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40 photographs (29 in colour and 11 black-and-white). Various sizes (300 x 207 mm to 125 x 125 mm). Stored in large, six-leaf self-adhesive tan leather album (oblong folio, 43 x 34 cm). Includes 51 original colour slides. A privately assembled photo album showing the ruling family of Dubai during a state visit to Pakistan, apparently in the early 1970s. Pakistan was the first country to accord formal recognition to the United Arab Emirates after the state's emergence in 1971. - Nearly half of the images show HH Sheikh Rashid bin Saeed Al Maktoum (1912-90), the father of the modern Emirate of Dubai, in conversation, at dinners, and relaxing in the garden. Other photos show his sons, the crown prince and later ruler HH Sheikh Maktoum bin Rashid Al Maktoum (1943-2006), the present ruler HH Sheikh Mohammed bin Rashid Al Maktoum, and HH Sheikh Ahmed bin Rashid Al Maktoum. The collection was assembled by Azhar Abbas Hashmi, a high-ranking officer of the Pakistani UBL bank (United Bank Limited), founded in 1959 by Agha Hasan Abedi (1922-95), who is seen in seven photographs with HH Sheikh Rashid as well as with his two older sons. While several pictures show the members of the royal family in negotiations with the Karachi banking officials, there are also fascinating images of a falconry tour to the Pakistani countryside (including a fine portrait of HH Sheikh Ahmed with a falcon perched on his arm). The more than fifty original colour slides show other scenes of the same visit; only four of the images are among the prints included in the album. - Some occasional creases and even the odd tear, but in general finely preserved. Three photos printed by Karachi's "Eveready Studio", some inscribed in ballpoint with identification on the reverse ("Mr. S. L. Anwar, HH, Mr. Masood Naqvi, Mr. Iqbal Khateeb / Mr. Hashmi showing the prospect drawings"), one in Arabic, another with ownership stamp: "Azhar Abbas Hashmi, Vice President Gulf Operations, International Division, UBL, HO, Karachi". An unpublished set, entirely unknown and without counterparts in the online Keystone or Hulton/Getty press photo archives, from the estate of Azhar Abbas Hashmi (1940-2016), Pakistani financial manager and eminent literary patron with close ties to Karachi University. Long with UBL, Hashmi would serve as the bank's vice-president before founding several important cultural organisations and becoming known as a man of letters in his own right. It was because of Hashmi’s close connections to the Gulf states that Abu Dhabi provided funds to build the Karachi University’s faculty of Islamic studies, along with Sheikh Zayed Islamic Centre and Jamiya Masjid Ibrahi.
6 black and white photographs. 70 x 95 and 60 x 83 mm. Framed and glazed as a set. The photos depict images of boats and coastal life in and around Dubai's harbour, two women wearing abayas with hijabs and niqabs, walking in a desert plain of Sharjah, as well as desert dwellings and ports and boardwalks in Sharjah. This collection gives us a glimpse of the Dubai and Sharjah before the construction boom that started in the 1970s. Overall an intriguing collection in very good condition, capturing the coastal and desert life of a bygone era.
2 photos (ca. 85 x 110 mm) mounted on backing cardboard. In black picture frame (220 x 270 mm). Showing scenes from the camel market in Dubai, depicting resting camels on the ground as well as several customers and cameleers on foot or riding mules. - Rare.
Colour print, 138 x 90 mm. "Dhow Builders" in "Dubai, Trucial States". - Well preserved commercial image of Dubai shortly before the oil era and its development into what is today the largest city in the United Arab Emirates.
6 original gelatin silver photographs, the smallest measuring 90 x 139 mm and the largest 106 x 148 mm. - (Includes): 2 gelatin silver postcards of Dubai (Noor Ali, Photo-Press International, Dubai), ca. 90 x 139 mm, [ca. 1960s]. Framed and glazed. Rare photographs of Dubai in the early 1960s, showing Al Fahidi Fort, Dubai Old Town, Dubai Creek, Al Maktoum Bridge and the British Bank of the Middle East. They were published by "Studio Andalus", a photographic studio which (according to the stamp) was based on "New Street, near the National Library". Four are captioned in blue ink (another has an unfinished caption) and two have an Arabic studio stamp to their versos. Includes two contemporaneous postcards of Dubai, both also original photographic prints, showing principal views of the town. - A few corners bumped and creased, otherwise very good. A fine ensemble of rare photographs showing Dubai as a "Trucial State", shortly before the oil era and its development into what is today the largest city in the United Arab Emirates.
Small 4to. 3 vols. (2), 300 pp. (2), 300 pp. 316 pp. Near-contemporary half calf over green papered boards with gilt spines. Extremely rare, entirely complete run of this journal, praised by Guérmard as a "truly scientific review" and hailed by Glass and Roper as the first periodical published in the "Arab world". The 916 pages of these various issues appeared between 1798 and 21 March 1801: first every 10 days, then monthly for the second volume, and quarterly for the third. - The journal has great interest for marking the beginning of printing in Egypt: "The expedition of Napoleon Bonaparte to Egypt from 1798 until 1801 was a prelude to modernity. It was to change permanently the traditional Arab world [...] The French brought Arabic typography to Egypt [...] For, leaving aside the Hebrew printing presses in Egypt of the 16th to the 18th centuries, until this date announcements and news adressed to Arabs there, as well as in other parts of the Arab-Islamic world, had been spread only in hand-writing or orally, by criers, preachers or storytellers [...] The periodical [...] 'La Décade Egyptienne' [was one of] the first press productions of Egypt" (D. Glass and G. Roper, cf. below). - The journal took its name from the "Décade philosophique", the publication of the Institut National's Section des Sciences morales et politiques, and contains "soit le texte intégral, soit le texte intégral, soit des extraits d'un grand nombre de mémoires ou rapports présentés au premier Institut d'Égypte par des membres de l'expédition, faisant pour la plupart partie de la Commission des sciences et arts. On y trouve également des observations faites par des médicins placés sous les ordres de Desgenettes. Celui-ci dirigea d'ailleurs la publication après le départ de Tallien" (de Meulenaere). At the time of the French capitulation, the first 24 pages of a fourth volume were in the press, but they were never distributed, and the only copy of these sheets remains in the Library of the Royal Museums of Art and History in Brussels (cf. ibid.). - First and last volume show traces of worming, occasionally touching the text, with additional brownstains in the lower corner of vol. 3 near the end. Bound in the mid-19th century for Gaillardot Bey, with his handwritten ownership "Ch. Gaillardot" on the half-title of the first volume. D. Charles Gaillardot (1814-83) served as one of the two vice-presidents of the Egyptian Institute in 1881. A professor of natural history at the National School of Medicine in Cairo founded by Antoine Clot Bey, for 20 years head physician at the military hospital and finally director of the Cairo medical school, he had created in the Egyptian capital a "Musée Bonaparte" of his personal collections, comprising books, engravings, weapons, and decorative items - keepsakes of the French Expedition to Egypt, today dispersed. Later in the collection of the writer André Maurois (1885-1967) with his engraved bookplate to pastedown. D. Glass/G. Roper, Arabic Book and Newspaper Printing in the Arab World, in: Middle Eastern Languages and the Print Revolution (Gutenberg Museum Mainz 2002), pp. 177-216, at pp. 182 & 207 ("scientific magazine [... first periodical] of the 'Arab world'"). Maunier, Bibliogr. économique, juridique, et sociale de l'Égypte moderne, p. XXIV, no. 2. De Meulenaere, Bibliogr. raisonnée des témoignages de l'Expédition de l'Égypte, p. 57. Not in Blackmer or Atabey.
Small folio (232 x 280 mm). 36 ff. Contemporary marbled wrappers. All edges gilt. The Regulating Act of 1773, published in Persian and English on opposite pages. - British interest in Persia and the Arabian Gulf originated in the 16th century and steadily increased as British India’s importance rose in the 18th century. In the beginning, the agenda was primarily of a commercial character: realizing the region's significance, the British fleet supported Shah Abbas in expelling the Portuguese from Hormuz in 1622. In return, the British East India Company was permitted to establish a trading post in the coastal city of Bandar 'Abbas, which became their principal port in the Gulf. The Company became responsible for conducting British foreign policy in the region, and concluded various treaties, agreements and engagements with Gulf states. In 1763 the EIC established a permanent residency at Bushehr, on the Persian side of the Gulf. By the early 1770s, the East India Company was in severe financial straights due both to corruption and nepotism as well as from steeply declining tea sales to America and heavy annual payments made to maintain the trading monopoly. When approached for assistance, the government enacted legislation to supervise ("regulate") the activities of the Company. This "Act for establishing certain Regulations for the better Management of the Affairs of the East India Company" constituted the first step toward eventual British government control of India, thus radically limiting the role of EIC in the administration of India. In 1784, little more than a decade later, Pitt's India Act would take reforms even further. - Another issue in the same year is known, with identical typesetting, but in which each page of text is enclosed within an engraved frame (these copies are printed in a taller folio format ). Slight edge repairs; spine restored. From the library of William Aldersey, president of the board of trade in Bengal, with his ownership (dated 1774) to recto of f. 1. ESTC T145421. OCLC 560572771.
Folio (214 x 334 mm). X, 565, (3) pp. With 1 folding map. Modern half cloth. Includes the first publication of the treaties closed by the British with the Gulf sheikhdoms following General W. Grant Keir's raid on Ras al-Khaimah in 1819/20: the preliminary treaties with Hassan bin Rama (Ras al-Khaimah, 8 Jan. 1820); Sultan bin Sakr (9 Jan. 1820), Sheikh Kameya bin Mahomed bin Jabin al Moyeying, Sheikh of Kishmee, of Dubai (9 Jan. 1820), Sheikh Shakhbool bin Dhyab of Abu Dhabi (11 Jan. 1820), Hassan bin Ali, for Sharjah, Umm al-Quwain, Ajman, and Abu Dhabi (15 Jan. 1830). Also, Sketch of the Articles proposed to H.H. the Imaum of Muscat for the Prevention of the Foreign Slave Trade, in 1822. - Slight waterstaining near beginning, but well-preserved. Rare. OCLC 45474897.
Small folio (240 x 296 mm). (4), 563, (1) pp. Modern half calf over marbled boards with giltstamped red label to spine. The most comprehensive and relevant edition of "a work which may almost be regarded as the standard one on the subject to which it is devoted" (Preface), i.e., the legal code in force within the provinces ruled by the British East India Company - a rule which would last until 1858, when, following the Indian Rebellion of 1857, the British Crown would assume direct control. Numerous statutes concern the slave trade in the Arabian Gulf or regulate relationships with the local Arab Sheikhdoms, such as 12 & 13 Victoriae, Cap. LXXXIV: "An Act for carrying into effect Engagements between her Majesty and certain Arabian Chiefs in the Persian Gulf", citing the chiefs "Sultan Bin Sugger, Shaik of Ras-el-Khyma and Shargah in the Persian Gulf, the chief of the Joasmee Arabs", "Muktoom Bin Buttye, Shaik of Debaye", "Abdool Azeez Bin Rashid, Shaik of Eginan", "Shaik Abdullah Bin Rashid, Shaik of Amulgavine", and "Saeed Bin Tahnoon, Shaik of the Beni Yas, chief of Aboothabee", as well as "Shaik Mahomed Bin Khuleefa Bin Subman, chief of Bahrein", and the engagements they concluded with the British crown (pp. 414ff.). Other acts relate to engagements with "Syed Syf bin Hamood, the Chief of Sohar, in Arabia" (p. 437), with Seid Saeed bin Sultan, the Imaum of Muscat (pp. 220, 383), etc. - Very well preserved, in a modern binding in contemporary style. OCLC 3062490.
8vo. 32 pp. Arabic text. Numerous small illustrations in blue ink. Original green pictorial wrappers, stapled. Later issue of Part I, Section I. A very attractive Arabic ABC, printed in Jerusalem, apparently a re-issue of the first booklet in an educational series titled "The Gardens of Arabic Reading". The title-page states it was developed by a French monk. - Extremities sunned, a little wear to spine around the staples, otherwise very good. Rare: this edition and part do not appear in LibraryHub or OCLC. Cf. OCLC 236006704 (Part 2-3, 1946, in the National Library of Israel)
8vo. 156 pp. With one folding map of Japan. Contemporary gilt full red morocco with the giltstamped inscription "A Sa Majesté Impériale Le Sultan. Hommage de l'Auteur" to upper cover, Ottoman crest to lower cover, and giltstamped spine. Leading edges gilt. Marbled endpapers. All edges gilt. First edition of this synopsis of the political and religious history of Japan, by the Belgian diplomat, photographer and writer Eggermont (1844-1923), who was appointed councillor to the legation of Belgium in Japan from 1876 to 1877. Author's presentation copy for the Sultan with the dedication giltstamped to the upper cover. The book's first part discusses Shintoism and Buddhism; the second part presents an overview of Japanese history from the origins of the Japanese people until the 1868 Meji Restoration. - Lacks upper half of the title-page; lower half is transposed before the half-title and glued on top of it, thus omitting the author's name. - From the library of Sultan Abdul Hamid II (1842-1918), the last Sultan of the Ottoman Empire to exert effective contol over the fracturing state and also remembered as a poet, translator and one of the dynasty's greatest bibliophiles. While his passion for books is memorialized by the many precious donations he gave to libraries all over the world and which mostly have remained intact to this day (including the 400-volume "Abdul-Hamid II Collection of Books and Serials" gifted to the Library of Congress), his own library was dispersed in the years following his deposition in 1909: books were removed to other palaces and even sold to Western collectors; the greatest part of his collection is today preserved in the Chester Beatty Library in Dublin. - Extremities insignificantly rubbed; paper somewhat foxed throughout. An appealing copy in a finely gilt presentation binding. OCLC 249076616.
Oblong small folio (238 x 320 mm). Photo album with 197 albumen prints, mounted between 3 and 6 per page on 49 cardboard leaves. Various sizes, typically 70 x 100 mm. Some larger small-format panoramas. Captioned in ink. Contemporary full cloth with handwritten title-label. An interesting album recording the construction of new British military barracks at Abbassia, Cairo, shortly before World War I. Compiled by James Frazer Annan (1887-1957), a British engineer working for the contractor Henry Lovatt Ltd. in Abbassia between 1910 and 1913. Some 40 photographs depict construction at its various stages, showing workers and equipment, including a concrete mixer, details of walling blocks, column caps and shells, scaffolding, and a consignment of cement, as well as a panoramic view of the construction site from July 1910. - Other images show memorable events including the coronation ceremonies for King George V in 1911, Lord Kitchener presenting prizes at a Rifle Meeting, and the Mahmal passing through Cairo during the annual pilgrimage to Mecca. City views of Cairo and Heliopolis, street scenes "in the Mousky district" and "among the Bazaars", the Eshekieh Gardens, the Pyramids, the Nile barrage and dam, tombs of the Khalifs and "typical Mosque tombs": A few more personal scenes such as Christmas dinner 1910 and a picture of baby "James junior" complete this appealing collection. - Occasional light spotting and duststaining. Provenance: Peter Johnstone, whose paternal grandmother, Elsie Amelia Johnstone, was housekeeper to James Frazer Annan. Peter Johnstone numbered the pages and loosely inserted an autograph description of the album, dated 13 May 1996.
8vo. 37, (1) pp., final blank leaf. Sewn without binding. Extremely rare publication of the rules of the Coptic Catholic Church, decreed in 1790 and printed in Latin and Arabic in Rome in 1830, following the Ottomans' permission that the Coptic Catholics of Egypt build their own churches: "In conventu habito die 15 Martii anni 1790 decrevit, infrascriptas regulas ab omnibus RR. Sacerdotibus tam saecularibus, quam regularibus ritus Coptici, vel in urbe Cayri, vel in superiori Aegypto commorantibus, esse observandas". - Paper flaws to second leaf, with minor loss to a few letters. No other copy could be traced in libraries internationally.
Folio (354 x 526 mm). (2) pp., 5 engraved folding maps and plans. In the publisher's original blue marbled wrappers. (Includes:) Le Père, [Jacques-Marie]. Mémoire sur la communication de la Mer des Indes à la Méditerranée, par la Mer Rouge et l'Isthme de Soueys. [Paris, l'Imprimerie Imperiale, 1809]. 21-186 pp. (With:) Bois-Aymé, [Aimé] du. Mémoire sur les anciennes limites de la Mer Rouge. 187-192 pp. Modern white boards with giltstamped black spine label. Folio (290 x 442 mm). The five-plate atlas to accompany the mémoire regarding the possibility of constructing a modern canal from the Mediterranean to the Red Sea via the Isthmus of Suez, which J.-M. Le Père, chief engineer of the Ponts et Chaussées, would submit to Napoleon in 1803. The plates include a hydrographical map of Lower Egypt and the Isthmus, a plan of the port of Suez, a plan and view of the "Fontaine de Moïse", a synoptic chart of the (supposed) various water levels along the Isthmus, and a plan of the city and ports of Alexandria. Even here, in their earliest publication, dated 1802 on the title page, the plates already bear the numbers under which they would be published in 1809 and 1817 within the monumental "Description de l'Égypte", bearing witness to the accuracy with which the editors had planned their famous work. Indeed, the commission to distil into a publication the enormous amount of data accumulated in Egypt by Napoleon's savants had only been established in February 1802, and the table of contents (on the reverse of the title page) specifies that "ces planches font partie du grand Atlas de l'ouvrage de la Commission d'Égypte, état moderne". - Le Père's mémoire itself was not published at all before it formed part of the "Description": a copy of this first publication, removed from part II: État Moderne, volume 1, is included with this set (it would be published independently, with the atlas, in 1815). - During the 1798 campaign in Egypt, Napoleon's officers had discovered remnants of the ancient "Canal of the Pharaohs", a west-east waterway built under Darius I of Persia that linked the Nile and the Red Sea. Napoleon contemplated the construction of a north-south canal to connect the Mediterranean with the Red Sea, and Le Père was commissioned to investigate the possibility of building such a canal. While the plan was abandoned because it wrongly concluded that the sea levels were different and the waterway would require locks, the report was important as a basis for Ferdinand de Lesseps' successful plans for the Suez Canal many decades later. - Occasional foxing to margins of plates, binding somewhat loosened in places, but in excellent condition altogether. Very rare. Ibrahim-Hilmy I, 374. OCLC 492528366. Gay 1999.
Oblong folio (470 x 380 mm). (2), 32 pp. (text, bound in original wrappers) and 24 heliographic prints mounted on cardboard. Loosely inserted in illustrated and gilt green cloth portfolio. A set of heliotypes showing (mostly) sites in Upper Egypt: Luxor (4), Qurnah (1), Karnak (3), Thebes (5, including the Ramasseum, Medinet Habu and Deir el-Medina), Edfu (2), and Philae (4), but also including images of the local population: water carriers, workers at a shaduf, a family of Bisharis, as well as nomads with their camels and the Pyramids of Gizeh. The accompanying volume of text describes many of the places depicted, as well as several others. - Some images somewhat foxed, but mostly clean and well-preserved. OCLC 13925000.
Albumen prints on cardboard, mostly captioned on the reverse. Measurements c. 265 x 220 to 285 x 225 mm. The photographs depict the harbour of Port Said (6), ships on the Suez canal (3) and a lithograph of the canal (1), the shady oases of Ismailia halfway to Suez (2), the streets and harbour of Suez (2), the pyramids of Gisa (with tree-lined avenue beside the railroad and with four natives on camels; 2) and 3 photos of the Gezireh Palace Hotel near Cairo and of the splendid hotel fountain. To these are added 11 pictures of natives in traditional dress: 2 images of Bisharin warriors from northern Sudan, six natives capturing a ten-foot Nile crocodile, a Bedouin next to a resting camel, a Nubian from Khartum, the portrait of a "professeur arabe" (in semi-profile), 4 images of fellah women (some with little children), as well as the portrait of a semi-nude café waitress. The photographs, many of which bear captions and the name of the studio, are principally taken by the Greek photographer Zangaki; others are issued by Arnoux, G. Massaoud, Schroeder & Cie. in Zurich, Lekegian & Co., etc. Some fading.
195 x 137 mm. Lithographed document in Arabic with an image of a donkey. Validated with two official blue ink stamps. Very rare Egyptian issued permit for a donkey to enter the holy sites of Mecca and Medina. - With ms. notes in Arabic.
Large folio (470 x 350 mm). A total of 52 albumen prints (36 from Egypt, signed Zangaki brothers, all 215 x 275 mm, and 16 from Australia, mostly signed Hitch & Co., 150 x 200 mm), all mounted on cardboard, each with handwritten identifying captions in French, German, and English. Dark brown morocco binding gilt on upper cover with golden corner fleurons and gilt title "Februar - April 1895" (signed in lower left corner: "C. Keuth, relieur, Anvers"). Moirée endpapers. All edges gilt. A charming and sumptuously bound album commemorating a journey through Egypt in the spring of 1895. The photos include four views of Suez and the Canal, numerous impressive scenes of Cairo, its streets and palaces, with panoramic views, the Mosques of Muhammad Ali and of Sultan Hassan, the Citadel, the Tombs of the Caliphs, the Tombs of the Mamelukes, the road to the pyramids (with locals posing), the Sphinx and an ascent of the Great Pyramid, the statue of Ramses II at Saqqara and the Pyramid of Djoser, the Obelisk at Heliopolis, Pompay's Columns at Alexandria, etc. - The additional photos of Australia, dated February 1895, all show views from the Blue Mountains in New South Wales, including landscapes of the "Three Sisters", Nellie's Glen, Bride's Veil, and Negalong Gate, and interiors of the Jenolan Caves. - Some occasional fading, but generally in very good condition. The brothers Georgios and Constantinos Zangaki, originally hailing from Greece, set up their first studio in Port Said around 1870, and a second one in Cairo around 1895. After the inauguration of the Suez Canal in 1869, which opened Europe to Egypt and Eastern Asia, Egypt became a desirable destination for Western tourists. The brothers produced attractive images of Egypt for the growing market of European tourists, drawing on a familiar genre of orientalist scenes.
22 pieces of 19 different fabrics, mounted on thin paper (the last piece loose), mostly ca. 10-15 x 12-15 cm, some larger. Within a 1930s cloth binder (220 x 280 mm). - (Includes): Lamm, Carl Johan. Jordfundne tekstiler fra Aegypten. Særtryk af "Tilskueren" 1938. (Copenhagen, 1938). 333-350 pp. With 7 text illustrations. Contemporary cloth with title label to spine. A fine collection of Egyptian Coptic textile fragments compiled in the 1930s, comprising samples of multi-coloured embroidery and hand-printed linen. Most are of Coptic origin: hand-woven embroideries on linen wraps dated to the 5th and 6th centuries, originally used in tunics or other clothing. The fragments are decorated with human figures, animals and birds, mythical creatures, and floral designs, as well as with geometrical patterns. There are also six scarce blue "Arabic" samples, beautifully hand-printed on linen, from ca 1300 CE, and one woven silk tissue with an arabesque pattern from the 11th century. Four of the Arabic specimens are larger. - Carl Johan Lamm studied archaeology at the University of Stockholm. He wrote about the glass excavated at Samarra in 1928 and became a leading scholar on Islamic arts and crafts, notably in glass and carpets. He was on the staff of the Stockholm Museum and taught at Uppsala University. - Ancient Coptic material of this kind was typically removed from Egyptian graves around the turn of the twentieth century. Lamm may have acquired these specimens while living in Cairo in 1934-37 while assembling a large collection of ancient Coptic textiles, and it would appear that the binder containing the fragments dates from those years. Parts of Lamm's Coptic textile collection are now housed in two Swedish museums; Kulturen museet in Lund and Röhsska museet in Göteborg. - Stored in a worn craft binder, the samples are sewn on paper with hand-written ink annotations and typed descriptions and dates. Several fragments show small losses, but overall most are in fairly good condition. - Includes a printed article by Lamm on "excavated textiles from Egypt", an offprint from the Danish journal "Tilskueren" ("Spectator"). With a few changes, this text was delivered as a speech at the Copenhagen Kunstindustrimuseet in connection with an exhibition arranged by Lamm. The textiles exhibited belonged to Lamm himself, the National Museum in Stockholm, and the Danish Kunstindustrimuseet. This is Lamm's personal copy with his bookplate to front pastedown.
4to. 20 volumes: 14 bound in original wrappers, 4 in half calf over marbled boards with giltstamped spine title, and 2 in half calf with giltstamped spine title. Illustrated throughout. Extensive set, comprising 20 of the first 32 issues of the still-published series that catalogues and describes in detail the treasures of the famous Egyptian Museum, which houses the world's largest collection of Pharaonic antiquities. - Printed in Cairo: W. E. Crum, Nos. 8001-8741 Coptic Monuments (1902); M. Quibell, Nos. 11001-1200 & 14001-14754 Archaic objects t. II (1904); M. Quibell. Nos. 11001-12000 & 14001-14754 Archaic objects t. I (1905); Gaillard & Daressy, Nos. 29501-29733 & 29751-29834 La faune momifiée (1905); Ahmed Bey Kamal, Nos. 23001-23246 Tables d'offrandes t. II (1906); C. C. Edgar, Nos. 33301-33506 Sculptors' studies (1906); Arthur E. P. Weigall, Nos. 31271-31670 Weights and Balances (1908); Ahmed Bey Kamal, Nos. 23001-23256 Tables d'offrandes t. I (1909); Georges Daressy, Nos. 61001-61044 Cercueils des cachettes royales (1909); Georges Bénédite, Nos. 44301-44638 Objets de toilette Iere partie peignes etc. (1911); Henri Gauthier, Nos. 41042-41048 Cercueils anthropoides, premier fascicule (1912); Henri Gauthier, Nos. 41048-41072 Cercueils anthropoides, second fascicule (1913); G. A. Reisner, Nos. 4798-4976 & 5034-5200 Models of ships and boats (1913); Charles T. Currelly, Nos. 63001-64906 Stone implements (1913); Henri Munier, Nos. 9201-9304 Manuscrits Coptes (1916); Charles Kuentz, Nos. 1308-1315 & 17001-17036 Obélisques (1932). - Printed in Vienna: W. von Bissing, Nos. 3426-3587 Metallgefäße (1901); W. von Bissing, Nos. 3618-4000, 18001-18037, 18600, 18603 Fayencegefässe (1902); Josef Strzygowski, Nos. 7001-7394 & 8742-9200 Koptische Kunst (1904); W. von Bissing, Tongefäße. 1. Teil: Bis zum Beginn des Alten Reiches (1913). - Some browning throughout as common. Wrappers rubbed but professionally repaired. Rare. ZDB-ID 441756-2.
8vo. 108 pp. With an engraved frontispiece and 5 engraved plates, all in original hand colour. Remains of wrappers. Third edition of this early 19th century French primer. The reading matter with its lively illustrations is chiefly drawn from Aesop's Fables. - Brownstained throughout. Untrimmed, partly uncut copy with marked edge flaws; wants binding. Rare. OCLC 460509998.
8vo (150 x 240 mm). Persian manuscript on paper. (4), 62 (misnumbered: 63, omitting fol. 19), 64 (misnumbered: 58, leaping back to 24 after 23 but lacking fols. 38-39) ff.; 64 (instead of 70) ff. (lacking fols. 25-30). 15 lines of black and occasional red ink script. Rebound in full red morocco using the original covers. A collective manuscript on falconry, including the famous "Baz-nama" of Khushal Khan, the Afghan national poet, copied in the area of Afghanistan within a year after the passing of the author. - This fine and early manuscript contains two separate treatises on falconry, the latter one being the "Book of Falconry" of Kushal Khan Katak, the father of Pashto literature, written in verse. The first English translation, prepared by Sami ur Rahman and dedicated to Sheikh Mohammed bin Rashid Al Maktoum, Ruler of Dubai, appeared in Islamabad as recently as 2014: "What makes Khushal's 'Baaz Nama' unique is its poetical form. Perhaps there is no other work in world literature that treats the subject matter in verse on the one hand and keeps its systematic exposition and professionalism intact on the other [...] Khushal's manual is pretty concise and cogent. There are no long-drawn and tedious accounts. The style and diction are extremely down-to-earth" (translator's note, p. xiv). - The present manuscript contains a colophon at the end stating that it was copied by Muhammad Khan in 1101 AH, within a year of the death of its author on 5 Jumada I, 1100 AH, and it may thus command a high degree of textual authority. A renowned Pakistani warrior, Khushal Khan Khatak (1613-89) long served the Mughal Empire, but when he was expelled from his tribal chiefdom, he turned against his Mughal lords, promoted Pashtun nationalism, and encouraged revolt against the Mughal Empire. His works, mostly written in Pashto, are considered the foundation of modern Afghan literature. - A few occasional stains and ink smudges; lacks six leaves according to foliation and catchword. The first treatise in this volume, by an unidentified author, is in two parts with an index after the first but apparently not complete, lacking the end of the second half, as well as two leaves. First leaf extensively remargined but without loss to text; a few old waqf stamps and occasional marginalia.
Various sizes, c. 14 x 22 cm to c. 20 x 25 cm. Mounted on folio backing paper. Stored in custom-made sand coloured half morocco solander case. Ten finely executed pen-and-ink drawings of different falcons in various poses, all captioned and vividly watercoloured by a mid-19th-century artist. Includes the Saker Falcon, Iceland Falcon, Greenland Falcon, Merlin, Lanner Falcon, Norway Falcon etc. - Well preserved.
Painting and embroidery on silk, 650 x 935 mm. Near-life-size embroidery of a lady falconer in green dress, her hat highlighted with gold sequins. A charming and skillfully executed work in the Viennese neo-classical style, obviously commissioned for the decoration of a so-called Hunter's Salon in an Austrian nobleman's castle.
A single folio on card, ca. 385 x 280 mm. Ink and gouache on paper. Matted, framed and glazed. Fine painting with Mughal influences, showing a golden-coloured domestic falcon, loosely tied to an elegant and decorated outdoor stand. Framed within multiple gilt decorated borders adorned with different floral motifs; borders painted with geometric octagonal shapes, each displaying an array of birds including from the heron and pigeon families, all heightened in gilt. - Attractively preserved.