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Barclay, John; Turner, Paul (translation); Harris, Derrick (wood engravings)Biblio.com

[Michael McCurdy and Robert Hauser, editors] [Wood engravings by: Fred Becker, Jack Coughlin, John DePol, Fritz Eichenberg, RaymBiblio.com

Face to Face: Twelve American Wood Engravers Twelve Contemporary Artists Interpret Themselves in a Limited Edition of Original Wood Engravings

198559810Great Barrington MA: Penmaen Busyhaus Publications 1985. Limited Edition "Out of Series" Print Set not numbered not in linen slipcase/box. Prints. Near Fine. Folio 39 cm Two suites of loose prints the suites are issued in two states. 13 prints printed on white paper 12 of which are signed; 13 prints printed on cream-colored paper 12 of which are signed. The images on the cream-colored paper are the same as the images on the white paper the only difference being the paper. The 13th print in each suite is by Lynd Ward which are not signed as he passed away in June of 1985 just before the project was completed. Does not contain the introduction by Leonard Baskin or the descriptive letterpress text. With signed self-portraits by the following artists: -Fred Becker 1913-2004. Born in Oakland California and active in St. Louis Missouri and New England. -Jack Coughlin b. 1932. Born in Greenwich Connecticut. He studied at the Rhode Island School of Design in Providence and the Art Students League of New York. He is most known for his portrait wood engravings etchings and lithographs of literary figures and musicians. Information obtained from Brier Hill Gallery Boston MA. -John DePol 1913-2004. A New York printmaker and wood engraver. His press was Endgrain Press. -Fritz Eichenberg 1901-1990. A German/American artist. Considered a master of wood engraving. Eichenberg's first big commissions came with Crime and Punishment and Gulliver's Travels for the Limited Editions Club. His images often depict suffering and poverty. His positions included director of Graphic Arts Center in Brooklyn and a teacher of Graphics at New York's Pratt Institute. Westmont Ridley-Tree Museum of Art -Raymond Gloeckler 1928-2022. Born in Portage Wisconsin. While still a student he taught art via a government program in rural schools. Later he was employed as a professor at UW-Madison between 1961-1993. "Gloeckler is known for his highly detailed caricatures and bold expressive satire and commentary. His prints and paintings comment on humanity's follies and foibles in a unique light-hearted style defying art world trends." - Gallery of Wisconsin Art -James Grashow b. 1942. An American sculptor and woodcut artist. "James Grashow was born in Brooklyn in 1942 and has been creating works that address themes of man nature and mortality since the 1960's" "The scale of his work ranges from large environmental installations through which the viewer traverses to the delicate and contained world of his houseplants where homes and buildings replace flowers and buds in intricately constructed bouquets." - The artist's website -Judith Jaidinger b. 1941. One of the two female artists represented here. Born in Chicago Illinois. "Judith Jaidinger's obsession with cutting began in her 1960s student days at the School of the Art Institute and is linked to her equally long frankly sensuous relationship with boxwood. She was introduced to both in an engraving class taught by British-born print-master Adrian Troy. "At the same time printing industry technology had moved on supplanting woodblock engravings with line drawings and photography. 'A dying art' Jaidinger says. It was also a seriously slumping industry. But in the 1960s in Chicago hub of an enormous catalog business there were still a few commercial wood-engraving establishments turning out the precise detailed images more typical of the previous century. One of them Sander Wood Engraving on Dearborn Street was where Professor Troy a committed modernist sent his students to buy the best material: rare English-grown boxwood blocks. "'He warned us' Jaidinger recalls 'If you go to Sander and buy your wood from them don't look at what those engravers are doing. I don't want you to be influenced by them.' "That made it irresistible." - Reader- Chicago's alternative nonprofit newsroom -Stefan Martin 1936-1994. Born in Elgin Illinois and a graduate of the Art Institute of Chicago. He was also active in Roosevelt New Jersey. His work is held in private museums and collections throughout the world including the Metropolitan Museum and the Smithsonian Institution. -Michael McCurdy 1942-2016. American author illustrator and publisher. Born in New York City. McCurdy served as an instructor at the School of the Museum of Fine Arts at Concord Academy and at the Book Arts Laboratory of the Wellesley College Library. He founded Penmaen Press 1968-1985. Information obtained from Brier Hill Gallery Boston MA. -Barry Moser b. 1940. The owner and operator of The Pennyroyal Press and the illustrator of over 250 books including Moby Dick The Divine Comedy and a highly regarded edition of The Bible. "Barry Moser is probably the most important book illustrator working in America today." - Nicholas Basbanes -Gillian Tyler b. 1935. Born in Baltimore Maryland. She is an illustrator that works primarily in children's books. -Herbert Ogdon Waters 1903-1996. Born in China. Waters came to the United States and studied at the Pennsylvania Museum School of Industrial Art in Philadelphia the Art Institute of Chicago and Harvard University. He was a public school art instructor under the auspices of the Works Progress Administration's Federal Arts Project. He later taught art at the University of New Hampshire at Durham and at the Holderness School in Plymouth New Hampshire. Information obtained from Brier Hill Gallery Boston MA. -Lynd Ward 1905-1985. The 13th print in each suite is by Lynd Ward which are not signed as he passed away in June of 1985 just before the project was completed. Originally issued in an edition of 250 boxed sets. Penmaen Busyhaus Publications unknown

Ken Sanders Rare Books, ABAA · États-Unis500,00 $US≈ 423,05 €

GOETHE - Moritz Retzsh EngravingsBiblio.com

FAUST - Rare Bound Set - without any text

1826ABE-90785021091826 Faust was Goethe's most celebrated creation with international editions in his lifetime and subsequently in films and books across the world with translations in most languages. This is a complete set of the 26 engravings Moritz Retzsh produced as an illustration of Goethe's text; the book has no words in it not even a publisher or date. What it does have is a fabulous set of the original plate pulls complete with plate marks. Friedrich August Moritz Retzsch was a German painter draughtsman and etcher; much celebrated in his day. This is in a way a fine example of what would now called a graphic novel. The 26 etched pictures tell the story and words are not needed. In Germany there were many such books without words and this one in particular influenced the English Pre Raphaelites. This volume is in its original binding with a very fragile leather spine which turns around to the original marbled cover boards which are also in a fragile state. There is no title page or date and no publishing house is mentioned. The corners are leather also and the spine has five subtly raised bands and no title. A much poorer copy of this was featured in the exhibition of Pre Raphaelites at Tate Britain. My copy is considerably better but it is by no means a fine one. It has been used and looked at probably a great deal over the last 200 years or so. The leather is very worn the marbled cover boards are patinated and there is a mixture of hand written names and an inscription on the front end paper. It is very rare in any state at all because it was easily broken up so the plates could be framed. This is I must stress a complete bound full set and as such it is very rare indeed. The earlier of the two dated inscriptions states 1826; but it cannot be viewed as an accurate issue date. An edition exists which has a German title page and text but this is not one of those. It's a bit of a mystery. The exhibited copy in the Tate exhibition was inspected by me I knew one of the curators and it was also without any text. International Edition. Hardcover. Very Good. hardcover

the booksniffer · Royaume-Uni800,00 £GB≈ 913,44 €

Fr Vincent McNabb, OP; Derrick, Thomas (Wood Engravings) O PBiblio.com

God's Book; And Other Poems

193021073007Ditchling Sussex: St Dominic's Press 1930. First and Limited Edition. Hardcover. Very good. Derrick Thomas. No. 49 of 480 copies octavo size 45 pp. The Saint Dominic's Press founded by Harry Hilary Douglas Clarke Pepler flourished at Ditchling Sussex from 1916 to 1936. The first home of the Press was "a disused stable" with a hundred-year-old Stanhope hand-press which supposedly had belonged to William Morris. Pepler endeavored to do everything possible by hand believing that such would both produce the best results and also be a "more individual or 'humane'.product". He therefore "preferred the handpress to the machine handmade to machine-made paper and handset founder's type to the products of typesetting machines." Pepler met Edward Johnston and Eric Gill while living in Hammersmith; Pepler and his family would eventually move to Ditchling to join Gill who was one of the most important artists to provide illustrations for the St. Dominic's Press. Other artists who provided illustrations included David Jones Desmond Chute Philip Hagreen and Thomas Derrick among others. This a fascinating association copy: inscribed in the year of publication by Bede Jarrett OP "an English Dominican friar and Catholic priest who was a noted historian and author.who formally reinstated the Dominican order at the University of Oxford for the first time since the dissolution of the monasteries under King Henry VIII." Fr. Jarrett inscribed the volume in the front free endpaper: "For Mother Prioress O.P. / on / Sept. 8: 1930 her silver / Jubilee / from / F. Bede Jarrett O.P.". The Mother Prioress according to an inked notation next to the inscripton is Sr. M. Hyacinth Graham O.P. of whom alas we were unable to find any additional information. ___DESCRIPTION: Bound in quarter black cloth over paper covered boards title in gilt on the spine Ex-Libris of the Dominican Nuns St. Dominic's Priory Carisbrooke Isle of Wight on the front pastedown to which order presumably Sr. Graham belonged inscription on the front free endpaper as described above black and white reproduction of a portrait of Fr. McNabb by Kenneth Green on blue paper as the frontispiece title page with the press device of Eric Gill three wood engraved illustrations by Thomas Derrick throughout St. Dominic p. 4; Mary as Queen of Heaven p. 12; and Christ Crucified p. 37; octavo size 8 3/4" by 6" pagination: i-vi 1-39. ___CONDITION: Very good with clean boards the top corners lightly bumped the bottom corners straight all without rubbing a strong square text block with solid hinges the interior is clean and bright the sole prior owner markings we see the Ex-Libris and inscription both as described above; we had a professional name available upon request repair a split joint and the head and tail of spine very slight indentation to the top of both boards light residue at the tail of the spine presumably from a former library label; please note this copy is missing the tipped-in errata slip called for in the bibliography. ___CITATION: Saint Dominic's Press Bibliography no. A188. ___POSTAGE: International customers please note that additional postage may apply as the standard does not always cover costs; please inquire for details. ___Swan's Fine Books is pleased to be a member of the ABAA ILAB and IOBA and we stand behind every book we sell. Please contact us with any questions you may have we are here to help. St Dominic's Press hardcover

Swan's Fine Books · États-Unis220,00 $US≈ 186,14 €