150 résultats
192663321Los Angeles CA: M. Kashower Co. 1926. Tall 8vo. 7 leaves unnumbered. colour lithograph illustrated on rectos throughout. Self-printed covers punch-sewn at upper fore-edge w/ gold silk braid minor dustsoiling slight age toning a couple leaves w/ offset toning still a VG copy. First edition of this wonderfully illustrated souvenir calendar created and issued by the M. Kashower Co. originally formed in 1914 between Morris Kashower and Theodore & Philip Sohmer in 1914 by by 1915 Kashower would operate on his own. The paper novelty printer also issued holiday greeting cards comic postcards and historic colour-linen postcards based out of Southern California. Kashower 1883-1920 was a Russian Jewish-American who had emigrated to the U.S. in 1890 and by 1910 was working printing shops in Southern California. After his death Mollie Kashower his wife ran the business through about 1934. No copies in Worldcat. M. Kashower Co., unknown
9594New Haven: Editions Wequetequock Cove 2006. Full Leather. Fine binding. Small folio 8.5" x 7". 32 pp. illus. Limited edition number 23 of 50 copies. Signed by Baltazar and Watsky. This copy sewn on meeting guards with silk endbands. Bound in dyed calf and finished with recessed stone veneer over sheep skiver dyed calf inlays and onlays as well as onlays in lizard. Subtly titled in blind across one of the onlays at the spine. Paper doublures with dyed calf hinges. <br /> <br /> Botehlo writes of this book being "filled with etchings of heavy lined and voluptuous shapes with textures and shade all done in black. The poetry evoked for me the verdancy of rogue plants that spring up between the cracks of concrete. It spoke of the appeal of being a snake allusions to original sin. I wanted the green onlays that have been dyed and embossed to be pillowed the stone inviting touch. I intended to create something that invites a sensory exploration." And here she has succeeded with astonishing grace creating a design that draws and keeps the attention. Wonderfully conceived and executed with exceptional skill. Botelho is among a select group of extraordinary design binders who are graduates from the American Academy of Bookbinding Fine Binding program. Editions Wequetequock Cove unknown
20139775Newark VT: Janus Press 2013. Original Wrappers. Fine binding. 6-1/2" x 7." Limited edition one of 120 copies. Accordion fold with 8 panels 4 of them are fold-down pages. Each of the four page-spreads include letterpress text in various typefaces and colors which fold-down expanding the canvas of words sayings and accusations including a catalog of U.S. Senators and Representatives of the 111th Congress who became lobbyists—a list that fills the fold-down page in a small font; these opposite a lithograph by Van Vliet each lithograph is titled by the top word on the opposite page: Propagandist Lobbyist Banker Joe Public. Bound in gold paper repeated printed with the word "Greed" and all housed in gold slipcase. A fine copy. <br /> <br /> In a contemporary newspaper article in the Burlington Free Press Candace Page relates an interview with Van Vliet: "She picks up dummy of GREED a slim volume that will sit inside a glittery cover of gold paper. It opens like an accordion to display four Van Vliet black-and-white lithographs of distorted faces: A banker a lobbyist a newscaster she says 'and this one on the end the sap John Q. Public us.'" <br /> <br /> Van Vliet continues in the Page interview: "The word 'greed' will be printed multiple times on the cover in heavy unevenly inked type as though it were printed contemptuously by some greedy person with no respect for the written word. The paper is not handmade — that would be too good for the book. Instead it is 'slick nasty machine-made paper' she says. The edges of the gold cover will be sharp 'because greed is not a comfortable subject.'" There is a wonderful irony that the lithographs employed in Greed were originally drawn for an edition of Kafka decades before that just weren't quite right for the project. Here they are perfect! <br /> <br /> This is a striking book a political book one might say an angry and defiant book. Van Vliet's politics being informed by the McCarthy era during which she was a student she admits to having distrusted the powerful ever since. This edition sold out very quickly and is now rare in commerce. A book that was is and will always be relevant. Janus Press unknown
1895180743Tokyo.: Tokyo Toyodo. No Date. Ca1895. 10 double-page colour lithographs plus 8pp unpaginated text at the rear. Bound concertina style boards are detached with paper loss at the corners small area light damp staining at the lower left corner some light browning margins and central folds otherwise images are very good. Publisher's label removed from rear pastedown. The text relating to the last image in the book states that "when the war between Japan and China was at its height playing at soldiers was all the rage with boys." This suggests a publication date shortly after 1896 following the first Sino-Japanese War of 1894-1895 and preceding the Russo-Japanese War of 1904-1905. There were apparently different editions of this work with different covers and variant images. The first image in this edition is of two children one reading and one writing. The text states that "This picture takes us back to the days when education in Japan was for the mass of the people a matter of private effort the present extensive system of government schools subordinate to an Education Department dating only form 1871." The other images are: girls playing battledore and shuttlecock; boys flying kites; the Doll's festival; children playing kotoro kotoro in Ueno Park boys on bamboo stilts boys in a procession children playing in a stream; boys wrestling sumo. . Tokyo Toyodo hardcover
406849England 19th century. Wear to extremities shadow on front cover some foxing throughout. Suite of 73 lithographs including title signed with initials after drawings signed with initials including HL WS HB MES IF WM and others. Sheets 28 x 21.5 cm images 12 x 9.5 cm. Bound in 19th-century black roan-backed green muslin the front cover with black morocco lettering piece. A series of satirical emblematic lithographs depicting various qualities of wind. unknown
35379London: Marcus Ward & Company ca. 19th Century. Album. Good. Quarto scrap album containing 83 color lithographed cards mounted to album leaves. Green cloth covers with black stamped borders and designs with green illustrations and yellow title block on the front cover. Cards printed in France by H. Bataille Paris J. Bognard F. Appel Badoureau Ponsot and others. Cards measure approximately 4.75" x 3" to 4" x 2.5" or similar. Restored. Front and rear hinges repaired with tissue. Last leave repaired on the edges. Light toning to some of the leaves. A colorful collection of French lithograph cards. Marcus Ward & Company unknown
192059016Philadelphia New York & Minneapolis: Kayser & Allman 1522 Chestnut St. 1920. Oblong folio. 13.5 x 10.25 in. 19 leaves unnumbered. colour lithograph illustrations throughout primarily on glossy clay-sized paper stock. Textured & embossed oatmeal coloured wallpapers yapp fore-edges black printing & decorative border on front cover stapled at gutter margin wear chipping & minor tears to the wallpaper covers occasional light toning & soiling to interior leaves still VG- copy. First edition thus of this very uncommon wallpaper sample catalogue presenting the lithographic friezes drawn from eminent artists works for illustrating the interiors of post-World War I era homes. These pictorial friezes include “The River Rhine†which could cover up to 35 feet without repeating or those such as “Child World†of children playing ‘The Monks†available with extension or “The Bermudian†a tropical forest scene repeating every 10 feet. Along with forests and mountain scenes the catalogue also includes hand-painted decorative scenes in 29 in. wide sections including “Jerusalem†“Views of Japan†“Views of China†and “The Orient.†Kayser & Allman was initially founded in 1871 by M.M. Kayser at Vine St. in Philadelphia and by 1888 the firm had become Kayser & Allman and after several moves resided at the 1522 Chestnut St. address by 1907. Worldcat locates 2 copies of this date & collation Henry Ford Cleveland Public. Kayser & Allman, 1522 Chestnut St., unknown
19943115950New York: Limited EDITIONS CLUB. Fine with no dust jacket. 1994. First Edition; First Printing. Hardcover in Slipcase. Limited edition. Copy number 3 out of 300 SIGNED by Cartier-Bresson on colophon. Illustrated with 7 original Lithographs and a Photogravure by Henri Cartier-Bresson. The Lithographs were pulled by Bruce Porter at his Trestle Editions studio in New York. The photogravure was printed by Jon Goodman on French-made Arjo Wiggins stock. Folio 12 x 16 inches. Laid-into grey-green silk slip case with interior felt linin. Book and slipcase are fine. The Photogravure frontispiece by Henri Cartier-Bresson is a portrait of writer Louis Aragon. A lovely production. ; 12" x 16" . Limited EDITIONS CLUB hardcover
1946D1373New York: The Viking Press 1946. First Edition. Hardcover. Near Fine/Very Good. Gannett Ruth. Red cloth over boards illustration on upper board orange lettering on spine orange topstain bright illustrated endpapers; illustrated dust jacket; pp. 123. First edition. Dust jacket fully intact and not price-clipped0 is slightly spine faded and with light wear but still a very nice copy of this winner of the Newbery Medal. <br/><br/> The Viking Press hardcover
1951295971951. S.l. Les Cent Bibliophiles 1951 1952 au colophon. Un vol. au format in-4 338 x 258 mm de vi - 188 pp. en feuilles sous chemise titrÂŽe ˆ rabats rempliÂŽs et ÂŽtui-chemise de plein cartonnage dos lisse titre imprimÂŽ en noir. Tirage unique ˆ 130 exemplaires numÂŽrotÂŽs seulement ; sur Arches. Exemplaire imprimÂŽ nominativement pour EugÂne CarrÂŽ. Il s'agrÂŽmente - ici en premier tirage - de nombreuses lithographies originales in et hors-texte par Jacques Camus. ''Jacques Camus s'efforce ici de recomposer un Cotentin traditionnel o abondent coiffes normandes et paysans en blouse sur fond de paysages ÂŽvanescents''. in Centorame. ''Dans une atmosphÂre de campagne barbare o interviennent des p‰tres jeteurs de sorts et des vieilles femmes hantÂŽes par le souvenir de leurs dÂŽbauches Jeanne Le Hardouey une aristocrate claudÂŽlienne mÂŽsalliÂŽe d'‰me et de corps ˆ un acquÂŽreur de biens nationaux est ÇensorcelÂŽeÈ par un prÂtre l'abbÂŽ de La Croix-Jugan qui a tentÂŽ de se suicider par dÂŽsespoir de la cause perdue et dont le visage monstrueux porte la trace des tortures que lui ont fait subir les Bleus. ÇJ'ai t‰chÂŽ disait Barbey de faire du Shakespeare dans un fossÂŽ du Contentin.È Centorame Les Illustrateurs de l'oeuvre de Barbey p. 54 - BÂŽnÂŽzit II Dictionnaire des peintres p. 490 - Monod I Manuel de l'amateur de livres illustrÂŽs modernes 961. Etui-chemise prÂŽsentant un ÂŽclat lÂŽgÂrement altÂŽrÂŽ. Plats de la couverture papier lÂŽgÂrement brunis. Du reste trÂs belle condition. b42961 unknown
1924298781924. S.l. aux dÂŽpens de la SociÂŽtÂŽ Hippocrate et ses amis 1930. Un fort vol. au format pt in-folio 336 x 254 mm de 250 pp. brochÂŽ sous couverture titrÂŽe ˆ rabats rempliÂŽs et ÂŽtui-chemise cartonnÂŽ gardes de pleine suÂŽdine vert-bronze dos lisse piÂce de titre contrecollÂŽe. Tirage unique ˆ 120 exemplaires dont 20 hors-commerce ; tous sur Arches. ''Edition estimÂŽe''. in Carteret. L'ouvrage s'agrÂŽmente - en premier tirage - de 37 lithographies originales par AndrÂŽ Mare. Exemplaire ici truffÂŽ de 20 dessins originaux de l'artiste prÂŽparatoires ˆ l'illustration d'une suite en feuilles sur Japon de l'ensemble des compositions figurant dans l'ouvrage d'une correspondance entre l'ÂŽditeur et l'artiste comportant 4 lettres manuscrites signÂŽes de ce dernier enfin d'un menu - agrÂŽmentÂŽ d'une grande lithographie d'AndrÂŽ Mare signÂŽe ˆ la mine de plomb figurant un portrait en pied de Barbey - de la sociÂŽtÂŽ ÂŽditrice pour cÂŽlÂŽbrer la publication du prÂŽsent ouvrage. Lequel est en outre ici bien complet d'un fac-similÂŽ d'une lettre de Barbey ; ici reproduite en lithographie. ''Il existe 20 suites de lithographies sur Japon''. in Carteret. ''Natif d'Argentan en 1885 AndrÂŽ Mare exposa aux Salons des IndÂŽpendants et d'Automne o il exposa avec le groupe cubiste en 1912 et 1913 et prÂŽsenta avec Duchamp-Villon la Maison cubiste. A partir de 1920 il appliqua certains principes stylistiques du cubisme aux arts appliquÂŽ le style Arts dÂŽcoratifs 1925 ; en rÂŽfÂŽrence ˆ la trÂs importante exposition internationale.'' in BÂŽnÂŽzit. Un jour de dÂŽcembre quelques annÂŽes avant la rÂŽvolution de 1830 dans une petite ville du Cotentin plusieurs amis se rÂŽunissent pour leur causerie du soir et trÂs vite l'un d'entre eux ÂŽvoque la rencontre qu'il vient de faire : celle du chevalier Des Touches ci-devant hÂŽros de la chouannerie. Mais le chevalier n'est-il pas mort Ce soir-lˆ on remonte le passÂŽ et devant ses amis mademoiselle de Percy qui y participait raconte l'expÂŽdition des Douze : l'enlÂvement de Des Touches prisonnier ˆ Coutances par ses compagnons d'armes. De cette soirÂŽe de dÂŽcembre un enfant silencieux avait ÂŽtÂŽ tÂŽmoin et c'est l'auteur lui-mÂme qui en fait la matiÂre de ce roman. Peu importe que Des Touches y devienne un hÂŽros plus glorieux qu'il ne le fut en rÂŽalitÂŽ. L'essentiel est ailleurs : c'est que si les chouans vers 1799 au moment de ce rÂŽcit mÂnent encore la guerre ils l'ont dÂŽjˆ perdue. Un royalisme dÂŽsenchantÂŽ teinte ainsi tout le roman sans en attÂŽnuer la vigueur et bien plus tard Anatole France ÂŽvoquera l'"impression trÂs forte" que lui auront laissÂŽe ces "figures ˆ la fois hÂŽro•ques et brutales" : "Ce livre dira-t-il me donna le frisson." Monod I Dictionnaire des illustrateurs 943 - BÂŽnÂŽzit VII Dictionnaire des peintres p. 7 - Carteret IV Le TrÂŽsor du bibliophile / IllustrÂŽs modernes p. 57. Quelques altÂŽrations superficielles ÂŽparses affectant l'ÂŽtui-chemise. Exemplaire quant ˆ lui parfaitement conservÂŽ ; sinon que le feuillet de Table prÂŽsente de discrÂtes rousseurs. b42961 unknown
1991TN231459Folio Press London 1991. 1st Edition Thus. HARDCOVER. 8vo in blue cloth paper covered boards to a design by Beck 63pp on Magnani mould-made paper top edge gilt line illustrations in text plus 6 full page and 1 double-page duotone lithographs by Beck __CONDITION : An extremely well preserved AS NEW unread and unmarked copy in the original clear plastic jacket. . __We always ship in PROTECTIVE CARD PARCELS Folio Press, London hardcover
194486033hLondon: Frederick Muller 1944. Book. Near Fine. Hardcover. 1st Edition. 8vo - over 7¾ - 9¾" tall. The second printing of the first edition from 1945. Illustrated paper boards hardcover in matching illustrated dust jacket. Moderate edge-wear and toning to jacket. Edges and endpapers toned. Otherwise clean tight and unmarked. Very neat -- a sound and handsome copy. Illustrated from lithographs by John Piper. Index. vi121pp. Frederick Muller Hardcover
194476970London: Frederick Muller Ltd 1944. 8vo.Illustrated. First edition. vi 121 pp. 12 full-page colour lithographs by John Piper. Publisher's pictorial cloth a little rubbed and bumped to extremities with a couple of light marks. Spotting to prelims with ink owner's name otherwise rather clean. Printed at the Curwen Press. Selection of poetry chosen by John Betjeman and Geoffrey Taylor. Series editors W. J. Turner and Sheila Shannon. . Very Good. Pictorial Boards. First Edition. 1944. Frederick Muller Ltd 1944 hardcover
194468809London: Frederick Muller Ltd 1945. 8vo.Illustrated. Second Impression. vi 121 pp. Publisher's pictorial cloth in like pictorial jacket. Jacket chipped at spine ends with wear to extremities and slight curl to edges. Ink owner's name to front endpaper. Boards clean with minor warp. Internally clean. Printed at the Curwen Press. Selection of poetry chosen by John Betjeman and Geoffrey Taylor. With 12 full-page colour lithographs by John Piper. . Very Good. Pictorial Boards. First Edition. 1944. Frederick Muller Ltd 1945 hardcover
1938143261938. Bruxelles Editions des Artistes 1938. Un vol. au format in-4 327 x 252 mm de 62 pp. Plein cartonnage illustrÂŽ d'ÂŽdition dos toilÂŽ rouge. Edition originale de cette publication peu commune agrÂŽmentÂŽe - ici en premier tirage - des dÂŽlicieuses lithographies en couleurs d'Olga Kovalevsky. Angles ÂŽmoussÂŽes. Plats prÂŽsentant un ÂŽclat lÂŽgÂrement altÂŽrÂŽ. Annotations au stylo et t‰ches ÂŽparses au premier. Un cahier dÂŽsolidarisÂŽ. Quelques discrÂes marques sombres en marge infÂŽrieure des feuillets. Du reste bonne condition. Rare. b42961 unknown
360244Whitcoulls Publishers 1979. ARCHIVAL REPAIR TO SLIPCASE folio blue cloth boards gilt lettering to spine gilt bird illus to front board marbled eps frontispiece xviii 261pp 48 lovely colour plates- all counted & present VG light tanning to board edges light to moderate tanning & foxing to page edges gift inscription in ink to half tite page sl foxing to prelims minor foxing to plates- isolated to edges only minor discolouration to verso of plate pgs in d/w VG minor creasing to creasing & chipping to edges light to moderate chafing & soiling/tanning all corners lightly clipped in slipcase VG- heavy scuffing & cracking to edges- considerable but tidy archival tape repairs moderate tanning & soiling other patches of scuffing/surface loss Whitcoulls Publishers 1979 hardcover
194630106HBDJ 1946 ON TITLE & Copyright PAGE First Edition. 1st printing STATED 1ST PUBLISHED BY VIKING PRESS SEPT. 1946 BK IS NF-/ DJ GOOD AS-IS DJ HAS WEAR SCUFF ON DJ SPINE RUB EXTREMITIES TINY TEARS CHIPS BACK OF DJ ILLUSTRATION MISS HICKORY & 2 LARGE BLACK BIRDS AT THEIR NEST BEIGE & RED FLORAL Hard Cover color Pictorial cloth Binding COVER GOLD JOHN NEWBERRY ROUND STICKER FRONT OF DJ. 123 PGS STATED 1ST PUBLISHED BY VIKING PRESS SEPT. 1946 1947 NEWBERY MEDAL When great Granny Brown packed Up & Moved 2 the Women's City Club in boston Miss Hickory was faced with the Problem of Spending a Severe New Hampshire Winter Alone. This MITE NOT HAVE BEEN SO BAD IF SHE HAD NOT BEEN A COUNTRY WOMAN WHOSE BODY WAS APPLE-WOOD TWIG & whose Head was Hickory NUT ALSO IF HER HOUSE HAD BEEN BUILT OF STRONGER MATERIALS THAN CORNCOBS VIKING PRESS NEW YORK hardcover
1961314203PARIS: IMPRIMERIE NATIONALE. 1961. First Edition. Publisher's prospectus for the six volumes in-quarto 21 X 27 Showcases 6 original color lithographs by Francesco Bores Jules Cavailles Alexandre Garbell Paul Guiramand Orlando Pelayo & Andre Masson. Selections accompanying the original artwork are sample excerpts from Camus' writings which include "La Peste" "Les Mythe De Sisyphe" "L'Homme Revolte" "Actuelles II". Text in French. Fine in oversize printed wrappers protected by plain tissue overlay. Chip at base of front cover in unprinted tissue with tears to tissue on inside flap. Handsomely produced prospectus. Not the complete six-volume production. B . IMPRIMERIE NATIONALE. unknown
1974321021974. Paris / BiÂvres Pierre de Tartas 1974. Un vol. au format in-folio 378 x 278 mm non paginÂŽ en feuilles sous couverture lithographiÂŽe ˆ rabats rempliÂŽs et coffret en plexiglass titrÂŽe or sur une des tranches. Tirage unique ˆ 250 exemplaires seulement. Celui-ci un des 150 exemplaires du tirage numÂŽrotÂŽ sur grand vÂŽlin d'Arches comportant ˆ ce titre ''l'ÂŽtat dÂŽfinitif des illustrations ; dont quatre planches doubles en couleurs signÂŽes par l'artiste''. Exemplaire agrÂŽmentÂŽ au colophon des signatures autographes de l'ÂŽditeur ainsi que de l'artiste.Superbe rÂŽalisation elle comporte 28 lithographies en couleurs d'Alain Bonnefoit ; dont 4 sur double-page revÂtues de la signature autographe d'Alain Bonnefoit ˆ la mine de plomb. "Peintre des VÂŽnus" selon HervÂŽ Bazin Alain Bonnefoit est aujourd'hui avec plus de 200 expositions personnelles ˆ travers le monde un des plus illustres reprÂŽsentants de lՃcole de Paris un artiste aux talents multiplesÊdessinateur peintre graveur lithographe sculpteur et de renommÂŽe mondiale pour la qualitÂŽ et le raffinement de ses Ãuvres sur son thÂme favoriÊ: le nu fÂŽminin. Il ne se lasse effet pas des courbes pleines et dÂŽliÂŽes que lui offre le corps fÂŽmininÊsans jamais dÂŽvoiler ses secrets et cÂŽlÂbre ainsi la Femme le Nu la BeautÂŽ et la VoluptÂŽ avec un tel talent qu'il en est devenu la rÂŽfÂŽrence depuis quarante ans.Ê ''Ces vers me font l'effet d'avoir ÂŽtÂŽ ÂŽcrits par un autre moi-mÂme que je rencontre encore de temps en temps dans certains quartiers de Paris o il m'arrive d'errer en quÂte de ma jeunesse perdue''. TrÂs belle condition. b42961 unknown
19509120Paris: André Sauret 1950. First Thus. Hardcover. Fine. This collection of bohemian poems by the French Fantaisiste poet Francis Carco was first published in 1912. It proved to be a popular text for livres d'artiste and illustrated versions appeared in 1927 1943 1950 this and 1974. This version illustrated by Dignimont may have been the most successful paring of artist and poet.<br /> <br /> This example of the Carco-Dignimont edition is the copy reserved for the artist's wife with "Exemplaire réservé à Madame Dignimont" printed on the colophon. This copy matches the contents of the 12 copies on vélin de Rives with the finished book accompanied by three extra suites of plates: one in color without the text "une suite en couleurs" a suite of single color lithographs "une suite dans le ton du dessin" and one of rejected designs "une suite de lithographies refusées". The book and extra suites of plates are unbound being loose sheets laid into the printed covers with a vellum-backed chemise. The two chemises fit into a two-compartment box.<br /> <br /> The colophon is signed by Carco and Dignimont. A fine copy complete with all plates. Signed by Carco and Dignimont and additionally inscribed by Carco to Mme. Digninmont with a small self-portrait drawing. André Sauret hardcover
1858284741858. Paris Auguste Ghio s.d. 1858. Un vol. au format in-4 ˆ l'italienne 227 x 304 mm non paginÂŽ. Reliure d'ÂŽdition de plein cartonnage cerise ˆ l'imitation de chagrin filets gras et maigres ˆ froid encadrant les plats dos lisse ornÂŽ de filets dorÂŽs fleurons dorÂŽs titre dorÂŽ en long tranches dorÂŽes. Edition originale rare. Premier tirage des 8 sur 8 lithographies originales tirÂŽes sur fond crÂme de Victor Adam. ''Victor Adam possÂŽdait une imagination extraordinaire et les connaissances techniques que peut fournir l'enseignement classique. Comme beaucoup de peintres Victor Adam s'essaya dÂs 1824 ˆ la lithographie. DÂs lors l'artiste prit un tel gožt ˆ cette expression qu'il cessa de peindre.'' in BÂŽnÂŽzit. Table : Gorges de la Mahounah - Le cheval arabe - L'affžt - Lionne - Sanglier - Lion - Chacals - Vautour fauve - Gazelles - Autruche - PanthÂre - HÂŽrisson cygnes et liÂvres. ThiÂŽbaud Bibliographie des livres franÂais sur la chasse 157 - Souhart Bibliographie gÂŽnÂŽrale des ouvrages sur la chasse la vÂŽnerie et la fauconnerie 91. DiscrÂte perte de coloration au premier plat. Large marque d'eau au second. Gardes fendues. Rousseurs dans le corps d'ouvrage et cerne claire aux derniers feuillets. b42961 unknown
1929257271929. A Paris chez Fernand Mourlot 1929. Un vol. au format pt in-4 283 x 223 mm non paginÂŽ brochÂŽ sous couverture ˆ rabats rempliÂŽs et coffret cartonnÂŽ. Edition originale. Tirage unique ˆ 136 exemplaires seulement. Celui-ci comptant parmi les 13 numÂŽrotÂŽs du tirage sur Japon impÂŽrial. Il s'ouvre sur un poÂme autographe signÂŽ Philippe Chabaneix est en outre agrÂŽmentÂŽ d'un envoi autographe de ce dernier ainsi que de Pierre-EugÂne Clairin au colophon. Premier tirage des lithographies originales in et hors-texte de Clairin. ''En 1913 Clairin ÂŽtudie ˆ l'atelier Cormon ˆ Paris avant de rejoindre en 1919 l'AcadÂŽmie Ranson avec Paul SÂŽrusier qu'il suit ˆ Pont-Aven o il fait alors la connaissance de Vuillard et Maurice Denis .''. in BÂŽnÂŽzit. ''En 1919 Clairin travaille ˆ l'AcadÂŽmie Ranson o il rencontre SÂŽrusier qui le prÂŽsente ˆ Maurice Denis et Vuillard. Ce dernier surtout lui donnera des conseils pour la lithographie. DaragnÂs lui enseignera la gravure sur bois et imprimera ses planches''. Bailly-Herzberg Dictionnaire de l'estampe en France p. 70 - BÂŽnÂŽzit III Dictionnaire des peintres p. 47. Angles et coupes de l'ÂŽtui lÂŽgÂrement ÂŽlimÂŽs. Deux piqžres au premier plat. Du reste trÂs belle condition. La suite tirÂŽe en sanguine annoncÂŽe fait ici dÂŽfaut. b42961 unknown
1974052181Los Angeles: Dawson's Book Shop 1974. 1st Edition 1st Printing. Soft cover. Fine/As New. A Very Tiny New Edition Of The 1933 First Edition Including The Dj Stating "Inscriptions By Paul Claudel" But With The Claudel Text Replaced With The Verses By Charlot Originally Intended For The 1933 Edition. #229 Of 300 Copies Signed By Charlot And Initialed By Lynton R Kistler With 32 Original Lithographs By Charlot Signed In Color In The Plates And A Dj By Charlot. A Fine As New Example No Wear Or Damage No Browning Or Fraying In Fine Dj And Slipcase. <br/> <br/> Dawson's Book Shop paperback
1933028506New York: John Becker / Merle Armitage / Will And Lynton R. Kistler 1933. 1st Edition 1st Printing. Soft cover. Fine/Very Good Dust Jacket. #243 Of 500 Copies Signed By Armitage Kistler And Charlot With 32 Original Lithographs By Charlot Signed In Color On The Plates And A Dj By Charlot. True Lithographs Drawn By Charlot Directly On 34" X 44" Zinc Plates In A Color Separation Process That Charlot Had Learned From Ben Shahn. Text Hand-Set By Kistler In Castellon Old Style With Heads In Bodoni Ultra-Bold. A Fine As New Example No Wear Or Damage No Browning Or Fraying. With The Original Light Brown Dust Jacket Lettered And Illustrated In Red On Front And Rear Covers And On Spine With Unprinted Upper And Lower Flaps On Front Panel Side Flap On Rear Panel; The Dust Jacket Has Light Edge Wear And Spine Wear With Very Short Tears At Corners And A 1/8" X 1/16" And Another 1/8" X 1/4" Light Brown Stain Or Mark At Lower Front Spine Corner Otherwise Very Clean And Unfaded. An Exceptional Example. With The Four Page Prospectus For The Book With Another Original Zinc Lithograph By Charlot Signed In Pencil #25 In The Book But With A Completely Different Color Scheme From That In The Book; The Prospectus Had A Small Printing For Circulation Amongst Printers In Los Angeles And Is Rare No Institutional Holdings Identified In Worldcat. <br/> <br/> John Becker / Merle Armitage / Will And Lynton R. Kistler paperback