689 résultats
1933107590Paris Arts et Métiers Graphiques, coll. "Réalités" 1933 1 vol. Broché in-8, reliure spirale, couverture noire illustrée, 6 ff. n. ch. d'introduction en anglais et 62 pp. Edition originale de la version anglaise de ce superbe album photographique imprimé par les frères Draeger. Trace de pli sur la couverture, sinon exemplaire en belle condition.
1933107590Paris Arts et Métiers Graphiques, coll. "Réalités" 1933 1 vol. Broché in-8, reliure spirale, couverture noire illustrée, 6 ff. n. ch. d'introduction en anglais et 62 pp. Edition originale de la version anglaise de ce superbe album photographique imprimé par les frères Draeger. Trace de pli sur la couverture, sinon exemplaire en belle condition.
12671 Superbe impression en héliogravure réalisée par Draeger des photographies de nuit réalisées par Brassaï (quelques usures et défauts à la couverture). Livret à spirales sous couvertures imprimées, 25,0 x 20,0 cm. Paris, Arts et Métiers Graphiques, [1933].
12671 Superbe impression en héliogravure réalisée par Draeger des photographies de nuit réalisées par Brassaï (quelques usures et défauts à la couverture). Livret à spirales sous couvertures imprimées, 25,0 x 20,0 cm. Paris, Arts et Métiers Graphiques, [1933].
776358Editions Des Arts Et Metiers Graphiques Paris 1933 Petit in-4 carré ( 250 X 190 mm, broché par spirale métallique sous couvertures illustrées. EDITION ORIGINALE des 12 pages de Paul MORAND et PREMIER TIRAGE des 62 magnifiques photographies à pleine page hors-texte de BRASSAÏ d'un noir d'une rare intensité. "PARIS de NUIT" est du point de vue de la technique un livre exceptionnel. L'impression en héliogravure est peut être la plus somptueuse jamais vue, les noirs étant si riches et profonds qu'après avoir manipulé le livre, on s'attend à trouver des dépôts de graphite sur ses doigts. La palette de graduation est merveilleusement subtile, décrivant une gamme apparemment infinie de tons noirs et presque noirs... Trace de pli sur la couverture, bel exemplaire tout à fait désirable.
193316129Paris, Editions "Arts et metiers graphiques", o. J. (1933). 48 Bll. (6 Bll. Text und 62 nummerierte Fotografien von Brassai in Kupfertiefdruck). Kl.-4°. OKart. mit Spiralbindung (etw. bestoßen, untere Ecken mit Knickfalten). [6 Warenabbildungen]
1933CLL-660Paris, Arts et métiers graphiques, 1933 Petit in-4 (250 x 195 mm), reliure éditeur à spirale métallique sous couverture illustrée, 6 pp. de texte et 62 planches photographiques.
1933253491933 Paris, Arts et Métiers Graphiques, 1932, petit in-4 (25 cm x 19 cm). 8 pages de préface de Paul Morand. 62 photographies de Brassaï en noir et blanc à pleine page reproduites en héliogravure, reliure éditeur à spirale métallique.
1933138421Paris: Arts et M'tiers Graphiques 1933. First Edition. First Edition. 60 full-page black and white plates. Brassai's first and most notable photobook. <br/><br/>A nocturnal exploration of Parisian culture and one of the most celebrated and influential collections of urban photography ever published. Compiled in a somewhat eery sequence of encounters set around the darkest corners of 1930s Paris. Brassai does not shy away from capturing the less-than-savory aspects of inner city life often featuring sex workers seedy back alleys and the murky nighttime waters of the Seine. <br/><br/>Very Good plus in bright wrappers softcover. Spiral bound. Moderate creasing and rubbing overall. <br/><br/>Roth 101 p. 76-77. Parr and Badger Vol. 1 p. 134. Arts et M'tiers Graphiques unknown books
1933321328Paris: Édition Arts et Métiers Graphiques 1933. First edition first printing. 62 full-page gravure plates including photographic covers. 4to. Spiral bound stiff wraps. Some light creasing but a very attractive copy of an often damaged book. Housed in custom black cloth clamshell box. First edition first printing. 62 full-page gravure plates including photographic covers. 4to. Roth 101 p. 76-77. Parr and Badger Vol. 1 p. 134 Édition Arts et Métiers Graphiques unknown books
193324590Paris: Edition Arts et Métiers Graphiques 1933. Former owner's innocuous book plate signature that reads "Brassai" but likely not in the photographer's hand light edge creases to the bottom corners gently handled with minor wear; a solid very good copy lacking serious defects in photo-illustrated spiral-bound wrappers. First Edition. Spiral bound quarto sixty-four gravure plates. The best-known and most iconic of the great Paris photobooks printed in a deep gravure so tactile it seems almost as if charcoal will rub off on the hands of the viewer. The cobblestone covers and endpapers are particularly evocative. Parr / Badger v1 134; Roth 76-77. Paris: Edition Arts et Métiers Graphiques unknown books
SLIVCN-9782080491169Flammarion (10/2025)
46018Arts et Métiers Graphiques. (sans date). 1933. In-8 ,couvertures illustrées d'une photo avec des caractères rouges.Pages tenues par une spirale métallique .62 photos inédites de Brassai. Etat moyen.Couv.usagées avec petit manque de papier sur le second plat(marge centrale).Légère déchirure au bas de la photo 48.Edition originale.
1933160826007Paris: Arts et Metiers Graphiques 1933. First Edition. Spiral-bound. Very Good. Spiral bound stiff wraps. Signed and inscribed by Paul Morand. Very Good with light wear and light surface crackling to wraps. A coveted and rare copy of Brassai's first photobook. Signed by Paul Morand and quite rare as such. Arts et Metiers Graphiques unknown books
1933160514012Paris: Arts et Metiers Graphiques 1933. First Edition. Spiral-bound. Good. Spiral bound stiff wraps. Good. Edge wear and creasing cover; wear to pages and cover along coil binding. Light staining to several pages and light general waviness. Text by Paul Morand and photos by Brassai who so wonderfully captured the mystery and nocturnal beauty of Paris in the 1930s. Arts et Metiers Graphiques unknown books
22690Paris, Éidition "Arts et métiers graphiques", [1933]. In-4, 62 pp., broché à la spirale en métal, couverture illustrée (frottements).
19333087Wraps spiral bound. Intro. by Paul Morand. Brassai's first book. He used Kertesz' camera. Illus. cover. Important 20th century photo book! Metiers Graphiques paperback
2001116339Paris : Flammarion 2001. 320x275mm. 62 photos n/b reliure d'diteur sous jaquette. Bel exemplaire. 1075 Flammarion unknown
1933204269Paris: Arts et Métiers Graphiques 1933. First edition. Softcover. First printing. Text by Paul Morand in French. A collection of 62 full bleed photogravures that represent the height of printing and imagery of France at night. A likely unique copy that includes two examples of the front cover. A close to near fine copy in spiral binding with some of the usual minor rubbing and edge wear to the front and rear covers but with the second front cover much brighter and largely free of wear. Internally a clean copy. A very nice copy of one of the true high spots of 20th century photography books and on virtually every best of lists. Parr & Badger v1 134 Roth 76. Arts et Métiers Graphiques unknown
193324590Paris: Edition Arts et Métiers Graphiques 1933. Understated bookplate to front endpaper with a signature to first page that reads "Brassai" but unlikely in the photographer's hand. Light edgewear to spiral-bound illustrated wrappers; a better than very good copy lacking serious defects. First Edition. Spiral bound quarto sixty-four gravure plates. The best-known and most iconic of the great Paris photobooks printed in a deep gravure so tactile it seems almost as if charcoal will rub off on the hands of the viewer. The cobblestone covers and endpapers are particularly evocative. Parr / Badger v1 134; Roth 76-77. Paris: Edition Arts et Métiers Graphiques unknown
193324569Paris: Edition Arts et Metiers Graphiques 1933. First edition. Stiff Wraps. Original spiral binding front cover lettered in red. Very good. Unpaginated. Six leaves. 25 x 19 cm. 62 photogravure plates after Brassai. Printed by Draeger with exceptional photogravure plates this series of nocturnal Parisian views with its evocative text by Morand is something of an Art Deco classic. PHOTOBOOK I p. 134: “a ravishing book object in a purely physical sense. The printing represents arguably the most luscious gravure ever seen the blacks being so rich and deep that after handling the book one expects to find sooty deposits all over one’s fingers. The gradation of tones is wonderfully subtle describing an apparently infinite range of black and near-black tones. The layout with its characteristic full-page bleeds never more felicitously employed takes us from image to image from page to page and across night-time Paris with effortless panache. One should think of it as amongst the best produced and influential photobooks ever†HASSELBLAD. 110. PARR/BADGER. I 134. ROTH. 76. Slight crease front cover. Edition Arts et Metiers Graphiques unknown
1932189332Paris: Édition Arts et Métiers Graphiques 1933 1932. The city of light by night First edition of the photographer's first publication an exploration of the nocturnal life of Paris. Brassaï showcases his mastery "at drawing luminosity from the darkness. The swaths of wet paving stones featured on the covers and endpapers of Paris de Nuit gleam like pale beacons in the streetlight. Inside Brassaï explores the city beginning with its broad vistas and grand public spaces and gradually moving into the demimonde he knew so intimately" Roth p. 76. Quarto. Illustrated with 62 full-page gravure plates 2 double-page. Original spiral bound photographic wrappers front cover lettered in red. Wrappers creased and rubbed a few spots of wear short closed tear to head of front wrapper a few marks to rear wrapper: a very good copy. Parr & Badger I p. 134; Roth p. 76. unknown
1932162876Paris: Édition Arts et Métiers Graphiques 1933 1932. A superb copy inscribed by author and photographer First edition of the photographer's first publication double presentation copy inscribed by Morand on the first page of text "à Pierre Cot Voici un joli décor pour La Patriouille etc. Chut! chut! chut! tres fideliement P. Morand Paris fev. 32" and further inscribed by Brassaï across the following two pages "Pour Christian-Vincent Matorasso ce Paris de Nuit perdu et retrouvé avec toute ma sympathie Brassai Ete Village le 7 mai 1965". The first recipient Pierre Cot 1895-1977 was a politician central to the establishment of the French Air Force and later of Air France. Morand's inscription alludes to La Patriouille a display wing of the air force the French equivalent of the British Red Arrows. Pasted below Morand's inscription is a small photograph of Brassaï in later life which probably relates to the photographer's subsequent inscription. This is a superb copy of the work in which Brassaï showcases his mastery "at drawing luminosity from the darkness. The swaths of wet paving stones featured on the covers and endpapers of Paris de Nuit gleam like pale beacons in the streetlight. Inside Brassaï explores the city beginning with its broad vistas and grand public spaces and gradually moving into the demimonde he knew so intimately" Roth p. 76. It remains one of the most influential photobooks; signed copies are rare and copies inscribed by both author and photographer rarer still. Quarto. Illustrated with 62 full-page gravure plates and 2 double-page plates as endpapers. Spiral bound monochrome photographic wrappers front cover lettered in red. Housed in a custom black quarter morocco solander box by the Chelsea Bindery. A few punch holes slightly worn covers lightly creased and rubbed at extremities a few pages faintly soiled. A very good copy of a notoriously fragile book. Parr & Badger I p. 134; Roth p. 76. unknown
19332311Paris: Arts et Métiers Graphiques 1933. First Edition. Near fine. Spiral-bound Quarto 9 7/8 x 7 1/2 inches 248 x 191 mm 12 pp 62 photogravure plates after photographs by Brassaï each numbered in lower outer corner. Spiral bound stiff card covers without jacket as issued; housed in a custom clamshell case lined in red felt covered in red cloth with morocco spine gilt title. Two-notch chip at bottom of spiral extending into first leaf and one notch at top of spiral; pages lightly toned at the edges but photogravures in excellent condition. 8 pages of text in French by Paul Morand plus a 4 page index with detailed captions for each of the photographs. As beautifully stated in the first line of Paul Morand's introduction to this exceptional collection of photographs: Paris at night is not the negative of the day; the surfaces not not stop being white to become black: in reality they are not even the same images." The 62 photographs by Hungarian-born photographer Brassaï Gyula Halász capture nocturnal scenes throughout Paris - from glowing wet pavement and empty streets to bars cafés and the denizens of Paris at night. This was Brassaï's first published photo book and the work that established his reputation as a master of night photography showcasing his ability to extract light and atmosphere from darkness. A collector's treasure scarce in good condition this is one of the most influential photo books ever produced and is admired not just for its content but for the its productions values: the deep and velvety gravure printing and the evocative layout make it an object of intense tactile and visual appeal. The photogravures are in exceptional condition-richly inked with deep velvety blacks luminous highlights and a striking tonal range that preserves the full atmospheric subtlety of Brassaï's nocturnal vision. The plates retain remarkable clarity and contrast with a vividness and depth seldom found testifying to both the high production standards of Arts et Métiers Graphiques and the care with which this copy has been preserved. Arts et Métiers Graphiques unknown
105263Editions Des Arts Et Metiers Graphiques. Paris. 1933. Editions Des Arts Et Metiers Graphiques. 1933 First edition. Small 4to spirally bound with limp card covers creased and with a few small dents and marks. 62 photographic full-page plates and 12 pages of text. Page edges rubbed back cover coming slightly away from spiral binding at head of spine. Generally a sound copy of a scarce item. Please contact us for more details. unknown
