38 résultats
1990279511 vol. in-8 br., Centro de Investigacion de Lenguas Indigenas, Departemento de Investigacion Cientifica y Superacion Academica, Universidad de Guadalajara, 1990, 199 pp.
boz_002270Claudette COLBERT, actrice - PHOTOGRAPHIE DÉDICACÉE ET SIGNÉE à la main Actrice Photographie dédicacée et signée par Claudette COLBERT au feutre noir. "To John Besiner Claudette Colbert." Provenance : issu de la collection d'autographes de Claude ARMAND, collectionneur suisse. Dimensions : 25 x 20 cm État : Voir photos pour plus de détails. Nombre de pages : 1 page
193761143Avec une lettre autographe du Prof. dr. Willem Mengelberg et une préface de L.M.G. Arntzenius, 1 vol. in-folio br., Andries Blitz, Amsterdam, Aux Oeuvres Françaises, Paris, 1937, env. 70 ff.
1865boz_002372Edward Henry STANLEY, homme d'Etat Britannique. Lettre autographe signée, adressée à Jacques-Henri WUSTENBERG, jointe de son enveloppe, 19 Novembre 1865. État: Voir photos pour plus de détails. Dimensions : Lettre : 18,1 x 11,5 cm. 3 pages.
20230067USA, DC Comics/Vertigo, 2023. Tall and heavy hardcover, in-folio book. 32 x 21 cm, 384 pp. Signed by David Lloyd on title page, with a sketch of V on blue pencil alongside signature. With dust jacket, a black silk signet and a slipcase nicely housing the book. "Alan Moore and David Lloyd's powerful epic about loss of freedom and individuality gets the Absolute treatment! Taking place in a totalitarian England following a devastating war that changed the face of the planet, V FOR VENDETTA was the inspiration for the hit 2005 movie starring Natalie Portman and Hugo Weaving. This amazing graphic novel spotlights a mysterious man in a white porcelain mask and his young protégé as they fight political oppressors through terrorism and seemingly absurd acts. It's a gripping tale of the blurred lines between ideological good and evil and details a world where political and personal freedoms are non-existent."
197627923In english, with the arabic text 1 vol. in-8 br., Heidelberg, 1976, 94 pp.
1904boz_003129Seita KABA. Lettre autographe signée en date du 3 mars 1904, à Tokio "Tokyo", Japon. Dimensions : 12,5 x 20,1 cm. Nombre de pages : 3 pages.
19760366New York, Atheneum/SMI, 1976. Édition originale. Dédicacé par Pelé sur la page de titre. In-8, 222 x 147 mm, 129 pp. Relié plein tissu rose foncé, jaquette rose, image de couverture découpée et collée sur le plat avant, plats et reliure sous plastique. Livre issu de la bibliothèque de la Escola Americana de Rio de Janeiro, tampon "DISCARDED" sur la première garde blanche, tampon de bibliothèque et de date sur la page de titre. Portrait noir et blanc de Pelé en frontispice, dédicace "Do amigo Pelé" sur la page de titre. Album de photos noir et blanc au milieu des pp. 64 à 69 non paginées. Biographie peu courante, rédigée bien avant la version de 2006. New York, Atheneum/SMI, 1976. First edition. Signed by Pelé on the title page. In-8, 222 x 147 mm, 129 pp. Bound in full dark pink cloth, pink dust jacket, cover image cut out and pasted on the front cover, covers and binding under plastic. Book from the library of the Escola Americana in Rio de Janeiro, stamp "DISCARDED" on the first white endpaper, library and date stamp on the title page. Black and white portrait of Pelé on the frontispiece, dedication "Do amigo Pelé" on the title page. Black and white photo album in the middle of the book on unpaginated pp. 64 to 69. Paper a little yellow with some slight creasing. Signed page in good condition. Solid binding. Scarce biographical work, written well before the 2006 version.
19580451New York, John Day Company, 1958. First edition. An octavo volume of 217 x 142 mm for 188 pp. Bound in full black publisher's cloth with dust jacket with flaps. Blank covers, author's name, title and publisher written vertically on the spine on a pink background. Dust jacket with a drawing of African-Americans playing drums, black and red on a yellow background. Autograph dedication from Langston Hughes on the first white guard: "For Paula-Lima, with a hearty welcome to our U.S.A. Sincerely, Langston Hughes, New York, July 26, 1960" in turquoise blue pen. The table of contents, at the beginning of the book, was also annotated by Hughes with the same pen p. 11. A major figure in the African-American cultural movement known as the Harlem Renaissance, the poet and novelist Langston Hughes (1901-1967) wrote works depicting the lives of black proletarians shared between joys, disillusions, hope, etc. all tinged with jazz and blues. "Through his work, he sought to show the importance of a "black consciousness" and a cultural nationalism that unites men rather than sets them against each other. This pride was subsequently taken up by many men of letters such as Jacques Roumain, Nicolás Guillén, Léopold Sédar Senghor and Aimé Césaire." (Wikipedia) ******************************************** New York, John Day Company, 1958. En anglais. Édition originale. Un volume in-8 de 217 x 142 mm pour 188 pp. Relié plein tissu noir éditeur avec jaquette à rabats. Plats muets, nom d'auteur, titre et éditeur écrits à la verticale au dos sur fond rose. Jaquette à dessin d'Afro-Américains jouant du tambour, noir et rouge sur fond jaune. Envoi autographe de Langston Hughes sur la première garde blanche : "Pour Paula-Lima, chaleureusement la bienvenue chez nous aux États-Unis. Sincèrement, Langston Hughes, New York, 26 juillet 1960" (traduit) au stylo bleu turquoise. La table des matières, en début d'ouvrage, est également annotée par Hughes avec le même stylo p. 11. Figure majeure du mouvement culturel afro-américain dit de la Renaissance de Harlem, le poète et romancier Langston Hughes (1901-1967) écrivit des œuvres dépeignant la vie des prolétaires noirs partagée entre joies, désillusions, espoir, etc. le tout teinté de jazz et de blues. "Par son travail, il a cherché à montrer l'importance d'une « conscience noire » et d'un nationalisme culturel qui unit les hommes plutôt que les oppose. Cette fierté a par la suite été reprise par de nombreux hommes de lettres comme Jacques Roumain, Nicolás Guillén, Léopold Sédar Senghor ou encore Aimé Césaire." (Wikipédia)
192057812Dec. 22 1920, 4 pages, with small lackings : "My Dear Khourshed, warmest greetings & best wishes for Xmas & the New Year. I am sorry to hear that you have been ill [ ... ] Your husband write to me just before he was leaving London, to let him know when time came, if I would let him this house. I have decided nothing yet, & shall not I think be in a position to decide till the Spring. It is [ ... ] to hear that [ .... ] thinks your plan can be performed if certain conditions are fulfilled, which you are in a position to fulfill. [... ] It is evidently a musical Plan. Do you want my collaboration in the Libretto ? What is the idea underlying it ? For title, either "At feet of Shiva" or "At Shiva's Feet" would be good English. Some [ ... ]might prefer the one, and some other prefer "At Shiva's Feet". It is shorter, and the rythm is more balanced. As regards [ ... ] I agree with your remarks in the abstracts, but am puzzled to see later application. What is the question that I did [ ... ] but which you want to answer ? What is the question & what is the answer ? Perhaps the sand & waves of Scheveningen are necessary before I can solve the puzzle ? Or perhaps a [ ... ] chair of musical laughter, or perhaps after all, not among these things, but simply [... ] I don't know. That's unfinished conversation - or interrupted [ ... ] : shall we just treasure it because it began at all, & not be impatient because it did not finish ? [ ... ] sunbeams, love themselves in [... ]Mar.7, 1921, 4 pages, with small lackings : "My dear Khourshed, I a glad you are better, & I hope you will soon recover this weakness which must make an eager soul like yours free under the compulsory withdrawal from fields words & the ever-sounding sea. We are having such beautiful weather - [ ... ]summer spring days, with a bite of frost in the mornings, our clear blue skies, through which Orion & Sirius & all the great summer constellations are gradually making their [ ... ] overload. Do you remember the glorious summer days we had in The Hague ? It was autumn then. Now is the sun of Spring, increasing in splendour and strength. Good [ ... ] About my Lecture on Hafiz in the Lyceum Club an Mar. 5th. : I am going to give an account of Hafiz & illustrate his poetry to this audience : 1 - by the singing of one of his Tales in Persian ; 2 - by the singing of this same Ode in an English verse translation in the original metres, & 3 - by explanations of his meanings. I have transleted the Ode which begins [persian text ] [ lacking ] who are going to set it to music & also to find singers if possible. [... ] But you are at a distance, & in this state of your health, I dare not ask you to undertake the strain. I have not seen any english translation of Hafiz that is satisfactory. I do not claim for my translation that it is satisfactory. But it is an honest presentment. [ ... ]I send you my Poem on Rembrandt. If you can make, or have made, two copies without mistakes, I shall ask for one copy to be sent to me & the other for publication to the Gazette de Hollande or any other paper that may like to publish it." Mar. 28,1921, 10 pages, with important lackings : [long letter about his poems on Rembrandt, then, on a second part, about Hafiz ] "Hafiz first addresses his master, the beloved Shiraz. He offers him whole heards, but if he only finds acceptance, what will he not give ? The black mole is rules a blemish, but even for a blemish of their master, he will give what is to him most precious. Samarkand & Bokhara were reputed the two finest cities of the time [... ] The turkish painter whom picture : "Jeune Emir à l'étude" I saw in Liverpool was Osman Hamdu Bey, of Constantinople. He frequently exhibited in Paris and died within this century. If you can get any reproduction of this picture, I shall be obliged" [ ... ]. Apr. 7, 1921 4 pages, very damage, half of the text lacking
190264678Fourth Edition Revised & Enlarged, 8vo vol., editor's hardcover, John Murray, Albermarle Street, Kelly & Walsh, Limited, London, Yokohama Shanghai, Hong-Kong, Singapore 1902, VI pp., 1 f., 545 pp. et une carte dépliante
190759328Edited by William B. Slater and Arthur J. Sarl, with map and illustrations, 8vo full original red cloth, John Murray, Albemarle Street, London, 1907, xvii-380 pp. with a folding map
196757805A human document, with an Introduction by Barbara Hannah, 8vo paperback, Schippert & Co, Zurich, s.d. [ 1967 ], XII-128 pp. with 12 original colored drawings under an envelope pasted on guard, and autograph text in flemish on 14 leaves (letters, poems) in another one. Full Tite : The healing influence of Active Imagination in a Specific Case of Neurosis [ Unique and exceptional copy with autograph manuscripts and 12 original drawings: Anna Marjula mystery solved ! ]