Brassai, Gyula HalaszBiblio.com
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1977DADAX03947338431977-08-12. First Edition. paperback. New. xx. Buy with confidence. Excellent Customer Service & Return policy. paperback
194966959Paris: Les Editions Pont de Jour 1949. First Edition. Wraps. Near fine. Limited to 2600 copies this is copy No. 407. A collection of poetry by the Hungarian-French photographer sculptor and writer with an introduction by Henry Miller. Text in French. Inscribed and signed by Brassai opposite the title page. 16mo. Printed on Velin Alfa paper and bound in light brown paper wrappers. Near fine. Les Editions Pont de Jour unknown books
9418Deux portraits en gros-plan de Brassaï, assis sur un sofa, vêtu d'un élégant gilet pied-de-poule. Photographies prise en mai 1975 par Marc Morceau (cachet au verso). Tirages argentiques d'époque 33 x 23 cm. Très bon état. /// Sur la première photo, Brassaï regarde l'objectif légèrement de biais ; sur la seconde, il cache ses yeux avec sa main gauche.
19492310London / New York: The Focal Press 1949. First Edition. Fine/Very good . 8vo 10 x 6 7/8 inches 248 x 175 mm 98 pp. including a fold-out page with technical data for each photo. Text in English. Cream cloth with orange lettering on cover and spine. Pictorial dust jacket unclipped with a little wear to the seams chips to top folds and some soiling protected in a mylar dj cover. Contents are clean and pages unmarked. An important work on Paris by the Hungarian-French photographer sculptor writer and filmmaker who rose to international fame in France in the 20th century. He was one of the numerous Hungarian artists who flourished in Paris beginning between the world wars. This volume appeared in "Masters of the Camera" a series of "pictorial monographs. A library of the world's best camera work by the world's best cameramen." Dust jacket <br /> At the rear is a folding page with technical data of the equipment used by Brassaï for each of the photographs. The Focal Press unknown
19561326658Paris: The Olympia Press 1956. First Edition. 10mo. 171 pages; G-; in yellow black and gray wraps no lettering to spine; creasing to spine ; with photographs from Brassaï; States 'First and Original Edition' on title-page; a notoriously delicate binding this copy has glue visible along the gutters gatherings separated from spine at sfep; name on sfep pen on rear flap; shelved case 2. 1326658. Shelved Dupont Bookstore. The Olympia Press unknown books
19561326658Paris: The Olympia Press 1956. First Edition. 10mo. 171 pages. In Good minus condition. Bound in yellow black and gray wraps with no lettering to spine. Creasing to spine. A notoriously delicate binding this copy has glue visible along the gutters gatherings separated from spine at second free end paper name on second free end paper pen on rear flap. States 'First and Original Edition' on title-page. Shelved in Case 2. A novella covering Miller's time living as a struggling writer in Paris during the 1930s roughly during the same time that he was working on Black Spring. This first edition was published by Olympia Press in 1956 while Miller's work was still being censored in the United States. It would finally see an American release in 1965 after Miller won his obscenity case over the content of Tropic of Cancer. This 1956 edition features black and white photography by Hungarian-born photographer Brassaï Gyula Halász who Miller had elsewhere called "the eye of Paris." 1326658. Shelved Dupont Bookstore. The Olympia Press unknown
193838535Paris: Arts et Metiers Graphiques 1938. Very Good. Paris: Arts et Metiers Graphiques 1938. First Edition. Large quarto; publisher's metal spiral-bound pictorial wrappers housed in custom cloth slipcase; unpaginated; includes ninety leaves of black and white and color plates including some tipped in or folding. Wrappers a bit rubbed though contents remain clean and sound. A Very Good example.<br /> <br /> The penultimate issue of one of the great annuals of art photography. Arts et Metiers Graphiques unknown
193716251Paris, Gallimard, collection Métamorphoses III, 1937. In-8 broché de 176-[4] pages couverture de papier vergé. Couverture légèrement insolée,.
194971809Paris: Les éditions du point du jour 1949. Fine. Les éditions du point du jour Paris 1949 12.50 x 16.50 cm broché First edition one of the numbered copies on alfa vellum. Introduction by Henri Miller. Handsome copy. Autograph inscription dated and signed by Brassaï to Alex and Nadia Bloch. Les éditions du point du jour hardcover
1949CLL-386Paris, Les Editions du Point du Jour, 1949 In-8 de 92 pp., broché, non coupé.
14042Paris, Les Editions du Point du Jour, 1949. In-12 carré, 90 pp., broché (traces de mouillures au premier plat de couverture).
198218611982 Editions Denoël, Paris, 1982. In-4, cartonnage éditeur, jaquette illustrée d'une photo. 224 pages. Nombreuses illustrations photo
194685130Couverture souple rempliée. Illustré de 30 dessins contrecollés. Non rogné.
42200Paris.Editions du Chène.1949.In-4,cartonnage éditeur illustré d'une main.texte et 216 reproductions en noir. BE.intérieur.Qques piqures en page de garde.Couverture frottée.
1956015794Paris Olympia Press 1956 In-12 Broché, couverture illustrée à rabats
11506Le Point du Jour. " Le Calligraphe ". 1945. Grand in-8° broché. Couverture rempliée, illustrée d'une photographie de Brassaï. 224 pages. E.O. sur papier ordinaire. [10 madagascar / 324 Rives Envoi autographe signé de Jacques Prévert.
14048Paris, Le Calligraphe, 1945 [1946]. In-8, 224 pp., broché, couverture originale illustrée (couverture gauchie, une tache et une petite déchirure au premier f., petit manque au faux-titre).
1933124737Paris Éditions Albert Skira 1933 11 vol. broché in-4, broché, couverture illustrée (André Derain), 115 pp., 6 ff. Numéro double comprenant des textes par Breton, Tzara, Lacan, Dali, Eluard, Man Ray, Péret ou encore Maurice Heine, et illustré d'un frontispice en couleurs par Man Ray ainsi que de nombreuses reproductions (Brassaï, Braque, Dali, Matisse, Nadar, etc.). Petite salissure au second plat, sinon bon exemplaire.
1933124737Paris Éditions Albert Skira 1933 11 vol. broché in-4, broché, couverture illustrée (André Derain), 115 pp., 6 ff. Numéro double comprenant des textes par Breton, Tzara, Lacan, Dali, Eluard, Man Ray, Péret ou encore Maurice Heine, et illustré d'un frontispice en couleurs par Man Ray ainsi que de nombreuses reproductions (Brassaï, Braque, Dali, Matisse, Nadar, etc.). Petite salissure au second plat, sinon bon exemplaire.
20356<b>BRASSAÃ.</b> 1899-1984. Hungarian-French photographer best known for his photographs of Parisian nightlife. ALS. <i>"Brassaï"</i>. 1p. 8vo. Dover February 10 1971. To Hungarian-American filmmaker photojournalist and author <b>STEFAN LORANT </b>1901-1997. In French with translation.<p>"<i>Thanks for your newspaper cutting. Yes I had a little exhibition in Paris first October '70 next in London January of 30 panels of <u>color</u></i>.<i> We have stayed 8 days in this clinic in old Enton Hall Hydro. Massage every day osteopath hydrotherapy and always fasting fasting fasting… During one week we were given 3 fruits per day and a tea without anything. And an enema – 'irrigation' with 60 liters of water! We met Americans there who are from Boston. As postmen are on strike at Glais I send this letter to Boulogne. Kisses for you and Lauy and the children. Yours…"</i></p><p>Born Gyula Halász in the Hungarian city of Brassó Brassaï first visited Paris at the age of three while his father taught at the Sorbonne. He returned to the City of Light in 1924 joining a number of Hungarian expatriates and taking a job as a journalist. He supplemented his writing with photographs of the city and it was in that medium that he made his mark. Adopting the pseudonym Brassaï his 1933 collection of photographs <i>Paris de nuit </i>was pioneering in its technique as well as for thevarietyof scenes it depicted. Inspired by Toulouse-Lautrec Brassaï captured the people of Paris from the Left Bank's brothels and gangs to the city's cultural institutions and elite society.</p><p>Our letter refers to Brassaï's exhibition "Trente panneaux couleur" at Paris' Galerie Rencontre which was held from October 7 to November 7 1970. </p><p>Enton Hall was an estate built in 1880 and later converted into a health spa. Its most famous client was Ian Fleming who after his 1956 stay included James Bond's visit to a fictionalized version of the spa called "Shrublands" in his thriller <i>Thunderball.</i></p><p>Born in Hungary Lorant made a career as a filmmaker in Austria and Germany before being jailed in 1933 for his opposition to Hitler. Upon his release he immigrated to the United States where over the course of 40 years he authored and edited numerous photography books including <i>Lincoln: A Picture Story of His Life</i> <i>The Glorious Burden </i>about United States Presidentsand <i>Sieg Heil!</i> a history of Germany. Lorant had many prominent friends including John and Jacqueline Kennedy Marilyn Monroe and Marlene Dietrich. He was an advisor to <i>Life</i>magazine founder Henry Luce and an early supporter of Winston Churchill. </p><p>Accompanied by a 1991 letter written by Brassaï's wife Gilberte Boyer as well as a fragment in her hand about Stefan written on the verso of Brassaï's letter on illustrated Enton Hall Hydro stationery.</p><p>In fine condition and uncommon.</p> books
105010Paris Gallimard 1975. . First trade edition first printing; presentation copy inscribed by Brassai. 8vo. 53 photographic illustrations. Publisher's cream wrappers printed in black and red. With the photographic dust jacket. A superb copy in the very slightly tanned dust jacket.<br /> With the author/photographer's signed presentation inscription to the half title page 'Pour Monsieur Michel Moine en amical hommage de Brassai le 18 Nov 1975'. The recipient was a French journalist and writer on parapsychology. A service de press copy with the discrete 'S.P.' perforated stamp to the lower wrappers and last two leaves.<br /> Paris, Gallimard, 1975. unknown
2520in 4 pleine toile blanche d’éditeur,titre sur fond noir au dos en long et sur le premier plat.Jaquette illustrée avec titre au dos et sur le premier plat.Faux-titre,titre,43 pages sur vergé brun clair,105 photographies pleine page de BRASSAI sur papier couché Les éditions du Temps.1961 Première édition française.(une petite déchirure sans gravité réparée à la jaquette)sinon Très bon état
19331301-AÉditions de la Revue Verve, Tériade, Paris 1937. Très rare épreuve à plat (358 x 535 mm) toutes marges, avant massicotage de la couverture composée en papiers découpés par Henri Matisse et tirée en lithographie par Mourlot Frères.
19371301Éditions de la Revue Verve, Tériade, Paris 1937. 1 volume petit in-folio broché, couverture illustrée d'après Henri Matisse. 4 LITHOGRAPHIES EN COULEURS : Léger, Miro, Rattner, Borès. Nombreuses reproductions couleurs, Nombreuses photographies tirées en héliogravure (Blumenfeld, Bresson, Man Ray, Brassaï… et Louis Guichard). Textes de Gide, Bataille, Heine, Caillois, Dos Passos, Malraux, Michaux, Vollard. ÉDITION FRANÇAISE. Très bon exemplaire.
195219075Paris: Editions Neuf 1952. First edition. Hardcover. Orig.gilt lettered red cloth with mounted front cover photograph of Brassai. Near fine. Unpaginated. Approx. 72 pages. 27 1/2 x 21 1/2 cm. Illustrated with a host of reproductions of Brassai photographs -- including drawings and sculptures. French text: by Henry Miller and an autobiographical essay by Brassai on his early years. Rubbing to back cover at center fore-edge otherwise a bright and fresh copy. Editions Neuf hardcover
