689 résultats
19726045221972. "Brassai" boldly penned in black ink on his engraved Brassai 81 Rue du Faubourg Saint Jacques Paris letterhead January 18 1972. 8 1/4" x 10 3/4"; 1 page recto only. To Monsieur John Gruen c/o The New York Magazine 207 East 32nd Street New York N.Y. 10016 U.S.A. In part: ". . . Please forgive me for taking so long for thanking you . . . Your article in New York Magazine was so understanding and friendly! . . . If you would like to I would like you to choose one of my photographs those that are signed and numbered from 1 to 30 at the Schoelkopf Gallery. It would truly make me very happy . . . I am working very hard on tapestries and sculptures . . . They will be in a show in a large Parisian gallery avenue Matignon. Opening day 22 March is approaching . . . A Brassai show . . . last year to Australia and New Zealand . . . South America . . . Mexico City Buenos Aires . . . I am surprised at the success of my photographs . . . With gratitude and friendship . . .". Signed by Authors. No Binding. Fine/No Jacket. unknown books
193455114Paris-Publications 1934. Softcover. Previous owner’s signature inside front cover. As is nearly always the case with this book the plastic or Bakelite rings that once held the book together are lacking having apparently broken they must have been quite fragile and so the covers and the pages are entirely disbound.<br /> However this copy differs from most others in being more complete: it has 2 pages of text and 46 pages of images. Most copies have either 38 or 44 pages of images. This is said to be the result of censorship; since the pages are unnumbered and there is no list of the images the removal of one or more leaves would not be noticeable. Or it may be the result of there not having been an equal number of good copies of each leaf when the book was assembled.<br /> In any case this is except for the binding rings the most complete and probably earliest state of this scarce volume.<br /> Some remnants of celotape on the covers probably from an attempt to compensate for the missing binding rings. Credit to Brassia inside back cover and price 40 francs on back cover. . 48p. Paris-Publications, [ paperback
002510Paris: Paris-Publications This is a near fine copy of the rarest of Brassai's books which has been bound into a hardcover binding from the period in handsome red and black marbled paper-covered boards and a linen cloth spine with red leather label gilt title. The original binding of this book was a spiral plastic ring type. The spiral binding was taken off and the book with its original red-orange covers with the title printed in large white letters was bound in whole. Covers are bright and clean in very good condition small closed tear to bottom corner of back cover inside completely clean. There is no date on the colophon page inside back cover and there apparently were two editions. The first edition was published in 1930 but Brassai was reportedly unhappy with the selection of images and because he was not credited. In our copy he is credited as the photographer and so we assume this is the second edition from ca.1934. It is unpaginated. There are 40 pages with 38 black and white photographs of ladies of the night strippers models night clubs and balls like the Bal Tabarin shots of tough streetwalkers in Les Halles many shots of men and women in costume sometimes drag also a lesbian couple in a club "strictement Feminine" shots of lovers in parks on streets playful shots of men looking into a lingerie shop window with elaborately garbed mannequins at night 1 shot of Kiki in a Montparnasse night club an amazing shot in " La Cage a Femmes d'un Grand Music-Hall Parisien" which shows a cage or pit viewed from above with women on stools like lions in various states of undress and performing "acrobatic" feats. Finally tipped in at the very end on the collophon page a half-page size shot in color of a nude woman in profile we assume not by Brassai. Large 4to 11" high X 8" wide. The original book was not cut down when re-bound it is in its' intended size and because of the re-binding it has been kept in near fine condition. A beautiful copy of a true rarity. This book will be securely wrapped and packed in a sturdy box and shipped with tracking. Hard Cover. Near Fine. Paris-Publications Hardcover
This is a near fine copy of the rarest of Brassai's books, which has been bound into a hardcover binding from the period, in handsome red and black marbled paper-covered boards, and a linen cloth spine with red leather label, gilt title. The original binding of this book was a spiral plastic ring type. The spiral binding was taken off and the book with its original red-orange covers with the title printed in large white letters, was bound in whole. Covers are bright and clean, in very good condition, (small closed tear to bottom corner of back cover), inside completely clean. There is no date on the colophon page (inside back cover) and there apparently were two editions. The first edition was published in 1930, but Brassai was reportedly unhappy with the selection of images and because he was not credited. In our copy he is credited as the photographer and so we assume this is the second edition from ca.1934. It is unpaginated. There are 40 pages, with 38 black and white photographs of ladies of the night, strippers, models, night clubs and balls like the Bal Tabarin, shots of tough streetwalkers in Les Halles, many shots of men and women in costume, sometimes drag, also a lesbian couple in a club "strictement Feminine", shots of lovers in parks, on streets, playful shots of men looking into a lingerie shop window with elaborately garbed mannequins at night, 1 shot of Kiki in a Montparnasse night club, an amazing shot in " La Cage a Femmes d'un Grand Music-Hall Parisien" which shows a cage or pit, viewed from above with women on stools, like lions, in various states of undress and performing "acrobatic" feats. Finally tipped in at the very end on the collophon page a half-page size shot in color of a nude woman in profile, we assume not by Brassai. Large 4to, 11" high X 8" wide. The original book was not cut down when re-bound, it is in its' intended size, and because of the re-binding, it has been kept in near fine condition. A beautiful copy of a true rarity. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.
193426971Paris: Paris-Publications N.d. c. 1934. Lacking spirals most copies with intact spiral bindings are not original; a very good copy creased at the top edge with soiling to the distinctive orange wrappers. Presumed second issue of Brassai's first book disavowed due to contractual conflicts. Thin quarto spiral-bound. With 38 photographs of Parisian nightlife that while chaste now were deemed to racy for inclusion in "Paris de Nuit". SIGNED by Brassai and inscribed to publisher Nicholas Callaway: "Pour Nicholas / Callaway / un livre / Ã hion insu / bien amicalement / le 3 mai 1981. Brassai." Very uncommon signed. Paris: Paris-Publications unknown books
193426971Paris: Paris-Publications N.d. c. 1934. Lacking spirals most copies with intact spiral bindings are not original; a very good copy creased at the top edge with soiling to the distinctive orange wrappers. Presumed second issue of Brassai's first book disavowed due to contractual conflicts. Thin quarto spiral-bound. With 38 photographs of Parisian nightlife that while chaste now were deemed to racy for inclusion in "Paris de Nuit". SIGNED by Brassai and inscribed to publisher Nicholas Callaway: "Pour Nicholas / Callaway / un livre / à hion insu / bien amicalement / le 3 mai 1981. Brassai." Very uncommon signed. Paris: Paris-Publications unknown
19351952Paris: Paris-Publications 1935. FIRST EDITION THE PRESUMED FIRST ISSUE COMPLETE WITH THE EIGHT SUPPRESSED PLATES AND ORIGINAL SPIRAL BINDING. Original spiral binding. Very Good. FIRST EDITION THE PRESUMED FIRST ISSUE COMPLETE WITH THE EIGHT SUPPRESSED PLATES AND ORIGINAL SPIRAL BINDING. "Brassaï's early photographs concentrated on the nighttime world of Montparnasse a district of Paris then noted for its artists streetwalkers and petty criminals. His pictures were published in a successful book Paris de nuit 1933 which caused a stir because of its sometimes scandalous subject matter. His next book Voluptés de Paris made him internationally famous" Britannica. "Paris by Night was no sooner off the press than Brassaï sold the remaining photographs to the popular magazine Voilà and began another phase of his exploration of the city. In December 1933 he wrote his parents that he was taking the final photographs for his 'Paris intime' Pierre Mac Orlan had agreed to write the preface and publication was scheduled for March. "By October 1935 it was clear that the book had stalled at the publishers. Although Brassaï had received an advance the publisher claimed he was financially unable to bring the book out. When the book finally did emerge from the printer it was entitled Voluptés de Paris and there was no introduction by Mac Orlan. The unsigned preface mimicked a carnival barker's spiel touting the city to the potential reader like a lewd sideshow attraction: 'Paris the paradise of desire the capital of Adventure. Paris where you can find your every fantasy in reality.'. Available by mail order the book would be sent in a plain wrapper." Brassaï was not pleased with the production and distribution of the book and soon disowned it. "However Voluptés de Paris did not entirely escape critical notice. Peter Pollack. judged it among Brassaï's best work 'an invaluable collection of Brassaï's essential pictures'." Marja Warehime Brassai: Images of Culture and the Surrealist Observer. On the two issues: Anne Wilkes Tucker notes in her detailed book Brassaï: The Eye of Paris: "The book is very rare and for unknown reasons two versions exist. One has thirty-eight halftones and the other has forty-six. I have yet to see a copy of the larger edition with the binding intact so perhaps plates were removed to prevent the rings from breaking". This is the only copy we have seen complete with the forty-six photos and original spiral rings. Paris: Paris-Publications 1935. Quarto original orange wrappers original spiral binding; custom box. One leaf neatly detached; neat stars drawn on two leaves not affecting images. A spectacular copy. RARE. Paris-Publications unknown books
19381297-AEditions de la Revue Verve, 1938. Vol. I, n° 3 (oct-déc. 1938). Épreuve à plat (358 x 535 mm) avec marges, avant massicotage de la couverture composée spécialement par Pierre Bonnard et imprimée par Draeger Frères.
196227696(Paris), Delpire / Coll. ''Encyclopédie essentielle'', (1962). Un vol. au format pt in-4 à l'italienne (217 x 192 mm) de 104 pp. Reliure d'édition de plein cartonnage illustré.
198788225Réunion des musées nationaux 1987 In-4 broché 27 cm sur 22. 155 pages. Bon état d’occasion.
198754934éditions de la Réunion des Musées nationaux 1987 . In-4 28 x 23 cm. Reliure de l’éditeur pleine toile noire sous jaquette illustrée, 154 pp., 67 reproductions de tirages originaux de Brassaï. Exemplaire en très bon état.. Poids sans emballage : 970 grammes. la photographie a constamment accompagné Picasso, souvent comme un simple témoin, mais parfois comme un auxiliaire actif, révélateur de sa personnalité comme le montrent les clichés de Brassaï.
45198Lyon, directeurs René Tavernier et René Bertelé. Un volume 14,3x20,8cm, 120 pages avec une photo de Picasso par Brassaï. Bon état.
193528124Paris Denoël et Steele, numéro spécial de la revue "Le Document", n° 3 (1re année), avril 1935, 1935 in-folio, agrafé, couverture illustrée en couleurs, 96 pp., photographies par Brassaï, Laure Albin-Guillot, Germaine Krull, Ylla, Ilse Bing, etc. La maternité, les petits métiers féminins, les grands magasins, etc.
193528124Paris Denoël et Steele, numéro spécial de la revue "Le Document", n° 3 (1re année), avril 1935, 1935 in-folio, agrafé, couverture illustrée en couleurs, 96 pp., photographies par Brassaï, Laure Albin-Guillot, Germaine Krull, Ylla, Ilse Bing, etc. La maternité, les petits métiers féminins, les grands magasins, etc.
45089Paris : Lettres Nouvelles, 1956. Directeur : Maurice Nadeau. Un volume broché (14,3x22,7 cm), 160 pages. Bon état. Comprend notamment une Mythologie, de Roland Barthes.
49865Paris Robert Delpire, Editeur 1954 in 4 (27,5x21,5) 1 volume reliure toilée noire de l'éditeur sous jaquette illustrée (quelques petites rousseurs sur le bord de la jaquette), 192 pages, avec de nombreuses photographies en noir et blanc de Brassaï, ex-dono manuscrit au verso de la première page de garde. Préface de Henry de Montherlant. Textes inédits de Dominique Aubier. Collection Neuf. Bon exemplaire ( Photographies sur demande / We can send pictures of this book on simple request )
1954qi2220Robert Delpire, éditeur Cartonné avec jaquette 1954 In-4 (22 x 27,5 cm), cartonné toilé sous jaquette illustrée, 152 pages ; petites déchirures avec et sans manque sur les bords de la jaquette, par ailleurs intérieur très frais, assez bon état. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.
49284Delpire "Collection Neuf" 1954, in-4 (27,5 x 22 cm) relié toile bleue de l'éditeur, 153 p. (manque la jaquette, dos passé au gris-bleu, sinon très bon exemplaire) Dans une maquette de Robert Delpire et Pierre Faucheux, bel album à la gloire de Séville et, notamment, de sa Semaine Sainte, illustré de nombreuses photos NB de Brassaï et préfacé par Montherlant.
199368065RMN; Et Al. New. 1993. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Text in French. 216 pp. With 255 ills. 102 col. . 30 x 26 cm. Description: "Highlighting a distinctive mode of realism explored by diverse European artists from the late 1930s through the 1950s this catalogue documents an exhibition of 253 paintings drawings sculptures and photographs that include many expressive portraits and figure studies embodying visions of alienation and psychological anguish. Good reproductions of the works and individual commentaries on the featured artists are prefaced by an essay examining their humanist and existentialist themes and their stylistic orientations in the context of the cultural artistic and philosophical climate in Europe during the period." -- with a bonus offer--; 0.79 x 11.81 x 9.84 Inches . RMN; Et Al paperback
19472023Paris: Editions Arts et Metiers Graphiques/Batsford 1947. First printing. Paperback. Very Good. 115 black & white photographs with a few coloured ones. Ansel Adams IzisGeorge Platt-Lynes Doisneau Brassai Bill Brandt Beaumont Newhall Willy Ronis & Horst. The rear cover has about half of the holes for the spiral binding broken out. <br/><br/> Editions Arts et Metiers Graphiques/Batsford paperback
Catalogue to accompany the retrospective exhibition of the work of photographer Gyula Halász, better known as Brassaï, at the Georges Pompidou Center in Paris April 19 to June 26 2000. 66 pages. Text in French.
1945177911945. Paris Éditions de La Table Ronde 1945 - Broché couv. rempliée 25 5 cm x28 5 cm 227 pages - Exemplaire n° 1993 un des 2000 sur Vélin Crèvecoeur des papeteries du Marais - Texte collectif - Au sommaire : Jean RACINE : Principes de La Tragédie tirés de la Poétique d' Aristote - André SUARES avec Maïa - Jules ROMAINS : Nomentanus Le Réfugié - Daniel HALEVY : Nouveau Discours sur L'Histoire Universelle - Marcel AYME : Samson - Philippe HERIAT : Les Amours Bourgeoises - Patrice de LA TOUR DU PIN : Poèmes d'enfants - Pierre BOUTANG : Chez Madame Dorlinde - DESSINS de : Jacques VILLON Marcel GIMOND Francis GRÜBER André MARCHAND Jacques DESPIERRE BRASSAÏ Léon GISCHIA - Cet ouvrage se termine par un Fac-simile d'une lettre de LOUIS XIII au CARDINAL de RICHELIEU - Textes réunis par Thierry MAULNIER -- En partie non coupé - Très bon état
35364Antwerpen, Provincie Antwerpen/Museum voor Fotografie, 1987 originele uitgeversomslag, 29.5x21 cm., pagina's zonder nummering, 56 z/w foto illustraties.
1952018942Paris: Piere Tisne 1952. New Edition . Illustrated Boards. Very Good/Good Glassine Dust Jacket. 12 5/8" Tall. 145 Pp. Including Photo Credits At Rear. Boards Worn And Bumped At Corners Glassine With Small Chips At Corners And Missing Most Of Top Third Of Rear Panel. With The Red Paper Wrap-Around Band Announcing This "Nouvelle Edition Transformee / 30Eme Mille"And The Erratum Slip. Former Owner's Name On Half Title. <br/> <br/> Piere Tisne hardcover
6527Paris, XXe siècle, 1971, reliure pleine toile d'éditeur avec jaquette illustrée, 25x32 cm, 130 pages , illustrations en noir et blanc et couleur.