Hare, DavidBiblio.com
651 résultats
19303245941930. 27 photos mounted on board approx. 14 x 18 inches. Prints range from approx. 5 x 6-1/2 inches to 13 x 10 inches. 8 Kodak color prints mounted on board 3 of them signed on the mount; 18 silver gelatin prints mounted on 15 boards; 1 Kodachrome slide; 1 black and white negative transparency. Some soiling to the 2 sets of nude photos on board otherwise general slight toning overall very good. With Portfolio case labeled I-A. 27 photos mounted on board approx. 14 x 18 inches. Prints range from approx. 5 x 6-1/2 inches to 13 x 10 inches. Subjects include: Portraits of Yves Tanguy two different Mabel Dodge Luhan and Robinson Jeffers; six color and black and white portraits; three surrealist photo collages one with a severed head and two others incorporating Pueblo art; a group of nudes; three commercial images; and a group of surrealist-photographs of everyday items.<br /> <br /> David Hare 1917-1992 was born into modern art. His mother Elizabeth Sage Goodwin was a collector friends with Brancusi and Duchamp and one of the backers of the 1913 Armory Show. When Hare was 10 the family relocated to the Southwest and he grew up in Santa Fe and Colorado Springs. After studying biology and chemistry at Bard he dropped out and founded a commercial photography studio specializing in Kodak's new color dye transfer process in Roxbury Connecticut in 1937. There he met Arshile Gorky Alexander Calder and Yves Tanguy who was married to his cousin Kay Sage and began experimenting with automotatist techniques to create surrealist photographs on the side. He was sent on assignment by the Museum of Natural History to take portraits of the "village" Indians in New Mexico eventually publishing the limited portfolio Pueblo Indians of New Mexico As They Are Today twenty color photos that combined ethnography studio portraiture and surrealist phenomenology. Editor of Duchamp's magazine VVV and a contributor to Sartre's Le Temps Moderne Hare was a pivotal figure in the American phase of surrealism and in the words of Clement Greenberg one of the two preeminent sculptors of nascent Abstract-Expressionism. That he began as a photographer and not as did so many of his peers as a draughtsman and how this may have effected his mature art has not been explored. unknown
1942218415New York: Boni & Liveright 1942. First. paperback. very good. Profusely illustrated with color and monochrome photographs gravures overlays and transparencies. 4 volumes in 3 as issued. Slim 4to original colored printed wrappers some sun fading and worn edges but for a few minor spots a very nice clean set. New York: Boni & Liveright 1942 1943 1944. First Editions.<br/><br/> A very good set of this scarce surrealist magazine. A literary and fine art journal with Andre Breton Marcel Duchamp and Max Ernst as editorial advisors. The title is taken from the World War II "V for Victory". Illustrations include color plates inserts cut-outs and other movable parts. The first issue October 1942 has a green cover designed by Max Ernst and contributions by Claude Levi Strauss Wm. Carlos Williams Andre Masson and Robert Motherwell. Volume 2 and 3 is a double issue with a tan cover by Marcel Duchamp and a chicken wire insert on the back cover. The final issue February 1944 has a red cover and is designed by Matta.<br/><br/> Boni & Liveright unknown books
193943908London: Faber & Faber Limited 1939 1939. First edition. Pseudonym of Alfred Alexander Gordon Clark. Author's third book. Original black cloth with titles stamped in gold gilt on the spine. A lovely fine clean and square copy in the near fine lightly rubbed and with a few tiny nicks bright pictorial dust jacket. An exceptional example and rare in the dust jacket. Published in the U. S. in 1954 using the title "Murder Revisited." Three amateur detectives try to change a suicide verdict to murder. Inspector Mallett lends a hand and reveals a completely unexpected solution to all. Alfred Alexander Gordon Clark 1900-1958 was called to the bar in 1924 as he joined the chambers of famed lawyer Ronald Oliver and practiced in the civil and criminal courts in and around London. "He married in 1933 and went to live in Cyril Mansions Battersea. At this time he was employed in Hare Court Temple. This lucky combination of names -- combined with a far from adequate income -- soon suggested a possible literary pseudonym." -- Charles Shibuk. "Eleven years after his death Clark remains one of the best British writers of detective stories." -- Charles Shibuk. Faber & Faber Limited, [1939] hardcover
1997__0415124344Routledge 1997. Hardcover. New. 1st edition. 1912 pages. 10.00x6.75x4.50 inches. Routledge hardcover
1922005226Paris 1922 Briffaut Hardcover
1944140940120New York: VVV 1944. First Edition. Fine. No.4 February 1944. 86 12 pp. with plates. Illustrated red wraps with yapped edges. Basically a Fine copy unsophisticated very bright and clean slight bump to head tiny scratch to spine offsetting to plate between pages 56 and 57. The final issue of the surrealist journal featuring work by Aime Cesaire Andre Breton Philip Lamantia Benjamin Peret Leonora Carrington Marcel Duchamp Wilfredo Lam Max Ernst Yves Tanguy and more. Cover illustration by Chilean artist Roberto Matta. VVV unknown books
1944140940120New York: VVV 1944. First Edition. Fine. No.4 February 1944. 86 12 pp. with plates. Illustrated red wraps with yapped edges. Basically a Fine copy unsophisticated very bright and clean slight bump to head tiny scratch to spine offsetting to plate between pages 56 and 57. The final issue of the surrealist journal featuring work by Aime Cesaire Andre Breton Philip Lamantia Benjamin Peret Leonora Carrington Marcel Duchamp Wilfredo Lam Max Ernst Yves Tanguy and more. Cover illustration by Chilean artist Roberto Matta. VVV unknown
196070289Cleveland OH: The World Publishing Company. Very Good. 1960. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - TEXT PRISTINE UNMARKED - 317 pages. First edition so stated. -- with a bonus offer-- . The World Publishing Company unknown
1944016361New York NY: VVV 1944. Book. Very good condition. Paperback. First Edition. Quarto 4to. 86 pages of text followed by x pages containing an index and advertisement. Red paperback binding; front cover illustrated by Matta; minor shelfwear to extremities and hand-lettered on the spine "VVV Surrealist issue #4." Protected in custom stiff archival mylar. A magazine about poetry plastic arts anthropology sociology psychology. The editorial advisers include Andre Breton Marcel Duchamp and Max Ernst. The text is clean and unmarked. First edition. VVV Paperback books
1970TK241222Allen & Unwin London 1970. 1st Edition. HARDCOVER. 8vo in blue faux cloth silver lettering to spine. 236pp plates bibliography index. Ronald Hare Professor of Bacteriology London University began his career at St Mary's Hospital spending 6 years working alongside Alexander Fleming Hare was the first person to pinpoint the conditions needed for the growth of Penicillium and has often been described by his contemporaries in bacteriology as Penicillin's real discoverer. This book is the first rigorous study of the history of penicillin its discovery testing and manufacture and corrects many of the myths and misconceptions surrounding Fleming's role. This copy is inscribed to Albert Fuller and signed by Ronald Hare on front blank fly-leaf. Biochemist Dr Albert Fuller did research work with Hare at Queen Charlotte's Hospital is listed in the books acknowledgements and the bibliography and is mentioned a number of times in the book. Signed copies of this important book are extremely rare. This copy comes protectively housed in a custom made cloth covered clam-shell case __CONDITION : A well preserved FINE very clean and tight copy pages very slightly tanned two tiny bumps to mid spine in a VERY GOOD price-clipped Dust Jacket rubbed along top edges looks very presentable in its removable transparent protector. . NOTE: Depending on destination this item may require an extra payment for insurance. If so orders made by card will be completed only after you have approved any such extra cost. __We always ship in PROTECTIVE CARD PARCELS Allen & Unwin, London hardcover
19402091202132803126Osaka Confectionery Industry Association Osaka Confectionery Industry Association 1940. Soft Cover. Fine. Number of books: 1 book Osaka Confectionery Industry Association Osaka Confectionery Industry Association paperback
19470015431947 Paris, Plume & Presse (Thiébaud), 1947-1948. Quatre volumes in-quarto (231 X 283) brochés, couverture rempliée, titre imprimé en noir au dos et sur le premier plat ; les volumes sont regroupés dans deux étuis et chemises éditeurs. Tome I : XXV-164 pages. Tome II : 182 pages. Tome III : 164 pages. Tome IV : 159 pages.
1923009512Paris: Le Livre du Bibliophile G & R. Briffaut Editeurs 1923. Hardcover. Good. André Lambert. Special limited edition of Ovid's Art of Love with the Latin text and a French translation by Lievre. With 23 tissue guarded engraved plates and frontisplates in colour by Andre Lambert. Limited to 500 copies in total this being one of 50 that contain the illustrations in two states b/w in addition to colour. No. 82. Printed on special watermarked Velin d'Arches paper. Rebound in red cloth with original DJ bound in to rear. 4to. Fore edge rough cut. Offsetting from plates light spotting to rear of plates. Very good. <br/> <br/> Le Livre du Bibliophile, G & R. Briffaut Editeurs hardcover
19783725New York: Aperture 1978. First edition. Oblong quarto original cloth with silver titles to the spine. Near fine in a very good dust jacket. Lengthily inscribed by Chauncey Hare on the title page. As noted historian and social observer Theodore Roszak wrote "these images chronicle not just the spiritual desolation at the heart of an industrial society but also reflect Hare's own despair. Prior to taking up photography he worked as an oil industry engineer for over 20 years becoming increasingly alienated from his work and the attitudes it forced him to take. A chilling body of work that is a harsh indictment of the consequences of industrial production and the alienation it produces in the lives of individuals." "An interesting figure who deserves a renewed focus of critical attention" Parr & Badger. Aperture hardcover books
19783725New York: Aperture 1978. First edition of this classic work. Oblong quarto original cloth illustrated throughout. Lengthily inscribed by Chauncey Hare on the title page. Near fine in a very good dust jacket. As noted historian and social observer Theodore Roszak wrote "these images chronicle not just the spiritual desolation at the heart of an industrial society but also reflect Hare's own despair. Prior to taking up photography he worked as an oil industry engineer for over 20 years becoming increasingly alienated from his work and the attitudes it forced him to take. A chilling body of work that is a harsh indictment of the consequences of industrial production and the alienation it produces in the lives of individuals." "An interesting figure who deserves a renewed focus of critical attention" Parr & Badger. Aperture hardcover
1917333<p>n.p. England 1917. Very good internally but vellum heavily soiled and toned boards bowed contents clean with some light finger-soiling. Attractive manuscript children's book filled with watercolor illustrations.<br /><br />A whimsical story in verse about a carefree itinerant fellow and his dog set in the early twentieth century wandering the towns of southern England before finding and then losing untold riches in Canterbury - and learning that time and leisure are more valuable than money.<br /><br />This book appears to be unpublished as we trace no printed version of any variation of this title by this author or illustrators.<br /><br />Oblong 4to. 7 leaves. Clearly a work of love as it is bound in full vellum with gilt lettering and marbled endpapers.</p>
199821657New Castle Delaware: Oak Knoll Press 1998. Limited Edition of 50 Copies in Leather. Full-Leather. AN/NA. Bethany Tudor and Nell Dorr. 560pp. This edition of the Tasha Tudor bibliography has a limitation page tipped in and signed by Tasha Tudor Wm John Hare Priscilla T. Hare Bethany Tudor Efner Tudor Holmes Dorothy Haas and Patricia Lee Gauch. The book is bound in dark green goat skin with marbled endpapers. The limitation colophon page is added as the last sheet in the book. A separate publication PRICE GUIDE TO ACCOMPANY TASHA TUDOR: THE DIRECTION OF HER DREAMS. is laid in. Haas and Gauch were two of Tudor's editors. Each wrote a section for the book. Haas died about 2005. Signed by 6 Authors and Tasha Tudor. Oak Knoll Press unknown
19230036128Paris: Le Livre du Bibliophile G. & R. Briffaut 1923. First Thus. Hardcover Hardcover. Near Fine Condition. 27.5cm x 21.5cm. 204 pages 23 colour etchings. Half red leather marbled papered boards gilt lettering and decoration marbled endpapers original wrappers bound in. Text is in French. The Art of Love by Ovid a new translation into French by Pierre Lievre and with illustrations by Andre Lambert. One of 404 numbered copies on Arches vellum from a total edition of 500 this copy for Maurice de Smet de Naeyer bound in half leather signed Weckesser. Text is in French. Minor discolouration to spine. Category: Poetry; Fine Bindings; Foreign Language::French; French Language; Sex Guides. Inventory No: 0036128. BZDB407 Poetry; Fine Bindings; Foreign Language::French; French Language; Sex Guides. Unbranded Ovide; Pierre Lievre; Andre Lambert Ars Amandi. L'Art D'Aimer Le Livre du Bibliophile, G. & R. Briffaut hardcover
1905163Paris, Pairault & Cie, Imprimeurs-Éditeurs, sans date [circa 1905]. format : 14 x 20 cm,156 pages, reliure demi-maroquin bordeaux, filet doré bordant les plats, dos à nerfs, non rogné, couverture illustrée conservée (reliure début XXe s.). ÉDITION ORIGINALE. Illustration sur la couverture par Charles de CONDAMY. UN DES QUELQUES EXEMPLAIRES SUR PAPIER VERGÉ non justifié. Quelques petites rousseurs. De la bibliothèque Mouchon, avec ex-libris et ex libris du comte général de la Ferté Senéctère .
1981L3 box102 b2The Preparation of a Product Liability Case. By S. Baldwin F. H. Hare jr. and F. E. McGovern. Published in 1981 by Little Brown and Co. Hardcover 717 pages. In L3 box102. Little, Brown and Co. hardcover
1984167521Burbank CA: Pressman Productions 1984. First Draft script for the 1985 UK/US film circa 1984 with manuscript pencil annotations on the cast of characters page noting the actor's names adjacent to their characters. <br /> <br /> Based on the 1978 play by screenwriter David Hare. Spanning nearly 20 years in the life of Englishwoman Susan Traherne played by Meryl Streep the film follows her from her life-changing experiences as a French Resistance fighter during World War II to her life in post-war England which she finds inadequate and trivial her alienation often leading her to act with disregard for those around her. Nominated for two BAFTA Awards.<br /> <br /> Of note screenwriter Hare divided the script found here into eight segments of which there is a note on the first leaf that this was not for the viewing audience but for clarity in reading for the cast and crew. The eight segments are: "The War" "Europe On The Move" "Austerity" "Plenty" "Suez" "Iran" "The Crisis" and "Liberation."<br /> <br /> Set in and shot on location in London Brusels Belgium France and Tunisia. <br /> <br /> Front wrapper integral with first introductory note leaf. Title page present noted as FIRST DRAFT with credits for screenwriter David Hare. 112 leaves with last page of text numbered 101. Xerographic duplication rectos only. Pages Near Fine bound with two gold brads. Pressman Productions unknown
1984160850London: Greenpoint Films 1984. Draft script for the 1985 British film INSCRIBED by director/screenwriter David Hare on the title page "For Steve with thanks - / David Hare / 15.5.85" with the manuscript ink annotation of copy number "63" on the top of the title page and manuscript ink annotations striking scene 71B on page 51. Laid in is an eight page transcript of a PublicTheater interview with Hare dated May 15 1985 with manuscript pencil and marker annotations throughout in what appears to be Hare's hand a sixteen page program for the film with two modest ink annotations on two pages a thirteen page "Preliminary Production Notes" and a one page clipping of "Stanley Kauffmann On Films: Against the Darkness" a review of the film from the August 12 1985 issue of The New Republic.<br /> <br /> A middle-age spinster schoolteacher played by Vanessa Redgrave is forced to reevaluate her life after witnessing the suicide of a recently arrived enigmatic stranger.<br /> <br /> Set in Wetherby England shot on location in West Yorkshire North Yorkshire Middlesex and London. <br /> <br /> Black untitled wrappers with a die-cut window in the British style. Title page present dated May 4 1984 noted as "This Draft" with credits for screenwriter David Hare. 89 leaves with last page of text numbered 79. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound with two gold brads.<br /> <br /> Interview transcript 8.5 x 11 inches. Very Good plus with light toning overall bound with two staples to the top left corner.<br /> <br /> Program 8.25 x 11.75 inches. Very Good plus with light edgewear and creasing.<br /> <br /> Preliminary Production Notes 8.5 x 11 inches. Light toning at the extremities else Near Fine.<br /> <br /> Article Clipping 8.25 x 11. Very Good with light dampstaining creasing and edgewear. Greenpoint Films unknown
1930259007New York: Eyre and Spotiswoode 1930. First edition no. 23 of 50 copies signed by the author and the artist and printed on special mould made paper. Illustrated title page color frontispiece and plate and numerous illustrations throughout the text by Cecil Aldin. 189 pp. 1 vols. Lare 8vo. Vellum spine and red cloth over beveled boards. Fine. Aldin Cecil. First edition no. 23 of 50 copies signed by the author and the artist and printed on special mould made paper. Illustrated title page color frontispiece and plate and numerous illustrations throughout the text by Cecil Aldin. 189 pp. 1 vols. Lare 8vo. ONE OF 50. Tales stemming from the author's fascination with coaching prints. Not in Rittenhouse [Eyre and Spotiswoode] unknown books
19301169Gaylordsville: The Slide Mountain Press. 1930. Limited/Numbered Signed Edition. Hardcover. Very Good in No Dust Jacket dust jacket. Faintest offsetting to the gutters more so at the gutters between pastedowns and endpapers. Light crease at the tail corner of the first leaf. Cloth over the spine was split and lifting at some point later laid down again. Head of spine rubbed tips lightly bumped. Tiny dent at the front head edge and light scuffing to covers.; Tristram and Iseult is a medieval romance-tragedy derived primarily from Celtic legend. This book is poet Amory Hare's dramatic adaptation of the story and is copy 352 of a limited edition of 450 and signed by both author and illustrator on the colophon as required. Inscribed in cursive by the author on the front free endpaper "To A. Conger Goodyear - 1935 / Boni / Amory Hare" Inscribed with a quotation from the drama ""--- Sir I too will go / to see that they keep strictly to the game / as we have ruled it---" / page 19." A. Conger Goodyear was a founder and first President of Museum of Modern Art New York as well as an industrialist philanthropist and fine art collector and promoter. In the legend a Cornish knight Tristram Tristan Tristrem has an illicit affair with an Irish princess Iseult Isold Isolde Isolt Isoult Yseult and the tumultuous story incorporates love potions adultery confinement to a leper colony miraculous escapes jealousy subterfuge the death of Tristram and the suicide of Iseult. Although that is the basic story in this telling over the centuries the story has had countless adaptations additions translations and retranslations and has appeared in both verse and prose versions. The story has been altered many times to suit the time and society of the adapter and adaptations have branched into versions that incorporate other legends. Some branches embrace the violence in the original story other branches are more genteel. This book is an adaptation of the Joseph Bedier translation and author Amory Hare renders the story as a drama for the stage including brief directions for staging. The various characters' dialog is formatted in short lines that are non-rhyming verse. An ink text correction in the author's hand is on page 89 changing "Only ring-dove" to "Only the ring dove". Dedicated to British-American artist and manuscript illuminator Beatrice Fox Griffith. Includes an Author's Note The Cast Synopsis of Scenes and Prologue before the curtain. Hare was an early 20th century poet and a frequent contributor to The Atlantic periodical. Including the frontispiece there are 10 bold stylized woodcut illustrations in monochrome by Wharton Esherick. Esherick 1887-1970 was a creative polymath as a builder dancer sculptor designer of furniture illustrator and printmaker. His affinity for working in wood led him to apply his chisels to wood blocks illustrating fine press books with woodcuts. Produced by James and Hilda Wells who were the principals of The Slide Mountain Press. James was the primary partner there is scant information about the press and he appears to have operated or participated in more than one private press simultaneously partnering variously with Bruce Rogers James Hendrickson and Crosby Gaige. This copy with cream laid paper pastedowns. All leaves are cream mould made watermarked Bishopstoke paper. Fore and tail edges of the text block and pastedowns are untrimmed. In fine black cloth over boards with title to the spine in gilt. No dust jacket as issued. In a scuffed mylar jacket. This only known edition of Hare's adaptation is quite scarce in the trade. In clean conservatively Very Good condition.; Woodcuts; 4to 11" - 13" tall; 81041 pages . The Slide Mountain Press hardcover
19109011Librairie de France 1910 1 Paris, Librairie de France, (1910), grand in-4, toile blanche, monté sur onglets, [3] feuilles, faux-titre, [1] page de, titre, [1] page., [2] pages. d'introduction, [41] feuilles.
