Brassai (pseudonym of Gyula Halasz)Biblio.com
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4845Number 149 of only 150 copies signed by Brassaï and accompanied by a hand-pulled dust-grained gravure made by John Goodman also signed by Brassai of Henri Matisse drawing from the nude 1939. The binding has been designed by Sage Reynolds and executed at the Four Hands Bindery New York. An as new copy without previous owners' names or other markings & including the elusive lucite locking pin. 223 pages. 9.75 x 11.75 inches. Viking Studio hardcover
200227891CHICAGO: CHICAGO. Fine with no dust jacket. 2002. First Edition; First Printing. Printer Wrapper. UNCORRECTED PAGE PROOF. Fine in glossy pictorial printed wrappers. . CHICAGO. unknown
1960EK254474Batsford London 1960. 1st Edition. HARDCOVER. 1st printing. 8vo in dark green cloth gilt lettering to spine 264pp frontispiece plus 41 other photos by Brassai all full page or double page __CONDITION : A well preserved FINE very clean and tight unmarked copy page-block edges tanned in a lightly edge worn VERY GOOD complete Dust Jacket small chip with associated creasing to head of spine panel looks very presentable in its removable transparent protector. . . . . . . . . . . . . . To see more of our Photo books type DbbPHOTO in the Keywords search box __We always ship in PROTECTIVE CARD PARCELS Batsford, London hardcover
1933ABE-1619647199344Paris Magazine 1933 Softcover quarto magazine Paris Magazine 1933. 1st Edition. Includes color nude by Bzassai. Spine almost completely torn loose first page loose. Worn and faded. Good condition. Text is in French. 1st Edition. Soft cover. Good. Paris Magazine paperback
197628842New York: Pantheon 1976. First Edition. Hardcover. Very good/Very good. A nice copy of this photobook of the Paris underworld at night signed by Brassai. First American edition. A very good copy in a very good dust jacket. Some spotting to the edge of the page block and the inside of the jacket. Inscribed by the photographer "For Ronald Bostrom bien amicalement Brassai. New York le 20 Oct. 1976. Pantheon hardcover
200370847Wien : Brandstätter 2003. 319 S. : überw. Ill. ; 32 cm Karton 0
196820878Museum of Modern Art New York 1968. Cloth. Near Fine/Very Good . SIGNED AND DATED BY BRASSAI on the title page. A very sharp copy to boot of the 1968 1st edition. Clean and Near Fine in a bright price-clipped VG dustjacket with light creasing and one small closed tear along the spine crown. Octavo Introductory essay by the redoubtable Lawrence Durrell. 80 pgs. 61 crisp beautifully-reproduced black-and-white photos throughout. Museum of Modern Art, New York unknown
25787Paris, Le Point du Jour, 1949. Pt. in-8°, 90p. Broché, couverture illustrée.
41285Paris, Le Point du Jour, 1949. Pt. in-8°, 90p. Broché, couverture illustrée.
37866Paris, Revue de la Maison de la Médecine, 1951. In-4°, non paginé. Broché, couverture illustrée.
19601022951960 Paris, Radiodiffusion-Télévision Française, 1960, une émission de Jean Marie Drot, 273x213mm, 103pp., reliure toile verte, lettrage or sur le plat.Avec la participation de : Henri-Georges Adam (1904-1967), Brassaï (1899-1984), Roger Grenier (1919-2017), Daniel-Henry Kahnweiler (1884-1979), Jacques Prévert (1900-1977), Raymond Queneau (1903-1976), Raymond Savignac (1907-2002)Acteur : Rosy Varte (1923-2012)Voix parlée : Jean-Marie Drot (1929-2015)Textes anglais et français en regard(102295)
19631030211963 Catalogue de l’exposition, 265x208mm, 28ff., broché sous couverture illustrée d’un tirage argentique original représentant un chat. Le catalogue a bénéficié de nombreux renseignements fournis par Brassaï. Il a été rédigé par M.-F. Brouillet ; 192 œuvres décrites, bibliographie.Envoi autographe signé à René Bertelé daté du 9 mai 1963. (103021)
19631030221963 Catalogue de l’exposition, 265x208mm, 28ff., broché sous couverture illustrée d’un tirage argentique original représentant un chat. Le catalogue a bénéficié de nombreux renseignements fournis par Brassaï. Il a été rédigé par M.-F. Brouillet ; 192 oeuvres décrites, bibliographie. (103022)
1964100944Paris Gallimard 1964 1 206x142mm In-12, 206x142mm, 338 p. et 53 photographies hors texte, broché. Edition originale, un des 45 sur vélin pur fil Lafuma (n°17), seul grand papier. Léger brunissement en partie haute de la couverture.
19641018581964 Paris, Gallimard, octobre 1964, 206x142mm, 338p et 53 photographies hors-texte, broché. Texte et photographies de Brassaï.Edition originale, exemplaire du service de presse.(101858)
19641054071964 Paris, Gallimard, octobre 1964, 206x142mm, 338p et 53 photographies hors-texte, broché. Texte et photographies de Brassaï. Edition originale, dos un peu passé, traces en couverture.(105407)
1960100285Stuttgart Belser Verlag 1960 285x233mm, 48p., 105 planches photographiques, pleine toile blanche, titre sur le plate et au dos, jaquette photographique, étui d'éditeur marqué « Brassai » au tampon. Avec un texte de Picasso sur l'art du graffiti traduit en allemand par Karl Balser L'intérêt de Brassaï pour les graffiti se manifeste dès les années 30 avec leur publication dans la revue surréaliste « Minotaure »; ce livre est publié à l'occasion d'une exposition présentée à New York, London, Milan, Baden-Baden, Frankfurt, Hannover, and Paris. L'approche est influencée par le surréalisme et l'art brut. Edition originale parue avant l'édition française de 1961, texte en allemand. Bel exemplaire complet de son étui. (100285)
19521032331952 Paris, éditions Neuf, 15 Janvier 1952, 84p. , 66 photographies la plupart pleine page. Textes de Henri Miller et Brassaï. Maquette de Robert Delpire et Pierre Faucheux. Pleine toile de l’éditeur, portrait de Brassaï en couverture. (102297) + (103233)
200231825Paris: Flammarion 2002. Rilegato tela sovracoperta cloth dust jacket. Ottimo Fine. Introduzione di Gilberte Brassai. 105 fotografie in nero a piena pagina di Brassai e un estratto di un testo dell'Artista da "Conversations avec Picasso". Edizione in inglese. Cm 31x28. pp. 160. Ottimo Fine. Prima edizione inglese First English Edition. Flammarion, hardcover
198207076Denoel 1982-01-01. Hardcover. Very Good/Very Good. French language. There is an outer glassine dust jacket that has some soiling and darkening with age - I believe it was sold with this on the book to hide the nudity on the dust jacket. Dust jacket is clean and bright with 1/2" tear lower left corner front and 2 tears upper right corner rear 3/4 & 1/4" some wear head/tail of spine. Tan cloth boards are fine condition as is the book's interior. First French edition. A wonderful collection of photographs of artists by this extraordinary artist. All orders packed with care most dust jackets protected by Brodart sleeve independent bookseller since 2011 Denoel hardcover
23842Paris : Gallimard 1975. First trade edition. Octavo stiff card covers in dust wrapper with portrait of Miller by Brassaï 1932 boldly inscribed by Brassaï on the half title 'Pour Baby et Marion Sulzberger bien amicalement Brassaï. Paris le 29 dec 1975'; pp 264 1 with 16 crisp photogravures of people and places from Miller’s life in Paris; wrapper with a few short edge tears two with discreet tape repairs and some wear along the spine contents clean and bright; a very good inscribed copy. Photographer sculptor writer and filmmaker Brassaï's tribute to his friend American writer Henry Miller 1891-1980. It was Miller who first called Brassaï 'the eye of Paris' alluding to his supreme talent as a photographer. The first edition of this work appeared in a limited edition of 25 copies. unknown
194922760Paris.: Editions du Point du Jour. 1949. Original publisher's terracotta printed wrappers with reproduction of Brassai's manuscript title in black as titles to front cover and spine. 12mo. 165 x 128 mm. Leaf with publisher's device verso leaf with calligraphic title recto and justification verso six leaves with Henry Miller's 'Introduction' and Brassaï's verse three leaves with 'Répertoire des Mots-Clés de Marie' two leaves with 'Table' and final leaf with achevé d'imprimer recto and 'Printed in France' verso. André Breton's copy with a presentation from Brassaï.From the first edition limited to 2626 copies with this unnumbered copy on vélin des Papeteries de France.From the library of André Breton with a presentation from Brassaï to Breton on the colophon: 'Pour André Breton / Ces annonces faites par / Marie / Souvenir amical de / Brassai / Paris vendredi treize mois de / Marie 1949'; the achevé d'imprimer gives the date of publication as 'le 30 Avril 1949'.Also included loosely inserted is the original invitation to the signing of the book by Brassai: 'Brassai signera / L'Histoire de Marie / à la Librairie de / l'Arc en Ciel / 17 rue de Sèvres / Samedi le 18 Juin de 17-19h'.Brassai born Gyula Halasz in what is now Romania was a prolific photographer who documented the seamier side of Parisian life. This collection of Brassai's poetry introduced by his friend Henry Miller demonstrates that he was more than that. Divided into three sections 'Propos de Marie' 'Le Procès de Marie' and 'Repertoire des Mots-Clés de Marie' the poetry is decidedly surreal in tone. Editions du Point du Jour. unknown
dola588Chicago & London: University of Chicago Press 1999. First Edition of the English Translation of Conversations avec Picasso Paris: 1964. 8vo. pp. xx 392. 24 double-sided plates. title illus. index. quarter cloth. dw. Fine copy dw. price-clipped Chicago & London: University of Chicago Press, [1999] hardcover
dola589New York: Pantheon Books 1987. First American Edition Softcover Issue. folio. profusely illus. 57 printed in heliogravure using Brassaï's original plates reproduced in the 1933 Paris first edns. wrs. laminate peeling New York: Pantheon Books, [1987] paperback
74855Paris Pierre Tisné 1946. 4° 11 S. Text. 27 Taf. m. montierten Abb. Mappe mit Pergamin-OU m losen Blättern OU mit kleinen Fehlstellen und gebräunt Nr. 68 von 600 Exemplaren. - Mit Widmung des Malers und Photographen auf dem Titelblatt.Abgebildet sind überwiegend weibliche Akte. 010 Paris, Pierre Tisné, 1946 unknown
