90 résultats
195480495Sceaux: Jean-Jacques Pauvert 1954. Fine. Jean-Jacques Pauvert Sceaux 1954 12 x 19 cm broché Histoire d'O Story of O Jean-Jacques Pauvert Sceaux 1954 12 x 19 cm original wrappers First edition one of 480 numbered copies on Vergé paper ours being one of the few ""hors commerce"" advance copies the only deluxe paper after 20 copies on Arches and 100 others on Vergé for the press. Our copy is complete with the rare vignette drawn and engraved by Hans Bellmer in sanguine and present on about 200 copies only. Preface by Jean Paulhan. Beautiful copy of this masterpiece of erotic literature. Jean-Jacques Pauvert unknown
195484226Sceaux: Jean-Jacques Pauvert 1954. Fine. Masterpiece of Eroticism with a Capital O Jean-Jacques Pauvert Sceaux 1954 12 x 19 cm en feuilles sous chemise et étui First edition one of 20 copies on Arches paper most limited deluxe issue tirage de tête. Like all copies on Arches it is wrapped in a double dust jacket in yellow and white and bears the rare sanguine vignette drawn and engraved by Hans Bellmer. Preface by Jean Paulhan. Our copy is housed in a custom clamshell box featuring an original design signed by Julie Nadot. Beautiful first edition copy of this masterpiece of erotic literature in its most limited deluxe issue. Jean-Jacques Pauvert unknown
19752110502150200593Kawade Shobo Shinsha 1975. Soft Cover. Fine. Volume: 1 Kawade Shobo Shinsha paperback
19752110502150309324Kawade Shobo Shinsha 1975. Soft Cover. Fine. Volume: 1 Kawade Shobo Shinsha paperback
1978mon0000038459Losfeld / Terrain Vague 1978-01-01. Board book. Good. in x in x in. Ex-library book usual markings. Clean copy sound binding. Losfeld / Terrain Vague unknown
19572542Losfeld 1957. One of the 950 copy. In original paper. In fine condition. Illustrated by Bellmer. Illustrated by Bellmer. One of the 950 copy. In original paper. 70 p. Important association copy. Inscribed to Alain Jouffroy with a letter . Jouffroy was close friend of Bellmer he wrote a book on Bellmer also/. Losfeld unknown
116837Paris GLM Guy Lévis-Mano 1st Juin 1936. . First edition number 76 of 100 copies with 5 hors commerce this being one of 80 copies on papier rose; 159 x 123 mm 6¼ x 4¾ in; 10 mounted gelatin silver photographs 116 x 77 mm 4½ x 3 in text translated by Robert Valençay; pink wrappers light wear peach printed folding cover with titles on upper side in black light wear to extremities and folds a near-fine copy in a custom box by Devauchelle; 44pp.<br /> La Poupée evolved out of a series of events in Hans Bellmer's personal life: his cousin Ursula Naguschewski moving from Kassel to Berlin in 1932; an encounter with renowned dollmaker Lotte Pritzel and his attendance of a performance of Jacques Offenbach's Tales of Hoffmann in which the protagonist falls in love with an automaton; and his mother shipping him his old toys. <br /><br />Bellmer constructed several dolls the first dating from 1933 which he assembled and photographed in strange and disquieting configurations. Ten of these photographs were published in Germany as Die Puppe 1934. It was Bellmer's cousin Ursula who while studying at the Sorbonne in 1934 apparently first brought Bellmer's photographs to the attention of André Breton in Paris. In 1934 the Surrealist journal Minotaure published a portfolio of these images and in 1936 one was published in an issue of Cahiers d'art devoted to the Surrealist object. Guy Levis Manos published this expanded French Edition with an introduction by Bellmer translated by Robert Valencay. In February 1938 Bellmer left Berlin for Paris.<br /> Les éditions GLM 1923-1974 no. 100; The Book of 101 Books: Seminal Photographic Books of the Twentieth Century pp88-89; The Photobook: A History I p106; The Open Book p120-121; Paris Les livres de photographies 1920-1950 p176-177. Paris, GLM [Guy Lévis-Mano], 1st Juin 1936. unknown
19624013<p>Paris: Au Cercle du Livre Précieux 1962 1962. Limited edition. 645 of 700 on Vélin d'Arches with original engraving by Hans Bellmer. 242x160mm. pp. xx 2bl 110 1 1bl 4. Bound in moiré cloth. Title in blind at centre of upper cover and stamped in gilt to spine. Very slight marking to upper cover but otherwise in excellent condition and internally near fine. The slip case is covered in the same material and has some soiling and a red mark on one side. A beautiful copy of this limited edition of a notorious work of lascivious eroticism.</p> Paris: Au Cercle du Livre Précieux 1962 hardcover
196246499Paris.: Au Cercle du Livre Précieux. 1962. Original publisher's full white vellum title and vignette in blind to front cover reduced matching title and vignette in gilt to spine grey endpapers white silk placemarker t.e.g. vellum-edged grey paper board slipcase; spine with wear and discolouration. 8vo. 252 x 168 mm. Half-title in red and black leaf with original engraving by Hans Bellmer verso as frontispiece printed title in red and black 5 leaves with Préface by André Pieyre de Mandiargues and text of 'Le Con d'Irène' leaf with justification and final leaf with achevé d'imprimer recto and publisher's credit verso. Louis Aragon's 'Le Con d'Irène' with Hans Bellmer's original engraving.From the edition limited to 700 numbered copies on vélin d'Arches pur Chiffon each with the frontispiece engraving by Hans Bellmer; several hors commerce copies were also issued.First published pseudonymously in 1928 with etchings by André Masson 'Le Con d'Irène' has been described as 'un essai sérieux de prose pornographique' Cramer. A second edition designed and illustrated by Hans Bellmer was published in 1952 after a facsimile of the first was issued in 1948 before the present edition also illustrated by Bellmer. Of considerable notoriety the novel's pseudonymous Albert de Routisie was identified as Louis Aragon adding to his oeuvre of erotic works that also included - with Benjamin Péret - the explicit '1929'.'Pendant trois mois l'auteur a parcouru notre grande colonie interrogeant administrateurs officiers colons. Pour la clarté de ses exposés comme par la valeur de sa documentation ce livre intéresse le spécialiste et le profane. Selon le mot d'un grand emmerdeur 'Le Con d'Irène' devrait être mis entre les mains de tous nos futurs administrateurs éducateurs et officiers coloniaux.' Aragon writing in André Breton's copy of the first edition. Au Cercle du Livre Précieux. hardcover
2173Paris: Denoel 1966. 4to pp. 109. Original mauve boards blindstamped on spine. Slipcase with title label to front panel. A near fine copy in a like dustwrapper with a little light wear to spine ends. Slipcase split at top edge but intact. 84 pp. plates by the artist. First trade edition preceded by 130 numbered copies with a signed engraving laid in. Preface by Constantin Jelenski. Paris: Denoel, 1966 hardcover
196699059Paris: Denoel 1966. Rilegato tela sovracoperta cloth dust jacket. Molto buono Very Good. Invio autografo con disegno originale di Renato Guttuso a Lorenzo Tornabuoni Inscription with an original drawing signed by the Guttuso. Presentazione in francese di Constantin Jelenski. 97 disegni riprodotti in bianco e nero. 4to. pp. 114. Invio autografo con disegno originale di Renato Guttuso a Lorenzo Tornabuoni Inscription with an original drawing signed by the Guttuso. Molto buono Very Good. Prima edizione First Edition. Il disegno originale di Renato Guttuso alla prima pagina bianca del volume raffigura una colomba. La colomba riprende il tema assai noto di Picasso a cui Guttuso era legato da profonda amicizia e ammirazione e che manifestava sovente raccontando degli incontri suoi e della moglie Mimise con il Maestro in Provenza. Un disegno praticamente identico indirizzato però"; a Luigi de Conciliis è" riprodotto nel volume ''Arte a Roma negli anni Sessanta. Una collezione'' Allemandi 1998. Denoel, hardcover
1966264791966. S.l. Deno‘l 1966. Un vol. au format in-4 318 x 247 mm de 109 pp. Reliure d'ÂŽdition de pleine percaline satinÂŽe vieux-rose sous jaquette illustrÂŽe rhodo•d et coffret cartonnÂŽ. Edition originale. Belle impression sur vergÂŽ d'ÂŽdition agrÂŽmentÂŽe d'une abondante iconographie. ''Cette avant tout parce que cette oeuvre ÂŽrotique retrace avec une incroyable perfection du trait non pas l'image fixÂŽe rhÂŽtorique ou complaisante de l'acte sexuel mais ce qui refoulÂŽ honteusement rejetÂŽ dans le domaine de l'interdit constitue le mÂŽcanisme mÂme de cette recherche d'une fusion avec l'autre - qui n'est pas seulement le fondement du libertinage mais aussi celui de l'amour''. Petites altÂŽrations affectant angles et coupes du coffret. Du reste trÂs belle condition. b42961 unknown
196574766<p>BELLMER Hans 1902-1975 -- BATAILLE Georges 1897-1962. Madame Edwarda. Paris: Georges Visat 1965.</p><p>12 copper engravings by Hans Bellmer including the frontispiece and a vignette in the colophon all signed in pencil by Bellmer.<br />In sheets in the original white card covers spine printed in black <br />original lilac moiré silk chemise and slipcase the spine titled in gilt and a little water stains.</p><p>FIRST EDITION ILLUSTRATED BY BELLMER with twelve engravings signed by the artist. Bellmer's remarkable images are drawn 'with the sharpness of a scalpel. they crystalize exceed and exude Bataille's text whose realism derives from its lyrical brilliance rather than its precision of detail. It is this very difference in approach this unique vision that makes the artist the equal of the author rather than a mere illustrator' Eros invaincu.</p><p>One of 167 copies only this one number 118. <br />Eros invaincu 102; Pia Enfer 852.</p> hardcover
1949005959New York : Book Collectors Society n.d. c.1949 1949. Hardcover. Fine/No Jacket. 157 pp. ; Limited edition ; "Of this edition 250 copies have been prepared for members of the Book Collectors Society and numbered from 1 to 250 of which this is number 15" ; "published by arrangement with Faber and Faber Limited. Printed in Great Britain" ; " a collection of.articles and broadcast talks written at various times during the past ten years." ; Contents: Introduction : Many Occasions -- Beauty in art and nature -- Poetry : The sacred fire: an essay on the nature and phases of English poetry -- The arts in the modern world -- The artist and his subjects -- The artist and his materials -- The artist and society -- The artist as visionary -- Visual arts -- Art and science -- The painter's purpose and the public taste -- Sculpture and modelling -- A porcelain group -- Tradition and change in t he art of the potter -- The art of the glass-maker: a survey -- The Theatre -- A Note on Nijinsky and the paradox of acting and dancing -- The Garden -- End of the year. ; full leather binding with bands and gold lettering and designs ; marbled endpapers ; top edge gilt ; silk ribbon ; FINE <br/> <br/> New York : Book Collectors Society, n.d. [c.1949] hardcover
26921Paris Georges Visat 20 mai 1967. 1 vol. 165 x 235 mm non paginé. En feuilles sous chemise et étui de l'éditeur. Première édition illustrée. 7 gravures dont 1 en couleurs signées. Tirage unique à 150 exemplaires sur vélin de Rives avec une suite sur japon n° 108. . André Pieyre de Mandiargues écrivait au sujet des gravures de ce livre : « L'Anglais décrit dans le château fermé inspira à Hans Bellmer une suite de sept gravures au burin et à la pointe de diamant qui sont parmi les plus belles que l'on sache de lui . Presque quinze ans plus tard en 1967 ces gravures furent publiées avec un texte de Bellmer. Aisément l'on y reconnaîtra divers personnages et diverses scènes de L'Anglais ». Préface à la première édition N.R.F. de L'Anglais. Le texte avait précédemment paru en 1944 aux Documents Surréalistes sous le titre Trois tableaux Sept dessins Un texte accompagné alors de photographies originales d'oeuvres de Bellmer. Les dessins gravés près de dix ans plus tard en 1953 étaient quant à eux destinés à l'origine à une édition de L'Anglais décrit dans le château fermé d'André Pieyre de Mandiargues qui ne verra pas le jour : « Ce projet n'aboutit pas à cause des exigences difficiles de l'artiste et de son retard pour la livraison des cuivres. Pauvert céda ensuite les cuivres à Georges Visat. » Dutel L'ensemble sera alors réuni pour cette présente édition qui s'inscrit dans la lignée des travaux effectué sur les textes de Georges Bataille Pauline Réage ou Sade : anatomiques érotiques et subversifs. Paris, Georges Visat, (20 mai) 1967. 1 vol. (165 x 235 mm) non paginé. En feuilles, sous chemise et étui de l'éditeur. unknown
1988783341PN. New. 1988. Soft Cover. Date is original print. This is a reprint edition. . PN paperback
73838Couverture rigide. Bon/1971. in-8. Paris 1971 in-8 132pp reliure éditeur Très bel exemplaire! Bien complet de catalogue raisonné de l'oeuvre gravée de Bellmer! unknown
105983Stuttgart DVA ca. 1970. 48 x 35 cm 30 x 24 cm Rechts unten minimal wasserrändig rückseitig kleine Montagespuren sonst tadell. Num. 18 von 100 Ex. Rechtes von Bellmer signiert.- Hans Bellmer Fotograf Bildhauer Maler und Autor 1902 – 1975 wird in Kattowitz Polen geboren. Auf Drängen seines Vaters arbeitet er einige Zeit in einem Stahlwerk und im Kohlebergbau. 1923 beginnt Bellmer ein Studium an der Technischen Hochschule in Berlin interessiert sich aber mehr für Kunst und Politik. Auf Anraten seines Zeichenlehrers George Grosz bricht Bellmer 1924 sein Ingenieurstudium ab und beginnt eine Typografenlehre beim Malik-Verlag in Berlin. Dort fertigt er u.a. Illustrationen für dadaistische Romane an. In den späten 1920er Jahren bereist Bellmer Länder wie Frankreich Italien und Tunesien. 1923 eröffnet er ein Atelier für Werbezeichnungen in Berlin das er 1933 aus politischen Gründen aufgibt. Ab den 1930er Jahren widmet sich Bellmer seiner künstlerischen Laufbahn. Er beschäftigt sich mit der erotischen Darstellung der weiblichen Anatomie die er jedoch meist auf entstellte Weise in Zeichnungen Skulpturen und Fotografien zeigt. So konstruiert er Puppen mit geschundenen Körpern die wirken als ob ihre Gliedmaßen abgetrennt und neu arrangiert worden wären. Sein Werk Doll von 1933 zerstört er später und fotografiert es in verschiedenen erotischen Posen. Bellmer veröffentlicht eine Sammlung von zehn dieser Bilder mit Begleittext 1934 in Die Puppe und reicht eine Kopie beim Pariser Surrealismus Magazin Le Minotaure ein. Die Veröffentlichung dieser Arbeit festigt Bellmers Ansehen in der Surrealimus-Bewegung. 1938 emigriert Bellmer nach Paris. Seine erste Soloausstellung findet 1943 in dem Buchladen „Librairie Trentin“ in Toulouse statt. Seitdem werden Bellmers Arbeiten in zahlreichen Museen und Galerien weltweit gezeigt beispielsweise in der Whitechapel Gallery in London der Neuen Nationalgalerie in Berlin und dem Museum of Modern Art in New York. Hans Bellmer stirbt am 24. Februar 1975 in Paris. 010 Stuttgart, DVA, ca. 1970 unknown
2023x-303138217XPalgrave Macmillan 2023. Hardcover. New. 243 pages. 8.75x6.25x1.00 inches. Palgrave Macmillan hardcover
303138220X.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
ria9783031382192_inpPaperback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; This book argues that we can capitalize on the tolerance of ambiguity-enhancing potentialities inherent in visual images - their non-coherence - and thus increase our capability of tolerating ambiguities. Studying internationa paperback
ria9783031382178_inpHardcover. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; This book argues that we can capitalize on the tolerance of ambiguity-enhancing potentialities inherent in visual images - their non-coherence - and thus increase our capability of tolerating ambiguities. Studying internationa hardcover
1957296331957. S.l. Le Terrain vague / Eric Losfeld 1957. Un vol. au format pt in-4 228 x 192 mm non paginÂŽ brochÂŽ sous couverture ˆ rabats rempliÂŽs. Edition originale. Un des exemplaires dit de passe'' ou ''de chapelle'' du tirage sur papier neige. Il s'agrÂŽmente - ici en premier tirage - de dessins de Hans Bellmer. ''Je pense que les diffÂŽrents modes d'expression : pose geste acte son mot graphisme crÂŽation d'objet. rÂŽsultent tous d'un mÂme ensemble de mÂŽcanismes psycho-physiologiques''. Mors et coupes ÂŽlimÂŽs. Petit manque en tÂte du dos. Petit manque en marge infÂŽrieure du second plat. TrÂs belle condition intÂŽrieure. b42961 unknown
81475Paris Le Terrain Vague 1957. . Eines von 950 Exemplaren auf "Neige du Marais". Exemplar außerhalb der Numerierung GA 1016 Ex. - Monod 1308. Erste Ausgabe des kunsttheoretischen Textes über die Entstehung von Bildern als Ausdruck des Unbewussten mit stark erotischen oder sexuell bezogenen Assoziationen. - Hans Bellmer 1902-1975 deutscher Maler Fotograf Bildhauer u. Autor. - Umschlagkanten mit kl. Läsuren Paris, Le Terrain Vague, 1957. unknown
1983BN95806Edition Filipacchi / Centre Georges Pompidou. 1983. 1983. Hardcover. Photographe. <br/><br/>Photographe. Edition Filipacchi / Centre Georges Pompidou. hardcover
