BITESNICH Andreas H.MareMagnum
Richard Avedon; Anne HollanderMareMagnum
Woman in the Mirror, New York NY, Abrams, 2005
English Text. New York, 2005; hardback, cm 29x36.
Libro Co. Italia s.r.l. - Libri Moderni · San Casciano Val di Pesa, IT76,00 €
46 488 résultats
In-8°, legatura in cartonato editoriale, testo in 5 lingue e numerose fotografie artistiche di nudi femminili in bianco e nero.
English Text. New York, 2005; hardback, cm 29x36.
125 tritone photographs, 10 in full color by Richard Avedon (1953). Essay by art historian Anne Hollander / 125 fotografie in bianco e nero e 10 a colori di Richard Avedon (1953). Saggio della storica dell'arte Anne Hollander Designed by Mary Shanahan. 4to. pp. 246. . Molto buono (Very Good). Un taglio alla sovraccoperta lungo il dorso (A cut to the dust jacket along the back). Prima edizione (First Edition). . Tra i personaggi ritratti: Marilyn Monroe, Janis Joplin, Maria Callas, Isak Dinesen, Suzy Parker, Twiggy, Kate Moss, Marianne Moore, Brigitte Bardot, Bianca Jagger, Tina Turner, Dovima e molte altre.
Glossy paper-covered boards show a one inch tear at bottom of spine, bumps to top of spine and edges, and light coffee splash to bottom edges. Same light coffee splash on bottom of dust jacket and bottom page edges of last few pages. Edge wear, small tears to dust jacket. Interior pages clean and unmarked; tight binding. 143 pages. 9 1/4"w x 12 1/4"h. 64 black and white photos are printed on single sides of the pages.
Presentazione di Nicky Akehurst, introduzione di China Hamilton, testo inglese, brossura, formato 20x26, pagine 160, illustrato, ottime condizioni - 7224
Ottimo stato.
Bologna, 2017; br., pp. 160, ill., cm 15x21,5.
Testo tedesco, brossura, copertina con alette, sovracoperta con velina trasparente, formato 16x23, pagine 135, illustrato con tavole in nero e colori fuori testo, ottime condizioni - 20365
In 8ø quadrato (cm. 20 x 20,5); pagg. 118 + 102 tavole fotograf. e 203 illustraz. n.t.; leggera cartonatura originale figurata. VG.
pp. 118+102 di tavole in b/n, f.to 20x20,5, brossura edit., lingua francese, usato, buono
Cartonato editoriale con sovraccoperta figurata, titoli al piatto e al dorso, testo in tedesco a doppia colonna, numerose illustrazioni in b/n nel testo, 102 bellissime tavole fotografiche in b/n a tutta pagina fuori testo, alcuni difetti alla sovraccoperta, all'interno in ottimo stato.
Testo tedesco, brossura, copertina con alette, formato 20x20, pagine 118, illustrato con 102 fotografie in nero fuori testo, ottime condizioni - 27367
Testo di Laszlo Glozer. 203 illustrazioni e 102 tavole a piena pagina in bianco e nero . 8vo (cm 20x20). pp. 102. . Molto buono (Very Good). . Prima edizione (First Edition). .
16 S. + Musterbogen. Original Karton mit farbig illustriertem Deckeltitel. (=Beyer-Band 261). Einband etwas berieben und fleckig (auch verso), am Deckeltitel unten fehlt an der Ecke ein kleines Stück (kein Textverlust), letzte Seite mit kleinem Randeinriss, sonst gut erhalten. Mit zahlreichen photographischen sw Abbildungen von A. Lazi, B. Winterfeld und Yva (ohne Bildzuordnung) und einem großen, ausfaltbaren, beidseitig bedruckten Schnittmusterbogen.
Clouds are fleeting entities studying them so as to correctly classify, name and read their forms was considered in the 19th and early 20th centuries an important step in coming to understand the secrets of the atmosphere. In its early stages photography offered scientists completely new ways of depicting clouds. They used cameras to make precise, lifelike images, which provided in turn insights into the interaction of clouds and the atmosphere. Helmut Völter's Cloud Studies presents six different stations of scientific cloud photography, from its beginnings in the 1880s to the images made by the first weather satellites in the 1960s. Each of the six chapters represents a very different scientific and photographic perspective of clouds. With an essay by Marcel Beyer; photographs by Albert Riggenbach, Ralph Abercromby, anonymous pilots of World War I, Ferdinand Quénisset, Philippe Schereschewsky, Philippe Wehrlé, Masanao Abe and the Tiros weather satellites; and excerpts from works by Jean Baptiste Lamarck, Luke Howard, Johann Wolfgang Goethe, John Ruskin, Gerard Manley Hopkins, William Clement Ley and others. — Testi: Beyer Marcel, Völter Helmut. F.to: 20x27; pagg. 272; 132 bicromie; rileg. rigida. Editore: Spector Books, Leipzig, 2011.
This is a very good softcover copy with light cover wear. Completely clean. Text in GERMAN. This issue Nr. 3, 1989 May/June has a 16 page feature on Robert Mapplethorpe. Illustrated in black & white. 12" high X 8" wide, 100 pages. This book will be securely wrapped and shipped with tracking.
Mit einen vorwort von Wim wenders, testo tedesco, rilegato, cartonato, sovracoperta, formato 21x28, pagine 154, illustrato a colori, ottime condizioni - 31179
pp. 48 con ill. in b/n Der Fotorat 30. Nubi nella foto!
GRAND IN 4 CARRE. BR [BE]. ENV 60 PP. ENV 60 ILL EN NOIR. [BE]
Wolfgang Tillmans' "truth study centre" became a fixed part of his exhibitions since he first showed a version of the multi-part tabletop installation in 2005. Often arising from local circumstances and current issues at the time of their creation, the "truth study centre" works mark an endeavour to create a clear view in ever more confusing times. Tillmans observed the paradigm shift that defines politics today early on. The scope and complexity of this project become apparent for the first time through this book, the second we have published, after "manual" in 2007, dedicated to this set of works. Over 320 pages, printed using a high-resolution technique, Tillmans presents an alternative chronology of the present. Far exceeding his original and main medium of photography, he juxtaposes a variety of contrary opinions, statements and comparisons on recurring table formats. The dimensions of the wooden tables, which he designed himself, are not arbitrary: they are built using standard British door panels, 198 cm long, and with one of four different standard widths. This book gives an overview, through lavish reproductions, of this new form of collage, in which picture, text and object "are only kept in place by their own weight." An essay by Thomas McDonough, Professor for Art History at Birmingham University, New York, places Tillmans' project within the context of twentieth-century collage, from Hannah Höch to Robert Rauschenberg. This artist's book, produced by Tillmans' Berlin atelier, includes a Fresnel magnifying glass, making it possible to zoom in on the contents and read even the smallest of printed texts. The largest installation of "truth study centre" to date will be shown in Berlin's Hamburger Bahnhof beginning November 28, 2015. — Testi: Donough Tom. F.to: 28,5x25; pagg. 336; 250 COL; rileg. rigida. Editore: Buchhandlung Walther König, Köln, 2015.
<I>The Cars</I> compiles a new body of work by renowned photographer Wolfgang Tillmans (born 1968). Since the early 90s, Tillmans has redefined the genre of photography, epitomizing a new kind of subjectivity and questioning existing values and hierarchies. <I>The Cars</I> is no exception; images of cars in a typical street view--not in a crash, or an extreme traffic jam, but simply present--pay tribute to the amount of time we spend around, or looking at, or using the vehicle.<br>"Cars are everywhere," the photographer says. "Their sheer number is the most crazy thing about them. They appear in our lives with excessive omnipresence. In their volume cars intrude upon public space, and the way they occupy streets and open areas is rarely challenged." This unusual artist's book takes up a subject rarely deemed worthy of representation. "Virtually wherever there are people, there are cars and they are visually intermingling in whatever we see," Tillmans points out. "We are looking at the world from a car and cars are in the foreground, the background or in between of what is in our view."<br>With over 100 color photographs and text by the artist himself, this new volume is an important addition to any photobook collection, and to our understanding of what it is to live in a world oversaturated with both cars and images. — pagg. 128; 150 COL; rileg. brossura. Editore: Buchhandlung Walther König, Köln, 2015.
"For many years I have thought about the possibility of creating monothematic portrait books of friends I have photographed over a long period. Finally I had the time over Christmas to begin this process and I’m very happy with the draft for Conor Donlon. The book runs chronologically over 15 years and is therefore not only a portrait of a person, but also of a friendship, the city of London, and the nightlife in East London, which no longer exists. Haircuts, men’s fashion... many aspects emerge through the perspective of time. Londoners will recognise, for example, The Ghetto, Joiners Arms and the George & Dragon.“ (Wolfgang Tillmans) — Testi: Needham Alex. F.to: 16x24; pagg. 192; COL; rileg. brossura. Editore: Buchhandlung Walther König, Köln, 2016.
According to photographer Wolfgang Tillmans (born 1968), “for the chosen few, flying Concorde is apparently a glamorous but cramped and slightly boring routine while to watch it in air, landing or taking off is a strange and free spectacle, a super modern anachronism and an image of the desire to overcome time and distance through technology.” With no text other than the inner-front flap’s description, this fifth printing of Tillmans’ now iconic artist’s book (first published in 1997) consists of 62 color photographs of the Concorde airplane―taking off, landing or in flight, and sometimes as just a tiny, birdlike silhouette in the sky. The photographs speak of both the beauty and the environmental devastation produced by this fabled French airplane, both sides of which Tillmans captures in his casual yet formally elegant signature style. — pagg. 128; rileg. brossura. Editore: Buchhandlung Walther König, Köln, 2017.
In 4°, pp 180 con molte foto a colori. Cart. editoriale con sovraccoperta illustrata. Testi in inglese, francese, tedesco (texts in english, french and german). Strappetto senza mancanze alle prime due pagine. Ottimo esemplare.
