[Illustrated broadsheet - Egypt].MareMagnum
4 134 résultats
Colour lithograph. 57 x 42.5 cm. Splendid Weißenburg illustrated broadsheet showing the rulers of the dynasty of Muhammad Ali (reigned from 1805 until the deposition of the last Khedive, Abbas Hilmi II, in 1914). As usual, this bears the fictitious publisher's address of Hassan Auvès in Cairo (at left), and also the true imprint of Camille Burckardt's successors, who took over the company in 1889. - Slight repaired tear to left edge; slight browning. All of these prints are very rare; a different print commanded £21,250 at Sotheby's in 2012.
Stencil-coloured lithograph. 42.5 x 63.7 cm. Framed (77:63 cm). An extremely rare illustrated broadsheet showing the procession of the Egyptian Mahmal en route from Cairo to Mecca, with a colourful reception of a group of pilgrims in an Egyptian desert village. The Arabic caption states that the print was made from a drawing made on the spot by Sheikh Yunus, citing Hassan Uwais in Abidin Road, Cairo, as the publisher. The true publisher, Camille Burckardt in Weißenburg, is not named: it was company policy to obscure the European provenance of these broadsheets so as to to improve their sale potential in the Middle East. All of these prints are very rare; another copy of this print commanded £21,250 at Sotheby's in 2012. Des Mondes de Papier 120.
Colour lithograph. 43 x 33.3 cm. One of the very rare Weißenburg illustrated broadsheets showing oriental motifs. These were published under the fictitious address of Hassan Uwais (Auvès) in Cairo. The actual publisher, Camille Burckardt, was head of the Weißenburg company from 1880 until 1888. - Slight crease, minor edge damage and browning. All of these prints are very rare; a different print commanded £21,250 at Sotheby's in 2012. Des Mondes de Papier p. 66, no. 2.
Stencil-coloured lithograph. 33.7 x 42.8 cm. One of the very rare Weißenburg illustrated broadsheets showing oriental motifs. These were published under the fictitious address of Hassan Uwais (Auvès) in Cairo. The actual publisher, Camille Burckardt, was head of the Weißenburg company from 1880 until 1888. - Slight crease with minor edge damage; occasional browning. All of these prints are very rare; a different print commanded £21,250 at Sotheby's in 2012.
Stencil-coloured lithograph. 43 x 33.4 cm. One of the very rare Weißenburg illustrated broadsheets showing oriental motifs. These were published under the fictitious address of Hassan Uwais (Auvès) in Cairo. The actual publisher, Camille Burckardt, was head of the Weißenburg company from 1880 until 1888. - Slight crease, minor browning. All of these prints are very rare; a different print commanded £21,250 at Sotheby's in 2012. Des Mondes de Papier p. 66, no. 1.
Head-and-shoulders portrait. Stencil-coloured lithograph. 43 x 34 cm. One of the very rare Weißenburg illustrated broadsheets showing oriental motifs. These were published under the fictitious address of Hassan Uwais (Auvès) in Cairo. The present leaf shows the last Khedive of Egypt (ruled 1892-1914); thus it must have been published during under Camille Burckardt's successors, who took over the Weißenburg factory in 1889. - Slight tear to right edge; slight creasing. Edges somewhat browned. All of these prints are very rare; a different print commanded £21,250 at Sotheby's in 2012.
Head-and-shoulders portrait. Chromolithograph. 60 x 44.6 cm. Very rare Weißenburg broadsheet showing the portrait of an oriental ruler: the last-but-one Khedive (Viceroy) of Egypt, Tewfik Pasha (ruled 1879-1892). These oriental broadsheets were usually sold with the fictitious imprint of Hassan Auvès in Cairo; this one also states the actual publisher, Camille Burckardt's successors. - Slight horizontal crease; edges somewhat browned. All of these prints are very rare; a different print commanded £21,250 at Sotheby's in 2012.
Seven-part jumping jack. Stencil-coloured lithograph. 674 x 580 mm. A large, typical Weißenburg jumping jack, the threatening caricature of an oriental character. Western audiences delighted in subjecting enemy warriors to ridicule by pulling the string and making the figure "jump" (cf. "Bilderbogen aus Weißenburg" catalogue, p. 134: a contemporary Turkish soldier by the same publisher). - Some edge and corner flaws. Includes additional illustrated broadsheets with oriental motifs. All of these prints are very rare; a different print commanded £21,250 at Sotheby's in 2012.
Oblong 4to. [70] gray, white and blue album ff., containing 67 sketches with accompanying manuscript captions and descriptions. 66 sketches in pen & ink and pencil, mostly signed by Blackwell, depicting Swiss, Burmese and Indian panoramas and domestic scenes, buildings, events, animals and inhabitants, mounted and bound in, most accompanied by manuscript captions and descriptions by Blackwell and sometimes by a later hand. There is also 1 print (ca. 1795/1800?) showing a "rhahan" (priest) drawn by Singey Bey and engraved by Thomas Medland. Half black morocco, black decorated paper sides, gold-tooled ornaments on spine. Sketchbook by the English lieutenant Thomas Eden Blackwell (1803?-45), showing views of India, Burma, and Switzerland, made in the years 1826-30, when India, which is the subject of about 30 of the sketches, and parts of Burma (now Myanmar) were British colonies. The sketches, mostly signed and dated by Blackwell, are mounted on album leaves and accompanied by manuscript captions and descriptions, also by Blackwell and sometimes by a later hand. Some of these remarks are general or contain interesting facts, while others are very personal or describe an event that happened during Blackwell's time as officer. - Blackwell drew some panoramic views and buildings (for example an Indian mosque or a narrow street in Calcutta), but he pays particular attention to Indian culture in his sketches of India and the accompanying explanations. He sketches the Indian population, animals, and scenes representing the everyday life of Indian people. Several animal sketches are exceptionally beautiful, including that of a horse (with notes about Arabian horses). He also draws a camel, compares camels to dromedaries, and outlines the habitat of both species in India. Also included are many sketches of Indian cattle, such as bullocks, which were used as water-carriers, and Bengal cows (whose milk is said to be "inferior" to that of English cows). - Blackwell also drew the inhabitants of the Indian places he visited, including a priest ("rhahan") and an Indian watchman ("chokedar"), but also a "Musselman" and an Indian woman, with remarks concerning the attitude of Indian men towards women. Of particular interest are the Indian "sceneries", as Blackwell calls them, showing the everyday life of Indian people: native cooking, but also how Indian people bathe in Hooghly river, how they wash their clothes, and men smoking a so-called "hubble bubble" (a hookah or water pipe). Blackwell annotatioins to nearly all these sketches provide the reader with rare insights into Indian culture. - of Burma (now Myanmar) fewer sketches were made, and they focus mostly on the coasts and the city of Rangoon's wharfs. These include the royal wharf at Rangoon, with a whole page of explanatory text on the facing page, and a sketch showing a stockade in Burma, where, according to Blackwell's caption, the British killed the Burman general Maha Bundoola (1782-1825) in the First Anglo-Burmese War. Yet there is also a sketch of the so-called Great Bell in Rangoon, which is representative of Burmese bells, which are often located near celestial buildings. The album also includes two views of Tobago in the West Indies: a large two-page panoramic view and a sketch of the government house in Tobago with a garrison in the background; Blackwell's note states that his daughter Eliza was born there on 25 January 1833. - Another part of the sketchbook comprises sketches of Swiss landscapes and panoramas, especially of the region surrounding Basel (of which Blackwell also includes a two-page panoramic view). - With owner's inscription on the front pastedown: "Lieut. Blackwell 13th Light Infantry. Indian, Burmese and Swiss Sketches". Binding a little worn, one quire loose, some occasional spots and somewhat browned, but not affecting the drawings. In good condition.
8vo. X, 187, (1) pp. With frontispiece, 31 plates, 7 maps (3 in lower cover pocket), and 8 panoramas, mostly folding. Contemporary quarter calf over green cloth covers with giltstamped red spine labels. First edition. - The British-Indian Army's official account of the 1919-20 Waziristan campaign, marked "Confidential" on the title-page. The operations followed unrest that arose in the aftermath of the Third Anglo-Afghan War; they were conducted in the mountainous region of Waziristan (now in Pakistan) by British and Indian forces against the fiercely independent Waziri and Mahsud tribesmen that inhabited it. Since the 1870s, the British government agencies were assiduous in compiling internally published histories of their military frontier operations, with the intention of providing a "valuable guide" to such British commanders and policymakers as "might have future dealings with these turbulent neighbours" (as the Punjab Government phrased it in 1866). - Serial No. 1235 stamped to title-page. Occasional light marginal staining. A few edge flaws consistent with army use, repaired by a contemporary owner. In all a well-preserved, complete copy. OCLC 11497145. Catalogue No. C.W. 4 - Case No. 8987 N.S.
132.5 x 55 cm. Includes the Arabian Peninsula with the Arabian Gulf. Engraved chart, with tidal information, compass roses, soundings, seabed notations, currents and sandbanks. Lighthouses and beacons picked out in red and yellow. Signs of contemporary use, with several pencil markings. Not in the Al Ankary or Al-Qasimi collections
Ms. map (black and brown ink on paper). 735 x 412 mm. Hand-drawn map showing the Arabian Peninsula, the Indian subcontinent and the coast of Burma with the vast expanses of sea they border, reaching from the Suez Canal and Kenya in the West to the Maldives and on to Sumatra in the East. Signed and dated "Dr. L C Hofmann 1942" at bottom right (probably not the Dutch professor of Civil Law, Ludwig Christoph Hofmann [b. 1902]).
Drawing in ink and grayish watercolour (ca. 445 x 370 mm) of a Saker or Barbary falcon on paper. With some (later) added verses in Persian and Urdu, written in black ink. In a modern golden frame (ca. 565 x 480 mm). A fine, large Indo-Persian inscribed drawing of a falcon, very likely a Saker falcon or a Barbary falcon, both occurring in the Arabian Peninsula and throughout the Middle East and Pakistan. In the lower right corner, this drawing is signed "Jahangir Yahya" and dated 1301 H (1883 CE). Nothing is known about this (likely Pakistani) artist. The drawing was later juxtaposed with poetry, a practice not uncommon in the Persian and Islamic world. Sometimes there is a relationship between the text and the painting or drawing, sometimes not. For the poem at the right upper corner, the relationship between the drawing and the poem is evident. This verse is signed, reading the name of the poet Allama Iqbal and the date 1351 H (1932 CE), suggesting these verses were written a few years later than the drawing of the falcon. Allama Iqbal refers to the renowned Pakistani poet Sir Muhammad Iqbal (1877-1938), who wrote in both Urdu and Persian and whose Urdu poetry is considered among the greatest of the 20th century. The verses written on the drawing here compare the beloved to a falcon. - The other three verses in the upper left corner and to the left and right side of the falcon are Persian verses by Hafiz (1315-90), one of the most highly regarded classical Persian poets who is best known for his collection of over 400 ghazals. Very likely the ghazals of Hafiz, here added to the drawing, bore a metaphorical meaning relating to the illustration. Although the consistency of the hand suggests the lines were written by the same calligrapher some fifty years after the drawings was made, there is no evidence to suggest whether it was Iqbal himself who signed his name to the verse in the upper right corner or whether it was someone else who added the name of the poet. - Altogether a beautiful drawing of a falcon, beautifully reflecting the Indo-Persian tradition of juxtaposing visual and textual art, here offering verses of some of the greatest Urdu and Persian poets. A few creases and some very minor holes, but overall in good condition.
782 x 640 mm. In full colour. E48°-E54°/N28°-N32°. Folded. Third edition of this wartime map of the Bushehr area on the southwestern coast of Persia, on the Arabian Gulf. The city was occupied by British troops during the Anglo-Soviet invasion of Iran; these were replaced by American soldiers in 1942, who installed a military supply route for the Soviet Union through Iran (the "Persian Corridor"). Interestingly, the present map was copied by the German Luftwaffe as early as 1942 and distributed as "Weltkarte 1:1.000.000 (Iran) / H-39/G-39, Bushire. Hergestellt im Auftrage des Generalstabs des Heeres, Abt. für Kriegskarten und Vermessungswesen (II)". - Somewhat dusty and showing slight edge wear. Very rare. OCLC 1047892528 (a single record).
2 original black-and-white photographs. 146 x 227 and 181 x 229 mm. Material related to the 1951 Iranian oil crisis. The photographs show a group of British oil workers being evacuated from Abadan on their way to the British cruiser "Mauritius", as well as several tankers docked at the Abadan Refinery. - The photo of the tankers with mounted caption in English on verso.
Coloured folding map (81 x 110 cm). Scale 1:2,000,000. Original printed wrappers, with portrait of Reza Shah Pahlavi. (Constant ratio linear horizontal scale). The first-ever official map of modern Iran, printed in Farsi but by a Turkish publisher. Insignificant browning to spine; occasional slight paper damage in folds; altogether very well preserved. OCLC 422500836. Not in Al Ankary; Al-Qasimi.
8vo. 3 vols. 35, (1), 293, (9) folded maps, (7), 212, (1) pp. Original printed wrappers. First edition. - Three-volume set of this military geographic work on Iran, published by the General Staff of the German Army, collecting valuable information concerning physical aspects, resources, and artificial features of the terrain necessary for planning and operations. This set is complete with its 9 large folded maps and its 212 b/w photographic reproductions. - Moderate age-toning or foxing on wrappers. Text in German. Wrappers in overall good, interior in very good condition.
Oblong 4to (333 x 230) mm. Photo album with 12 baryte paper prints (125 x 110 mm) and 1 press photo (225 x 191 mm), the latter captioned, stamped and dated. Blue full percaline with gilt cover ornaments. Cord binding. A fine ensemble of photographs documenting the historic state visit to Iraq by King Saud of Saudi Arabia in May 1957, apparently photographed and assembled by a member of the Iraqi entourage closely involved throughout the visit. King Faisal II of Iraq and his Prime Minister Nuri As-Said met with King Saud to discuss the Pan-Arab movement led by Gamal Abdel Nasser, involving anti-monarchist efforts in Jordan. Eventually, talks in Baghdad were wound up "with a pledge to coordinate resistance to communism and a warning that no Arab state should meddle in the affairs of its neighbors" (caption of the press photograph). - The collection includes previously unseen pictures of the monarchs' arrival by car and carriage respectively, their mutual exchange of greetings, and the state dinner, as well as the subsequent talks held in the palace garden. - Not traced in the Keystone or Hulton/Getty press photo archives. In excellent condition.
655 x 660 mm. Lithograph in colours, dissected into 12 sections and mounted on original cloth. First edition of the first accurate Ottoman general map of Central and Southern Iraq, Kuwait, and Khuzestan (Iran); the authoritative map used by the Ottoman Army for strategic planning during the "Mesopotamia Campaign", during which Ottoman-German forces mounted a unexpectedly strong resistance to Britain's invasion of Iraq in World War I. Examples of the present map were used by Ottoman commanders who oversaw the successful Ottoman-German defence of Baghdad at the Battle of Battle of Ctesiphon (22-25 Nov. 1915), as well as the capture of the main British army at the Siege of Kut-al-Amara (7 Dec. 1915-29 April 1916). - With text entirely in Ottoman Turkish, the map is based on the British War Office's "Lower Mesopotamia Between Baghdad and the Persian Gulf" (1911), which was itself in part based on Ottoman sources. Both maps were dramatically superior in all respects to previous efforts, forming the culmination of over three generations of reconaissance, capped by critical late-breaking discoveries. - Some light staining in margins and in lower-right quadrant, but generally in good condition. Very rare.
Oblong folio (240 x 166 mm). 20 ff. 25 silver gelatin photographs, one of which is laid in at the rear; each is roughly 90 x 140 mm. Contemporary textured brown cloth, saddle-stitched with tassel. A rare collection of photographs of the political actors of 1950s and 1960s Iraq and the Kurdistan Region, each set having been taken only a year before the revolutions of 1958 and 1968, respectively. The photographs have been collected here with handwritten captions in German, possibly by one of the German engineering technicians featured in one snapshot. The earlier photographs feature the royal family, including the crowds of spectators awaiting King Faisal in 1957, the banquet for the guests of King Faisal in Sulaymaniyah, and the visit of the Regent and Crown Prince of Iraq, Abd al-Ilah, to Sulaymaniyah in the wake of the flooding in Autumn of 1957. - The laid in photographic print is dated 1955 and titled "im Garten v. Naji Khedairy", featuring a nighttime snapshot, presumably of Khedairy, staring down the camera with a glass in hand. - The later photographs are from September of 1967, several months after the Six Days' War, and feature the political landscape once again on the brink of change: two photos of Iraqi Prime Minister Tahir Yahya in a pinstripe suit walking with leader of the Kurdistan Democratic Party Mustafa Barzani, another photo of Barzani walking alone; several shots Abdul Razzak, Mustafa Barzani, and Tahir Yahya seated together with refreshments, including one of Barzani and Yahya laughing together, another photograph of Barzani captioned "Der kurdische Führer im Gespräch mit einem irakischen Militär", several casual snapshots of the "Kurdische Delegation" relaxing between meetings, one of which features one woman in Western dress, and a snapshot of the Kurdish military headquarters in Quaradagh. - Altogether, a photographic record of the political leaders of the region during two tumultuous decades, and their meetings amid conflict. Well preserved.
Small oblong folio (260 x 180 mm). 103 silver gelatin photographs mounted in photo corners or laid down. Contemporary black leather, blindstamped with imitations of Egyptian hieroglyphs. An interesting album of snapshots taken in Sudan and Iraq in the 1930s. Although the photographer's name is not present, he was probably an RAF serviceman stationed in North Africa and the Middle East, as there are several images of billets and two official R.A.F. aerial photographs at the rear of the album. - The images of Iraq, including Khartoum, Baghdad and Samarra, are in the majority, and largely focus on leisure activities such as horse racing in the desert and trips to important archaeological sites. One attractive series documents an excursion to the ruins of Babylon with the Lion of Babylon and the Ctesiphon Arch. Among the images of Babylon are two brick reliefs from the Ishtar Gate (constructed ca. 575 CE), a muscular aurochs, and the mythic mushussu dragon. - Light fading, otherwise well preserved.
Oblong folio (297 x 216 mm). 12 ff. 10 silver gelatin photographs mounted in photo corners, each 175 x 115 mm. Contemporary patterned cloth with saddle-stitched binding. Rare original photographs of bridge construction in Amara, taken shortly before the 1958 Iraqi revolution the following year. Sequential photographs show materials and cranes gathering on the banks, the cranes at work lifting steel girders, wooden pylons being sunk, the busy construction zones on each bank, and workers inspecting their materials. The album's title is handwritten in German on the first leaf. - Between 1950 and 1960 two steel-deck-type plate-girder highway bridges were designed in Britain for the Iraq government, the first of which was the New Amara Bridge, a twin-box girder bridge with pier foundations featuring large bored piles, likely the project pictured here. - Quite well preserved.
Oblong folio (335 x 240 mm). 16 ff. 110 albumen and silver gelatin photographs mounted in photo corners, with handwritten captions. Contemporary saddle-stitched faux crocodile leather boards with tassel. Over one hundred original photographs of R.A.F servicemen in interwar Iraq. Scenes range from the wreckage of a deadly plane crash, men driving an early tank, locals going about daily life, and servicemen entertaining themselves in their recreational time. Most photographs are captioned by the anonymous owner of the album, with a few captioned in plate; all provide a snapshot of the early days of both the R.A.F. and of modern Iraq. - Various contemporary aircraft are photographed, including a Vickers Vimy Commercial experiencing an awkward landing, the first-ever prototype of the Vickers Victoria (captioned simply, "John's plane"), the de Havilland DH.60 Moth ("Stack and his 'Mooth' aeroplane"), a Halifax II which would go on to be shot down over France during the second world war (captioned "Soap with Snipe"; it is unclear between the plane and the pilot which is Soap and which is Snipe). - One photograph of "Alan Cobham and his plane" shows Cobham (1894-1973), by then already a world-famous aviator posing with a biplane, and another five (one of which has been colorized) show Cobham's de Havilland DH.50 floatplane on the Tigris, likely en route through Baghdad on his record-breaking flight from Britain to Australia. These photos would have been taken very shortly before Cobham's engineer of the D.H.50 aircraft, Arthur B. Elliot, was shot and killed after the pair left Baghdad on the 5th of July 1926. More somberly captioned are five photographs of the "Result of the Vernon Crash", dated two weeks after the incident and showing the wreckage of the No. 45 Squadron's Vickers Vernon, which had crashed into a shed at Hinaidi, killing seven: Oswald Kempson Stirling Webb, Reginald Carey Brinton Brading, Eric Miller Pollard, Edgar Kennedy, Francis Crawford Inglis, Horace Leslie Davies, and Edgar Whittle. - Photographs of local Iraqis and scenery around Baghdad include a line of convicts, a pontoon bridge spanning the Tigris, milk sellers, farming methods, money changers, pottery shops, letter writers, butchers, an Armenian family, a flooded Baghdad North Station, the "Baghdad Bridge", falconers, copper merchants, the Kadi mosque, mourners at a funeral, a distant view of the crumbling crusader fort Qal'at al-Shaqif (captioned "Belfort Castle"), and an "oil gusher" spouting in Kirbuk district. - The remainder of the photographs are devoted to soldiers at rest and the mishaps of military life (including many lorries stuck in the mud); men play tug-of-war, and one serviceman poses with his accordion and a small dog sitting atop a stool with a pipe in its mouth. There are fancy dress parties, snapshots of the barracks and troop ships, and servicemen tromping through calf-deep mud. A thorough collection that provides a sum of daily life in interwar Iraq, ranging from the humorous to the tragic, including both military and civilian life. - Quite well preserved.
Oblong folio (387 x 265 mm). 16 ff. 20 silver gelatin photographs mounted in photo corners with handwritten captions; photographs range between 150 x 207 mm and 120 x 185 mm. Contemporary saddle-stitched faux leather boards with tassel. Twenty R.A.F. photographs of Iraq in the interwar period and associated with the No. 45 Squadron, many of them aerial views and mid-flight snapshots of contemporary aircraft. Most are labelled and numbered in the plate, possibly as official R.A.F. photographs. Aerial photographs of R.A.F. aircraft include the Vicker Victoria Troop Carrier, a "Formation of Vickers Vernous" (that is, Vickers Vernons), and several shots of a pilot referred to simply as "Henry" testing out the newly arrived Airco DH.9A over the mountains and hills of Iraq. Further aerial shots show the Ctesiphon Arch from "200 feet" (61 meters) as noted in-plate, the R.A.F. British Hospital, the Al-Askari Shrine of Samarra surrounded by the old city, and the Maude Bridge in Baghdad. The remainder of the photographs are dedicated to scenes around Baghdad, from British military headquarters to a crowd outside a post office. The first photograph of the album shows what is presumably the No. 45 Squadron (who were in Baghdad in 1926, and are the only squadron in Baghdad known to have flown both the Vickers Vernon and the Airco DH.9A ca. 1926), captioned "All the 'Boys' and me". The No. 45 Squadron famously nicknamed themselves "The Flying Camels" after their squadron badge, which featured a winged camel. - Quite well preserved.
Oblong quarto. 371 photographs in 3 albums: 1) 121 original photographs ranging from small (70 x 100 mm) to medium (111 x 170 mm) and large (170 x 235 mm), mounted on 18 leaves (230 x 315 mm); 2) 178 original photographs ranging from small (70 x 50 mm) to medium (95 x 140 mm) and large (160 x 220 mm), mounted on 24 leaves (195 x 280 mm); 3) 72 original photographs ranging from small (65 x 90 mm) to medium (120 x 185 mm) and large (160 x 220 mm), mounted on 14 leaves (220 x 315 mm). Most photographs with manuscript captions beneath in white chinagraph pencil. With 6 additional photographs and a swimming certificate loosely inserted. Contemporary card covers with cord ties. Large collection of important photographs depicting RAF activity in Iraq during the late 1930s, demonstrating British imperial power by use of "Air Control": a policy designed to maintain the RAF as the independent third service of the British armed forces and enforce British imperial rule economically through the use of air power. - The current collection of photographs centres around the activities of 70 Squadron, providing heavy transport facilities and air ambulances and operating airmail routes between Cairo and Baghdad. Images include an armoured car with a mounted machine gun at Hinaidi; air-conditioned desert buses belonging to Nairn Transport Co going from Baghdad to Damascus, and the Flying Boat "Ceres" on Lake Habaniyah. The dangers of the operations are evident in the photos of a crash of the Flying Boat "Calpurnia" in Lake Habaniyah with the loss of five lives, the crash of Jonah Kyte No. 3 while landing, and the "Vincent" of 55 Squadron going up up in flames in Simel. The album captures well the cultural and military diversity of Iraq at the time. Not only are there bombers from the French Air Force on visit in both Dhibban and Habbaniya, but there are also photos of Iraqi "Gladiator" aircraft, Jewish women in Baghdad, and the Kurdish population spread across central Iraq. A 500-year-old church in Haiz is complemented by the photo of a priest with a 700-year-old Bible. As a foreigner abroad, the photographer gives the albums their healthy dose of tourist sites such as Alexandria (Egypt), the landscapes of Ser Amadia (while in a Summer Training Camp) and Ctesiphon Arch (530 CE). Aerial shots add bird's-eye views of the Golden Mosque of Khadimain (Baghdad), the crossing of the Suez Canal, and the Maude Bridge over the Tigris. The international and geopolitical importance of the photographs is further underscored in their documentation of the first Hinaidi-Singapore flight on 18 January 1937. - Extremities of albums slightly rubbed. 1 loose photograph creased at edge. A well preserved ensemble.
