155 résultats
1959008606New York: Henry Holt and Company 1959. First edition first printing. Hardcover. This strikingly clean jacketed copy of the first edition first printing of Robert Frosts 1959 collection of Favorite Poems for Young Readers is signed by him "Robert Frost" on the title page just above his printed name. <br /> <br />This collection takes its title from the words repeated at the end of each stanza of this book's first poem "The Pasture" first published as the prefatory to North of Boston in 1914. Of this collection the publisher said Frost "has gathered a group of his poems to be read to and by young people. To Robert Frost a great-grandfather with a remarkable number of small friends this was a labor of love. Frost dedicated the volume to his mother Belle Moodie Frost who knew as a teacher that no poetry was good for children that wasnt equally good for their elders. Evoking Frosts famous poem Mending Wall Frosts friend Edward Hyde Cox 1914-1988 who contributes a Foreword to this volume said of Frost that he had never added a single stone to the wall that so often separates age from youth. Prevalent among the 51 poems herein is Frost's gently subversive inclination to write verse that is superficially accessible "lovely dark and deep" upon sounding. <br /> <br />This is a handsome book bound in orange-yellow linen cloth with a vignette of a bird on a fence post stamped in black on the lower right front cover corner and spine print stamped in black with a red acorn and leaf device between at the spine's center. The contents feature wood engravings by Thomas W. Nason and are bound with endpapers of heavy light gray wove paper and red and yellow head and tail bands. The dust jacket printed on beige laid paper features a wood engraving of birches spanning the lower front face spine and extending onto the rear face. The rear face prominently features Yousuf Karsh's famous portrait photograph of Frost. <br /> <br />Condition is truly fine in a truly fine dust jacket. The illustrated cloth binding is immaculately clean and bright with sharp corners and only the most trivial hints of shelf wear to extremities. The contents are likewise pristine with no spotting soiling toning or previous ownership marks. "FIRST EDITION" is so stated on the title page verso. The contents retain a pleasingly stiff feel The dust jacket is crisp bright clean and entirely complete with no loss or tears and retaining the original "$3.00" upper front flap price. We note only a hint of wrinkling to the spine heel and a touch of soiling to the lower rear face. The jacket is protected beneath a clear removable archival cover. <br /> <br />Publisher's statements are often hyperbolic. In this case the dust jacket's front flap description of Robert Frost as "America's beloved poet ageless and for the ages" was and remains more accurate than advertising. Before this volume was published on 26 March 1959 Robert Frost 1874-1963 reached the age of eighty-five. His stature had risen to an apex arguably unequalled by any American poet since. Frost had long-since won all of his still-unrivaled four Pulitzer Prizes for poetry 1924 1931 1937 and 1943. He spent his final years as the most highly esteemed American poet of the twentieth century with an accumulating hoard of academic and civic honors. Two years before his death he became the first poet to read in the program of a U.S. Presidential inauguration Kennedy January 1961. <br /> <br />Reference: Crane A39; Tuten and Zubizarreta; ANB <br/><br/> Henry Holt and Company hardcover
191819071903Ditchling Sussex: Printed at the Ditchling Press by Douglas Pepler 1918. First and Limited Edition. Wraps. Good . Gill Eric and Beedham R. John. One of 240 copies duodecimo size 126 pp. "Woodwork" contains twenty-one wood engravings of tools by the inimitable Eric Gill 1882-1940; a highly regarded printmaker sculptor and typographer as well as a complicated man Gill provided illustrations for numerous fine press publications by the Golden Cockerel Press and the Saint Dominic's Press as well as with Pepler under the imprint of the St. Dominic's Press.<br /> <br /> An informative look at the art of carpentry by craftsman-woodworker Arthur Romney Green 1872-1945 who like Gill and Pepler was influenced by William Morris and the Arts and Crafts movement. Although the book is stated as "Volume I" no further volumes were issued.<br /> <br /> ___DESCRIPTION: Brown paper wraps black lettering on the front wrap fore- and bottom edges uncut title page with black-and-white wood engraving a total of thirty-one wood engravings in the text throughout: twenty-one wood engravings of carpentry tools by Eric Gill ten wood engravings by R. John Beedham; Caslon O. F. type Batchelor handmade paper duodecimo size 7.75" by 5" pagination: i-iv v-xvi 1 2-110 one of 450 copies this number 161.<br /> <br /> ___CITATION: Better than good with clean wraps a strong square text block the interior is clean and bright and entirely free of prior owner markings; overall minor edgewear to the wraps some loss to the paper at the spine exposing parts of the gatherings however text block still solid small loss to the bottom fore-edge corner of the title page.<br /> <br /> ___CITATIONS: Gill no. 269; Taylor and Sewell no. A31.<br /> <br /> ___POSTAGE: International customers please note that additional postage may apply as the standard does not always cover costs; please inquire for details.<br /> <br /> ___Swan's Fine Books is pleased to be a member of the ABAA ILAB and IOBA and we stand behind every book we sell. Please contact us with any questions you may have we are here to help. Printed at the Ditchling Press by Douglas Pepler unknown
199312054Iowa City IA: Windhover Press 1993. Limited Edition. Hardcover. Fine. Quarto 58pp. illustrated. A fine lovely copy in the publisher's finely woven greyish cloth with applied printed spine label as issued. This is number 217 of 275 limited copies another 25 copies were hand-colored by the illustrator and specially bound. A collection of wartime essays by H. D. the influential Imagist poet who is closely associated with Ezra Pound. Doolittle had spent most of the war in London enduring the Blitz. Generously illustrated and beautifully letterpress-printed on French Johannot mould-made paper. Publisher's prospectus with price schedule laid-in. Windhover Press hardcover
1994343702Roslyn NY: The Stone House Press 1994. 113p. 6x9 inch quarter cloth boards with pattern design on boards spine lettering in gilt; in very good condition. This edition is limited to 175 numbered copies signed by the author the artist and the printer/publisher with 150 for sale. Errata slipped in-laid and signed. This copy number 106. The Stone House Press unknown
1993TOB217-32233-A-0.50Folio Society. Very Good- with no dust jacket. 1993. Folio Society. Hardcover. No slipcover included. Foxing light to the exterior edge of pages only. Otherwise in great condition. No writing or noteworthy blemishes. ; - We're committed to your satisfaction. We offer free returns and respond promptly to all inquiries. Your item will be carefully wrapped in bubble wrap and securely boxed. All orders ship on the same or next business day. Buy with confidence. . Folio Society hardcover
19799920Sierra Trails Kernville CA Bound by National Bindery Book format designed Sagebrush Press 1979. HB NODJ ISSUED 1979 1st Limited SIGNED edition #211/250 copies Brown patterned cloth with Lable lettered in Gold Gilt & Brown F/F NODJ. Signed by Author. First Edition. Hard Cover. Sierra Trails Kernville CA Bound by National Bindery , Book format designed Sagebrush Press hardcover
1976Q-0877791015G. & C. Merriam Co 1976-01-01. Hardcover. New. In shrink wrap. Looks like an interesting title! G. & C. Merriam Co hardcover
19302104300050Lewis Historical Publishing Co 1930-01-01. Hardcover. Very Good. 4 volume set. Quartos. Bound in publisher's 3/4 black cloth over green cloth. Hardcover. Good binding and cover. Unmarked pages. Some discoloration to rear cover of v.1. This is an oversized or heavy book which requires additional postage for international delivery outside the US. Lewis Historical Publishing Co hardcover
196824593Prairie Press Iowa 1968. HBDJ 1968 1st Edition Dates Match on Title & Copyright pg VG/VG Red cloth spine and pictorial Decorated ivory paper-covered boards Titled on spine in Gold Gilt nice condition light wear 12mo; 44 pages. DJ light rub wear FOX. First Edition. Hard Cover. Very Good/Very Good. Prairie Press Iowa hardcover
198138169Norwalk CT: Heritage Press 1981. 1st edition. Hardback in variegated cloth boards in cardboard cream slipcase. New in New slipcase. Deluxe special edition of this nature classic illustrated with numerous engravings made at Walden Pond. Latd-in is Sandglass descriptive folder. Perfect unread copy. <br/><br/>5-1/2 x 8-1/4 335 pp b/w engravings - many full-page. Heritage Press hardcover
190138254Genève Geneva: Cercle des Arts & des Lettres 1901. A stunning suite of TWENTY LARGE FOLIO WOOD ENGRAVINGS by Maurice Baud after paintings executed by Auguste Baud-Bovy between 1886 and 1898 depicting 19th-century Alpine life and landscapes in all of their picturesque austerity. 28 pages plus 20 full-page hors-texte wood-engravings. Complete with detailed letterpress descriptions. Edition limited to 171 copies of which this is number 41 one of 150 on fine wove paper printed for M.C. François and SIGNED BY BAUD. Absolutely complete with ALL PRINTED TISSUE-GUARDS PRESENT. Large folio 51.9 x 39.7 cm. Loose as issued in publisher's attractive cloth portfolio. Half-title spotted last leaf wood engraving no. 20 with some small marginal tears else FINE AND BRIGHT. A rare and important collection of Alpine prints. <br/><br/> Cercle des Arts & des Lettres hardcover
19443114833Near Fine with no dust jacket. 1944. Second Edition; Second Printing. Hardcover. Second printing. Though not called for SIGNED by Anais Nin on front end-paper. Close to fine in pictorial boards in supplied chipped un-printed acetate protective cover. Neat book shop sticker at base of rear pastedown. 86pp. One of 800 copies. Nicely preserved copy. ; 4 3/4" x 8 1/2"; 86 pages . hardcover
1946002383Paris: Edition de la Galerie Charpentier 1946. Limited First Edition. Folio with slipcase. Near Fine. Exemplaire imprime pour Madame Fernand Leval and thus presumably among the small number of copies reserved for collaborateurs of the work. Folio 33 by 26 cm. 98 1 pp. Evocative charcoal drawings by Ayme. Clean with minor wear and some sunning to the perimeter of the slipcase. Edition de la Galerie Charpentier unknown
194535382London: The Golden Cockerel Press 1945. Limited edition. Hardcover. Very Good. Limited edition of 100 bound in 1/4 white morocco with this being number 44 1945. SIGNED by O'Connor and Whitfield on colophon. Stamp "Bound by S & S London" inside front cover Sangorski & Sutcliffe were binders to Cockerel Press. A Very Good copy. 8vo. 109 pp. bound in 1/4 white morocco and marbled cloth with title in gilt on spine top edge gilt. Very minor soiling to morocco with slight rubbing at base of spine. Text is unmarked engravings are clean and bright. A beautiful book. The Golden Cockerel Press hardcover
199520053005London: Frances Lincoln Publishers 1995. First Thus 1st Printing. Hardcover. New/New. Hardcover with Dust Jacket. Published by Frances Lincoln Publishers. First printing thus. About 10 x 8 inches bound in green cloth with title information to spine in gold. With beautifully rendered and printed wood engravings throughout. NEW. Not read. Binding firm and square. All corners pointed. Without bumps or creases. Not marked in any way and very clean and bright. Dust jacket same. All items carefully wrapped and sent boxed. <br/> <br/> Frances Lincoln Publishers hardcover
19539695New York: Hammer Creek Press 1953. Unbound. Near Fine binding. Portfolio. 6.5" x 4.25." 4 folded leaves. Limited edition number of copies unknown. As issued 4 bifolium leaves laid into portfolio. Only light rubbing to the portfolio; leaves are fine. <br /> <br /> Comprises as title page with printing on the recto of the first page only; and three engraving on three bifolium with title of engravings in red on the recto of the first leaf and the engraving occupying the recto of the second leaf. Engravings are of "The Hell-Box Press" "The Hammer Creek Press" and "Along the Hammer Creek." An additional pressmark by DePol on the title page. Cohen 24; DePol Catalogue Raisonne p. 41. Hammer Creek Press unknown
19539703New York: Hammer Creek Press 1953. Unbound. Very Good binding. Portfolio. 6.5" x 4.25." 4 folded leaves. Limited edition number of copies unknown. As issued 4 bifolium leaves laid into portfolio with printed paper label on the cover. Light rubbing to the portfolio including some separation starting at the spine; leaves are fine. <br /> <br /> Comprises as title page with printing on the recto of the first page only; and three engraving on three bifolium with title of engravings in red on the recto of the first leaf and the engraving occupying the recto of the second leaf. Engravings are of "The Hell-Box Press" "The Hammer Creek Press" and "Along the Hammer Creek." An additional pressmark by DePol on the title page. As is frequently the case with Fass's small print runs frequently there are difference with an edition; in this instance the portfolio differs from others we've seen and what Cohen describes this with a printed label using DePol's pressmark we have seen others that are stamped in gold using a turtle pressmark designed for the Press by Burton Carnes. Additionally the title leaf is set in upper and lower case italics and is within a border and without a date we have see it set in all capitals without border and is dated 1952—though Cohen suggest the date is actually 1953. This is a very good example of the experimental nature of Fass's work at the Hammer Creek Press. A wonderful issue from the Press. Cohen 24; DePol Catalogue Raisonne p. 41. Hammer Creek Press unknown
19518728Lexington KY: Gravesend Press printed by Philip Reed 1951. Hard Cover. Very Good binding. Small octavo. 8 vii 1 16 2 pp. illus. Limited edition one of 500 copies. As issued in paste-paper over boards bound by Elizabeth Kner with printed paper title label on the front cover; partially unopened. 16 in-text engravings from Bewick's blocks printed in brown grace the pages of the charming volume. Light rubbing to the extremities of the binding including a scuffed spot on the front board; interior is fine. <br /> <br /> Designed by Joseph C. Graves this is the second issue with his imprint though Graves's friend Philip Reed executed the presswork at his Chicago print shop. Graves ran the Gravesend Press as a sideline from about 1949 through to the end of his life in 1960 issuing scarcely more than half a dozen books. While less known that some of his contemporaries he took his place amidst a vibrant mid-century printing and illustrating scene—friends with Victor Hammer Carolyn Reading Philip Reed Fritz Kredel John DePol John Fass and others. H. Richard Archer in a history of Graves and his press published in The Kentucky Review Spring 1987 summarizes Graves's work thus: "All of the books whether pamphlets or bound books reflect the taste and high standards of a true amateur craftsman and as such they certainly qualify as choice examples from one of this generation's most distinguished private presses. Gravesend Press | printed by Philip Reed unknown
19476155London: J.M. Dent & Sons Ltd. Printed at the Temple Press 1947. Second Impression. Hardcover. pp. vii 144. Slim 12mo. Publisher's tan cloth over boards gilt lettering over maroon spine label. Features striking wood-cut illustrations attributed to Claire Oldham an obscure seemingly forgotten "self-taught printmaker". Cloth extremities exceptionally well-preserved showing no detectable flaws contents equally without blemish with bright clean and unmarked pages and firm sound binding; near fine and housed in good original unclipped dustjacket showing some chipping along the edges of the panels small loss to the base of spine panel now housed in protective mylar cover. Overall very good. Scarce in commerce in this edition and state. <br/><br/> J.M. Dent & Sons Ltd. | Printed at the Temple Press hardcover
1950C45548London: The Dropmore Press 1950. Hardcover Hardcover. Very Good. Number 46 of 300 copies. Slight wear and lean otherwise very good indeed. The Dropmore Press, hardcover
19569700New York: Hammer Creek Press 1956. Original Wrappers. Near Fine binding. 12mo. 24 4 blank1 pp. illus. Limited edition to approximately 100 copies. As issued in marbled paper wrappers of stiff covers with printed paper title label on the front cover. Quite a nice copy with little in the way of shelf-rubbing to the cover; Reynolds Stone-designed bookplate of noted collector Norman Sondheim inside the front cover. <br /> <br /> Short introduction by Fass about the history and aim of the press. Includes 43 described books announcements and ephemera from the press. As this present work is the 43rd item in Fass's list and only 35th in Cohen's checklist there are apparently inclusions here not noted in Cohen. Several examples of pressmarks by DePol Angelo and Carnes. Two by Valenti Angelo are done in multiple colors with gilding. <br /> <br /> The Hammer Creek Press began when in 1950 when Fass purchased from Valenti Angelo a small Hughes & Kimber cast iron press previously owned by Bruce Rogers who had sold it to Angelo the year before. It was on this press of significant provenance that the bulk of the Hammer Creek Press editions were printed including this present book. Opening this work is an engraving by John DePol of the storied press with a page of "Data" by Fass. One of the mores substantial works issued by the Press as well as one of the more uncommon titles despite the larger-than-usual limitation. As more than 30 institutions are reporting ownership according to OCLC it means this is increasingly rare in commerce. A lovely example of Fass's work. Cohen 35. Hammer Creek Press unknown
1927355490725414London 1927. First Edition. Hard Cover. London: Published by the Fleuron Limited and printed at the Curwen Press 1927-1930. CONTAINS SIGNED WOOD ENGRAVINGS BY JOHN NASH IN VOLUME 3 AND ERIC RAVILIOUS IN VOLUME 4. Publisher's yellow brown pink or purple buckram with gilt lettering to the spine t.e.g. others uncut spines a little faded. Robert Gibbings writes on the Golden Cockerel Press Eric Gill on intaglio printing from woodblocks Paul Nash on woodcut patterns Douglas Percy Bliss on the tools of the wood-engraver etc. W A Thorpe on the Wood-Engravings of John Nash Wood and Metal in the Invention of Printing by Victor Scholderer German Woodcut Lettering by Dr. Julius Rodenberg et al. Generously illustrated with examples of the work of many of the great wood engravers of the time Eric Ravilious John Nash Tirzah Garwood Gwen Raverat Clare Leighton et al. Vol 1 yellow buckram from 1927 is # 25 of 75 copies of which 70 are for sale. Vol 2 brown buckram from 1928 is # 42 of 80 copies of which 75 are for sale. In addition to the blocks in the text there is a fold-out in collotype of woodcut wall-papers opposite page 1. Vol 3 pink buckram from 1929 is # 18 of 80 copies of which 75 are for sale and contains one of the few woodcuts to be produced in Tirzah Garwood's lifetime Vol 4 purple buckram from 1930 is # 27 of 75 copies of which 70 are for sale. A very good set. Containing signed wood-engravings by Eric Ravilious and John Nash. NB: THESE SPECIAL EDITION SETS ARE VERY RARE AS THE SIGNED ENGRAVINGS BY ERIC RAVILIOUS AND JOHN NASH ARE USUALLY FOUND REMOVED. NNB: Dustwrappers not present. Further photographs available upon request. hardcover
1982306969NY: RANDOM HOUSE. Fine. 1982. First Edition. 0394525019 . First American Edition. SIGNED Limited Edition. Copy #455 of 500 numbered copies. Signed by V.S. Pritchett. Fine in green cloth in an orange cloth slipcase with the original price sticker at the bottom righthand corner. . RANDOM HOUSE. hardcover
198228363Salisbury Wiltshire: Michael Russell 1982. Near Fine/Very Good. Salisbury Wiltshire: Michael Russell 1982. First Edition Limited to 150 signed copies of which this is no. 28. Slim 12mo; publisher's green cloth pictorial paste-on to upper cover in original glassine dust jacket; 48pp.; woodcut frontispiece illus. throughout. A hint of shelf wear glassine a bit wrinkled else a Fine example. Signed by Pritchett and Theroux on limitation page. Michael Russell unknown
19549407Lexington KY: Gravesend Press 1954. Vellum Binding. Near Fine binding. 18mo. 10 48 4 pp. illus. Limited edition number 9 of 200 copies. As issued in vellum-backed patterned-paper over boards. Lacking the slipcase. A handsome copy with only light toning to the perimeters of the boards; contents clean. This copy with 4-page prospectus. <br /> <br /> This work was the first book issued by the Gravesend Press that was actually printed using the Graves' press in their stable by Graves and Jacob Hammer. Kredel's charming engraved pressmark of a sleeping pressman graces the final page. Graves writes about this in his Bibliographical Confession the donkey in the window was their family pet Patience. Graves operated the press as a sideline from about 1949 through to the end of his life in 1960 issuing scarcely more than half a dozen books. While less known that some of his contemporaries he took his place amidst a vibrant mid-century printing and illustrating scene—friends with Victor Hammer Carolyn Reading Fritz Kredel John DePol John Fass and others. H. Richard Archer in a history of the Graves and his press published in The Kentucky Review Spring 1987 summarizes Graves's work thus: "All of the books whether pamphlets or bound books reflect the taste and high standards of a true amateur craftsman and as such they certainly qualify as choice examples from one of this generation's most distinguished private presses." Press historian Roderick Cave notes that this was "probably the most successful Gravesend book" p. 263. Cave The Private Press 2nd edition; Graves The Gravesend Press: A Bibliographical Confession p. 11-13. Gravesend Press unknown