4 134 résultats
8vo. 4 vols. 36 pp. (Jordan). 192 pp. (Iraq). 88 pp. (Iran). 52 pp. (Afghanistan). Original illustrated stiff wrappers, each volume with a map on the inside front cover. Collection of four curious foreign trade monographs issued by the Austrian Chamber of Commerce, directed at Austrian concerns aiming to do business with the Near and Middle East. With the exception of Iraq, where the revolution of 1958 had just heralded a republic, all countries here discussed were still monarchies. Contains general geographical data and statistics, details on units of measurements, economic structure, and customs of trade.
Folio (387 x 242 mm). 49 hand-coloured illustrations on 6 plates and hand-coloured folding lithographed backdrop (desert scene; ca. 580 x 224 mm). Original blue wrappers with lithographed cover label. Charming Mignon Theatre of the kind popularized by the Viennese publisher Trentsensky around the mid-19th century and distributed throughout England by their London agent Myers, & Co. on the corner of Oxford and Berners Street. The desert landscape backdrop is to be populated by the pilgrims, camels, resting horses, etc., with plants, a large tent, a cooking fire, and many other details, all to be cut out from the present set of plates. Issued as "Exercises in Colouring", this set was clearly coloured by a trained contemporary artist rather than a dilettante. - The front cover is stained, spine splitting, but the plates are clean and well-preserved. Rarely encountered complete, well-coloured, and in the original state. Another example, prominently featured in the 2012 Hajj exhibition at the British Museum, was cut and mounted. Hajj. Journey to the heart of Islam. London, British Museum 2012, p. 125 (fig. 125).
2000LFA-126737169Une publication de 34 pages, format 210 x 295 mm, illustrée, brochée couverture couleurs, publiée en 2000, SNEP, bon état
5 original black and white photographs. 68 x 44 mm to 104 x 74 mm. On Velox photographic paper. Rare original photos of five aircraft on the runway. Includes one of the few surviving images of the G-ALYU de Havilland Comet - the plane that in May 1952 completed the world's first passenger jet service from London to Johannesburg. Less than two years later G-ALYU was scrapped and its fuselage used for metal fatigue research following the crash of another B.O.A.C. Comet in January 1954. All Comet 1 aircraft were grounded in April 1954. - Among the other depicted aircraft is a Handley Page Hermes IV, registered G-ALDM. The Hermes IV model entered service with B.O.A.C. in 1950, taking over from the Avro York on the West Africa service from London to Accra via Tripoli, Kano and Lagos, with services to Kenya and South Africa commencing before the end of the year. - Pencil annotations to versos. Somewhat warped; slightly toned. Some notable specimens of aviation photography.
Vintage lithographed poster backed on linen. 1060 x 680 mm. Tiger-themed poster by the British Overseas Airways Corporation (BOAC) in association with Qantas Empire Airways, South African Airways, and Tasman Empire Airways. An early document of modern aviation in Pakistan, which had gained independence only in 1947, after the Partition of the British Indian Empire, which awarded separate statehood to its Muslim-majority regions. Affiches Air-France-2006, p. 149.
294 x 203 mm. Captioned on the reverse: "Royal Falcons. Falcons belonging to the Amir of Bahrein perch on royal falconers' wrists at a racetrack near Rifaa al Gharbi. Between races pigeons and doves are released for the falcons to hunt down in a swift and violent chase over the heads of the crowd." - Slight wrinkling to edges, but well preserved.
27 silver prints, various sizes (from 195 x 250 to 95 x 133 mm). Includes three coloured postcards of Mecca. A set of rare photographs, most probably taken by professional photographers travelling to Bahrain around 1955-60. Most of the images are captioned in pencil, showing sites in Al-Muharraq and Manama (a tailor's shop, tobacco shop, hospital court yard Muharraq, Arab windows in Muharraq, wind towers, etc.) and everyday scenes (loading a sheep onto a raft, a falconer, etc.).
90 x 128 mm - 203 x 283 mm. 12 original photographs: 9 black-and-white, 3 in colour. Several photos with mounted or loosely inserted English captions. Interesting set of photographs showing Bahrain politicians, landmarks and city views. With images of Sheikh Esa ben Salman Al Khalifa, as well as Bahrain ministers attending official meetings. The largest photograph depicts the Sitra water desalination plant, including a row of inflatable booms protecting the facility from an oil slick. - The remaining pictures include a group photograph of employees of the Bahrain Cultural Centre, a minaret, a souk, and an aerial view of Al-Manama City with the prominent Ministry of Information.
Black and white photograph (gelatin silver print, 80 x 70 mm) mounted on brown cardboard (90 x 85 mm). Captioned in white ink. HH Sheikh Hamad ibn Isa Al Khalifa, KCIE, CSI (1872-1942) was the King (Hakim) of Bahrain from 1923 until his death. Throughout the 1920s and 1930s, his palace in Al-Sakhir was a centre where both Gulf Sheikhs and British nobility and political figureheads were regularly invited to dine and discuss foreign policy of the region. The photograph shows the monarch in a deck chair on a ship in the company of noble retainers. The caption reads "Sheikh Hamad. Ruler of group of Islands Persian Gulf". - A well-preserved, glossy print in good contrast.
17 original gelatin silver photographs (14 small format and three postcard sized). All but three captioned on the versos in pencil. An excellent group of snapshots of Bahrain, chiefly focusing on the Bahrain International Airport and the capital, Manama. - The photographer is unidentified but was probably a serviceman based at RAF Bahrain, a military installation attached to the Bahrain International Airport from 1943 to 1971. Several photographs show the airfield, training base and the inside of some billets. Only one is aerial, a vertiginous bird’s-eye view of Muharraq Island, where the airfield was located. - In addition to the expected images of military life are glimpses of Manama, where the servicemen spent their time off. There are interesting views of commercial streets, the Al-Fadhel Mosque and the Bab Al-Bahrain. Some provide lively period detail, such as the film poster for Nau Bahar (an Indian drama released in 1952), a dealership advertising Ford cars, and a street lined with flags in preparation for the state visit of King Saud Ibn Abdulaziz in April 1954. That visit, undertaken shorty after Saud became King, was witness to the first suggestion of a bridge linking Eastern Saudi Arabia and Bahrain, an idea that eventually came into being with the construction of the King Fahd Causeway in the 1980s. - Some staining and spotting to the versos, a few printed from damaged negatives, otherwise very clean and clear with little fading.
Hand-drawn military map and organizational flowchart, 1.37 x 1.45 m. Coloured ink and watercolour on paper. Accompanied by 9 original photos. Unique hand-drawn chart of Bahrain's naval force as it was projected in the early and mid-1970s, including two large maps: firstly, of the island's location in the Gulf showing the Navy's planned 200-mile range as well as strategic points throughout the Gulf, and secondly, a smaller scale map showing the defensive coastal artillery firing range and radar ranges reaching out to the north and east of Qal'at al-Bahrain, Galali, and East Sitra bases around Manamah. An inset flowchart shows in detail the organization of Bahrain's Navy, to be headed by the Commander of Naval Forces, presiding over the branches of Supplies and Exercises (Engineers, Supplies, Medical Office), of Operations, Planning, and Signals (all commanded by the Chief of Staff), as well as the Naval Armed Forces proper (Fleet, Special Forces, and Coastal Artillery). The extensive annotation describes the maritime theatre of war around Bahrain, identifies vital targets (Port Sulayman, oil terminal, national airport, oil wells and storage tanks, refinery) and crucial points to be observed, and sketches the projected scope of the navy: initially a small fleet of armoured motor vessels with radar-guided automatic ordnance, later to be upgraded with surface-to-surface rocket launchers with a tactical range of ca. 180 nautical miles. The planning stage is to encompass some 2 to 3 months, followed by a development stage of about 3 years and an implementation phase of another year. - The chart is accompanied by a set of nine original mid-1970s photographs of members of the Egyptian General Staff who assumedly were closely involved in advising the government of Bahrain on the structure and implementation of their new Naval Forces, which became fully operational in 1979. - A fine survival, undocumented and at the time undoubtedly a closely guarded military secret.
2 pp. 8vo. Modern binder. Parliamentary minutes regarding the sale of a vacant site of some 4/5ths of an acre in the Manama district of Bahrain, originally acquired in 1903 for the erection of the Victoria Memorial Hospital which was demolished in 1953, to the Ruler of Bahrain, H.H. Sheikh Salman ibn Hamad Al Khalifa, who wished to found a Museum and Public Library on the site. The value of the site was estimated at about 70,000 pounds sterling. - With stamp of "The Law Society, London" (29 March 1957).
Collection of 4 press photos, c. 130 x 180 mm each. The Government building, palace, two minarets, and a downtown street scene. Hungarian press captions on reverse.
Small folio (218 x 283 mm). (48) pp. Original wrappers, colourfully illustrated with Islamic geometrical designs. A portrait of Bahrain, illustrated and printed in English and Arabian throughout, showing the country at a critical moment in it development, transitioning from traditional to modern ways of life with the growing importance of the oil industry. Issued on behalf of BAPCO and Salman bin Hamad Al Khalifa I, Hakim of Bahrain, ruler of Bahrain from 1942 until his death in 1961. - A perfect copy.
8vo (125 x 197 mm). 206 ff. (foliated in pencil 1-204 + 1 endpaper in an early 19th century hand). Ottoman Turkish manuscript on paper (largely polished paper, but including 18 leaves of silhouette paper with a floral pattern in pink and mint green) in several hands. Contemporary limp leather with remant impression of library chain. Handsome manuscript collection of the most important poets of the Ottoman classical period, including but not limited to Bâkî (1526-1600), Isa Necati (d. 1509), Muhammad ibn Sulaiman Fuzuli (1480-1556), Hayâlî (c.1500-57), and Yahya Efendi (1494-1570). The eighteen leaves of silhouetted paper are an important preservation of a popular but rarely preserved mediaeval and early modern book decoration practice. To dye silhouetted paper, Ottoman papermakers used stencils or pads of felt to bleed designs into the paper itself, creating a beautiful, airy impression of colour and pattern on which a scribe would write. These were high-cost, coveted items in both the East and the West. Perhaps consequently, this manuscript, likely produced in Western Anatolia, had by 1596 made its way to Silesian Breslau (Wroclaw), in what is now Poland. An elaborate librarian's inscription, dated and signed "G. Scheidt", identifies its new home as the library of the Church of St Mary Magdalene. - The inscription notes that the text was donated to the library by "Fridrich von Schliwicz und Klein Wandriß zu Zieserwicz". Friedrich von Schliewitz was a Silesian nobleman who gifted a total of five Turkish manuscripts to St Mary Magdalene Library in 1596, all of which received chains of libri catenati (the remnant punched hole of which is visible on the leather covers of this manuscript) and the elaborately painted crest commissioned by the library from Breslau painter Matthias Heintze (d. 1622). Georg Scheidt (d. 1601) was a teacher at the Mary Magdalene grammar school between 1569 and 1575 before becoming a librarian to the local church library (cf. Zeitschrift des Vereins p. 218, and Schönborn, p. 28). After his death he was replaced by Christoph Sarcephalus, who completed the inventory which forms the library's earliest known catalogue (cf. Garber, p. 568). - The present manuscript itself boasts numerous marginal notes in an early hand, as well as marginalia on fol. 109, depicting a horse in red ink. Covers a bit worn, some early paper repairs. In all a well-preserved and well-travelled early modern text. - Provenance: from the collection of the Turkish-German artist Nedim Sönmez (b. 1957), of Izmir, a specialist for decorated paper, to whom it belonged since 1988. Previously the manuscript had been in a private German collection in Bremen. Carl Brockelmann, Verzeichnis der arabischen, persischen, türkischen und hebräischen Handschriften der Stadtbibliothek zu Breslau, no. 31. Cf. Klaus Garber, Bücherhochburg des Ostens, in: Garber (ed.), Kulturgeschichte Schlesiens in der Frühen Neuzeit I, p. 568. Carl Schönborn, Beiträge zur Geschichte der Schule und des Gymnasiums zu St. Maria Magdalena in Breslau, p. 28. Zeitschrift des Vereins für Geschichte und Alterthum Schlesiens 13.13 (1876), p. 218.
8vo. VII, (1), 334 pp., final blank leaf (p. 48 misnumbered "84"). With woodcut illustrations on p. 316 (X6v, showing ostrich and peacock-feather fans). Sumptuous 19th century red grained morocco binding, spine gilt, gilt cover rules and inner dentelle, leading edges gilt. All edges gilt. The unauthorized first edition, first issue (with misnumbered page 48). This original edition, claiming to be translated directly from Arabic, appeared without the name of the author, also omitting from the title the name under which the work would later be known internationally. - Although often classified as an early Gothic novel, "Vathek" is more truly an oriental tale, describing the experience and rewards of succumbing to temptation, and closely reflecting the "foolish, fantastic, egotistical life" of the author who began writing the story in French in January 1782. Despite the fact that Samuel Henley's translation, and the elaborate notes which he provided for the book, were undertaken with his friend Beckford's approval, its publication was contrary to the author's express wishes: Beckford had clearly intended to bring out the French edition first, but his wife had died in Switzerland on 18 May 1786, and though the book was published by Joseph Johnson on 7 June, he was still unaware of its existence by late August. Copies were priced at 4 shillings or 7s. 6d. on large paper, and have the running title of "The History of the Caliph Vathek". Even though Beckford published French editions in Lausanne (December 1786, dated "1787") and Paris (1787), the novel only became well known some thirty years later when Byron declared it to be his Bible. - Provenance: From the library of John Bigham, 1st Viscount Mersey (1840-1929), at Bignor Park, Sussex (his bookplate to front pastedown and ink ownership to flyleaf). Subsequently in the library of the American publisher and collector A(lfred) Edward Newton (1864-1940), whose collection was auctioned by Parke-Bernet in 1941 (bookplate). Later acquired by the American lawyer and collector Robert S. Pirie (1934-2015), a prominent member of the Grolier Club, whose library was dispersed by Sotheby's in December 2015 (his bookplate to front flyleaf). - With the final blank Y8, which is often absent. Occasional light brownstains, but in all an excellent copy, beautifully bound and with fine provenance. ESTC T62055. Rothschild 352. G. Chapman, Bibliography of William Beckford, pp. 22f, i. Summers 543. Garside/Raven/Schöwerling 1786:15. OCLC 1636740.
2 stereoscopic images, c. 80 x 80 mm each, mounted on cardboard (177 x 88 mm) with printed captions. The portrait shows the seventy-odd-year-old Sheikh, wearing numerous medals on his burnous, before a door. Significantly superior specimen compared to the only other known set, that in the Keystone-Mast Collection of stereoscopic views in the California Museum of Photography.
Large 4to. All 31 issues, comprising a total of 774 pp. (some lithographic, others published as a typescript, but mostly letterpress), preserving the original printed wrappers. With 2 folding plans. Bound in 1920s green half calf over marbled boards. Rare collection of the annual reports published by the administrative board of the Beirut Port holding company: the complete stretch from 1889 (when work on the harbour began) to 1922. - Even since the 1860s, the old harbour of Beirut, 150 by 100 metres in length and a mere two metres deep, was rapidly becoming too small for the ever-expanding volume of traffic. In 1887 a consortium was formed of the Compagnie Impériale Ottomane de la Route Beyrouth à Damas, the Ottoman Bank, the Comptoir d'Escompte de Paris, the Banque de Paris et des Pays-Bas, and the Compagnie des Messageries Maritimes. Reincorporated as the Paris-based "Compagnie Impériale Ottomane du Port, des Quais et Entrepôts de Beyrouth", they obtained a concession from the Porte in 1888, and construction was completed in 1895. "The new harbor, located further to the east, provided deeper anchorage (two to six meters) next to an 800-meter-long pier running almost parallel to the coast and protected by a breakwater 350 meters long. The dock area covered twenty-one hectares, with vast warehouses whose metal cladding had been designed by Gustave Eiffel" (Kassir, p. 119). Located at the intersection of Europe, Asia and Africa, Beirut quickly became one of the principal ports between Europe and the Near East. Trade was hampered during the years of the First World War, but Beirut still received "more ships than any other port along the Syrian coast" (ibid., p. 122). - The first seven reports, covering the building phase, from 1889 to 1894, are printed as lithographs; from 1895 onwards they are letterpress, providing a full account of assets and liabilities, profits and losses, and resolutions adopted by the board, accompanied by extensive sets of tables. The publication was interrupted only in the war years, when the company was temporarily dispossessed, for which time the present volume instead contains a "Historique" and a "Memorandum", both published as typescripts. The series was resumed in 1921. - This collection bound for the "Banque de Syrie et du Liban" with their bookplate on the pastedown. Binding rubbed and chafed, but internally a very well-preserved set. Cf. Samir Kaffir, Beirut (UCA, 2010).
8vo. (2), XVI, 512 pp. With engraved title vignette, folding engr. map, and 4 engr. plates. Contemporary half calf with remains of spine labels. First edition, conceived as a continuation of Bergk's volume on Egypt. This copy includes the frequently lacking half-title "Aegypten. Erste Fortsezzung, enthaltend Arabien und Syrien [...]". - The map shows Syria; the plates depict Arabic costumes, household tools, and views of Haleb and Palmyra. The title vignette shows Mt. Sinai. Also discusses the history , topography, climate, illnesses etc. of the Arabian Peninsula (with chapters on the Nejd, Arabia Felix and Yemen, etc.) - Extremeties rubbed and bumped; some spine defects. Interior somewhat browned as usual. Contemp. ms. ownership "Ernst Hanns Dönig" on front flyleaf. Kayser I, 32. Holzmann/B. I, 2892. Hamberger/Meusel XXII/1, 216. OCLC 257668994. Not in Macro, Atabey or Blackmer.
8vo. XVI, 512 pp. With engraved title vignette, folding engraved map, and 4 engraved plates. Contemporary marbled boards. All edges red. First edition, conceived as a continuation of Bergk's volume on Egypt. The map shows Syria; the plates depict Arabic costumes, household tools, and views of Haleb, Mecca, and Medina. The title vignette shows Mt. Sinai. Also discusses the history , topography, climate, illnesses etc. of the Arabian Peninsula (with chapters on the Nejd, Arabia Felix and Yemen, etc.). - Some browning. From the library of the Kalksburg Jesuit college with their shelfmark label on pastedown. Kayser I, 32. Holzmann/B. I, 2892. Hamberger/Meusel XXII/1, 216. OCLC 257668994. Not in Macro, Atabey or Blackmer.
8vo. (6), 230 pp. (without terminal blank). Title within double rules, added ruling in red. 18th-century (probably English) gilt-tooled red half morocco, contrasting morocco lettering-piece, blue paper boards. A rare London-printed Arabic translation of the Psalms of David by 'Abdallah ibn al-Fadl al-Antaki, taken from the revised and corrected edition published at Aleppo by Athanasius, Patriarch of Antioch, in 1706. For this SPCK edition marginal notes, the Decalogue and Lords Prayer have been added. - This work, which represents the first separate British edition of the Psalms in Arabic, was printed by Samuel Palmer (1692-1732), prepared for the press by Sulaiman Ibn-Ya'qub as-Saliliyani, with a new Arabic font produced by a young William Caslon. The project was beset with difficulties: conceived in 1720, it took five years to come to fruition. The intention, as is printed in the preface of "An extract of several letters relating to the great charity and usefulness of printing the New Testament and Psalter in the Arabick language" (London, 1725), was to "preserve and propagate the Christian Faith among our Brethren in Syria, Palestine, Arabia, and other Eastern Countries from whence we first received it". - As William Brown notes "the whole impression, consisting of upwards of six thousand copies, was sent abroad, so that a copy of it is now rarely to be seen" (The History of Missions or, Of the Propagation of Christianity Among the Heathen, Since the Reformation. Philadelphia, 1816). Darlow/Moule enumerates the impression more exactly to 6,250 copies. Perhaps unsurprisingly, given the work's intended use, ESTC locates copies at just four British libraries (BL, Cambridge, Edinburgh and Oxford), two in Europe (Berlin State Library and the Dutch State Library), and a single location in North America (General Theological Seminary). - A trifle rubbed and marked, else a handsome copy with occasional marginal notes in pencil, marking to margins. Darlow/Moule 1654. ESTC T154998 (with erroneous pagination).
Folio. 368 pp. With 149 large woodcuts. Contemporary paper wrappers. Rare first edition of the Gospels in Arabic; the first work to be issued from the Medicean Press, directed by G. B. Raimondi. Printed in Granjon's famous large fount, generally considered the first satisfactory Arabic printing type and appears here for the first time. Apart from the Latin title and colophon, the book is in Arabic throughout. Also in 1591 an Arabic-Latin edition was issued, more common than the present one and reprinted in 1619 and 1774. Illustrated with 149 large woodcuts from 67 blocks by Leonardo Parasole after Antonio Tempesta. - Some browning and waterstaining throughout; a few marginal tears. Untrimmed in the original temporary wrappers as issued. The Hauck copy commanded $75,000 at Sotheby's in 2006. Adams B 1822. Mortimer 64. Darlow/Moule 1636. Fück 54. Schnurrer 318. Smitskamp 374.
Large 8vo. (4), 352 pp. Contemporary calf (spine rebacked). A reprint of the Roman Bible of 1671, already reissued thus by British and Foreign Bible Society in the previous year. The Society adopted this text at the suggestion of the Syrian Archbishop of Jerusalem. - Some browning and edge chipping. Binding rubbed and bumped (professionally repaired, with loss to corners). Darlow/Moule 1667. OCLC 38586842.
Folio (213 x 322 mm). (4), 316 pp. Parts printed in red and black. With numerous ornamental lines and several woodcut tailpieces. Modern half calf. "The Evangelion of the Greek Church, containing the Gospels arranged for liturgical reading throughout the year" (Darlow/M.). From the printing office of the monastery of St. John the Baptist at Shuwair in the Lebanon, which was operative between 1734 and 1899 (cf. Silvestre de Sacy I, pp. 412-414; Middle Eastern Languages and the Print Revolution. A Cross-Cultural Encounter, Westhofen 2002, pp. 179-181). Particularly remarkable in this present publication is the typographic decor: all pages are framed by double rules; new sections of text are headed with an ornamental line of floral elements across the entire page width, and numerous pages show smaller figural endpieces (roses, baskets, crosses, as well as the Virgin with the Child Jesus) - a charming juxtaposition of simple woodcuts showing floral and geometrical decor familiar from the Hebrew prints produced in 19th-century Palestine with the more elaborate products "à la italienne". - Some occasional worming, browning and brownstaining. Schnurrer 360. Darlow/Moule 1661.
8vo. (4), 78 pp. - (Bound with) II: Epistola ad Hebraeos arabice. Ibid., 1742. (4), 54 pp. - (Bound with) III: [Acta apostolorum arabice. Ibid., 1742.] 192 pp. (lacking title pages). - (Bound with) IV: [Summula historiae sacrae Arabice. Ibid., 1737]. (2), 26 (instead of 28) pp. (Arabic title only; lacking final leaf of text). In a single appealing 19th-century half calf binding with marbled boards; spine lettered in gilt. All edges yellow. Collection of rare Arabic versions of several parts of the New Testament: St Paul's Epistle to the Romans and the Epistle to the Hebrews, as well as the Acts of the Apostles (with the Latin and Arabic title pages in facsimiles) and a brief synopsis of the Sacred History, for the benefit of Muslim readers (lacking the final leaf). Edited by the German oriental scholar and Lutheran theologian J. H. Callenberg (1694-1760), a champion of the Protestant mission among Jews and Muslims, and published at his own printing office. - In Arabic throughout. Well preserved. All very rare. Cf. Jöcher/Adelung II, 39ff.