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Holm, EdBiblio.com

Yachting's Golden Age: 1880-1905

Early Women in SportsBiblio.com

Women's Sports History and Professional Women's Boxing Photography 1970s to 1980s

1970201881970. Women's boxing photograph archive 1974 to 1983 documents women as fighters trainers judges and sanctioned competitors during a period when boxing remained one of the most heavily gendered professional sports. The archive provides primary visual evidence of women's participation in combative athletics before women's boxing received Olympic recognition as a medal sport in 2012 and it records several forms of ring authority: women entering the ring as athletes women training male and female boxers and Eva Shain appearing as a pioneering judge. Shain became the first woman to judge a world heavyweight championship bout when she scored the 1977 Muhammad Ali and Earnie Shavers fight at Madison Square Garden placing one image in this group within the broader history of women claiming official authority in professional boxing. The archive consists of eight black-and-white silver gelatin photographs of women boxers and women in combat-sport settings circa 1970s to 1980s measuring from approximately 5 x 7 inches to 8 x 10 inches. One press photograph shows a co-ed boxing match between Sheila McGuire and Buddy DiBenedetto in a ring with a referee watching closely behind them. Another press photograph shows Eva Shain at age seventy-one wearing boxing gloves presenting her public identity through the equipment of the sport she judged. A 1983 photograph shows boxing coach Butch Fohndan training a young woman at Palmer Boxing Club in Alaska. A 1974 photograph from Japan shows Masako Takatsuki training a young male boxer; the attached press information identifies Takatsuki as a twenty-seven-year-old cosmetician and the only female boxing trainer-manager then licensed by the Japan Boxing Commission to spar and act as a second. Another action photograph shows an outdoor wrestling match between Gisa Pipa and Aggi Tillman with Tillman holding Pipa from behind. Two photographs show an unidentified woman near a boxing ring in a crouched stance with a direct combative expression suggesting training or promotional posing. The final 1975 photograph shows Sharon Allbery charging toward Zinda Foster at Seattle Center Arena in what contemporary women's boxing history sources identify as the first sanctioned female prizefight in Seattle Washington and the Pacific Northwest. The photographs are significant because they show women's boxing as a developing practice rather than a single symbolic breakthrough: fighters in sanctioned and mixed bouts a female judge associated with a heavyweight title fight a Japanese woman trainer-manager local gym instruction and women using combat poses to claim athletic presence. Their strongest research value lies in the way they document the infrastructure around women's boxing including referees licenses gyms press captions arenas and training relationships alongside images of women's physical force. Light handling wear and minor edge wear; press details present on several images; photographs remain crisp with clear ring gym and figure detail; overall very good. Concentrated women's sports photography archive documenting the contested expansion of women's boxing and combat-sport authority in the 1970s and early 1980s. unknown

Max Rambod Inc. · États-Unis450,00 $US≈ 380,75 €

Early Women in SportsBiblio.com

Women's Sports History and Competitive Golf Photography 1910s to 1930s

1910200811910. Women's competitive golf archive 1910s to 1930s documents women golfers in practice tournament and club settings during the formative decades of organized women's golf in the United States. The group provides visual evidence of women's athletic participation in a sport long associated with country-club respectability social access and gendered expectations about dress leisure and competition. The U.S. Women's Amateur Championship began in 1895 as one of the USGA's first three championships and the USGA identifies it as marking the beginning of women's competitive golf in the United States; these photographs and postcard show how that competitive culture appeared in everyday and press imagery in the decades that followed. The archive consists of seven items dated between the 1910s and 1930s: six silver gelatin photographs and one brightly illustrated postcard measuring from approximately 1.75 x 2.75 inches to 7.25 x 9 inches. The photographs include a 1934 press image of golfer Barbara Stoddard in a swing position; a 1935 lineup from the Annual Women's St. Valentine Golf Tournament identifying Helen Waring Sarah Fownes Wadsworth Myrom W. Marr and W.C. Fownes Jr.; three small circa 1928 photographs of women positioned with clubs on a golf range; and an early 1930s image of two women posed with a man at a country club the women holding several clubs with one woman wearing trousers. The illustrated postcard from the early twentieth century shows a woman swinging a club in an athletic outfit still shaped by long-skirted fashion rather than later sportswear. Across the group recurring details include golf clubs held as markers of athletic identity posed swings tournament lineup conventions country-club settings and changing women's clothing from long skirts to less restrictive dress. The archive records women's golf as both competitive sport and social performance making visible the relationship between athletic skill class-coded club culture and evolving public ideas about women's physical capability. Its strongest research value lies in the mix of press photographs vernacular practice images tournament documentation and illustrated popular culture allowing comparison between women as actual competitors and women as stylized sporting subjects. Light handling wear minor edge wear and typical surface wear to photographs and postcard; images remain clear and identifiable; overall very good. Cohesive women's sports archive documenting early twentieth-century women golfers as competitors club participants and subjects of changing athletic representation. unknown

Max Rambod Inc. · États-Unis425,00 $US≈ 359,59 €

Early Women in SportsBiblio.com

Women's Sports History Early Photographs Documenting Female Boxing from Informal Matches to Mid Twentieth Century Training 1910s-1950s

1910201861910. Women's participation in boxing long preceded formal recognition of the sport for female athletes developing through informal exhibitions training clubs and novelty bouts that challenged prevailing gender norms. Although women were largely excluded from organized boxing competitions during the nineteenth and early twentieth centuries scattered photographic evidence demonstrates that women continued to box recreationally and publicly despite social restrictions. This archive of photographs dating from the early twentieth century through the mid twentieth century documents women participating in boxing across a range of informal settings illustrating the gradual emergence of female athletic culture in a sport historically defined as masculine. Archive of sixteen black and white photographs including six silver gelatin prints and one real photo postcard measuring approximately 2.5 x 3.5 inches to 3.5 x 5.25 inches dating from the 1910s through the 1950s. The earliest image a real photo postcard dated August 1914 depicts two women wearing corsets and long dresses while sparring with boxing gloves before a mixed group of spectators. The postcard bears a pencil inscription on the verso reading "August 1914 For fun women boxers Francis Edith." Another early photograph shows two women posing with gloved fists raised before a snowy background with the inscription "Grace Miss Vandehei boxing This is Grace's roommate. A fine girl she's here now." Later photographs from the 1920s depict staged boxing encounters between a man and a woman with the female boxer dressed in athletic trousers and high heeled shoes reflecting the novelty and spectacle often associated with early female boxing exhibitions. One image shows the pair squared off with raised fists while another captures the moment of a punch landing against the man's chest. Another photograph shows two women sparring on a ship deck while surrounded by onlookers one boxer wearing a dress and curlers beneath her head covering while raising her gloved fists before a mixed audience of men and women. Boxing has historically generated controversy due to its physical intensity and female participation in the sport remained marginal for decades. Women occasionally boxed publicly as early as the eighteenth century yet organized opportunities remained rare. Women's boxing appeared briefly as a demonstration sport at the 1904 Olympic Games in St. Louis and training clubs such as Andrew Newton's Women's Boxing Club in London emerged during the 1920s. Nevertheless women's boxing did not become an official Olympic sport until the 2012 Olympic Games. The photographs in this archive illustrate the persistence of women athletes who trained and competed informally despite these restrictions offering visual evidence of women's athletic experimentation and resilience during a period of shifting gender expectations in sport. Sixteen photographs including silver gelatin prints and a real photo postcard measuring approximately 2.5 x 3.5 inches to 3.5 x 5.25 inches. Photographs clear and well preserved with light handling wear. Overall condition very good. unknown

Max Rambod Inc. · États-Unis850,00 $US≈ 719,19 €

Early Women in SportsBiblio.com

Women's Sports and Victorian Leisure Culture: Female Tennis Player Photograph Archive ca. 1880s-1910s

1880206021880. Unidentified photographers female tennis player photograph archive ca. 1880s-1910s documents women's participation in organized sport and recreational culture during the late nineteenth and early twentieth centuries supporting research into gender roles physical activity and educational environments for women in the Victorian and Edwardian periods. The group captures tennis as one of the few socially sanctioned athletic pursuits for women showing both formal portraiture and active play. The inclusion of seminary-based stereoviews alongside studio cartes-de-visite and outdoor scenes establishes a transatlantic visual record of how tennis intersected with women's education leisure and identity formation during a period of restricted physical and social mobility. Eight original photographs including five albumen prints and three stereoviews sepia toned ranging from approximately 2.5 x 4 inches to 3 x 4.5 inches. Two cartes-de-visite depict waist-length portraits of women holding tennis rackets dressed in late nineteenth-century attire including fitted bodices and high collars; versos bear photographer imprints for Hellis & Sons of London and George Goodman of Margate. Additional images show women engaged in doubles matches on grass courts including one action-oriented scene with players mid-swing wearing wide-brimmed hats and layered dresses. One photograph shows two young women in matching outfits possibly school uniforms standing in a yard holding rackets. The three stereoviews dated 1905 and issued by C.H. Graves of Philadelphia are captioned "A Masquerade at the Seminary Confidences" "Trying on the Costumes" and "Planning to Scare the Freshies" each depicting groups of young women in a dormitory interior; tennis rackets are visible mounted on the wall in the background linking athletic culture to residential school life. Based on the photographer and setting the images may relate to a women's seminary such as Darlington Seminary in West Chester Pennsylvania. Produced during the decades following the introduction of lawn tennis to the United States in 1874 the archive situates women's participation in sport within broader developments in leisure education and shifting norms of female physicality. The imagery documents the persistence of restrictive dress including corseted garments and long skirts even in athletic contexts underscoring the negotiation between mobility and propriety. Minor surface wear consistent with age with strong image clarity and tonal stability across prints. Overall in very good condition. unknown

Max Rambod Inc. · États-Unis450,00 $US≈ 380,75 €

Women in SportsBiblio.com

Women's Sports Photograph Archive Documenting Female Athletic Participation 1910s-1930s

1910219051910. Archive of original photographs documenting women's participation in athletics and organized physical culture during the early twentieth century when women's sports and exercise programs increasingly became accepted within schools colleges camps and recreational organizations. The photographs show women engaged in archery synchronized gymnastics calisthenics and cheer leading during a period when female athletic participation expanded alongside broader debates concerning women's health education public visibility and social independence. The photographs provide visual evidence of the physical culture movement as it shaped women's recreational and educational environments in the United States and abroad preserving both formal athletic training and communal performance activities that contributed to changing expectations surrounding women's physical activity and public presence. Collection consists of seven original silver gelatin photographs dating approximately from the 1910s through the 1930s. The archive includes several photographs of women participating in organized physical education exercises and athletic activities while dressed in period sporting attire. One image dated July 5 1928 documents uniformed women performing synchronized gymnastic drills during a Sokol Festival dress rehearsal in Prague capturing rows of participants in coordinated motion during a major international physical culture gathering influenced by Central European nationalist and athletic traditions. Another photograph from the 1910s-1920s shows a group of young women posed with medicine balls Indian clubs and batons while wearing sailor-inspired gymnasium uniforms associated with school or collegiate athletic programs. A separate 1930s image depicts a cheerleading squad in matching lettered "S" sweaters posed in formation within a school auditorium. Archery appears prominently throughout the archive. One press photograph portrays Olympic diver and sportswoman Helen Meany Balfe standing with a bow on the grounds of White Sulphur Springs West Virginia as identified by a typed caption on the verso. Another image depicts Stella M. Ives identified in manuscript drawing a bow while dressed in full sporting attire. A vernacular photograph portrays four young women practicing archery in the hills above Troy New York including one identified as Louise Hatch of Troy with a handwritten verso inscription linking the group to Bridgewater Massachusetts. The final photograph shows a large assembly of young women gathered on outdoor steps beside a prominent archery target possibly at a camp or collegiate event emphasizing organized recreation and group participation. The archive documents the increasing visibility of women's athletic participation during the early twentieth century when organized exercise and sports became associated with women's education health reform and public modernity. Physical culture programs in schools colleges camps and civic organizations promoted athletics as both disciplined recreation and social training while sports such as archery and gymnastics offered women expanded opportunities for public competition and physical expression. Particularly notable is the range of activities represented from regimented calisthenic performance to recreational archery and cheerleading illustrating the broad spectrum of athletic environments available to women before the widespread professionalization of women's sports. Light wear and occasional handling marks consistent with age; photographs remain well-preserved overall in very good condition. A visually engaging archive documenting the growth of women's athletics and physical culture in the early twentieth century. unknown

Max Rambod Inc. · États-Unis450,00 $US≈ 380,75 €

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