Qian ZhaoMareMagnum
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Zhao Qian is a photographer and artist, who was born in China and currently lives in San Francisco. He has exhibited internationally such as Rathfarnham Castle (Dublin, Ireland), French Pavilion (Zagreb, Croatia), MACRO / Museum of Contemporary Art of Rome (Rome, Italy), Ogden Museum of Southern Art (New Orleans, USA), Kala Art Institute (Berkeley, CA,USA), Today Art Museum (BeiJing, China) and Dalian Art Museum (Dalian, China). In 2016 he had solo shows in 001 GALLERY (Rome, Italy), Reminders Photography Stronghold Gallery(Tokyo, Japan) and Lianzhou Foto festival (Guangdong, China). His work has been featured in publications such as "British Journal of Photography", "Der Greif” DOC! photo magazine” “LensCulture" and "Yet Magazine”. Zhao Qian has received "Vermont Studio Center Residency and Fellowship", "The Cow House Studio Artist Residency and Grant”，"HANGAR/ Artistic Research Center Artist Residency Program" and "Kala Art Institute Residency Program" . His “Offcut, the edge” has been selected as 11th Reminders Photography Stronghold Grantee. About the book I flew to San Francisco from Shanghai on August 11, 2014.The whole journey extended 9,872 miles, and the flight took 10 hours and 50 minutes. The time difference between Shanghai and San Francisco was 15 hours, so I took three days to get adjusted. I slept for at least ten hours each day. This series is based on my daily life and imagination. I keep a distance from the city I now live in. Landmarks, shopping malls and new neighborhoods help me to constructed an unreal city in images and memory: a fictitious city that is based on an actual place but that is transformed by an associative process. With people seeming to appear out of mist, the slightly off-kilter images connect to something odd but interesting. These images ask viewers to look again, to step closer and to investigate what might be there in that other dimension. — F.to: 24x32; pagg. 64; rileg. rigida. Editore: Jiazazhi Press, Ningbo, 2017.
“La Chine offre 18000 kilomètres de côtes, entre l’estuaire du fleuve de Beilun au sud et celui de Yalu au nord. Ces rivages sont les « fenêtres de la Chine » sur le monde extérieur . Ils sont aussi le lieu d’une urbanisation galopante, plus encore que dans le reste du pays. Ces bords de mer sont l ’objet d’un rêve pour de nombreux chinois qui quittent les campagnes pour y arriver en masse, pensant y trouver du travail et une vie plus facile. Xiao Zhang, photographe chinois de Chengdu, formé à l’architecture, nous livre une dérive étonnante le long de la côte. Il la décrit comme « belle et douloureuse ». On y voit les vacances, lesmariages, les déchets, la solitude, une Chine intime et contemporaine sans aucune facilité exotique. Ce jeune artiste chinois, déjà remarqué en Chine pour son travail sur le chantier du barrage des Trois-Gorges, est fasciné par la mer depuis son enfance; il y cherche « une résidence pour son âme » et parvient à saisir , dans cette errance au fil de l’eau, des images extrêmement fortes d’uneChine à la croisée de deux mondes.” Texte d’Agnès Sire, conseillère artistique 2011 du Prix HSBC pour la Photographie. — Testi: Wei Jiang. pagg. 100; COL; rileg. rigida. Editore: Actes Sud, Arles, 2011.
Paperback with French flaps. Good condition. Text is in English and Chinese. Covers are rather scuffed and a little edge-worn, with several scores. Minor wear and bumping on spine ends. Minor wear on leading corners. Some adhesive showing on front hinge. Binding is sound, and the text and illustrations are clear. AF Used
hardcover in slipcase, 224 pages, 26,5 x 21,5 cm, English.fine condition ISBN 8445331620. Zhang Hai?er is one of today?s most important Chinese photographers. His early work offers a unique picture of the underbelly of his country?s cities in the 1980s and 90s: Guangzhou, Shanghai, Hong Kong? His best-known photographs, however, are portraits of women: prostitutes, his wife, friends, anonymous subjects. Women he looks at with a clear sexual fascination. Yet the gaze is two-directional: the women are complicit in the privileged relationship that arises between model and photographer; they return his gaze, boldly and provocatively. In this way, 'Les Filles' testifies to a clearly defined era in China: the young women in the portraits struggle with the strict, moralistic society in which they are living.
Hardcover without jacket in acceptable condition. Two dents and remains of label on spine. Edges, leading corners and spine ends are bumped and worn. Dent on page block face, affecting leading edges of pages in final quarter of volume to varying degrees, including some tears and chips. Page edges are tanned. Content remains clear. TS Used
New York, Asia Society and Museum, September 6, 2007 - January 20, 2008. Edited by Chiu M. Translation by Tinari P. English Text. Milano, 2007; bound, pp. 177, ill., tavv., cm 25x30. english 88-8158-64 bound
119 S. : überw. Ill. ; 28 cm Broschur. Zustand neuwertig. - The indicated shipping costs refer to books weighing up to one kilogram. - Bücher, die schwerer als ein Kilogramm oder größer als 35 x 25 cm sind, werden als Paket verschickt und kosten innerhalb Deutschlands bis zu zwei Kilogramm 6 Euro, darüber hinaus 7 Euro Porto. -
hardcover, 144 pages, 31,3 x 23,7 x 2 cm. fine. ISBN 9789491819858. Zhang Haier is one of todays most important Chinese photographers. His early work offers a unique picture of the underbelly of his countrys cities in the 1980s and 90s: Guangzhou, Shanghai, Hong Kong? His best-known photographs, however, are portraits of women: prostitutes, his wife, friends, anonymous subjects. Women he looks at with a clear sexual fascination. Yet the gaze is two-directional: the women are complicit in the privileged relationship that arises between model and photographer; they return his gaze, boldly and provocatively. In this way, 'Les Filles' testifies to a clearly defined era in China: the young women in the portraits struggle with the strict, moralistic society in which they are living.
Castellarano, 2020; br., pp. 160, ill. col.
Boards with light rubbing to extremities and with one corner bumped; 8vo; NP pages
Fotografie in bianco e nero di Robert Frank. La serie fu pubblicata per la prima volta sul "The New York Times", nel giugno 1963 Design di Robert Frank e Gerhard Steidl. 8vo. pp. 40. . Molto buono (Very Good). . Prima edizione (First Edition). .
27x24. s.pp. Fotogr. Enc. Tela Ed. Sobrecubierta.
Paperback in Good Condition. Pages are clear. Some white paint marks on the front and back cover. Used
ill., br. "Zero gravity" è un libro fotografico dedicato alle spettacolari evoluzioni aeree eseguite durante le partite di campionato di basket dai giocatori professionisti e aspiranti, che come suggerisce il titolo, sembrano sfidare le leggi di gravità. Un vero e proprio show time.
This is a fine hardcover copy, without dust jacket, with a very good hardshell slipcase. This is the signed and limited edition of 250 signed and numbered copies. The signed lithograph is loose and laid in. Illustrated in black & white with Max Waldman's photographs of Zero Mostel. 12" high X 9" wide. Large heavy book, foreign shipping will be extra. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.
Foto in nero, 1900 circa, di cm. 20,5 x 22.
Brossura spallata con graffi e difetti sulla copertina, formato album cm 15x21, pp 32 illustrate innero, con grafiche in arancio-bruno. In italiano.
Paperback in cardboard cassette in very good condition, partly shrinkwrapped; minor bump on cassette's corner. AE Used
in 8vo piccolo 32 b/n e a colori
Segrate, 2012; ril., pp. 336, ill., cm 26,5x27. (Arcobaleno). italiano 88-04-6171 Arcobaleno ril.
Best known for his oversized, dead-pan portraits, his unmediated shots of commonplace interiors, and his seemingly straightforward photographs of architecture, Thomas Ruff has quietly approached many familiar genres, and proceeded to discreetly reinvent them. For his Zeitungsfotos (Newspaper Photographs) series, Ruff found images in newspapers, and then re-photographed and enlarged them to isolate the photographs from the text, allowing Ruff’s viewer, now no longer a reader, to make assumptions about the photograph without any information to support the viewer’s inferences. The book consists of 400 reproductions from German newspapers that Ruff collected over the span of 10 years (1981–1991). — F.to: 14x19; pagg. 800; 2 COL e 400 BN; rileg. brossura. Editore: Bookhorse, Zürich, 2014.
KAYSER H. - SCHAUM K. Zeitschrift fur wissenchaftliche Photographie. Photophysik und Photochemie. Unter Mitwirkung befreundeter Fachgenossen. Leipzig, J.A. Barth , Disponiamo di 13 annate: dal 1924 al 1939 (non consecutive, mancano le annate: 1924, 25, 27, 31 e 37). Rilegate in 15 volumi in mezza tela modesta, di pp. 290 circa ciascun volume con numm. ill. in nero nel testo e tavole fuori testo Buono (Good) . <br> <br> <br>
Paperback with jacket, in good condition. Signed in pencil, by Horst Hamann on the half title page; also numbered (this is no.261 of 321 copies) on the reverse of the same page. Tanning, marks and shelfwear to the jacket; repaired tear on the creased spine head. Some lighter wear and traces of tanning on the cover. The binding is sound; all text (in English and German) and images are clear. CM Used
IN 4. REL TOILE EDIT AVEC JAQ [BE]. 256 PP. 220 ILL EN NOIR. [BE]
