:- Introductory Chapters. Trussing; Carving -- Soups -- Fish -- Dishes of Shell-Fish -- Gravies -- Sauces -- Cold Sauces Salads Etc. -- Store Sauces -- Forcemeats -- Boiling Roasting Etc. -- Beef -- Veal -- Mutton and Lamb -- Pork -- Poultry -- Game -- Curries Potted Meats Etc. -- Vegetables -- Pastry -- Soufflés Omlets Etc. -- Boiled Puddings -- Baked Puddings -- Eggs and Milk -- Sweet Dishes or Entremets -- Preserves -- Pickles -- Cakes -- Confectionary -- Dessert Dishes -- Syrups Liqueurs Etc. -- Coffee Chocolate Etc. -- Bread -- Foreign and Jewish Cookery.<br> <br> For more on Acton and this book's impact on modern food culture see for example Sheila Hardy's The Real Mrs Beeton: The Story of Eliza Acton The History Press 2011; Sophie Hill's Keeping up Appearances: Economy vs. Extravagance in Eliza Acton's Modern Cookery <br> https://recipes.hypotheses.org/tag/eliza-acton; and the Wikipedia page dedicated to this groundbreaking cookbook <br> en.wikipedia.org/wiki/Modern_Cookery_for_Private_Families. <br> <br> SUBJECTS: Cooking English. Cuisine anglaise. Cookbooks. Publishers' catalogs.<br> The University of West Virginia keeps their copy in their Rare Book Room. <br> OCLC: 2613184 for 1859 printing. <br> Front inside hinge just starting light wear to crown of spine Good Condition. Important B Food-1-1-'!yyox. London: Longman, Brown, Green and Longmans. Printed by Woodfall and Kinder unknown
19005532S.l., S.D. [vers 1900]. 1900 1 vol. in-8° oblong (155 x 245 mm) de: 11 photogravures en noir (certaines subdivisées représentant 23 lieux au total) ; 1 plan de de Buenos Aires. Percaline cerise de l'éditeur, dos lisse muet, grande plaque décorative à motifs noirs et dorés sur le plat supérieur.
1872195548New York.: Harper's Weekly. 23 November1872. Five engravings in three columns 23.5 x 10 cms; on a single newspaper leaf 28.7 x 40.8 cm unrelated text on the verso lower margin creased with a small central tear affecting the caption no loss the image sin very good condition. Engravings from Harper's Weekly in November 1872 all centred on the quinine production in Darjeeling. Production began in the 1860s from seeds sent by the famed botanist Sir Joseph Dalton Hooker. Quinine proved indispensable to British rule in India and they invested heavily in plantations to sure up supply.The anti-malarial was vital for colonial expansion "quinine coursed through the bloodstream of empire" Townsend Middleton "Becoming after: The Lives and Politics of Quinine’s Remains" in Cultural Anthropology Vol. 36 Issue 2 pp. 282-311 2014 although probably known more to the readers of Harper's Weekly as an essential for gin and tonic. <br> <br>The five engravings: <br>Foot-Bridge over the River Rungbee <br>Buttress of Suspension Bridge over the River Teestah <br>Cinchona Succirubra Thirty Feet High signed but indecipherable <br>Native of Sikkim <br>Cane Suspension Bridge over the Great Runjeet. . Harper's Weekly. unknown
1812195892London.: J. J. Stockdale. 1812. Three handcoloured engravings 10.5 x 17.5 cms landscape and two portrait partial watermark sheets toned handsomely preserved in cerulean card window mounts all in very good condition. Three European engravings illustrating three stages in the manufacture of Chinese porcelain from an edition of "China: Its Costume Arts Manufactures &c." by Breton de la Martiniere very attractively handcoloured. . J. J. Stockdale. unknown
1873204562New York.: Harper's Weekly. July 261873. Seven captioned wood engravings on two newspaper leaves from Harper's Weekly: six on one page each approx 10 x 11cms and one three-quarter page 30 x 22.5cms with related commentary sheet size 40 x 28cms small edge tear too the inner margin of the larger engraving no loss in all very good condition. The three-quarter page engraving "The Feast of Lanterns" includes a brief text article describing all the engravings in the lower margin which continues on the verso of sheet. The six vignette illustrations are: “Death in the Cage” “Conveying Prisoners to the Lock-up” “Coolies” “A Mendicant” “The Rain-coat” and “Convicts”. . Harper's Weekly. unknown
18108165Philadelphia: Johnson & Warner printed by J. Bouvier 1810. Hard Cover. near Very Good binding. 16mo 32 pp. frontis plates. Early reprint. As issued stitched into stiff paper covers with frontispiece and 5 additional inserted plates. Cover is light rubbed; some separation where the cover hinges at the stitching but the cover remains fairly stable; light foxing throughout. <br /> <br /> This is one of two 1810 imprints of this title the other Shaw & Shoemaker 19993 is self styled the "First American from the Second London Edition" and is sold by Wm. Charles and printed by W. McCullouch in 1810. While both Welch and Shaw & Shoemaker list this present edition by Johnson & Warner first it would stand to reason that the Charles edition is in fact first as this present edition has a title page dating publication at 1810 but the cover title is dated 1811. Nevertheless an early edition of this scarce title by Dorset who was "the younger daughter of Nicholas Turner and the sister of Charlotte Smith also a famous author. She wrote several books for children which were all published anonymously" Rosenbach 438. Shaw & Shoemaker 19992 & 22717. Welch 297.1; Cotsen 1813. Johnson & Warner | printed by J. Bouvier unknown
188356228Paris: P. Roquette Librairie 55 Passage Choiseul 55 1883. 4to. 9.25 x 12.5 in. 4 vii 1 34 pp unpaginated. Engraved frontisp. w/ tissue guard including 16 engravings. Original printed softcovers preserved in contemporary three-quarter morocco over marbled boards binding by Enry - Jose Pierson t.e.g. minor scuffing edgewear light wear to corners still VG copy w/ interior in NF condition. First edition thus of this beautiful series of engravings wonderfully executing Scarron’s picaresque novel relating the occasionally ribald adventures of a company of strolling players. Tiburce de Mare was a noted French portrait painter and engraver and son of Johannes de Mare who frequently contributed to the Gazette des Beaux Arts. P. Roquette Librairie, 55, Passage Choiseul, 55, paperback
