90 résultats
26921Paris Georges Visat 20 mai 1967. 1 vol. 165 x 235 mm non paginé. En feuilles sous chemise et étui de l'éditeur. Première édition illustrée. 7 gravures dont 1 en couleurs signées. Tirage unique à 150 exemplaires sur vélin de Rives avec une suite sur japon n° 108. . André Pieyre de Mandiargues écrivait au sujet des gravures de ce livre : « L'Anglais décrit dans le château fermé inspira à Hans Bellmer une suite de sept gravures au burin et à la pointe de diamant qui sont parmi les plus belles que l'on sache de lui . Presque quinze ans plus tard en 1967 ces gravures furent publiées avec un texte de Bellmer. Aisément l'on y reconnaîtra divers personnages et diverses scènes de L'Anglais ». Préface à la première édition N.R.F. de L'Anglais. Le texte avait précédemment paru en 1944 aux Documents Surréalistes sous le titre Trois tableaux Sept dessins Un texte accompagné alors de photographies originales d'oeuvres de Bellmer. Les dessins gravés près de dix ans plus tard en 1953 étaient quant à eux destinés à l'origine à une édition de L'Anglais décrit dans le château fermé d'André Pieyre de Mandiargues qui ne verra pas le jour : « Ce projet n'aboutit pas à cause des exigences difficiles de l'artiste et de son retard pour la livraison des cuivres. Pauvert céda ensuite les cuivres à Georges Visat. » Dutel L'ensemble sera alors réuni pour cette présente édition qui s'inscrit dans la lignée des travaux effectué sur les textes de Georges Bataille Pauline Réage ou Sade : anatomiques érotiques et subversifs. Paris, Georges Visat, (20 mai) 1967. 1 vol. (165 x 235 mm) non paginé. En feuilles, sous chemise et étui de l'éditeur. unknown
1949005959New York : Book Collectors Society n.d. c.1949 1949. Hardcover. Fine/No Jacket. 157 pp. ; Limited edition ; "Of this edition 250 copies have been prepared for members of the Book Collectors Society and numbered from 1 to 250 of which this is number 15" ; "published by arrangement with Faber and Faber Limited. Printed in Great Britain" ; " a collection of.articles and broadcast talks written at various times during the past ten years." ; Contents: Introduction : Many Occasions -- Beauty in art and nature -- Poetry : The sacred fire: an essay on the nature and phases of English poetry -- The arts in the modern world -- The artist and his subjects -- The artist and his materials -- The artist and society -- The artist as visionary -- Visual arts -- Art and science -- The painter's purpose and the public taste -- Sculpture and modelling -- A porcelain group -- Tradition and change in t he art of the potter -- The art of the glass-maker: a survey -- The Theatre -- A Note on Nijinsky and the paradox of acting and dancing -- The Garden -- End of the year. ; full leather binding with bands and gold lettering and designs ; marbled endpapers ; top edge gilt ; silk ribbon ; FINE <br/> <br/> New York : Book Collectors Society, n.d. [c.1949] hardcover
196574766<p>BELLMER Hans 1902-1975 -- BATAILLE Georges 1897-1962. Madame Edwarda. Paris: Georges Visat 1965.</p><p>12 copper engravings by Hans Bellmer including the frontispiece and a vignette in the colophon all signed in pencil by Bellmer.<br />In sheets in the original white card covers spine printed in black <br />original lilac moiré silk chemise and slipcase the spine titled in gilt and a little water stains.</p><p>FIRST EDITION ILLUSTRATED BY BELLMER with twelve engravings signed by the artist. Bellmer's remarkable images are drawn 'with the sharpness of a scalpel. they crystalize exceed and exude Bataille's text whose realism derives from its lyrical brilliance rather than its precision of detail. It is this very difference in approach this unique vision that makes the artist the equal of the author rather than a mere illustrator' Eros invaincu.</p><p>One of 167 copies only this one number 118. <br />Eros invaincu 102; Pia Enfer 852.</p> hardcover
2173Paris: Denoel 1966. 4to pp. 109. Original mauve boards blindstamped on spine. Slipcase with title label to front panel. A near fine copy in a like dustwrapper with a little light wear to spine ends. Slipcase split at top edge but intact. 84 pp. plates by the artist. First trade edition preceded by 130 numbered copies with a signed engraving laid in. Preface by Constantin Jelenski. Paris: Denoel, 1966 hardcover
196699059Paris: Denoel 1966. Rilegato tela sovracoperta cloth dust jacket. Molto buono Very Good. Invio autografo con disegno originale di Renato Guttuso a Lorenzo Tornabuoni Inscription with an original drawing signed by the Guttuso. Presentazione in francese di Constantin Jelenski. 97 disegni riprodotti in bianco e nero. 4to. pp. 114. Invio autografo con disegno originale di Renato Guttuso a Lorenzo Tornabuoni Inscription with an original drawing signed by the Guttuso. Molto buono Very Good. Prima edizione First Edition. Il disegno originale di Renato Guttuso alla prima pagina bianca del volume raffigura una colomba. La colomba riprende il tema assai noto di Picasso a cui Guttuso era legato da profonda amicizia e ammirazione e che manifestava sovente raccontando degli incontri suoi e della moglie Mimise con il Maestro in Provenza. Un disegno praticamente identico indirizzato però"; a Luigi de Conciliis è" riprodotto nel volume ''Arte a Roma negli anni Sessanta. Una collezione'' Allemandi 1998. Denoel, hardcover
1966264791966. S.l. Deno‘l 1966. Un vol. au format in-4 318 x 247 mm de 109 pp. Reliure d'ÂŽdition de pleine percaline satinÂŽe vieux-rose sous jaquette illustrÂŽe rhodo•d et coffret cartonnÂŽ. Edition originale. Belle impression sur vergÂŽ d'ÂŽdition agrÂŽmentÂŽe d'une abondante iconographie. ''Cette avant tout parce que cette oeuvre ÂŽrotique retrace avec une incroyable perfection du trait non pas l'image fixÂŽe rhÂŽtorique ou complaisante de l'acte sexuel mais ce qui refoulÂŽ honteusement rejetÂŽ dans le domaine de l'interdit constitue le mÂŽcanisme mÂme de cette recherche d'une fusion avec l'autre - qui n'est pas seulement le fondement du libertinage mais aussi celui de l'amour''. Petites altÂŽrations affectant angles et coupes du coffret. Du reste trÂs belle condition. b42961 unknown
19624013<p>Paris: Au Cercle du Livre Précieux 1962 1962. Limited edition. 645 of 700 on Vélin d'Arches with original engraving by Hans Bellmer. 242x160mm. pp. xx 2bl 110 1 1bl 4. Bound in moiré cloth. Title in blind at centre of upper cover and stamped in gilt to spine. Very slight marking to upper cover but otherwise in excellent condition and internally near fine. The slip case is covered in the same material and has some soiling and a red mark on one side. A beautiful copy of this limited edition of a notorious work of lascivious eroticism.</p> Paris: Au Cercle du Livre Précieux 1962 hardcover
196246499Paris.: Au Cercle du Livre Précieux. 1962. Original publisher's full white vellum title and vignette in blind to front cover reduced matching title and vignette in gilt to spine grey endpapers white silk placemarker t.e.g. vellum-edged grey paper board slipcase; spine with wear and discolouration. 8vo. 252 x 168 mm. Half-title in red and black leaf with original engraving by Hans Bellmer verso as frontispiece printed title in red and black 5 leaves with Préface by André Pieyre de Mandiargues and text of 'Le Con d'Irène' leaf with justification and final leaf with achevé d'imprimer recto and publisher's credit verso. Louis Aragon's 'Le Con d'Irène' with Hans Bellmer's original engraving.From the edition limited to 700 numbered copies on vélin d'Arches pur Chiffon each with the frontispiece engraving by Hans Bellmer; several hors commerce copies were also issued.First published pseudonymously in 1928 with etchings by André Masson 'Le Con d'Irène' has been described as 'un essai sérieux de prose pornographique' Cramer. A second edition designed and illustrated by Hans Bellmer was published in 1952 after a facsimile of the first was issued in 1948 before the present edition also illustrated by Bellmer. Of considerable notoriety the novel's pseudonymous Albert de Routisie was identified as Louis Aragon adding to his oeuvre of erotic works that also included - with Benjamin Péret - the explicit '1929'.'Pendant trois mois l'auteur a parcouru notre grande colonie interrogeant administrateurs officiers colons. Pour la clarté de ses exposés comme par la valeur de sa documentation ce livre intéresse le spécialiste et le profane. Selon le mot d'un grand emmerdeur 'Le Con d'Irène' devrait être mis entre les mains de tous nos futurs administrateurs éducateurs et officiers coloniaux.' Aragon writing in André Breton's copy of the first edition. Au Cercle du Livre Précieux. hardcover
116837Paris GLM Guy Lévis-Mano 1st Juin 1936. . First edition number 76 of 100 copies with 5 hors commerce this being one of 80 copies on papier rose; 159 x 123 mm 6¼ x 4¾ in; 10 mounted gelatin silver photographs 116 x 77 mm 4½ x 3 in text translated by Robert Valençay; pink wrappers light wear peach printed folding cover with titles on upper side in black light wear to extremities and folds a near-fine copy in a custom box by Devauchelle; 44pp.<br /> La Poupée evolved out of a series of events in Hans Bellmer's personal life: his cousin Ursula Naguschewski moving from Kassel to Berlin in 1932; an encounter with renowned dollmaker Lotte Pritzel and his attendance of a performance of Jacques Offenbach's Tales of Hoffmann in which the protagonist falls in love with an automaton; and his mother shipping him his old toys. <br /><br />Bellmer constructed several dolls the first dating from 1933 which he assembled and photographed in strange and disquieting configurations. Ten of these photographs were published in Germany as Die Puppe 1934. It was Bellmer's cousin Ursula who while studying at the Sorbonne in 1934 apparently first brought Bellmer's photographs to the attention of André Breton in Paris. In 1934 the Surrealist journal Minotaure published a portfolio of these images and in 1936 one was published in an issue of Cahiers d'art devoted to the Surrealist object. Guy Levis Manos published this expanded French Edition with an introduction by Bellmer translated by Robert Valencay. In February 1938 Bellmer left Berlin for Paris.<br /> Les éditions GLM 1923-1974 no. 100; The Book of 101 Books: Seminal Photographic Books of the Twentieth Century pp88-89; The Photobook: A History I p106; The Open Book p120-121; Paris Les livres de photographies 1920-1950 p176-177. Paris, GLM [Guy Lévis-Mano], 1st Juin 1936. unknown
1978mon0000038459Losfeld / Terrain Vague 1978-01-01. Board book. Good. in x in x in. Ex-library book usual markings. Clean copy sound binding. Losfeld / Terrain Vague unknown
19572542Losfeld 1957. One of the 950 copy. In original paper. In fine condition. Illustrated by Bellmer. Illustrated by Bellmer. One of the 950 copy. In original paper. 70 p. Important association copy. Inscribed to Alain Jouffroy with a letter . Jouffroy was close friend of Bellmer he wrote a book on Bellmer also/. Losfeld unknown
19752110502150200593Kawade Shobo Shinsha 1975. Soft Cover. Fine. Volume: 1 Kawade Shobo Shinsha paperback
19752110502150309324Kawade Shobo Shinsha 1975. Soft Cover. Fine. Volume: 1 Kawade Shobo Shinsha paperback
195471627Sceaux: Jean-Jacques Pauvert 1954. Fine. Masterpiece of Eroticism with a capital O Jean-Jacques Pauvert Sceaux 1954 12 x 19 cm broché First edition one of 480 numbered copies on laid paper only grands papiers deluxe copies besides 20 Arches and 100 service de presse advance copies on laid paper. Our copy is complete with the rare vignette etching drawn and engraved by Hans Bellmer printed 'en sanguine' present in only around 200 copies. Preface by Jean Paulhan. Spine very lightly faded. A beautiful copy of this masterpiece of erotic literature. Jean-Jacques Pauvert unknown
195480495Sceaux: Jean-Jacques Pauvert 1954. Fine. Jean-Jacques Pauvert Sceaux 1954 12 x 19 cm broché Histoire d'O Story of O Jean-Jacques Pauvert Sceaux 1954 12 x 19 cm original wrappers First edition one of 480 numbered copies on Vergé paper ours being one of the few ""hors commerce"" advance copies the only deluxe paper after 20 copies on Arches and 100 others on Vergé for the press. Our copy is complete with the rare vignette drawn and engraved by Hans Bellmer in sanguine and present on about 200 copies only. Preface by Jean Paulhan. Beautiful copy of this masterpiece of erotic literature. Jean-Jacques Pauvert unknown
195484226Sceaux: Jean-Jacques Pauvert 1954. Fine. Masterpiece of Eroticism with a Capital O Jean-Jacques Pauvert Sceaux 1954 12 x 19 cm en feuilles sous chemise et étui First edition one of 20 copies on Arches paper most limited deluxe issue tirage de tête. Like all copies on Arches it is wrapped in a double dust jacket in yellow and white and bears the rare sanguine vignette drawn and engraved by Hans Bellmer. Preface by Jean Paulhan. Our copy is housed in a custom clamshell box featuring an original design signed by Julie Nadot. Beautiful first edition copy of this masterpiece of erotic literature in its most limited deluxe issue. Jean-Jacques Pauvert unknown
20062504Ostfildern: Hatje Cantz 2006. First edition. 280 pp. Brown paper boards lettered in black with the dust jacket. Exhibition catalogue published in conjunction with the show held at the Centre Pompidou Paris March 1-May 22 2006 and later held at the Staatliche Graphische Sammlung München Munich June 29-August 27 2006 and the Whitechapel Art Gallery London September 20-November 19 2006. Profusely illustrated. Essays by Agnes de la Beaumelle Alain Sayag and Wieland Schmied. Slight rubbing to top edge of jacket near fine. A heavy book international shipping not advised. Hatje Cantz unknown
20002174Cambridge: The MIT Press 2000. First edition. xxii 310 pp. Full brown cloth spine lettered in gilt with the dust jacket. Some minor rubbing to lower jacket at spine else a fine copy. Profusely illustrated. The MIT Press unknown
1997291771997. S.l. MusÂŽe-Galerie de la Seita 1997. Un vol. au format pt in-4 carrÂŽ 232 x 212 mm de 81 pp. brochÂŽ. L'ouvrage s'agrÂŽmente d'une abondante iconographie en noir et couleurs. ''Les gravures ont fait beaucoup pour la renommÂŽe de Bellmer artiste longtemps secret. Art de la ligne comme le dessin elles entraient dans la continuitÂŽ naturelle d'une oeuvre essentiellement graphique : elles en constituÂrent la caisse de rÂŽsonance''. TrÂs belle condition. b42961 unknown
2006165714Paris: Gallimard 2006. First Edition. Softcover. First Edition. Published in conjunction with a traveling exhibition which ran from March 1 through November 19 2006. <br /> <br /> Near Fine with no dust jacket as issued. Gallimard unknown
1969mon0000031702Denoel 1969T. hardcover. Very Good. in x in x in. Mylar DJ with a couple of tiny nicks at top spine edge. Sunned spine. Text in French. Unread. No markings in book. Binding is fine. 132pp. Denoel hardcover
198433016Schirmer/Mosel 1984 First Printing in dust jacket no markings binding tight pages bright touch of shelf/edge wear to jacket else Fine copy of this near-definitive collection of the surrealist artist's photographic oeuvre mostly featuring his uncanny eroticized "la poupée" doll constructions; Text in German; dj in mylar protector; 4to; 150pp illus. Extra shipping charge may be incurred for this oversize book additional charge MAY BE SUBSTANTIAL for overseas shipment. First Edition. Hard Cover. Fine/Near Fine. Schirmer/Mosel hardcover
196913028Paris: Denoël 1969. First Edition. Hardcover. Fine in Near Fine DJ. First Edition. Hardcover. Text in French. Catalogue raisonne of the ever brilliant Hans Bellmer. Minimal shelf/edge wear else tight bright and unmarred; original acetate dj clean. Black cloth boards pink ink lettering in blind decorative elements grey endpapers pink index leaves. Square 8vo. 96pp plus Index. Illus. b/w plates. Denoël hardcover
1969C86287Donoel. As New. 1969. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - Oeuvre Grave / Engraved Works uvre Gravé Catalogue Raisonné Catalogue Raisonne Catalog Raisonnee Engraved Works Etchings -- with a bonus offer-- - May be EITHER: out of print OOP and extremely rare in this pristine condition; signed by author or contributor; or a first or special edition; inquire for details . Donoel hardcover
18-4455New York NY: Ubu Gallery 2006. . 18mo. 12 pp. Soft stapled pink wraps inside protective patterned vellum pages. Very good with marginal creasing along vellum. Color plate reproductions of vintage gelatin silver prints made between 1934 and 1938. Catalogue created on occasion of exhibition “Hans Bellmer: Petites Anatomies Petites Images†at Ubu Gallery in New York from May 2 through July 28 2006. From the Collection of the Art Historian Peter Selz. New York, NY: Ubu Gallery, 2006. paperback