4 134 résultats
4to (185 x 228 mm). (1), (112) pp. Text enclosed within pencil and sanguine rules. Contemporary full calf with giltstamped borders and spine and the arms of Charles Emmanuel III of Sardinia on both covers. Leading endges gilt. Marbled endpapers. All edges red. Green silk band. A fine dedicatory manuscript, pre-dating the noted Hebraist's first published work: an assembly of polyglot odes by the 25-year-old scholar to the royal family of Sardinia, written in Aramaic, Arabic, Coptic, Ethopian, Hebrew, Chaldaic, and Syriac, all with their Latin translation opposite. - De Rossi studied at Ivrea and Turin. In 1769 he was appointed professor of oriental languages at the University of Parma, where he would spend the rest of his life, known as one of his age's greatest Italian scholars of early printing in Hebrew. - Light browning; first and last leaves a little stained. Ink shows various degrees of bleeding to versos, often very light but quite noticeable in the title-page. The volume bears the arms of Charles Emmanuel III, Duke of Savoy, who ruled as King of Sardinia from 1730 until his death in 1773, and must have been presented to him. The otherwise blank first leaf was turned into a half-title in the 19th century by the scholar and priest Natale Martinetti: "Poemi Orientali di Gioanni Derossi di Castelnuovo Canavese, Dottore di Sacra Teologia, in L'ode degli augustissimi Sovrani e Duchi della Real Casa Di Savoja. Manoscritti dal medesimo De-Rossi, appartenenti a me Natale Martinetti di Cigliano".
Folio (280 x 355 mm). 3 consecutively paginated parts in one vol. 319, (1), VII, (1) pp. With 74 plates after photographs by Sébah. Early 20th century half morocco with giltstamped spine title. First edition. The three sections are devoted to "Turquie d'Europe" (including Greece), "Ilas ottomanes" (including Cyprus), and "Turquie d'Asie" (including Mecca and the Lebanon). The plates are based on studio portrait photographs by Pascal Sébah (1823-86), then at his peak. - Sébah's Istanbul studio catered to the western European interest in the exotic "orient" and the growing numbers of tourists visiting the Muslim world who wished to take home images of the cities, ancient ruins in the surrounding area, portraits, and local people in traditional costumes. "Sebah rose to prominence because of his well-organized compositions, careful lighting, effective posing, attractive models, great attention to detail, and for the excellent print quality" (Gary Saretzky). - Occasional brownstaining, otherwise a good copy. Atabey 551. Blackmer 957. Lipperheide Lb 65. Colas 1374. Hiler 411.
4to. CI, (3) ff. Title-page printed in red and black with Trot's woodcut publisher's device (lion holding arms bearing a globus cruciger with a parochial cross and initials BT). 12 decorated woodcut initials (white-on-black Lombardic capitals with leaf and flower decorations, 3 series) plus 3 repeats. Set in rotunda gothic types (2 sizes) with 3-line "Lombardic" capitals (and a couple 2-line), and 2 spaces with guide letters left to be filled in by hand. 17th-century calf sewn on 5 double supports, gold-tooled spine with titles in the 2nd, 3rd and 4th of 6 compartments and a fleur-de-lis in each of the others, blind fillets on sides. Rebacked with the original backstrip laid down. Rare fourth (?) edition of a collection of ten mediaeval works by seven authors concerning medicine, health, food and wine, several first published in this collection in 1500. They include: Maynus de Maynis (ca. 1295-1368?), Regimen Sanitatis, on health (ff. III-LXIX); a work on phlebotomy attributed to Arnaldus de Villanova (ca. 1295-1368?) (ff. LXIX-LXXII); Astronomia, on astrological influences on health, attributed to Hippocrates (ff. LXXII-LXXIV); Johannes de Zantvliete (fl. 1343-50), De dieta, on food (ff. LXXIV-LXXV); Nicolaus Salernitanus (12th c.), Quid pro quo, a list of medicines for numerous ailments (ff. LXXV-LXXVII); Averroes (1126-1311) on poisons (ff. LXXVII-LXXVIII) and on theriac, a poisonous concoction used as an antidote to other poisons, especially poisoned wounds (ff. LXXVIII-LXXXIV); Secreta, a short piece attributed to Hippocrates (f. LXXXIV); Villanova, Tractatus de vinis, an extensive and important work on wine (LXXXIV-XCI); and Roger Bacon (ca. 1220-92), De regimine senum et seniorum, a treatise on geriatrics, here erroneously attributed to Villanova (ff. XCI-CI). Some incorporate notes taken from the works of Ibn Sina (Avicenna). The book ends with an index and table of contents. This collection was first printed at Paris in 1500, some of the works appearing there for the first time, and was reprinted in Lyon editions of ca. 1501 (anonymous, known from a unique copy) and ca. 1502 (by François Fradin). A few of the pieces had been published earlier: Salernitanus (Pavia 1478/79), De Maynis (Louvain 1482), both Averroes works together with the Secreta, (Bologna ca. 1497/1500). - Occasional underlining and marginal marks by an early hand. Leaves 4 and 5 (originally conjugate) now present as singleton leaves mounted on stubs (though we see no other indication that they are sophisticated): otherwise in very good condition, with only very slight browning. Rebacked as noted, and with the surface of the leather refurbished, but now structurally sound. One of the rare earliest editions of several mediaeval treatises on health, medicine, food and wine. Baudrier VIII, 431. Durling 3044. Gültlingen, Bibl. Lyon II, 127: 47. Simon, Bacchica 421. USTC 144805 (8 copies). Vicaire 549f. Cf. Johnston, Cleveland herbal colls. 24 (ca. 1502 Lyon ed.); Wellcome 13965 (ca. 1502 Lyon ed.).
Small 4to (150 x 195 mm). Part 1 (of 2). (4), 168 pp. With a large woodcut illustration on title-page, hand-coloured by an early hand, and woodcut printer's device on the last leaf verso. 17th century sheepskin vellum over thin boards. Extremely rare edition of this collection of nine alchemical tracts, including "De tinctura metallorum" (On the Colorations of Metals), attributed to the great Arab scientist Ibn Sina, who is known in the Latin tradition as Avicenna. Ibn Sina was one of the most significant thinkers and writers of the Islamic golden age, and his bibliography comprises nearly 270 titles, several of which fall into the category of the arcane sciences (cf. GAL I 458 V and GAL I S, p. 828). "Ibn Sina studied the philosophical and scientific foundations of this subject [alchemy] and even undertook alchemical experiments" (DSB). - The collection further includes two works attributed to Raymond Lull, one of the most interesting scholars of the Middle Ages, another published under the name of Aristotle, and five anonymous ones. A second part was published in the same year, containing only one work: the famous Rosarium philosophorum. It can be regarded as a separate publication and is not included here. Curiously, a late 16th century manuscript copy of only this volume (a folio of 70 leaves) is held by the Wellcome Collection (MS.233, acquired in 1906). - Binding very well preserved. Contemporary handwritten marginal annotations and underscoring throughout, an early owner's inscription (struck through) and some further notes on the title-page. Annotations slightly trimmed by the 17th century binder's knife, somewhat browned throughout and dampstains in the first half of the book, otherwise in fine condition. VD 16, A 1632. BM-STC German 17. Adams A 574. Duveen, p. 11 ("excessively rare"). Ferguson, Bib. chem. I, p. 18. MacPhail I, 20. Schmieder, Geschichte der Alchemie (1832), p. 98, no. 3. For Ibn Sina see DSB XV, pp. 494-500.
8vo. 2 pp. With autogr. envelope. Includes TDS by G. E. B. Bromley-Martin, of the Bank of Liverpool and Martin, London (dated 22 Dec. 1924). To Whitney H. Shepardson of New York, who had inquired as to how he might obtain a copy of the "Seven Pillars of Wisdom" when the book was finally published: "The Prophet has sent me on your letter, with instructions to deal with it: - and I'm puzzled. Really you know you are foolish to want a copy. It's a thirty guinea book, of which so many copies are being sold as will meet the printing bills (about 120 copies perhaps) with some off-prints of the unadorned text for the twenty or thirty fellows who shared the campaign with me. I can't give them 30-guinea presents: they can't buy 30-guinea books. So I want the subscribers to pay for my generosity in giving them free copies. The prime cost lies in the pictures (about 60, many in colour, at 10/- a print!) and the pictures are only an unjustifiable whim of mine. They have been done by British artists whom I liked, + who would work for me. Such a luxury book is for the idle rich. Mrs. Lamont is getting one. Huntingdon [!] + Pierpont Morgan aren't...! ... Do you feel justified in chucking away so much on an amateur production? The writing is pretentious, dull, hysterical, egotistical, + preternaturally long. No human being has ever been to the end of it [the 335,000 word ms.]. They return it, thumbed to about half way, with pretty speeches. So long as I hold it secret, the sight of it is a boast, so long it will be praised. Seriously, it isn't any earthly good. It costs as I have said, may be a year yet in printing, + is horrible in parts. Eleanor (beg her pardon, but that's her only possible name. The proper ones only indicate her wayward choice of parents etc.) would be sick over it. The thing will not be reprinted entire in my life-time: you suggest 'for a long time.' ... but the prospect isn't pleasing. There will be an American Edition, to secure copyright. Doubleday, probably. He has made a reasonable estimate. It would be printed at my expense, two copies for the Library of Congress, or whatever the show is, + eight for sale: + the sale price will be prohibitive, so that they will never sell, + the edition will never be exhausted, + no one may pirate! I suggest 10,000 dollars, but F.N.D. hasn't yet considered what is above-high-water-mark in U.S.A. Tell me, please, if you are knowing! If despite all faults (my most honest dissuasion puts people on sometimes!) you want a copy: then you'll have to send fifteen guineas, half price - E. will know the size of the extinct coin - to: Manager / Bank of Liverpool + Martins / 68 Lombard St. / London, E.C.3, payable to TE Lawrence, + 'Seven Pillars account'. Balance when you get the book. Let me strongly urge you not to. I have 90 subscribers, so there is no urgency - on the point of helping lame dogs! [...]". - When the book finally appeared in 1926, the cost of each copy to Lawrence was triple the selling price, and it was not until the fourth reprint of the 1927 abridgement "Revolt in the Desert" that his debts were paid off. As the included receipt shows, Shepardson was undeterred and duly transferred the £15. 15/- to Liverpool & Martins' (the last copy of the 1926 "Pillars" at auction commanded £30,000 at Sotheby's in 2009). - The U.S. businessman Whitney Hart Shepardson (1890-1966), educated at Colgate, Balliol (as a Rhodes Scholar), and Harvard, had served as aide to the State Department at the 1919 Paris Peace Conference, where he may have met Lawrence. Between 1925 and 1927 he served as director on J. D. Rockefeller's General Education Board. A leading O.S.S. operative in WWII, he was the first London head of Secret Intelligence and remained with the organization soon to become the C.I.A. until 1946.
Folio. (32), 248, (36) pp. With separate engraved title-page, engr. portrait, double-page engraved map and 21 large text engravings by Christian Rothgießer; woodcut initials and head- and tailpieces. - (Bound after) II: Saadi (ed. Adam Olearius). Persianischer Rosenthal. In welchem viel lustige Historien, scharffsinnige Reden, und nützliche Regeln. Ibid., Johann Holwein for Johann Naumann, 1654. (52), 196, (30) pp, final blank f. With separate engraved title-page, engr. portrait and 33 large text engravings by Rothgießer. Contemporary vellum. First edition of this famous travel report, containing "many interesting details of the eternally plentiful oriental world" (cf. Henze). While the engraved maps depict Southeast Asia from Persia to Japan and Java, the remaining engravings mainly illustrate the customs of the Arab world, of Persia and India. "Mandelslo was a German traveller and adventurer (1616-44). Originally a page at the court of the Duke of Holstein-Gottorp, in 1635 Mandelslo was attached to the duke's embassy to Moscow and Persia, a mission intended to open trade negotiations. The Duke's librarian and mathematician, Adam Olearius, accompanied the embassy as its secretary. The ambassadors themselves remained in Persia, but in 1638 Mandelslo, feeling the need for wider travel, obtained permission to travel on to India. Sailing from Hormuz, he landed at Surat in April 1638 then travelled through Gujarat to Agra, Lahore, Goa, Bijapur and Malabar. He sailed for England from Surat in January 1639, calling at Ceylon and Madagascar, but was to die of smallpox five years later. Before his death, Mandelslo had entrusted his rough notes to Olearius, who subsequently published them bound with his numerous official accounts of the embassy" (Howgego I, 677). This first edition is significantly rarer than its later reworkings and translations; ABPC lists a single complete copy at auctions of the last decades (Sotheby's, Oct 11, 2005, lot 177, £3,400). - Bound with this is the first German edition of Saadi's "Gulistan", also edited by Olearius. - Old armorial bookplate (name erased) and bookplate of Eivind Hassler (1939-2009) on front pastedown. I: VD 17, 23:233226D. Lipperheide Ld 1. Adelung II, pp. 306-308. Alt-Japan-Katalog 943. Bircher A 6927f. Cordier, Japonica, cols. 362-368. Cox I, 271f. Dünnhaupt, pp. 293-294, 30.1. V. Gelder, Het Oost-Indisch avontuur, pp. 77, 99, 263. Howgego I M38. Commissariat, "Mandelslo's Travels in Western India", in: The Geographical Journal, 78 (1931), pp. 375ff. - II: VD 17, 23:282436H. Dünnhaupt S. 2991, 24.1. Bircher A 251. Goedeke III, 65, 7.
4to. (100) ff. With several woodcut astronomical diagrams in text. Modern marbled boards with morocco label to gilt spine. Marbled endpapers. A collection of astrological writings in Latin translation first published in 1504 as "De scientia motus orbis". The work provides a comprehensive account of the whole cosmos along Aristotelian lines. The 8th-century Persian Jewish astrologer and astronomer Maša'allah ibn Atari "wrote on virtually every aspect of astrology [...] His brief and rather primitive 'De scientia motus orbis' [or 'De elementis et orbibus coelestibus'] combines Peripatetic physics, Ptolemaic planetary theory, and astrology in such a way that, in conjunction with its use of the Syrian names of the months, one strongly suspects that it is based on the peculiar doctrines of Harran, to which al-Kindi and Abu Masar were also attracted [...] This important Latin translation by Gerard of Cremona of the lost Arabic original of this exposition was published by J. Stabius (Nuremberg, 1504) and by J. Heller (Nuremberg, 1549)" (DSB). - Bookplate of the Marques de Viana, Conde de Urbasa on front pastedown. In excellent condition. VD 16, ZV 10470. DSB IX, 160 & 162. Zinner p. 211, 1962. Lalande, Bibliographie Astronomique, p. 68. Sarton I, 531. Graesse IV, 503.
Folio (141 x 42,5 cm). Five folio leaves, printed in French and Arabic in two columns and pasted together vertically to form a single broadside. A massive broadside intended for wall-mounting, by which the newly appointed commander-in-chief introduced his government (and himself) to the people of Egypt in Arabic and French: "Habitans de l'Egypte, écoutez ce qu j'ai à vous dire au nom de la République Francaise. Vous étiez malheureux; l'armée francaise est venue en Egypte pouir vous porter le bonheur [...]". - Menou, who succeeded Kleber at the head of Egypt as general-in-chief, following Kleber's assassination in June, converted to Islam and took the name of Abdallah. Unlike most announcements published by his predecessor at the same press, the present proclamation is not headed with the motto of the French Republic, but rather with the Shahada ("There is no deity but God, Muhammad is the messenger of God") in both languages. Menou continues to set out his principles for a good government for Egypt, emphasizing his firm stand against abuse and corruption in the local administration of taxation, justice and the police, and finally threatens any attempt at rebellion with severe retaliation. - An important document from the first printing press in Arab world, of the utmost rarity due to its sheer size and ephemeral nature, according to OCLC recorded in four copies only: "The expedition of Napoleon Bonaparte to Egypt from 1798 until 1801 was a prelude to modernity. It was to change permanently the traditional Arab world [...] The French brought Arabic typography to Egypt, where it was practised under the supervision [...] of Jean Joseph Marcel [...]. Only a few days after the French troops landed [...] they set up the Imprimerie Orientale et Française there. It was an extraordinarily important turning point. For, leaving aside the Hebrew printing presses in Egypt of the 16th to the 18th centuries, until this date announcements and news adressed to Arabs there, as well as in other parts of the Arab-Islamic world, had been spread only in hand-writing or orally, by criers, preachers or storytellers" (Glass/Roper). - Traces of folding, but uncut with temoins. A surprisingly fresh survival. Cf. D. Glass/G. Roper, The Printing of Arabic Books in the Arab World, in: Middle Eastern Languages and the Print Revolution (Gutenberg Museum Mainz 2002), p. 177-225, at 182.
2 volumes. Folio. With 4 engraved plates, and 3 woodcut illustrations in the text. Each volume with an engraved headpiece, the first incorporating the coat of arms of Pope Clement XI, and the second that of Jean-Paul Bignon. Contemporary calf, richly gold-tooled spine and binding edges. First edition, second issue, of a monumental collection of Greek voyages, often overlooked in the literature, including the first complete edition of Cosmas of Alexandria's celebrated "Christiana Topographia". Cosmas, a merchant from Alexandria, sailed in the Red Sea and the Arabian Gulf and visited Ethiopia ca. 530. Though he was known as "Indicopleustes", or Indian Voyager, it is doubtful whether he actually visited India. In his "Christiana Topographia" Cosmas aimed to show that the earth was flat and the cosmos shaped like rectangular vaulted box. Several of the engravings in the present volume, reproduced from a manuscript, illustrates this view. In one of them the earth is shown as a rectangle with three notches, one of them representing the Arabian Gulf, and the whole surrounded by a an ocean, with in the east another rectangle representing Paradise, out of which four rivers flow into the inhabited world. Slightly browned, with some occasional minor foxing or thumbing, and some faint stains, otherwise in very good condition. Binding also very good, only slightly rubbed and the spine of the second volume slightly damaged at the top. Howgego, to 1800, C199. Cf. Dilke, “Cartography in the Byzantine Empire”, in: Harley & Woodward (eds.), The history of cartography I, pp. 261-263.
Mostly 8vo, a few items 4to and folio. 94 autograph letters (signed) by Page, 81 letters addressed to Page. - II: Copy book with 144 letters by Page to the Minister of the Navy and the Colonies, as well as to other officials, in his own handwritten transcript. 4to. Bound in contemporary half calf over marbled boards. - III: Protocol of a hearing of the Suez Canal Company. 4to. (230) ff., numbered 190-425. Extensive correspondence archive kept by the prominent French naval commander during his voyages across the globe, from the Arabian Gulf to Madagascar, Rio de Janeiro, French Polynesia, China, Vietnam, and Japan. Crucially, the archive includes detailed official instructions for the first French diplomatic mission ever made to the Gulf, carried out under Page's command by the frigate La Favorite, which departed from Brest on 3 June 1841. The mission's importance is shown in perspective by a letter to Guy-Victor Duperré (1775-1846), Ministre de la Marine et des Colonies, wherein the French officials admit to their hitherto fruitless efforts to establish a relationship with the Gulf states: the writer discusses the difficulties experienced in installing a French consulate at Bushehr, while British efforts to establish themselves in the Gulf region have proved so successful. The letter emphasizes that the French interests in the region lie mainly in monitoring British advances: "Quant à nous, les tentatives que nous avons faites, à différentes reprises, pour établir des relations avec la Perse par le golfe, ont toujours été infructueuses. Le gouvernement du Roi [...] créa, l'année dernière, une agence consulaire à Buschir; mais les difficultés que ce projet a rencontrées de la part du gouvernement persan n'en ont pas permis l'execution, et les choses restent ce qu'elles ont été jusqu'à ce jour [...] Mais il ne saurait nous être indifférent d'y surveiller la marche et les agrandissements de l'Angleterre, et tel est le principal objet de l'apparition que doit y faire la corvette la Favorite sous le commandement de Mr. Page [...]". - Among other destinations, La Favorite is to visit Muscat, with which France has enjoyed previous relations, as they have managed to establish a consulate in the Sultanate of Zanzibar, which has proved useful in extending commercial relations with the Imam: "Il est, sur la route du golfe Persique, un point de la côte d'Arabie que la corvette la Favorite aura également à visiter. Je veux parler de Mascate, dont le souverain a entretenu autre fois des relations directes avec la France. L'Etablissement d'un consul à Zanzibar [...] ayant paru propre à favoriser l'extension du peu de rapports commerciaux que nous avons avec les états de l'Iman [...]". Finally, the writer mentions a developing interest in Abyssinia, referring to the 1839 expedition led by Théophile Lefebvre, that involved pearl fishing: "L'attention est eveillée en France, depuis quelques années, sur l'Abyssinie [...] Je n'ai pas besoin de rappeler ici la mission d'exploration confiée [...] à Mr. Lefêbvre [...] dans laquelle il a été accompagné par [...] un agent qu'une maison de commerce envoyait faire des essais sur la pêche des perles [...]". - Page's private correspondence includes 57 letters to his wife from China, Japan, and Vietnam, discussing such matters as his health, political subjects, and the atrocities of the Second Opium War of 1860, mentioning dispossessions and people fleeing their homes: "Ces pauvres gens me font pitié [...] La guerre entraine forcèment des misères sans nombre [...] Les alarmes qu'on répond, les menaces des anciens maîtres, les fuites, les démènagements, les dépossessions forcées [...] Je me sens mal à l'aise à la vue de toutes ces femmes qui pleurent prêt de leurs toits en débris [...]". Page also provides picturesque accounts of the scenery, including a striking comparison of Japan to Tierra del Fuego: "Ainsi que la terre de feu à l'extrémité méridianale de l'Amérique, le Japon semble avoir été jêté sur la flanc orientale du grand continent d'Asie sur le Pacifique par une dernière convulsion de notre globe". - Furthermore, the archive includes 23 amicable autograph letters by the naval officer and pilot of the "Artémise", Joseph-Eugène de Poucques d'Herbinghem (1807-1900), to Page, most of them written at Cherbourg: "Il faut un chirurgien pour l'artemise qui part pour trois ans. Les cinq ou six pelerins de la confrèrie [...] s'evaporent comme une volée d'etourneaux [...]". - The collection is topped off by 144 transcript letters, the bulk issued in Papeete, as well as a protocol of a hearing of the Suez Canal Company and the French constructor Alphonse Hardon, who had exceeded the costs agreed on, which subsequently led to the termination of his contract in 1862. Finally, a report on Mexico and Buenos Aires, several poems, notes on Henry Bird (born in 1767), who was captured by American natives in 1811, a short travelogue from La Habana, several pages entitled "Notes supplementaires", all in Page's handwriting, as well as a medical certificate, Page's death certificate, some pencil sketches, and a few more brief documents are loosely enclosed. - Extremities of the copy book somewhat rubbed; letters very well preserved. An impressive collection, containing rich material reflecting a high-ranking naval officer's private throughts on French foreign affairs and on his own role therein.
Oblong folio (498 x 370 mm). Lithographed title-page, 29 chromolithographed plates, protected by tissue guards. Original green cloth with blind-ruled and ornamental borders to both covers and gilt Tughra of Sultan Abdulmejid I to the upper cover. First edition, second issue. - Complete suite comprising 29 chromolithographs with captions in French and English, depicting life scenes and views of Istanbul: a druggist's shop, Turkish ladies walking, a guard house, carriage, silk bazar, sweetmeat shop, water carrier, the Bosporus, a coffee house, whirling dervishes, etc. The Maltese painter Preziosi (1816-82) is known for his watercolours and prints of the Ottoman Empire, the Balkans and Romania. In 1842 he moved to Constantinople, where he remained until his death. - Some foxing, more extensive on title-page. Covers slightly rubbed, but generally in fine condition. - Provenance: The title-page bears a handwritten inscription in French from Catinca Nico de Catargi, a member of the notable Wallachian family Catargiu, to "la Comtesse Han" (i.e., the German writer Ida Countess von Hahn-Hahn, 1805-80), dated 16 April 1865. Atabey 999. OCLC 70296476. Cf. Blackmer 1353 (1865 ed.); Colas 2422 (1858 ed.).
Folio (ca. 275 x 365 and 370 x 555 mm). Altogether 13 volumes (7 text volumes and 7 issues of plates in 6 volumes). (4), 884, (4) pp. With 70 engraved and lithographed numbered plates, including 1 folded plate, 1 folded map, and 8 plans, 3 of which folded; a few in original hand colour. Contemporary wrappers. Plates stored in two half cloth portfolios. First edition. - A rare complete set of this monumental description of the 1860/61 archaeological expedition to Lebanon and Syria, commissioned by Napoleon III and led by the renowned scholar of Semitic languages, Joseph Ernest Renan. The text volumes give a vivid account of the expedition, its route and findings, and include several illustrations within the text, while the plates provide additional documentation of the visited archaeological sites. Engraved by Jules Penel (b. 1833), Georges Erhard Schièble (1821-80), and others, they include a map of the expedition area, Phoenician monuments at Amrit, Arwad, Byblos, Sidon and other places, as well as a folded plate showing the Kabr Hiram mosaic and 3 folded plans depicting Sidon and the Sidon necropolis. This important work documents the state of the excavations at that time and triggered further research on the Phoenicians. A facsimile edition appeared in 1998. - Text volumes uncut. Some wrappers faded, extremities bumped. Paper somewhat browned as common; plates fresh and clean.
Imperial folio (405 x 474 mm). 2 vols. (10), 12, (2) pp. With 10 colour illustrations in the the text and 100 full-page coloured illustrations mounted on plates. Sumptuous dark brown contemporary full calf, gilt, covers lined in silk, with silk endpapers. First edition of this monumental publication on Islamic pottery, no. 107 of 200 copies printed. All ceramics pictured within the two volumes are described in detail with place and date of origin as well as the current owner (mostly French noble or institutional collections). Includes a bibliography on the subject and list of plates. - Union Club bookplate. Contemporary bindings somewhat rubbed; hinges professionally repaired, otherwise a fine copy, clean throughout. Rare. Not in Arntzen/Rainwater.
8vo. 2 parts in 1 volume. Arabic manuscript on paper. 144 ff., 1 leaf of index. Text in black naskh with important words and phrases in red, occasional marginal notes. 19th century three quarter red boards with red morocco spine, ruled and lettered in gilt. An uncommon epitome of a 13th century medical treatise by 'Abd al-Wahhab ibn Ahmad Sha'rani (1492/3-1565), known primarily for his mystical writings. While Al-Sha'rani famously founded an Egyptian order of Sufism, Sa'rawiyyah, which remained active until the 19th century and wrote extensively on religious law and Sufism; his interest in medicine is less well known. This book, which discusses a treatise by the physician Al-Suwaydi (1204-92), is unique among his works as a scientific text, and is important in forming an idea of Al-Sha'rani as a man of numerous intellectual interests, equally able to debate religious law and explain medical recipes and procedures. Indee, these were not interests at odds with each other: magical and occult remedies are prominent throughout the text. Al-Sha'rani retains some of Al-Suwaydi's stylistic choices as well, most noticeably the organization of the medical recipes by body part to be treated: the work starts with ailments of the head and proceeds down the body to end with the feet. - This specimen was copied on Sunday, the 11th of Safar 1108 AH by the scribe Muhammad Muhyi al-Din Abi al-Anas al-Shafi'i al-Miliji al-Ash'ari al-Sha'rani. Two of the ownership entries are dated 1251 and 1322 H, and annotations and notes at the end with an added index in Maghribi script suggest that it was last owned by a physician in Morocco or elsewhere in North Africa. - Boards somewhat worn, a few minor stains and wormholes. Index has been reinforced. An interesting medical work from a Sufi theologian. GAL II, 335f.
2 vols. of text (4to) and one volume of plates (folio, 284 x 378 mm). Text: XXIII, (1), 228, (2) pp. With 3 genealogical tables and 2 folding maps. XVIII, 397, (1) pp. Atlas: 4 chromolithogr. plates, 5 (of 6) toned lithogr. plates (one folding), and 65 mounted photographs on a total of 39 (of 40) plates; 1 letterpress leaf of contents. Includes original printed upper board cover, loosely inserted. Modern black library cloth with gilt title to spine; atlas portfolio uniform with books. Contemporary black half roan, spines in five compartments with raised bands gilt, original atlas-portfolio of black cloth-backed printed cream boards. First edition, a complete set with both text volumes and the portfolio with all the photographic plates, but lacking one of the lithographs. The Dutch orientalist Snouck spent a year in Mecca and Jeddah during 1884/85 and was married to a Mecca woman. He was the first non-Muslim to visit the city outside the annual pilgrimage. The photographs, taken by himself and an Arabic physician, are among the earliest to show Mecca and its pilgrims. - Spines of both text volumes and portfolio professionally restored. Atlas lacks plate XVII (detail of Kiswah fabric), some light scattered spotting, minor creasing to mounts. Macro 1239 (omitting mention of the Atlas). Henze V, 177. Dinse 443.
8vo. (24), 179, (17) pp. Contemporary full vellum with handwritten title label to spine (faded). First Latin translation of this three-part pharmacological treatise on the nature and effect of medicines gained from animals, vegetables, and minerals (including some quite superstitious material), published under the name of the mediaval Egyptian polymath Abd al-Rahman Al-Suyuti, whose "versatility stands out as unique in the history of Arabic literature" (GAL II, 144), but probably assembled from various Arabic sources. The first part, covering animals, is likely Al-Suyuti's own "Diwan al-Hayawan", translated by Abraham Ecchellensis after a manuscript in Cardinal Mazarin's library; the authors and manuscript sources of the following two parts remain unidentified. Within the notes, this edition uses several Greek, Hebrew, and even Arabic interspersions in the type. - Some browning to paper. 18th century French note on lower flyleaf; handwritten duplicate note and stamp to title-page. Insignificant paper flaws to pp. 103-106, merely affecting the pagination; small edge tear in p. 151f.; loss to lower margin of last leaf but one of the index (not touching text). Krivatsy 11586. Choulant 389. Wellcome II, 2. Ebert I, 9151. Krüger, Bibliographia botanica 35. Catalogue of the Library of the Medical and Chirurgical Society of London 145.
4to. (4), 264, (16) pp. With engraved map of Ethiopia, including part of the Red Sea and the source of the Blue Nile. Modern calf, gold-tooled spine, with red morocco title-label, and the sides blind-tooled in a panel design. Rare first English edition of Tellez's influential historical account of Ethiopia and Arabia. It is a digest of the accounts of all the Jesuit travellers to Ethiopia and Arabia, including Paez, De Montserrat, Almeida, Lobo and Mendes. It includes an account of the travels of the Jesuit missionaries Pédro Paez and Antonio de Montserrate, who were captured off the Kuria Muria islands on a mission from Goa to Ethiopia in 1590 and subsequently taken to Yemen, where they were held captive until 1596. After being sent to San'a by way of Melkis and the Wadi Hadramaut, then after three years taken to Al Mukha (Mocha), where they were forced to serve as galley slaves, they were finally ransomed in 1596 and returned to India. Paez discovered the source of the Blue Nile and is said to have been the first European to have tasted coffee in Al Mukha. - The work further includes a detailed description of Aden (Yemen) as well as of the Ethiopia-Adal War (1529-43), during which Ahmad ibn Ibrahim al-Ghazi led several expeditions against the Ethiopian emperor until most of Ethiopia came under the power of the Muslim Sultanate of Adal. The present English edition is based Almeida's "Historia geral de Ethiopia a alta" (1660), edited by Tellez. - With early owner's inscription ("W. G. Patchell") on title-page. Quires 2D and 2E transposed; a couple of millimetres shaved off the outer border of the map; a faint waterstain throughout; some leaves foxed and some occasional spots. A good copy. ESTC T133244. Paulitschke 1137. Cf. de Backer/Sommervogel VII, 1908-1910. Howgego, to 1800, A65 (Almeida).
Folio. Tinted lithographic additional title by Charles Parsons, printed by Endicott & Co., 20 chromolithographic plates by Parsons after van Lennep, all printed by Endicott & Co. of New York. Expertly bound to style in half dark green morocco over period patterned cloth covered boards, spine lettered and decorated in gilt. A rare and important colour-plate book: one of the relatively few American costume books, and certainly the best such created in 19th-century America. This is a notable and unusual instance of the taste for the Ottoman or "Turkish" which manifested itself in the furniture of the period but seldom in books. In terms of American color-plate books, this is one of the only large projects from the 1860s, when the Civil War seems to have curtailed production of such lavish enterprises. "The one really big chromolithographic book of this decade [...] the art is simple, but [Charles] Parson's hand is obvious in the good lithography, and Endicott's printing is well done for its time" (McGrath). "Endicott achieved a rich variety of color which demonstrated the increased technical ability of American printers in the medium" (Reese). Henry Van Lennep was born in Smyrna, the son of European merchants. Educated, on the advice of American missionaries, in the United States, he returned to Turkey as a missionary in 1840, and spent most of the next twenty years in various parts of the Ottoman Empire. Returning to the United States in 1861, he turned his superb original drawings of Middle Eastern life into the Oriental Album. The plates include two scenes of Jewish life in the Ottoman Empire. Included are plates of "A Turkish Effendi", "Armenian Lady (at home)", "Turkish and Armenian Ladies (abroad)", "Turkish Scribe", "Turkish Lady of Rank (at home)", "Turkish Cavass (police officer)", "Turkish Lady (unveiled)", "Armenian Piper", "Armenian Ladies (at home)", "Armenian Marriage Procession", "Armenian Bride", "Albanian Guard", "Armenian Peasant Woman", "Bagdad Merchant (travelling)", "Jewish Marriage", "Jewish Merchant", "Gypsy Fortune Telling", "Bandit Chief", "Circassian Warrior", "Druse Girl". Bennett, p. 108. Blackmer Catalogue 1715. Blackmer Sale 1500. DAB XIX, 200. McGrath, pp. 38, 115, 162. Reese, Stamped with a National Character 97. Atabey 1274.
Royal 4to (31 x 27 cm). 2 vols. 439; 46, (2 blank) pp. (vol. II, pp. 1-2 blank). With 2 title-pages printed in red and black, each with the author's wood-engraved decorated GAV monogram and motto; vol. 1 with 2 folding lithographed maps (1 printed in black, brown and blue, with the route coloured by hand in red, of the Sinai Peninsula; the other in black and white, of the city of Petra); 40 mounted albumen prints after paintings by Emile Pierre Metzmacher (mainly 11.5 x 16 cm), individually mounted with letterpress captions on the mount; and 2 engraved plates; vol. 2 with 6 numbered engraved plates of molluscs and insects. Set in roman and italic types, with incidental Arabic, and sans-serif Greek and Latin capitals to render ancient inscriptions. The Diario in the original publisher's maroon cloth with the author's crowned monogram gold-blocked on the front board and spine, and blind-blocked on the back board, with the title in gold on the spine. The Atlante in the original publisher's blue cloth, with the author's crowned monogram and the title gold-blocked on the front board, and the monogram in a larger size blind-blocked on back board. Both volumes with gilt edges, orange endpapers and with tissue guard leaves tipped in, protecting the albumen prints and engraved plates. Rare first and only edition of an Italian account of an 1865 expedition through "Arabia Petrea", meaning the Sinai Peninsula and adjoining parts of what are now Israel and Jordan, including the ancient city of Petra, now in Jordan, where parts of "Raiders of the Lost Arc" were filmed (the spectacular ancient buildings are carved into the solid rock walls of the cliffs and probably date from the 5th century BC to the 2nd century AD). - The photographically reproduced paintings show the author on camelback, numerous Bedouins, Arabs, Egyptians and Ethiopians as well as archaeological sites, monuments and topographic views. The plates in the second volume depict molluscs and insects, reflecting the author’s own research interests in the field of natural history, in addition to archaeology. The typography has been designed to suit the antiquarian subject, with Louis Perrin's Augustaux roman capitals on the title-pages, the main text set in what would then have been considered an "antique" style (types influenced by pre-1800 models) and sans-serif capitals used to represent the ancient Greek and Latin inscriptions. The author quite literally put his stamp on the work, with his crowned monogram not only on the title-page and binding, but also embossed in the paper, where it serves as a sort of watermark. - The book does not indicate the size of the edition, but since most of the illustrations are original albumen prints, there cannot have been many copies produced. The present copy may be a more deluxe binding than the Blackmer copy, also inscribed by the author to a woman, for it was in green cloth with only Visconti's single initial "V" on the front board. The volume with the Diario is a presentation copy with the author’s presentation inscription to a woman named Josephine. - Bindings slightly worn, the blue cloth a little stained. First and last leaves of both volumes browned, some foxing, some fly-leaves with a tear (not affecting the plates), the map of Petra stained due to oxidation, with some browning caused by the albumen prints on the facing leaves, but overall in good condition. Blackmer 1742. Gay 3650 bis. Macro 2254 (not noting plates): Not in Howgego, Ibrahim-Hilmy, or Weber.
Folio (285 x 358 mm). 2 volumes. (4), 12, 154, (6) pp. (8) pp. With a total of 3 maps (2 in colour) & 152 mostly full-page plates, several with tinted lithographed backgrounds. Later red half morocco with giltstamped spine titles. First edition of this detailed study of Syrian decorative architectural art. "De Vogüé travelled with William Waddington in 1853 and 1854, exploring the area from Aleppo to Damascus, Palmyra and Basra. It was an important expedition and much new material was uncovered. The author became ambassador to the Porte in 1871" (Blackmer). - Occasional foxing to plates, but a fine set. Blackmer 174. Not in Weber.
Small 4to. (14), 137, (19) pp. With engraved frontispiece and 22 engraved plates by Melchior Haffner. Contemporary calf. First facsimile edition of any oriental manuscript. 16 of the 22 finely engraved plates show a Persian perpetual calendar with Ottoman Turkish "commentarius" and floral borders. Welsch had acquired the ms. from Christoph Weikmann's Kunstkammer in Ulm. The remaining six plates are concerned with Arabian astronomy: astrolabe, orrery, zodiac, circular table of Sundays and names of the months in various languages. - The calculation of this calendar is today attributed to the 9th-c. Persian mathematician Wafâ al Buzjâni (cf. BSB München; Humboldt-Universität Berlin). The predominant attribution to one Turkish Sheikh Wafâ had been disputed by Babinger as early as 1927. Abu'l-Wafâ al Buzjâni is regarded as "the last great representative of the mathematics-astronomy school that arose around the beginning of the ninth century, shortly after the founding of Baghdad" (DSB I, 39). His astronomic oeuvre is preserved merely in fragments. The calligraphic commentary, however, is Turkish and (according to Babinger) was prepared by a 17th-c. magistrate, 'Ajn-i 'Alî Mueddinzâde. - Welsch (1624-77) was a physician and "a researcher of the very first magnitude [...] while the works of this polymath were mainly dedicated to the Arabian and Persian sciences, he also has provided proof of his close study of Ottoman Turkish. In this connexion, his important 'Commentarius in Ruzname Naurus' must be cited" (cf. Babinger 1919). Welsch's "Dissertatio" (with Arabic typeface) is aimed at the usefulness of the calendar for relative oriental chronology: he also compares the works of Schall von Bell and Andreas Müller on Chinese astronomy and chronology. - Bookplate of South Library on front pastedown. Occasionally browned. Zenker, Bibliotheca Orientalis I, 1077. Schnurrer 465. Babinger, Geschichtsschreiber der Osmanen (1927), 116 & 141. Babinger, Die türkischen Studien in Europa, in: Die Welt des Islams VII, 1919, 117. Not in Balagna, L'Imprimerie Arabe en Europe.
12mo. (10), 180 pp. With engraved additional pictorial title and small woodcut ornament to printed title; woodcut head- and tail-pieces and decorative initials. Contemporary full vellum. Extremely rare first edition of this history of gemstones, corals and pearls, with plentiful references to the Arabian Gulf ("ou Mer d'Elcatif"), and specifically to Bahrain, Al-Qatif, Muscat, and Ormus, including separate chapters on pearls, their valuation, and the process of pearl-fishing. Carter lists Chappuzeau's work, which draws strongly on Tavernier, under the "key European accounts", quoting his mention of the Gulf as a major source of pearls: "The most significant pearl fishing ground is on the coast of Arabia Felix, between the towns of Julfar and Catif" (p. 94). - Chappuzeau's "text is in two parts, the first, of six chapters, describes gemstones beginning with diamond, then those of color, pearls, coral, amber yellow stones, the metals, ambergris, bezoar, indigo and other 'rich productions' of the East and West Indies, and including salts. The second part describes the places referred to in the first part, from Abyssinia to Visapur [...] Chappuzeau provides information on places in India where diamonds are found, how they are mined, and prices demanded for diamonds and other gemstones. The method of pricing pearls is also given along with a table of values [... This chapter] is famous for its perpetuation of the story that pearls generate from dew drops falling into the gaping shells of the pearl oysters" (Sinkankas). Also includes references to mining in Peru and trade from the West Indies and Americas. - Spine somewhat dust-soiled; interior shows some browning throughout. Provenance: Contemporary ink ownership "F. Baker" (?) to title-page. Latterly removed from the Library of the Birmingham Assay Office, one of the four assay offices in the United Kingdom, with their inconspicuous library stamp to the flyleaf. Vastly rarer than the 1671 English edition: no other copy seen in the trade. Sinkankas 1251. Sabin 12010. Cioranescu (17th c.) 18639. OCLC 78250964. Carter, Sea of Pearls, pp. 94 & 106. Cf. Hoover 217; Roller/Goodman I, 222; Macclesfield 512 (for the 1671 English translation).
4to (19.5 x 15.5 cm). (4), "139" [= 135], (5) pp. With a woodcut ship on the title-page (with a griffin on the sail) and about 60 woodcut illustrations in the text (mostly about 55 x 80 mm) plus about 10 repeats, each with a thick-thin border. Set in textura types with incidental roman and italic. Gold-tooled, red goatskin morocco by Robert Riviere in London (ca. 1875/80), with 5 (false?) bands on the spine, each board with a double frame of double and triple fillets and 2 different sets of 4 corner pieces, author and title in gold in 2nd and 3rd of 6 spine compartments, the others with gold-tooled decorations and the date and place of publication at the foot, gold-tooled turn-ins, gold fillets on board edges, straight-combed endpapers, gilt edges, stamped on the back of the free marbled endleaf in sans-serif capitals: "Bound by Riviere". A rare 17th-century English edition, with about 60 different woodcut illustrations, of a classic and partly fictional 14th-century account of travels presented as voyages of Sir John Mandeville through Turkey, Egypt, Ethiopia, Syria, Persia, Arabia, India and the East Indies. According to the story he set off on his travels in 1322 from Saint Albans in England, returned in 1343, wrote the present account in 1364 and died in 1371. It was originally written in French and is thought to have been compiled from various sources by Jehan d'Outremeuse (1338-1400) of Liege. A 1371 manuscript survives and it first appeared in print under the title Itinerarius in Dutch (ca. 1477), French (1480), German (1480) and other languages, and in English in Richard Pynson's edition of ca. 1497/98. It includes many well-known stories and illustrations of monstrous people and animals in exotic lands: a man with only one enormous foot that he can use as a parasol, a dog-headed man, a man with his face in his chest, a girl who turns into a dragon, griffins, nine-metre giants, ants that gather gold, diamonds that mate and give birth to baby diamonds and much more that spoke to the imagination (though the ox-headed man is presented as an idol that was worshipped, rather than a fantastic beast). The book also includes genuine descriptions of the regions covered and gave many Europeans their first notions of the Near East, Middle East, India and East Indies. It shows carrier pigeons, an elephant and other recognizable or plausible scenes. It also incorporates and illustrates some biblical stories. The part on Arabia includes an account of the birth of Mohammed. Most of the present woodcuts are loosely and indirectly based on those in the 1481 Augsburg edition, partly in mirror image. The book went through dozens of editions in English and other languages. It reached more or less the present form with the 1650 London edition, which may have used the same woodblocks (we have not had an opportunity to compare them). The imprint of the present edition names four London publishers, and one of them (Conyers) also advertises his edition of William Lithgow's Nineteen years travels (1692) at the foot of the last page. The book was registered for these four publishers in the term catalogue for Trinity 1696, issued in June. The printing was probably shared between two different anonymous printers: exactly half way through the book, between quires I and K, the running heads, the textura type used for the main text and the roman drop capitals opening the chapters change. The 1684 edition by four London publishers (none named in the present edition) not only uses the same woodblocks but is also typographically almost identical to the first half of the present edition and no doubt came from the same printer. The drop capitals differ, but those in the present edition have not been recorded before 1688. Samuel Roycroft and James Orme both used them, and Roycroft used at least several of the other types in the first half. The book is printed on coarse laid paper with no watermark. Halliwell, in his 1869 edition of Mandeville, noted the present edition for its woodcuts and reproduced at least many of them from the Grenville copy now at the British Library. Only 5 other copies are known, all in U.S. libraries. Robert Riviere (1808-82) established his famous bindery in Bath and moved it to London in 1840, gaining a reputation as one of England's best binders for the quality of his materials and workmanship. He signed his bindings "Bound by Riviere" from 1860 to 1880 (thereafter Riviere & son). - With an early owner's inscription faded on the title-page and 2 armorial bookplates on the paste-down: Sir Edward Sullivan (1822-85), Lord Chancellor of Ireland, and Allan Heywood Bright (1862-1941) in Liverpool, a member of Parliament, along with a loosely inserted signed autograph letter (ca. 1900) from Bright's brother Hugh Bright (1867-1935) in Leeds, giving him the book and noting that he bought it at Young's "some years ago". With 8 leaves with their margins extended at the fore-edge and foot ( N2-O4, Q1, probably sophisticated from another copy of the same edition), sometimes shaving a catchword or quire signature, the title-page and last page somewhat worn and dirty, but further in good condition, with a few minor marginal chips and tears restored or repaired and 3 leaves with minor water stains in one corner. The spine is slightly faded but the binding is still very good. A rare edition of Mandeville's voyages, illustrated with about 60 woodblocks cut ca. 1650. Arber, Term catalogues II, p. 593, item 8; ESTC R217088 (5 copies); J. O. Halliwell (ed.), Voiage and travaile of Sir John Maundevile (1866), p. xvi (item 2, from the Grenville library); Wing M417 (same 5 copies); for the story in general: Cambridge History of English Literature (1976), pp. 78-87.
Folio. (16), 311, (60) ff. Title-page and sub-title to index with ornamental woodcut border. Woodcut initials, head and tail pieces. Calf, gold-tooled ribbed spine with title-label. Sprinkled edges. First edition of the "Natural history" edited by Johannes Caesarius (1468-1550), a humanist and close friend of Erasmus. The original text was by Gaius Plinius Secundus (AD 23 - August 25, AD 79), better known as Pliny the Elder. He was a Roman author, naturalist, and natural philosopher, as well as naval and army commander of the early Roman Empire, and personal friend of the emperor Vespasian. The text in the present edition is decorated with woodcut borders and many woodcut initials. - The "Naturalis Historia" is one of the largest single works to have survived from the Roman empire to the modern day and purports to cover the entire field of ancient knowledge, based on the best authorities available to Pliny. He claims to be the only Roman ever to have undertaken such a work. It comprised 37 books in 10 volumes and covered over 20,000 facts on topics including the fields of botany, zoology, astronomy , geology and mineralogy as well as the exploitation of those resources. It remains a standard work for the Roman period and the advances in technology and understanding of natural phenomena at the time. Some technical advances he discusses are the only sources for those inventions, such as hushing in mining technology or the use of water mills for crushing or grinding corn. Much of what he wrote about has been confirmed by archaeology. ''We know from Pliny that there were important pearl fisheries in the Gulf [...] Pliny identifies Tylos (Bahrain) as a place famous for its pearls [... He] attests that pearls were the most highly rated valuable in Roman society, and that those from the Gulf were specially praised [...] The pearl related finds at the site of El-Dur indicate the site was integrated into the maritime trade routes linking the Roman Empire, the Persian Empire, India and South Arabia'' (Carter). Book 6 holds a chapter that gives the first detailed account of the regions around the Gulf, including what are now Qatar, the Emirates and Oman. - Not only is it virtually the only work which describes the work of artists of the time, and has it become an important reference work for the history of art, due to the wide range of topics, the referencing system and index it became a model for later encyclopaedias. - With manuscript notes of multiple owners on pastedown (including written ex-libris by Antonii Mauritii Seguin 1713 and Mathon de la cour 1744). Some underling in text, and notes in the margins (partly lost due to trimmed edges). A very good copy with bookplate of De Ponsainpierre on pastedown. VD 16, P 3531. Adams P 1556. BM-STC German 704. Durling 3689 (imperfect copy). Hunt 23. USTC (11 copies).
Three parts in one volume. 4to. 220 x 155 mm. Woodcut device on general and parts titles. Early blindstamped calf, rebacked and refurbished retaining most of original spine. First edition, second issue. Guillaume Postel travelled to Constantinople in 1535 as official interpreter to the embassy of Jean de La Fort to the Turkish sultan, Suleiman the Magnificent. He returned there in 1549, and was also the author of the first Arabic grammar in French. "His work is not so much a descriptive account of his travels as a compendium of information gleaned while traveling and from other sources. The third book, 'La Tierce Partie des Orientales Histoires', furnished an usually complete and accurate picture fo the governing system of the Ottoman Empire" (Blackmer). - Without final blank ff6, 2 single wormholes in lower margin of opening few leaves, small repair at inner lower corner of opening 2 leaves, early ownership inscription on first title. Cf. Adams P2015. Atabey 977. Blackmer 1335.