Adler, RichardAntiquariat.de
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196092411[ca. 1960]. Bildmaß: 14,5 x 11,0 cm. Blattmaß: 25 x 20 cm.
196093325[ca. 1960]. Bildmaß: 27 x 21,5 cm. Blattmaß: 50 x 38 cm.
196093326[ca. 1960]. Bildmaß: 27 x 21,5 cm. Blattmaß: 50 x 38 cm.
198450052(Krefeld), Galerie Peerlings, (1984). 44 unpag. Bl. Mit 32 meist Abb., tls. a. Falttaf. 4to. OLn. m. SU im stabilen OPp.-Schuber (dieser berieben).
1959008606New York: Henry Holt and Company 1959. First edition first printing. Hardcover. This strikingly clean jacketed copy of the first edition first printing of Robert Frosts 1959 collection of Favorite Poems for Young Readers is signed by him "Robert Frost" on the title page just above his printed name. <br /> <br />This collection takes its title from the words repeated at the end of each stanza of this book's first poem "The Pasture" first published as the prefatory to North of Boston in 1914. Of this collection the publisher said Frost "has gathered a group of his poems to be read to and by young people. To Robert Frost a great-grandfather with a remarkable number of small friends this was a labor of love. Frost dedicated the volume to his mother Belle Moodie Frost who knew as a teacher that no poetry was good for children that wasnt equally good for their elders. Evoking Frosts famous poem Mending Wall Frosts friend Edward Hyde Cox 1914-1988 who contributes a Foreword to this volume said of Frost that he had never added a single stone to the wall that so often separates age from youth. Prevalent among the 51 poems herein is Frost's gently subversive inclination to write verse that is superficially accessible "lovely dark and deep" upon sounding. <br /> <br />This is a handsome book bound in orange-yellow linen cloth with a vignette of a bird on a fence post stamped in black on the lower right front cover corner and spine print stamped in black with a red acorn and leaf device between at the spine's center. The contents feature wood engravings by Thomas W. Nason and are bound with endpapers of heavy light gray wove paper and red and yellow head and tail bands. The dust jacket printed on beige laid paper features a wood engraving of birches spanning the lower front face spine and extending onto the rear face. The rear face prominently features Yousuf Karsh's famous portrait photograph of Frost. <br /> <br />Condition is truly fine in a truly fine dust jacket. The illustrated cloth binding is immaculately clean and bright with sharp corners and only the most trivial hints of shelf wear to extremities. The contents are likewise pristine with no spotting soiling toning or previous ownership marks. "FIRST EDITION" is so stated on the title page verso. The contents retain a pleasingly stiff feel The dust jacket is crisp bright clean and entirely complete with no loss or tears and retaining the original "$3.00" upper front flap price. We note only a hint of wrinkling to the spine heel and a touch of soiling to the lower rear face. The jacket is protected beneath a clear removable archival cover. <br /> <br />Publisher's statements are often hyperbolic. In this case the dust jacket's front flap description of Robert Frost as "America's beloved poet ageless and for the ages" was and remains more accurate than advertising. Before this volume was published on 26 March 1959 Robert Frost 1874-1963 reached the age of eighty-five. His stature had risen to an apex arguably unequalled by any American poet since. Frost had long-since won all of his still-unrivaled four Pulitzer Prizes for poetry 1924 1931 1937 and 1943. He spent his final years as the most highly esteemed American poet of the twentieth century with an accumulating hoard of academic and civic honors. Two years before his death he became the first poet to read in the program of a U.S. Presidential inauguration Kennedy January 1961. <br /> <br />Reference: Crane A39; Tuten and Zubizarreta; ANB <br/><br/> Henry Holt and Company hardcover
0701139382.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
194819141948 Paris, La Bonne Compagnie, 1948. Un volume in-folio (42 x 31,5 cm), en feuilles, portfolio cartonné de l'éditeur, dos en percaline, premier plat orné d'une illustration de tête de cheval contrecollée, fermoirs à lacets, quelques marques aux contreplats. 8 pages (titre, justificatif de tirage, introduction de J. Portefin), suivies de 20 planches de dessins en noir sur papier Ingres et contrecollées sur papier rosé, 2 planches brunies. Tirage limité à 1000 exemplaires, celui-ci l'un des 800 numérotés et destinés à La Bonne Compagnie à Paris. Recueil fac-similé rendant hommage au talent de Carle Vernet (1758-1836), peintre animalier français dont la passion pour l'anatomie équine a marqué le début du XIXe siècle. Bel état des planches, bon exemplaire de ce recueil.
191819071903Ditchling Sussex: Printed at the Ditchling Press by Douglas Pepler 1918. First and Limited Edition. Wraps. Good . Gill Eric and Beedham R. John. One of 240 copies duodecimo size 126 pp. "Woodwork" contains twenty-one wood engravings of tools by the inimitable Eric Gill 1882-1940; a highly regarded printmaker sculptor and typographer as well as a complicated man Gill provided illustrations for numerous fine press publications by the Golden Cockerel Press and the Saint Dominic's Press as well as with Pepler under the imprint of the St. Dominic's Press.<br/><br/>An informative look at the art of carpentry by craftsman-woodworker Arthur Romney Green 1872-1945 who like Gill and Pepler was influenced by William Morris and the Arts and Crafts movement. Although the book is stated as "Volume I" no further volumes were issued.<br/><br/>___DESCRIPTION: Brown paper wraps black lettering on the front wrap fore- and bottom edges uncut title page with black-and-white wood engraving a total of thirty-one wood engravings in the text throughout: twenty-one wood engravings of carpentry tools by Eric Gill ten wood engravings by R. John Beedham; Caslon O. F. type Batchelor handmade paper duodecimo size 7.75" by 5" pagination: i-iv v-xvi 1 2-110 one of 450 copies this number 161.<br/><br/>___CITATION: Better than good with clean wraps a strong square text block the interior is clean and bright and entirely free of prior owner markings; overall minor edgewear to the wraps some loss to the paper at the spine exposing parts of the gatherings however text block still solid small loss to the bottom fore-edge corner of the title page.<br/><br/>___CITATIONS: Gill no. 269; Taylor and Sewell no. A31.<br/><br/>___POSTAGE: Â International customers please note that additional postage may apply as the standard does not always cover costs; please inquire for details.<br/><br/>___Swan's Fine Books is pleased to be a member of the ABAA ILAB and IOBA and we stand behind every book we sell. Please contact us with any questions you may have we are here to help. Printed at the Ditchling Press by Douglas Pepler unknown books
191819071903Ditchling Sussex: Printed at the Ditchling Press by Douglas Pepler 1918. First and Limited Edition. Wraps. Good . Gill Eric and Beedham R. John. One of 240 copies duodecimo size 126 pp. "Woodwork" contains twenty-one wood engravings of tools by the inimitable Eric Gill 1882-1940; a highly regarded printmaker sculptor and typographer as well as a complicated man Gill provided illustrations for numerous fine press publications by the Golden Cockerel Press and the Saint Dominic's Press as well as with Pepler under the imprint of the St. Dominic's Press.<br /> <br /> An informative look at the art of carpentry by craftsman-woodworker Arthur Romney Green 1872-1945 who like Gill and Pepler was influenced by William Morris and the Arts and Crafts movement. Although the book is stated as "Volume I" no further volumes were issued.<br /> <br /> ___DESCRIPTION: Brown paper wraps black lettering on the front wrap fore- and bottom edges uncut title page with black-and-white wood engraving a total of thirty-one wood engravings in the text throughout: twenty-one wood engravings of carpentry tools by Eric Gill ten wood engravings by R. John Beedham; Caslon O. F. type Batchelor handmade paper duodecimo size 7.75" by 5" pagination: i-iv v-xvi 1 2-110 one of 450 copies this number 161.<br /> <br /> ___CITATION: Better than good with clean wraps a strong square text block the interior is clean and bright and entirely free of prior owner markings; overall minor edgewear to the wraps some loss to the paper at the spine exposing parts of the gatherings however text block still solid small loss to the bottom fore-edge corner of the title page.<br /> <br /> ___CITATIONS: Gill no. 269; Taylor and Sewell no. A31.<br /> <br /> ___POSTAGE: International customers please note that additional postage may apply as the standard does not always cover costs; please inquire for details.<br /> <br /> ___Swan's Fine Books is pleased to be a member of the ABAA ILAB and IOBA and we stand behind every book we sell. Please contact us with any questions you may have we are here to help. Printed at the Ditchling Press by Douglas Pepler unknown
8vo., First Edition, with a frontispiece and very numerous half-tone plates from photographs in the text; original buckram, backstrip faded else a very good, clean copy of an uncommon work. A standard reference . Read 2699.
199312054Iowa City IA: Windhover Press 1993. Limited Edition. Hardcover. Fine. Quarto 58pp. illustrated. A fine lovely copy in the publisher's finely woven greyish cloth with applied printed spine label as issued. This is number 217 of 275 limited copies another 25 copies were hand-colored by the illustrator and specially bound. A collection of wartime essays by H. D. the influential Imagist poet who is closely associated with Ezra Pound. Doolittle had spent most of the war in London enduring the Blitz. Generously illustrated and beautifully letterpress-printed on French Johannot mould-made paper. Publisher's prospectus with price schedule laid-in. Windhover Press hardcover
1994343702Roslyn NY: The Stone House Press 1994. 113p. 6x9 inch quarter cloth boards with pattern design on boards spine lettering in gilt; in very good condition. This edition is limited to 175 numbered copies signed by the author the artist and the printer/publisher with 150 for sale. Errata slipped in-laid and signed. This copy number 106. The Stone House Press unknown
199092083Hamburg, 1990. 59 x 49 cm (Blattmaß 71 x 60 cm).
92081o.J. 61 x 49 cm (Blattmaß 79 x 60 cm).
199092082Hamburg, 1990. 49 x 45 cm (Blattmaß 71 x 60 cm).
133228728X.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1875037692London: The Religious Tract Society 1875. First edition undated 1875. Winter themed poetry illustrated with engravings. Emerald green cloth lettered and decorated in gilt and black 180 pages. Covers lightly scuffed with modest fraying to corners and spine ends good hinges sound text block clean pages with some light age-related speckling tiny name stamp at upper corner of title page no other markings. First Edition. Hard Cover. Fair. 8vo - over 7¾" - 9¾" tall. The Religious Tract Society Hardcover
183650325011058Effingham Wilson; Tilt and Bogue London 1836. First Edition. Hardcover. Very Good Condition/No Dust Jacket. Two matching volumes with half-leather with patterned brown covers and simple gilt decoration. Includes required plates. Leather is well- rubbed corners are lightly bumped and there are partial splits in the joints although the covers are securely attached. Internally the binding is sound There are previous owner's names on the otherwise clean front end-papers pages and plates are clean and bright. Volume I published in 1836 Volume II published in 1838 . Cathedrals described are: Volume I: Salisbury Catheral; Canterbury Cathedral; York Cathedral; St. Paul's Cathedral; Wells Cathedral; Rochester Cathedral; Winchester Cathedral. Volume II: Lincoln Cathedral; Chichester Cathedral; Ely Cathedral; Peterborough Cathedral; Norwich Cathedral; Exeter Cathedral; Bristol Cathedral; Oxford Cathedral. xx 144 viii 140. 2 volumes of the 3-volume set. Contains many black and white illustrations. No dust jacket as published. Previous owner's name architectural historian Kerry Downes in pencil at the front. Quantity Available: 1. Shipped Weight: 2-3 kg. Pictures of this item not already displayed here available upon request. Inventory No: 50325011058. All our books music and maps are sent by a tracked mail service. This book is heavier than 1kg and may incur additional delivery charges on some delivery services to some locations. Effingham Wilson; Tilt and Bogue hardcover
1836036981London: Effingham Wilson 1836 1838 1836. 1st Edition . Hardcover. Very Good. Xx 144;Viii 140 Pp. Blue Polished Cloth Spines Red Morocco Spine Labels Spines Gilt Marbled Boards And Marbled Endpapers. First Printings; Vol. Iii Published In N1842 By Another Publisher. Some Wear With Fraying At Corners Hinges Tight; Contents Clean But Light Foxing To Pages And Plates Severe Foxing To Frontispieces. Bookplate Of Francis Towner Laney Editor Of The Acolyte A Science Fiction Fanzine From 1942-1946 A Total Of 14 Issues Dedicated To Articles About Fantasy Fiction With Particular Emphasis On H. P. Lovecraft And His Circle. Laney's Essay "The Cthulhu Mythology: A Glossary" Initially Published In The Winter 1942 Issue Was Expanded At The Request Of August Derleth And Became Part Of The 1943 Arkham House Lovecraft Anthology Beyond The Wall Of Sleep. Contributors Included Clark Ashton Smith And Donald Wandrei. The First Two Issues Were Hectographed The Remainder Were Mimeographed. Due To Its Influential Role In The Field It Is Indexed In The Science Fiction Fantasy & Weird Fiction Magazine Index Compiled By Stephen T. Miller & William G. Contento As Well As Fanzine Indexes. It Was Nominated For The 1946 Retrospective Hugo Award For Best Fanzine Losing To Forrest J Ackerman's Voice Of The Imagi-Nation. <br/> <br/> Effingham Wilson 1836 1838 hardcover
63956Shoemaker & Hoard 2007. First edition first printing. With a fine introduction by James Baker Hall. As new and bright illustrated boards issued without dustjacket with crisp bright text throughout. Another poet's signature to the opening flyleaf which bothers none of the text. A lovely handsome copy and gift quality Shoemaker & Hoard, 2007 hardcover
2003289942London: The Folio Society 2003. Folio Edition Third Printing. Hardcover. Fine copy bound in quarter leather over decorated cloth boards with a gilt-title to the spine; includes and equally fine slip-case. Remains well preserved overall; tight bright clean and sharp-cornered. Physical description; 495 pages. Subjects; William Wordsworthy. Poetry. The Folio Society. London: The Folio Society hardcover
A clean, unmarked book with a tight binding. Wear to cover. Staple-bound. 58 pages. 12"w x 11 1/8"h. Exhibition catalogue for an event at the Vancouver Art Gallery, 29 November 1980 - 4 January 1981. Essay by Ilaria Bignamini.
In-8 (cm. 25.50), tela editoriale, pp. 30, (2), con 118 illustrazioni in bianco e nero fuori testo e XXV tavole, sempre in bianco e nero, dedicate alle xilografie che Blake incise per il Virgilio di Thornton del 1821 (Robert John Thornton, The Pastorals of Virgil). Ex libris al risguardo anteriore. English text. In buono stato di conservazione (good copy).
192076712[ca. 1920]. Bildgröße 12 x 17 cm. Unter Feinkartonpassepartout.
1993TOB217-32233-A-0.50Folio Society. Very Good- with no dust jacket. 1993. Folio Society. Hardcover. No slipcover included. Foxing light to the exterior edge of pages only. Otherwise in great condition. No writing or noteworthy blemishes. ; - We're committed to your satisfaction. We offer free returns and respond promptly to all inquiries. Your item will be carefully wrapped in bubble wrap and securely boxed. All orders ship on the same or next business day. Buy with confidence. . Folio Society hardcover
