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194852447London: Routledge 1948. First edition limited to 1440 numbered copies 8vo pp. 2 ix 1 225 1; brown buckram black and silver title on spine red stained top edge; fine in a lightly worn and price-clipped dust jacket. Discussion and glossary of the bawdy references in the works of Skakespeare. <br/><br/> Routledge hardcover books
1948215560New York: E. P. Dutton 1948. Limited Ediiton . Hardcover. VG-/Good-. Limited edition; #976/1440. 225 pages in very good clean condition; yellowed. Previous owner's bookplate on the fep. Brown hardcovers with brown spine titles. Corners lightly bumped. Beige DJ with red/black titles. Spine and edges very darkened small tears and chips on corners and edges. VG-/FAIR <br/> <br/> E. P. Dutton hardcover
195459252London: Faber & Faber 1954. Second impression 12mo pp. 107 1; text illustrations; blue publisher's cloth; corners bumped a little cocked very good. Inscribed by Partridge to "Sir Michael Ralcon with the author's admiration and compliments. Faber & Faber unknown
0666817901.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
0266407668.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
0364399570.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
0483983942.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
B9781350286870Paperback / softback. New. The second edition of <i>The</i> <i>Bloomsbury Handbook of Religion and Popular Music</i> provides an updated state-of-the-art analysis of the most important themes and concepts in the field combining research in religious studies theology critical musicology cultural analysis and sociology. It comprises 30 updated essays and six new chapters covering the following areas: · Popular Music Religion and Performance · Musicological Perspectives · Popular Music and Religious Syncretism · Atheism and Popular Music · Industrial Music and Noise · K-pop The Handbook continues to provide a guide to methodology key genres and popular music subcultures as well as an extensive updated bibliography. It remains the essential tool for anyone with an interest in popular culture generally and religion and popular music in particular. paperback
0366192620.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
0365064092.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
0613444116.Gschool. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. unknown
1020510528.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
0811840441.GGood. Access codes and supplements are not guaranteed with used items. May be an ex-library book. unknown
0753808005.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
19979081735Harry N Abrams Inc 1997. hardcover. New. 10x1x13. HARDCOVER BRAND NEW Perfect Shape No Remainder Mark Harry N Abrams Inc hardcover
1963087673Barnes & Noble 1963. Hardcover. Very Good/No Jacket. Very good clean tight condition. Text free of marks. Fading to spine. No dust jacket. Professional book dealer since 1999. All orders are processed promptly and carefully packaged. <br/> <br/> Barnes & Noble hardcover
Bloomsbury-9781350115880Bloomsbury Academic. Paperback. New. Bloomsbury Academic paperback
Bloomsbury-9781350115880Bloomsbury Academic. Paperback. New. Bloomsbury Academic paperback
1911007095London: Punch 1911. This original printed appearance of a Punch cartoon featuring Winston S. Churchill comes from the personal collection of Gary L. Stiles author of Churchill in Punch Unicorn Publishing Group 2022. His book is the first ever effort to definitively catalog describe and contextualize all of the many Punch cartoons featuring Churchill. <br /> <br />This cartoon titled "'All in Due Course. appeared thus on p.101 of the 8 February 1911 issue of Punch. The artist is Bernard Partridge. The cartoon is captioned "Catesby Mr. Churchill. 'My liege The Dukes etcetera have been taken.' Richard the Third Mr. Asquith. 'Off with their heads! So much for Dukes etcetera.' Catesby. 'My liege e'en now they prate of self-reform.' Richard the Third. 'Off with their heads! We will reform 'em later.' "Richard The Third" Colley Cibber - "French" version Act IV. Scene 4." <br /> <br />Prime Minister Herbert Asquith's Liberal government introduced the Parliament Act to curb the powers of the House of Lords following the clash between the Commons and Lords over the 1909 People's Budget. Churchill was at 'point' for much of the attack on the Lords. Here the message is: show them no mercy. In Shakespeare's Richard III Catesby is one of the King's ardent supporters. <br /> <br />Punch or The London Charivari began featuring Churchill cartoons in 1900 when his political career was just beginning. That political career would last two thirds of a century see him occupy Cabinet office during each of the first six decades of the twentieth century carry him twice to the premiership and further still into the annals of history as a preeminent statesman. And throughout that time Punch satirized Churchill in cartoons more than 600 of them the work of more than 50 different artists. <br /> <br />It was a near-perfect relationship between satirists and subject. That Churchill was distinctive in both persona and physical appearance helped make him easy to caricature. To his persona and appearance he added myriad additional satirical temptations not just props like his cigars siren suits V-sign and hats but also a variety of ancillary avocations and vocations like polo painting brick-laying and writing. All these were skewered as well. <br /> <br />Some Punch cartoons were laudatory some critical and many humorous like the man himself. Nearly always Churchill was distinctly recognizable a larger-than-life character whose presence caricature served only to magnify. <br/><br/> Punch unknown
1931007155London: Punch 1931. This original printed appearance of a Punch cartoon featuring Winston S. Churchill comes from the personal collection of Gary L. Stiles author of Churchill in Punch Unicorn Publishing Group 2022. His book is the first ever effort to definitively catalog describe and contextualize all of the many Punch cartoons featuring Churchill. <br /> <br />This cartoon titled "CONVERSATION FOR TWO." appeared thus on p.239 of the 4 March 1931 issue of Punch. The artist is Bernard Partridge. The cartoon is captioned "Mr. Winston Churchill. 'I HOPE I INTRUDE.'" <br /> <br />The First Round Table Conference November 1930-January 1931 convened to consider government reform in India included Mohandas Gandhi and Secretary of State for India William Wedgwood Benn both depicted in this cartoon. Churchill is the only one not in contemporary garb dressed instead in old-fashioned riding clothes perhaps suggesting antiquated views. Clearly he is not an invited or welcome guest to the conversation. <br /> <br /> In 1931 Churchill had begun what would become a decade spent out of power and out of favor frequently at odds with both his own Conservative Party and prevailing public sentiment. In early 1931 Churchill broke with his Party over the India Bill. Churchill spent formative time as a young 19th century cavalry officer fighting on the northwest Indian frontier about which he would write his first published book. He certainly did not adopt an early progressive attitude toward relinquishing control over the crown jewel of Britain's colonial empire. Nonetheless it is instructive to remember that many of Churchill's dire warnings about Indian independence proved prophetic. Churchill had warned that too swift a British withdrawal from India would lead to bloody civil war and sectarian strife between Hindus and Muslims Hindu domination and destabilizing political balkanization of the subcontinent. All these predictions came to pass and to a considerable extent persist today. <br /> <br />Punch or The London Charivari began featuring Churchill cartoons in 1900 when his political career was just beginning. That political career would last two thirds of a century see him occupy Cabinet office during each of the first six decades of the twentieth century carry him twice to the premiership and further still into the annals of history as a preeminent statesman. And throughout that time Punch satirized Churchill in cartoons more than 600 of them the work of more than 50 different artists. <br /> <br />It was a near-perfect relationship between satirists and subject. That Churchill was distinctive in both persona and physical appearance helped make him easy to caricature. To his persona and appearance he added myriad additional satirical temptations not just props like his cigars siren suits V-sign and hats but also a variety of ancillary avocations and vocations like polo painting brick-laying and writing. All these were skewered as well. <br /> <br />Some Punch cartoons were laudatory some critical and many humorous like the man himself. Nearly always Churchill was distinctly recognizable a larger-than-life character whose presence caricature served only to magnify. <br/><br/> Punch hardcover
1926007145London: Punch 1926. This original printed appearance of a Punch cartoon featuring Winston S. Churchill comes from the personal collection of Gary L. Stiles author of Churchill in Punch Unicorn Publishing Group 2022. His book is the first ever effort to definitively catalog describe and contextualize all of the many Punch cartoons featuring Churchill. <br /> <br />This cartoon titled "THE PASSER-BY." appeared thus on p.71 of the 21 July 1926 issue of Punch. The artist is Bernard Partridge. The cartoon is captioned "Mr. Churchill to M. Caillaux. 'JUMP UP MATE; THE OLD MOKE'LL MANAGE SOMEHOW.' Uncle Sam a realist. 'VERY TOUCHING. I'VE HEARD THAT THIS KIND OF FELLOW-FEELING MAY OFTEN BE FOUND AMONG THE POOR.'" Joseph Caillaux was a French politician who led the Free Radical Party and in this cartoon represents his countrymen traveling on foot. Churchill - then Britain's Chancellor of the Exchequer - is riding a cart pulled by a beleaguered donkey "Old Moke" labeled "BRITISH TAXPAYER. In he background representing the United States Uncle Sam whizzes by in a motor car puffing on a cigar supercilious and making a snide comment. <br /> <br />Punch or The London Charivari began featuring Churchill cartoons in 1900 when his political career was just beginning. That political career would last two thirds of a century see him occupy Cabinet office during each of the first six decades of the twentieth century carry him twice to the premiership and further still into the annals of history as a preeminent statesman. And throughout that time Punch satirized Churchill in cartoons more than 600 of them the work of more than 50 different artists. <br /> <br />It was a near-perfect relationship between satirists and subject. That Churchill was distinctive in both persona and physical appearance helped make him easy to caricature. To his persona and appearance he added myriad additional satirical temptations not just props like his cigars siren suits V-sign and hats but also a variety of ancillary avocations and vocations like polo painting brick-laying and writing. All these were skewered as well. <br /> <br />Some Punch cartoons were laudatory some critical and many humorous like the man himself. Nearly always Churchill was distinctly recognizable a larger-than-life character whose presence caricature served only to magnify. <br/><br/> Punch unknown
1925007141London: Punch 1925. This original printed appearance of a Punch cartoon featuring Winston S. Churchill comes from the personal collection of Gary L. Stiles author of Churchill in Punch Unicorn Publishing Group 2022. His book is the first ever effort to definitively catalog describe and contextualize all of the many Punch cartoons featuring Churchill. <br /> <br />This cartoon titled "WORK FOR THE AXE." appeared thus on p.703 of the 1 July 1925 issue of Punch. The artist is Bernard Partridge. The cartoon is captioned "Mr. Churchill. 'SO FAR SO GOOD. NOW FOR THE REGIONS OF ETERNAL ICE.'" In the image Winston dressed as a circa 1920s mountaineer stands leaning on a pickaxe labeled "FINANCE BILL 3RD READING" while regarding a distant high peak labeled "STATE EXTRAVAGANCE". Churchill as Chancellor of the Exchequer was seeing his first budget through Parliament. Issues being hotly debated ranged from war debt payments to the U.S. the cost of social programs such as unemployment insurance health care payments new taxes and on whom industry versus individual consumer and the recent reintroduction of the Gold Standard. <br /> <br />Punch or The London Charivari began featuring Churchill cartoons in 1900 when his political career was just beginning. That political career would last two thirds of a century see him occupy Cabinet office during each of the first six decades of the twentieth century carry him twice to the premiership and further still into the annals of history as a preeminent statesman. And throughout that time Punch satirized Churchill in cartoons more than 600 of them the work of more than 50 different artists. <br /> <br />It was a near-perfect relationship between satirists and subject. That Churchill was distinctive in both persona and physical appearance helped make him easy to caricature. To his persona and appearance he added myriad additional satirical temptations not just props like his cigars siren suits V-sign and hats but also a variety of ancillary avocations and vocations like polo painting brick-laying and writing. All these were skewered as well. <br /> <br />Some Punch cartoons were laudatory some critical and many humorous like the man himself. Nearly always Churchill was distinctly recognizable a larger-than-life character whose presence caricature served only to magnify. <br/><br/> Punch unknown
1976652862Partridge January 1976. Hardcover. Very Good - Cash/No Jacket. Revised Edition: Dark red and black marbled hardboards gold lettering face and spine. Clean light rubbing. Unmarked pages. Stock photos may not look exactly like the book. Partridge hardcover
1895143535Boston: Roberts Brothers 1895. Second. Hardcover. VG- interior but with sunning to spine and a small red stain to back cover. Spring green cloth over boards; gilt lettering and design. TEG. 192 pp. with no illustrations. Inscribed by Partridge on FEP. Contents include The True Education and the False; An American School of Sculpture; The Outlook for Sculpture in America; Manhood in Art; The Relation of the Drama to Education; and Goethe as a Dramatist. Partridge was a friend of both Rodin and Bouguereau having been born in Paris. Roberts Brothers hardcover books
1895143535Boston: Roberts Brothers 1895. Second. Hardcover. VG- interior but with sunning to spine and a small red stain to back cover. Spring green cloth over boards; gilt lettering and design. TEG. 192 pp. with no illustrations. Inscribed by Partridge on FEP. Contents include The True Education and the False; An American School of Sculpture; The Outlook for Sculpture in America; Manhood in Art; The Relation of the Drama to Education; and Goethe as a Dramatist. Partridge was a friend of both Rodin and Bouguereau having been born in Paris. Roberts Brothers hardcover
