Stinson, George [Abraham Lincoln]Biblio.com
9 915 résultats
1871135435Portland ME: George Stinson and Co. Publishers 1871. Large format lithograph of the Lincoln family by American engraver George Stinson. Framed. The entire piece measures 27.5 inches by 20.5 inches. Abraham Lincoln served as the 16th President of the United States from March 1861 until his assassination in April 1865. He led the United States through its Civil War and in doing so preserved the Union of the United States of America abolished slavery and strengthened the federal government. Lincoln began constructing his cabinet on election night and sought to create a cabinet that would unite the Republican party. His eventual cabinet would include his primary rivals for the Republican nomination and although his appointees held differing views on economic issues all were opposed to the expansion of slavery into the territories of the United States. The most senior cabinet post of Secretary of State was appointed to William Seward who had recently failed to win the 1860 Republican presidential nomination and Lincoln's choice for Secretary of the Treasury was Ohio Senator Salmon P. Chase Seward's primary political rival and the leader of a radical faction of the Republican party that sought the immediate abolition of slavery. George Stinson and Co., Publishers unknown
186423032AB1864. Washington Printed for the Union Congressional Committee 1864. 8°. 14 pages. Softcover / Original Pamphlet. Original brochure. Some foxing. Unopened. Extremely RARE ! "To vote for Lincoln is to vote for Union and for Liberty". This is how this pamphlet ends in which Laboulaye urges the americans to vote for Lincoln instead for McClellan. But Laboulaye was even more important to the american people in his overall favour of this country as a leading role for freedom and future. He suggested the present by France which was later erected as the "Statue of Liberty" "In the summer of 1865 a group of Frenchmen were gathered together one evening at the home of the well-known author Edouard Rene de Laboulaye in the village of Glavingny a suburb of Paris. Among those present were Oscar and Edmond de Lafayette grandsons of the Marquis d' Lafayette Masonic brother of George Washington; Henri Martin the noted historian and French Mason; and a young artist from Colmar in French later German Alsace by the name of Frederic Auguste Bartholdi who at the time was engaged in making a bust of Laboulaye called by one biographer "America's most ardent admirer in France." Laboulaye told the group that it would be a splendid gesture on the part of all liberty-loving Frenchmen to acknowledge their friendship to America by presenting a fitting memorial. Some have speculated that he had a second motive in mind to call attention to the contrast between the American way of life with its freedoms and that of the French under the repressive Second Empire. The 31-year-old Bartholdi became imbued with the idea and also the challenge it presented to his artistic talent. But the proposal lay dormant during the autocratic rule of Napoleon III and throughout the destructive years of the Franco-Prussian War. In 1871 Laboulaye the Brother Lafayette with their cousin the Marquis de Noailles and the Marquis de Rochambeau along with Henri Martin revived the plan for the as yet unnamed memorial. They suggested that Bartholdi visit America and make arrangements for the presentation of the monument on July 4 1876 the Centenary of the Declaration of Independence. Armed with letters of introduction and full of high hopes Bartholdi sailed for America although it is said that he did not have even a rough drawing of the proposed monument. Two weeks later while standing on the deck of the ship Pereire steaming up Lower New York Bay he caught a vision of a magnificent goddess holding aloft a torch in one hand and welcoming all visitors to the land of freedom and opportunity. Quickly obtaining paper and brush Bartholdi sketched in water-color the idea of the Statue of Liberty substantially as it appears today. It was his thought to have this symbolic structure tower over the steeple of Trinity Church then the tallest building on the New York skyline. He wrote to Laboulaye "these outlines may well aim beyond the mere monument at a work of great moral value." MasonicWorld - By R. W. Robert C. Singer Édouard René Lefèbvre de Laboulaye French pronunciation: edwa ne lfv d labul 18 January 1811 25 May 1883 was a French jurist poet author and anti-slavery activist. In 1865 he originated the idea of a monument presented by the French people to the United States that resulted in the Statue of Liberty in New York Harbor. He got the idea thinking that this would help strengthen their relationship with the United States. Laboulaye was received at the bar in 1842 and was chosen professor of comparative law at the Collège de France in 1849. Following the Paris Commune of 1870 he was elected to the national assembly representing the departement of the Seine. As secretary of the committee of thirty on the constitution he was effective in combatting the Monarchists in establishing the Third Republic. In 1875 he was elected a life senator and in 1876 he was appointed administrator of the Collège de France resuming his lectures on comparative legislation in 1877. Laboulaye was also chairman of the French Anti-Slavery Society. Laboulaye was president of the Société d'économie politique. Always a careful observer of the politics of the United States and an admirer of its constitution he wrote a three-volume work on the political history of the United States and published it in Paris during the height of the politically repressed Second Empire. During the American Civil War he was a zealous advocate of the Union cause and the abolition of slavery publishing histories of the cultural connections of the two nations. At the war's conclusion in 1865 he became president of the French Emancipation Committee that aided newly freed slaves in the U.S. The same year he had the idea of presenting a statue representing liberty as a gift to the United States a symbol for ideas suppressed by Napoleon III. The sculptor Frédéric Auguste Bartholdi one of Laboulaye's friends turned the idea into reality. Wikipedia paperback
1915000429New York: Brentano's 1915. 1st Edition. Hardcover. Very Good. This is a First Edition. This copy is Very Good in original illustrated boards. This copy has some minor soiling to the back cover and a slight discoloration stain to the bottom corner of the front cover. Otherwise a tight and clean copy. Bright lettering on cover and the spine and binging still tight. Scarce First Edition. Brentano's hardcover
189480033Lincoln Memorial University 1894. Sponsors Edition. Hardcover. Very Good. 23.5 x 16 cm. Complete twelve volume set. This is the Sponsors Edition printed from plates of the original new and enlarged edition of 1894 signed by the chancellor of the university and with the seal of of the university. There is supposed to be a limitation page opposite this in volume 1 but this is NOT present. Several versions of this edition were done. This set bound into brown boards with a gilt emblem of the Lincoln Memorial and TEG. Many unopened pages. Frontispiece in each volume and additional plates and facsimile letters throughout the work. Wear and sometimes chipping at the heads of spines. Nice internally. Heavy set. Substantial additional charges will be required for priority or orders outside the US. Lincoln Memorial University hardcover
1867118<b>Large thick 4to. Pp 2 XXX 930 with a portrait of Lincoln as a frontis. Contemp. half black morocco raised bands black title label gilt lettered spine brown cloth bds. Marbled edges and eps text slightly toned. An excellent copy. A thick volume of tributes from around the world to the late Abraham Lincoln.</b> Government Printing Office hardcover
201466226Norwalk Connecticut: Easton Press 2014. Centinnial Edition. Full Leather. As New. 23.5 x 16 cm. Octavo. Illustrated with photogravure frontispieces. 8 volume set bound in brown leather. Black spine labels. Gilt design lettering and foredcges. 5 raised bands. Still in original shrink wrap. Deluxe edition limit to 800 sets. Interior is a facsimile of the P. F. Collier 1906 edition. Volume One: 1832-1843<br /> Volume Two: 1843-1858<br /> Volume Three: The Lincoln-Douglas Debates I <br /> Volume Four: The Lincoln-Douglas Debates II<br /> Volume Five: 1858-1862<br /> Volume Six: 1862-1863<br /> Volume Seven: 1863-1865<br /> Volume Eight: The Life of Lincoln. Easton Press unknown
18331359902Burlington: For the Author 1833. Softcover. Octavo 2 3-18 9 xvi 11-76 pages. In Good condition. Bound in paper wraps. Covers show some discoloration and small tears. Text block slightly discolored with extensive foxing and age toning to pages. Ink inscription on cover reads: "To Dr. Mupey with the Respects of the Author". Ex-library copy with usual markings including embossed institutional stamps to several pages and call numbers written in pencil and ink. <br /> Scattered minor ink marginalia and corrections throughout. MF consignment. 1359902. Special Collections. For the Author unknown
1860022564Columbus: Follett Foster. Original brown stamped cloth. First Edition Later Issue. Two leaves of Follett ads rule over publishers imprint on copyright page numeral 2 at bottom of page 13. Debates about whether slavery should be permitted in new states. The publicity from these debates made Lincoln a national figure. Previous owners names in pencil and ink foxing Good. . Good. Hardcover. 1st Edition. 1860. Follett, Foster hardcover
200110929VB2001. 1st ed. SAGE Publications Ltd 2001. 17 x 25 cm. 1580 pages. Hardcover. Versand aus Deutschland / We dispatch from Germany via Air Mail. Einband bestoßen daher Mängelexemplar gestempelt sonst sehr guter Zustand. Imperfect copy due to slightly bumped cover apart from this in very good condition. Stamped. hardcover
167936272For James Collins:: WALTER KETTIBLY:: HIS MAJESTY'S PRINTERS. Very Good with no dust jacket. 1679. Hardcover. POPERY OR THE PRICIPLES AND POSTIONS APPROVED BY THE CHURCH OF ROME WHEN REALLY BELIEVED AND PRACTISED ARE DANGEROUS TO ALL.By T. Ld Bishop of Lincoln. London: Printed by J. C. And Fr. Collins for James Collins in the Temple-passage from Essex-street. MDCLXXIX. Multiple editions in 1679. This has publication statement as above. Authored by Thomas Barlow. Wing B841. ESTC R13656. 4 224 pp. Collation: Imprimatur title B-P8 in 8s. Margin occasionally narrow affecting signing/catchword of a few pages near end of Popery. THE GUNPOWDER-TREASON WITH A DISCOURSE OF THE MANNER OF ITS DICOVERY HORRID CONSPIRATORS.EXAMINATIONS TRYALS AND CONDEMNATION.London Printed by Tho. Newcomb and h. Hills and are to be Sold by Walter Kettilby 1679. Wing B833. ESTC R17295. 4 58 2 263 1 pp. Coll. : cancel imprimatur leaf title leaf A3-D8 A-D8 f-f4 F-R8 in 8s except for the 4-leaf signature f. Leaf D8 is the title leaf of the 3rd work in the volume: KING JAMES HIS SPEECH TO BOTH HOUSES OF PARLIAMENT ON THE OCCASION OF GUNPOWDER-TREASON London Re-printed by His Majestys Printers. M. DC. LXXIX. Gunpowder-Treason is from the same setting of type as the edition where the last numbered page is 191. ESTC R209136. Wing B833. Chip to margin of pp25-26 of King James His Speech. The above 3 titles are bound as a single volume contemp leather scuffed few weak points in bdg corners rounded modern notations to fep. Slight foxing texts very good. Guy Fawkes . For James Collins:: WALTER KETTIBLY:: HIS MAJESTY'S PRINTERS hardcover
553031 vols. 9 x 6 inches framed to 17 x 14-1/2. Two chips lightly scratched. Glued in wood frame. 1 vols. 9 x 6 inches framed to 17 x 14-1/2. unknown
1866238120Washington D.C.: John H. Littlefield; Wm. Terry Printer 1866. Photograph by John Goldin of Littlefield's painting on printed mount. 1 vols. Image 11 1/2 x 18 3/4 in.; mounted to 19 x 24 in. Soiling to image vertical crease large chips to bottom of mount not affecting image or legend; good. Photograph by John Goldin of Littlefield's painting on printed mount. 1 vols. Image 11 1/2 x 18 3/4 in.; mounted to 19 x 24 in. A published photograph of Littlefield's hyper-realistic Lincoln death-bed painting each figure meticulously rendered from photographs. Littlefield studied law under Lincoln in 1858 stumped for him in his Presidential bid and was rewarded with a position in the Treasury Department. After Lincoln's death Littlefield invented this tableau of twenty-five people ranged around the death-bed including Vice-President Johnson Surgeon Chalres Leale and Mrs. Lincoln. "The artist used photographs as models for the twenty-five people gathered in the death room but his profile of the dying Lincoln shows a first-hand acquaintance" Ostendorf LINCOLN'S PHOTOGRAPHS p. 279. Provenance: Harper Family John H. Littlefield; Wm. Terry, Printer unknown
1866238011Washington D.C.: John H. Littlefield; Wm. Terry Printer 1866. Photograph by John Goldin of Littlefield's painting on printed mount. Image 8 1/2 x 13 3/4 in.; mounted to 13 x 17 in. Faint toning to mount; fine. Photograph by John Goldin of Littlefield's painting on printed mount. Image 8 1/2 x 13 3/4 in.; mounted to 13 x 17 in. A published photograph of Littlefield's hyper-realistic Lincoln death-bed painting each figure meticulously rendered from photographs. <br /> Littlefield studied law under Lincoln in 1858 stumped for him in his Presidential bid and was rewarded with a position in the Treasury Department. After Lincoln's death Littlefield invented this tableau of twenty-five people ranged around the death-bed including Vice-President Johnson Surgeon Charles Leale and Mrs. Lincoln.<br /> "The artist used photographs as models for the twenty-five people gathered in the death room but his profile of the dying Lincoln shows a first-hand acquaintance" Ostendorf LINCOLN'S PHOTOGRAPHS p. 279. John H. Littlefield; Wm. Terry, Printer unknown
1905327084Chicago: Illinois Central Railroad Company 1905. 200 copies this is one of Fourteen Copies Printer's Edition By Permission #6. illustrated throughout with photogravures of Lincoln documents in the ICRC collection. 4to. Full pebbled limp pebbled black morocco with gilt stamping on upper cover "Compliments of the Illinois Central Railroad Company." Laid into full orange cloth dropbox with gilt stamp "Collection of Foreman M. Lebold. 200 copies this is one of Fourteen Copies Printer's Edition By Permission #6. illustrated throughout with photogravures of Lincoln documents in the ICRC collection. 4to. Provenance: Lou F. English this copy presented by Walter J. Gunthorp to Lou F. English.; Foreman M. Lebold lettering to clamshell box Illinois Central Railroad Company unknown
194198734Cambridge MA: Harvard University Press 1941. 1941. Very good. - Quarto 10 inches high by 7 inches wide. Hardcover bound in tan buckram titled in brown within brown decorative borders on the front cover. The titling on the spine is faded. xvii 3 pages 1-76 illustrated with a frontispiece and profuse photographic illustrations as well as a portfolio of 11 plates at the end of the book which includes photographs by MacVeagh. There is some minor foxing to the endpapers and pastedowns and the edges of the pastedowns are soiled. Near fine. <p>The RARE FIRST EDITION from the library of the book's Dedicatee "The Honorable Lincoln MacVeagh".<p>The prospectus "The Lion of Amphipolis - A Plea for its Reconstruction" by Lincoln MacVeagh is a 10 by 7-1/2 inch 4-page pamphlet with a 1934 photograph of the fragments of the lion laid in. It was published in Athens in 1934. ".recently during the progress of the great work in connection with the drainage of the Serres Plain and the deepening of the Amphipolis Gorge the engineers of the Monks-Ulen Company of New York became impressed with the majesty and immensity of the all-but-buried and half-forgotten fragments of the Lion of Amphipolis. Enthusiastically they brought the idea of its reconstruction to me. I visited the site; and the plan herein set forth in which it is my hope that a sufficient number of lovers of Greece and of Greek Art will join was born."<p>The lecture by MacVeagh "The Lion of Amphipolis" was delivered to The French School of Archaeology at Athens in 1937. It is a 10 by 7-1/4 inch 12-page pamphlet illustrated with 4 photographs and 2 maps showing the location of Amphipolis. The lecture is for the most part an account of the restoration work to date. "While the collaboration of the French and American Schools was thus producing unexpected results the Greek authorities were also helping and besides giving the whole enterprise their blessing kindly accorded the schools the collaboration of Mr. Panayiotakis of the National Museum. This able sculptor spent weeks at Amphipolis again thanks to the Monks-Ulen Companies which lent their camp and collected the necessary workmen and tools for his operations. With great effort and patience far from the conveniences of the city Mr. Panayiotakis successfully carried through the task of making moulds some of them of truly gigantic size of all the existing fragments of the Lion. From these he made casts on the spot and again with the help of the engineers fitted these together under an enormous shed and provided in plaster the missing pieces to complete the whole figure. This year it is planned to put the actual fragments themselves together and make the missing parts out of marble cement of a color agreeable to the rest."<p>From the library of Lincoln MacVeagh and his wife Margaret with their "Arcades Ambo" bookplate on the front paste down. Lincoln MacVeagh 1890-1972 a Renaissance man graduated from Harvard magna cum laude in 1913. He went on to study languages at the Sorbonne and became fluent in German French Spanish Latin Greek and Classical Greek. After World War I he became a director of the Henry Holt and Company publishing firm where he became friendly with the poet Robert Frost. In 1923 he left the firm and founded the Dial Press. His name appears on the imprint of many of their publications. In 1933 President Roosevelt appointed him Minister to Greece. He followed presentation of his credentials with a speech in Classical Greek. While in Greece he conducted excavations beneath the Acropolis and made archeological contributions to the National Museum in Athens. He left Greece in 1941 when the German army over ran the country. From there he was appointed the first US Minister to Iceland where he negotiated agreements for the construction of the Keflavik airfield. In late 1942 he became Minister to the Union of South Africa and coordinated American wartime agencies there. In 1943 he was sent to Cairo as Ambassador so that he could assist the governments in exile of Greece and Yugoslavia. He returned to Athens as Ambassador in 1944. MacVeagh gave secret testimony before Congress concerning the Balkans in 1947 testimony that was an important factor in the formation of the Truman Doctrine. In 1948 as Ambassador to Portugal MacVeagh was influential in admitting her into NATO. In 1952 President Truman named him Ambassador to Spain. President Truman wrote to him on March 9 1948: "On the occasion of your appointment as Ambassador to Portugal I would like to make some personal expression of appreciation for the high services you have already rendered your country. During the past fifteen critical years you have served with distinction as Chief of the United states Missions to Iceland the Union of South Africa Yugoslavia and Greece. In this last post especially - as Minister from 1933 to 1941 and as Ambassador since 1943 - your scholarly statesmanship and diplomatic judgment have been of the utmost value." Cambridge, MA: Harvard University Press, 1941. hardcover
186511541New York: Athenaeum Club 1865. FIRST EDITION. With engraved frontispiece portrait. Original printed purple wrappers housed in a quarter-calf portfolio rear joint splitting; chipping and soiling to wrappers with some splitting at the folds still a very good copy of this large fragile item. First edition number 46 of 50 large paper copies. Monaghan 379. [Athenaeum Club] unknown
188212416Norwich Conn.: Henry Bill Publishing Co. 1882. FIRST EDITION. Illustrated with steel engravings. Publisher's full black roan with gilt embossed vignette on front cover and title in gilt on front cover and spine extremities rubbed rear joint starting spine frayed; front fly leaf torn three inches at gutter. Ownership inscription to fly-leaf. Overall a very good copy of this scarce and fragile book. First edition of each work extremely rare in the original issue together. Each is a fine biography of the respective president. Monaghan 991. Henry Bill Publishing Co. unknown
1865136231865. Lincoln Abraham. Late Civil War portrait of Abraham Lincoln derived from a February 1865 photograph taken during the final months of the American Civil War. The image records Lincoln near the conclusion of the conflict that preserved the Union and ended legal slavery in the United States. Created shortly before his assassination in April 1865 the portrait captures a visibly worn president whose appearance reflected the physical and political strain of leading the nation through four years of war. The photograph was long attributed to Mathew Brady but was actually taken by government photographer Lewis Emory Walker and issued commercially through the New York photographic publishers E. & H. T. Anthony. The portrait belongs to a group of late images that document Lincoln's appearance in the closing weeks of the war.<br /> <br /> Stereoview photograph published by Keystone View Company reproducing the 1865 Walker portrait of Abraham Lincoln. Keystone stereograph number 92. The mount bears the Keystone biographical text about Lincoln on the verso together with the company's copyright notice. A handwritten pencil notation on the reverse references the earlier attribution of the photograph to Mathew Brady. The portrait shows Lincoln with closely cut hair a style that contemporary accounts suggested was recommended by his barber in preparation for the creation of a life mask by sculptor Clark Mills.<br /> <br /> Photographic portraits of Lincoln produced during the final months of the Civil War became some of the most widely circulated visual representations of the president after his assassination in April 1865. Images such as this stereographic reproduction contributed to the creation of Lincoln's public memory in the late nineteenth century when photographic publishers issued stereographs and other prints that allowed Americans to view notable figures through emerging visual media. Stereographs played an important role in popular visual culture during this period offering audiences three dimensional photographic views through stereoscopic viewers and distributing portraits of political leaders to a wide national audience. Light wear consistent with age and handling. Overall condition good to very good. unknown
1863182911863. Maine Farmer. January 8 1863 prints the full text of Abraham Lincoln's Emancipation Proclamation within one week of its issuance providing contemporaneous evidence of how federal emancipation policy was circulated to the Northern public during the Civil War. Published just days after January 1 1863 the issue situates emancipation alongside ongoing war reporting integrating the declaration of freedom for enslaved people in Confederate states into the broader military and political narrative of the Union war effort. Introduced under the subheading "The following is the text of the President emancipating the slaves in the rebellious states" the proclamation asserts federal authority through wartime powers declaring that "all persons held as slaves within said designated States and parts of States are and henceforward shall be free" and further authorizes the enlistment of Black men into the armed forces. The proximity of this text to battlefield reports and personal correspondence underscores the immediacy with which emancipation entered public discourse as both military strategy and social transformation.<br /> <br /> Maine Farmer. Vol. not stated. Maine January 8 1863. 4 pages. Newspaper format. The Emancipation Proclamation appears in full on the second page accompanied by additional Civil War coverage including reports of troop movements battle outcomes and casualties. On the same page a letter from a Union soldier of the 16th Maine Regiment written at the Battle of Fredericksburg reads in part: "Dear Father I write you while lying on the battlefield wounded perhaps fatally. Tell mother I think of her while lying here and wish I had her to be with me in my last parting moments." An editorial note explains that the letter was written in pencil on the battlefield the paper "tinged with blood" and that the soldier died the following day linking the proclamation directly to the lived experience of wartime sacrifice.<br /> <br /> Issued at a turning point in the Civil War the publication captures the intersection of emancipation policy military necessity and public communication in the Union states. The inclusion of both the proclamation and firsthand testimony from the battlefield demonstrates how questions of slavery citizenship and national survival were experienced simultaneously at the level of policy and individual life. Newspapers such as this served as primary vehicles through which federal decisions reached civilian audiences shaping understanding of the war's aims and consequences. Small edge tears and light foxing present not affecting text. Overall very good. unknown
1964206474New York/Tokyo: New Directions/John Weatherhill 1964. First Edition. Just about fine in a lightly used dust jacket. Square 8vo 179pp; cloth-backed boards. Inscribed and signed by Kirstein on the first blank dated 1965 and with a brief typed letter signed by Kirstein also inserted. New Directions/John Weatherhill unknown
18653116807Very Good with no dust jacket. 1865. First Edition; First Printing. Hardcover. First edition. Very good copy in maroon cloth with gilt titles and top edge without dust jacket as issued. Edges of cloth faintly foxed. Top edge lightly dulled. Previous owner's name inked on first blank with discreet blind-stamp. Short splits at top & bottom edge of front & rear hinges. 4pps of advertisements at rear of text. Published a month after Lincoln's assassination. ; 8vo 8" - 9" tall; 186 pages . hardcover
193532789London: Cresset Press. 1935. First Edition; First Printing. Hardcover. Blue boards with gold printing bright with light wear top and bottom edges pages slightly browned in very good price clipped generally sunned dust jacket with one inch tear and fold on rear panel and chips on spine one removing the word "to" from the title. There is also a price tag 1 1/2" x 1 3/4" on the spine; "offered at 7'6". Still a very scarce dust jacket and looks better than it sounds. This was Lincoln's approved PhD thesis for the degree of Doctor of Philosophy in the University of London. The introduction is by CG Seligman. ; 8vo 8" - 9" tall; 358 pp . Cresset Press hardcover
196514844Richmond: Rockwell for Governor Campaign 1965. In March 1965 American Nazi Party founder George Lincoln Rockwell announced that he would run for Governor of Virginia in November of that year. If elected governor Rockwell promised to throw Martin Luther King Jr. in jail institute a "fire-your-nigger" plan fight for "nonextradition of white criminals who flee from 'nigger loving' states; establish a race research laboratory through which anthropologists could publish honest statistics on Negro inferiority; and file tax suits against the federal government for using Virginia tax money to support 'lazy criminal niggers and foreign niggers in Africa'" Schmaltz p. 280. The party which was based in Arlington rented a small storefront in Richmond at 22 N. Seventh St. as campaign headquarters for the White Majority Party. Despite many party rallies and the distribution of thousands of pieces of campaign literature for which the party could hardly afford Rockwell only garnered 1% of the overall vote. <br /> <br /> This heavily illustrated publication was one of a number of campaign items published by Rockwell and unfolds to a poster that features an illustration of white Democrats and Republicans coming together as the United White Vote for Rockwell. Underneath the image is an article on how Rockwell plans to "smash Federal and Negro tyranny in Virginia!" The other side includes four panels showing through cartoons and other illustrations how current governor J. Lindsey Almond has failed to stop integration how race-mixing has developed in Virginia and Rockwell's program. <br /> <br /> The poster side is printed in black and orange and measures 22" x 17"; the other side is printed in black only. Small smudge to back panel else a fine copy of an extremely scarce ANP/Rockwell item. Only two copies in WorldCat at Michigan State and Brown; noticeably absent from Virginia institutions. Rockwell for Governor Campaign unknown
1987211766Chadds Ford PA and Boston MA: Brandywine River Museum New York Graphic Society and Little Brown and Company 1987. First edition and first printing. Oblong hardcover. 209 pp<br /> Published in conjunction a traveling exhibition. Features essays by James H. Duff Andrew Wyeth Thomas Hoving and Lincoln Kirstein. Includes 130 color and 54 black and white illustrations bibliography checklist and an index. A very good plus copy in brown cloth boards with some slight foxing and in a very good plus dust jacket with some foxing to the verso and some laid in related ephemera. Signed and inscribed by both Andrew and James Wyeth. A very nice copy as the recipient was involved in the production of the book as reference in both inscriptions. Brandywine River Museum, New York Graphic Society, and Little, Brown and Company unknown
2008x-0813926068Univ of Virginia Pr 2008. Hardcover. New. annotated edition edition. 2328 pages. 6.75x9.50x6.00 inches. Univ of Virginia Pr hardcover
