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3486708953.Gperfect. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. unknown
201157521Vandenhoeck & Ruprecht 2011. 1st. hardcover. New. 102x19x148. Vandenhoeck & Ruprecht hardcover
2023x-366266500XSpringer Nature 2023. Paperback. New. 2nd edition. 363 pages. German language. 10.00x7.01x0.76 inches. Springer Nature paperback
2015__3486708953Oldenbourg 2015. Paperback. New. 208 pages. German language. 9.44x6.69x0.73 inches. Oldenbourg paperback
3838680855.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
ria9783838680859_inpPaperback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; N/A paperback
1300519Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 19th century 1825. Professionally printed on premium fine-art paper Photo Rag Bright White premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
1300520Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 19th century 1825. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
1300518Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 19th century 1825. Professionally printed on premium fine-art paper Photo Matt Fibre in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
1300517Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 19th century 1825. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
BN299491Wirksames Projektmanagement <br/><br/>Wirksames Projektmanagement Roman Stöger unknown
0071382127.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
334792519X.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
19934791New York: G.P. Putnam's Sons 1993. First Edition First Printing. Hardcover. Near Fine/Near Fine. 6 1/4 X 9 1/4 Inches. 336 PP. First printing with complete number line to the "1" on the copyright page. Original price of $21.95 intact on front flap. Signed by Sandford on the title-page. Sandford has also made a hand correction to the text on page five. He initialed in the margin. G.P. Putnam's Sons hardcover
198029016New York:: Harcourt Brace Jovanovich 1980. First Printing of the First US Edition. A Fine crisp copy in a Near Fine clipped dust jacket. This copy is signed with a non-personalized inscription that reads: "Best wishes through all the seasons of life." In this his second book Doig shares the life of another: James Gilchrist Swan 1816-1900 a Boston-born drifter with frontier talents and a gifted diarist of the late-19th-century Northwest. And while part of Doig's mission here is simply to introduce us to Swan-the-diarist he is also determined to share his own feelings as the ""Winter Brother"" who discovers Swan and is somehow held by him sharing Swan's westward urgings. Doig sifts through the 40-plus volumes of Swan's writings--a record from the 1850s on of the transformation of the Puget Sound region--and sees Swan's life in irregular counterpoint to his own. Swan's experiences include stints as oyster entrepreneur Indian schoolmaster customs inspector Smithsonian correspondent and ethnological registrar. The Indians of Cape Flattery 1870 remains the standard reference on the Makahs; his survey of the Queen Charlotte Islands was also highly esteemed. And there's a darker side to Swan too--bouts of drunkenness excluded from the diaries occasional gloom--and some familiar pioneer spirits ""railroad fever"" among them. Above all how-ever he was a precise untiring recorder often at the heart of the action; and Doig the habituated sojourner here as before readily retraces his steps--in a strange and special historical/literary/personal mosaic. Harcourt Brace Jovanovich, unknown
198025862<p>New York:: Harcourt Brace Jovanovich 1980. First Printing of the First US Edition. A Fine crisp copy in a Fine unclipped dust jacket. In this his second book Doig shares the life of another: James Gilchrist Swan 1816-1900 a Boston-born drifter with frontier talents and a gifted diarist of the late-19th-century Northwest. And while part of Doig's mission here is simply to introduce us to Swan-the-diarist he is also determined to share his own feelings as the ""Winter Brother"" who discovers Swan and is somehow held by him sharing Swan's westward urgings. Doig sifts through the 40-plus volumes of Swan's writings--a record from the 1850s on of the transformation of the Puget Sound region--and sees Swan's life in irregular counterpoint to his own. Swan's experiences include stints as oyster entrepreneur Indian schoolmaster customs inspector Smithsonian correspondent and ethnological registrar. The Indians of Cape Flattery 1870 remains the standard reference on the Makahs; his survey of the Queen Charlotte Islands was also highly esteemed. And there's a darker side to Swan too--bouts of drunkenness excluded from the diaries occasional gloom--and some familiar pioneer spirits ""railroad fever"" among them. Above all how-ever he was a precise untiring recorder often at the heart of the action; and Doig the habituated sojourner here as before readily retraces his steps--in a strange and special historical/literary/personal mosaic.</p> Harcourt Brace Jovanovich, hardcover
201827037<p>Wine Literature . Wine Reads. A Literary Anthology of Wine Writing. Edited by Jay McInerney. New York: Atlantic Monthly Press 2018. First Printing of the First US Edition. A Fine tight copy in a Fine unclipped dust jacket. In this anthology Jay McInerney novelist and wine columnist selects over twenty pieces of memorable fiction and nonfiction about the making selling and of course drinking of fine wine. Including excerpts from novels short fiction memoir and narrative nonfiction Wine Reads features big names in the trade and literary heavyweights alike. We follow Kermit Lynch to the Northern Rhône in a chapter from his classic Adventures on the Wine Route. In an excerpt from Between Meals long-time New Yorker writer A. J. Liebling raises feeding and imbibing on a budget in Paris into something of an art form and discovers a very good rosé from just west of the Rhone. Michael Dibdin's fictional Venetian detective Aurelio Zen gets a lesson in Barolo Barbaresco and Brunello vintages from an eccentric celebrity. </p> Atlantic Monthly Press, hardcover
1999DADAX1565926315Brand: O'Reilly Media 1999-11-01. 1. paperback. New. 7.00x1.25x9.50. Buy with confidence. Excellent Customer Service & Return policy. Brand: O'Reilly Media paperback
1999Q-1565926315O'Reilly Media 1999-11-29. Paperback. New. In shrink wrap. Looks like an interesting title! O'Reilly Media paperback
0981545408.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
19512090202122800628Not Available 1951. Soft Cover. Fine. The book is in fine condition. Not Available paperback
16499Broadleaze near Devizes Wiltshire. 15 September 1886. 2pp. 12mo. In fair condition on aged and lightly-discoloured paper with wear to one corner. Year of writing unclear. The letter suggests a time for a visit by the three men. Regarding Ayre and Stokes he writes 'I can only hope they will not form too high expectations of seeing most wonderful books: but such as they are some few must prove of interest.' He concludes by giving an address to which he will send letters should 'this not reach you'. Broadleaze [near Devizes, Wiltshire. 15 September [1886?] unknown
18160On letterhead of 4 Rutland Square E. Dublin. 26 October 1886. 3pp. 12mo. Bifolium. Aged and lightly-stained wih a few closed tears repaired with archival tape. Addressed to 'A. Harris Esqr. The Shelbourne Hotel Dublin.' He thanks him for sending his article which he had already read 'in the Contemporary with great interest'. He has 'spoken to several persons of influence in connection with our existing educational systems recommending them to read it carefully. If we could only induce our public men to deal with our education question as a question of education and not as a question of politics the solution of many difficult problems would not be as far off as it seems to some now to be.' He concludes by inviting him to visit him while in Dublin as he would be 'very glad to hear something more from you on this subject of such practical importance to us all'. On letterhead of 4 Rutland Square E., Dublin. 26 October 1886. unknown
14750'Bangor Wales Decr. 1886.'. The lecture which is unpublished is an interesting personal statement by a neglected Victorian painter who died tragically young. A rather impressive example of his work in Turneresque style titled 'The Heart of the Hills' is in the Maidstone Museum. The lecture is 30pp. 8vo in a ruled notebook with embossed black wraps. In good condition on aged paper with some wear and discoloration. Ownership inscription of 'W. G. Shrubsole Bangor Decr. 1886' inside the front wrap. The first page is headed 'The Ideal in Art. by W. G. Shrubsole Dec. 1886.' Following the lecture is a later note by Shrubsole stating 'This lecture was delivered at Bangor N. Wales in Dec. 1886 in connection with the Menai Society of Science and Literature. W.G.S.' The text carries a number of deletions and emendations. Shrubsole begins by asking his audience to make allowance for the 'difficulties besetting this treatment' of his 'vast subject' 'owing to the complexity of the various considerations involved which renders brevity the greatest difficulty to be encountered in such an undertaking'. His aim has been 'to direct attention and to induce reflection rather than to be didactic but if I have failed to imbue this discourse with that character - if I appear somewhat dogmatic here and there my apology must be that my dogmatism is the result of earnest conviction that the subject of Art is one on which I feel deeply - one which I have more practical knowledge of than of any other and one to which I have from childhood given the most earnest and unremitting attention endeavoured to grasp the principles of and the relation of those principles to the other emerging streams of knowledge and thought which commingling form and feed the fount of higher life. The vital importance of Art as a tributary to the higher-life is yet to be recognized in this country; the few spasmodic attempts made hitherto have failed to pierce the adamantine husk of ignorance and indifference which enshrouds the subject in the minds of those towards whom we turn in vain'. Loosely inserted in the notebook is a pen drawing on 17.5 x 12.5cm paper titled 'W. E. Bacon Sept 10th. 1880' and signed 'W. G. Shrubsole'. It shows the head and shoulders of a bearded man smoking a pipe in artist's broad-brimmed hat buttoned coat and muffler. On the reverse is a pencil sketch of a street of Tudor buildings. Another loosely-inserted item is a 'Synopsis' 1p. 12mo in Shrubsole's hand under the headings 'Colour faculty comparatively modern' and 'Colour as a physical Science'. A third loosely inserted item is a cutting of a magazine article by Shrubsole under his initials 'W. G. S.' titled 'KITTLES' and concerning his pet cat. 'Bangor [Wales] Decr. 1886.' paperback
369571400X.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
