Massillon J.B.MareMagnum
216 résultats
In Venezia, appresso Simone Occhi, 1769, in-4, legatura in cartone marmorizzato moderno, pp. XII, 160. Margine bianco dell'ultima carta con restauri.
pp. 17-68. Illustrated with diagrams. Uncut and unopened. Mildly XLib. Sm. 4to. Original printed wraps. Very good copy of an important paper. SCIENCE BOX 3
Red cloth cover with gilt titles on the spine. Clear, bright and tight. KC. Used
Red cloth cover with gilt titles on the spine. Clear, bright and tight. KC. Used
Red cloth cover with gilt titles on the spine. Clear, bright and tight. KC. Used
In-8, 317p. Edition originale ordinaire (après 25 ex. de tete num.). Les souvenirs de Bordeaux à l'Académie Française. Quelques passages soulignés au crayon, sinon en parfait état.
303 pp broché, couverture imprimée rempliée 1978, 1978, in-8, 303 pp, broché, couverture imprimée rempliée, Édition originale. Exemplaire enrichi d'un envoi signé de l'auteur à Pierre Bérès. On joint : une page extraite du Monde du 29-30 octobre 1978 comportant le texte-préface de Roger Caillois, ouvrant le catalogue l'exposition Malraux à la Fondation Maeght en 1973. Caillois y discute de la nécessité d'un "Musée imaginaire" et de son assimilation à un "inventaire général". Couverture très légèrement salie
Proceedings, lectures and events. list of participants 12-30th. July 1972. 301p. illus (B & W) [NO copies found in WorldCat] Book
Fine English Paperback. Pbo. Roy. 8vo. (23 x 16 cm). In Turkish. [xLix], 454 p. Resid Rahmeti Arat için.
PARIS, A. CHEVALIER-MARESCQ & Cie - 1898 - Grand In-8 - 1/2 Reliure - dos à ' nerfs - titre doré - Plats & gardes jaspées - 768 pages (complet des procès mentionnés, manque page 129 à 257) - très propre
Montauban, Musée Ingres, 1973. In-8 carré, couverture illustrée , 82 pages ; illustrations en noir et blanc. Catalogue de l'exposition qui eut lieu du 25 mai au 15 septeùmbre 1973 au musée Ingres à Montauban
Exhibition catalogue. Unpaginated. Average wear. Unmarked. High-quality glossy contents in red embossed covers. Black and white illustrations. Solid copy. Book
AIX EN PROVENCE, Académie des sciences, agriculture, arts et belles-lettres d'Aix - sans date (1940) - In-8 - Broché - 36 pages - Très bon exemplaire
44p. Illustrated with photographs. Small 8vo. Original printed wraps. Very nice copy. PA PAMPH 20_13 BX4
(ca. 29,7 x 21 cm). 1 Blatt, beidseitig beschrieben. Original-Schreiben, maschinengeschrieben, mit Briefkopf, Eingangsstempel und handschriftlicher Signatur (in Kopie). Schreiben wurde gefaltet, gut erhalten. Das Schreiben umfasst eineinhalb Seiten und wurde von Arnold Schönberg an den Akademiepräsidenten Max Liebermann gerichtet. Er wurde 1925 in die Funktion eines Professors nach Berlin an die Akademie der Künste berufen. In diesem Schreiben übermittelt Schönberg weitere Informationen zu seiner Berliner Ankunft und zu nötigen Formalien. Zugleich sind finanzielle und familiäre Details in diesem Schreiben notiert. Zuletzt findet auch eine Ehrerbietung gegenüber dem Maler Liebermann Platz im Brief. Der Brief enthält die handschriftliche Signatur des Komponisten und auch zeitgenössische handschriftliche Anmerkungen innerhalb der Berliner Akademie. Das Schreiben liegt als Kopie aus dem einstigen Archiv der Preußischen Akademie der Künste vor.
A classic study of the development of scientific instruments emphasising the mutual dependence of theorist and craftsman. 361 pages. With References, Libraries Archives and Collections, Bibliography, and Index.
ca. 25 x 17,5 cm. 3 S. Original-Broschur mit Deckeltitel. Einbände etwas berieben und fleckig. Mit Anmerkungen auf Deckeln. Mit Eigentumsstempeln und Vermerken auf Titelblatt. Leichte Gebrauchsspuren. Sonst guter Zustand. Weitere Hefte: "Über den Picard'schen Satz und die Borel'schen Ungleichungen", Sitzung der physikalisch-mathematischen Classe vom 27. October, XLII, 1904, 19 S.; "Über diejenigen Potentialfunctionen, deren erste Ableitungen durch Gleichungen verbunden sind", Sitzung der physikalisch-mathematischen Classe vom 18. November, XLVI, 1909, 11152-11157 S. Zum Autor siehe Wikipedia u. Gottwald u.a.417 f.
38 p., ilus., B & W drawings by Helen M. Grose Hardcover Very good condition
ST-BRIEUC, Les Presses Bretonnes -1956 - in-8 - broché - XV & 176 pages + Table - Ex. non coupé, très propre
In-4°, 68pp, (4cc), legatura in pergamena, buone condizioni, titolo manoscritto al dorso, l’illustrazione alla carta A2 contiene l’emblema dell’Accademia degli Umoristi. Qualche brunitura. L’Aleandro, scolaro a Padova di Guido Panciroli, ebbe, precocissimo, fama di buon poeta latino e italiano, e più tardi nomea d'epistolografo principe in latino; partecipò, in difesa del Marino, alla celebre polemica suscitata dallo Stigliani contro L'Adone; fu tra i fondatori e i sostenitori dell'Accademia degli Umoristi; ma va ricordato soprattutto come antiquario per le sue dissertazioni di archeologia applicata al diritto, alla storia del costume e della religione, solo in parte edite. L'Accademia degli Umoristi, insieme all'Accademia dell'Arcadia e alla splendida ma effimera Accademia delle Notti Vaticane fu una delle principali accademie letterarie romane del Seicento. Grazie all'appoggio e alla protezione che poi ottenne da parte del cardinale Francesco Barberini, divenne un'istituzione semi-ufficiale. Aveva sede a Roma ma vantava aspirazioni cosmopolite. Come tutte le accademie dei secoli XV-XVI-XVII, era presieduta (o governata) da un Principe, che organizzava le sedute, indirizzava i lavori, la rappresentava presso altre Accademie o di fronte alle autorità. La carica aveva durata annuale, ma poteva essere reiterata. I Principi dell'Accademia degli Umoristi furono tra i più prestigiosi e innovatori letterati del Seicento: Giovanni Battista Guarini (1611), Alessandro Tassoni (1606-1607), Giovan Battista Marino (1623). Le leggi dell'accademia degli Umoristi consentivano anche una limitata partecipazione femminile. «Feminis primariis ætate et forma prestantibus earumque viris eam frequentandi veniam dabant leges». L'Accademia, come tutte le consorelle, aveva un simbolo o impresa. Essa è più di un'immagine e di un motto: è l'autorappresentazione che l'Accademia offre di se stessa, ne indica l'identità. L'Impresa degli Umoristi nacque per insistenza di Giovanni Battista Guarini (allora Principe dell'Accademia) nel 1611: ci furono numerosissime proposte e infine fu accettata quella che divenne definitiva: una nuvola dalla quale cade pioggia sulle onde del mare e sotto il verso lucreziano «Redit Agmine Dulci» (Ritorna dal campo di battaglia alla dolcezza). Nel 1717 il pontefice Clemente XI volle ripristinarla e ne nominò principe Alessandro Albani, non ancora cardinale. Il tentativo non ebbe però successo e di lì a poco l'Accademia scomparve definitivamente. In-4 °, 68pp, (4cc), vellum binding, good condition, handwritten title on the spine, the illustration on leaf A2 contains the emblem of the Academy of Humorists. Some brownings. Aleandro, a pupil of Guido Panciroli in Padua, had a very early reputation as a good Latin and Italian poet, and later he became the name of the main epistolograph in Latin; in defense of Marino, he took part in the famous controversy raised by Stigliani against L'Adone; he was among the founders and supporters of the Academy of Humorists; but it must be remembered above all as an antiquarian for his dissertations on archeology applied to law, the history of customs and religion, only partially published. The Academy of Humorists, together with the Academy of Arcadia and the splendid but ephemeral Academy of Vatican Nights was one of the main Roman literary academies of the seventeenth century. Thanks to the support and protection that it then obtained from Cardinal Francesco Barberini, it became a semi-official institution. It was based in Rome but boasted cosmopolitan aspirations. Like all the academies of the XV-XVI-XVII centuries, it was chaired (or governed) by a Prince, who organized the sessions, directed the work, represented it in other Academies or before the authorities. The office had an annual duration, but could be repeated. The Princes of the Academy of Humorists were among the most prestigious and innovative writers of the seventeenth century: Giovanni Battista Guarini (1611), Alessandro Tassoni (1606-1607), Giovan Battista Marino (1623). The laws of the Academy of Humorists also allowed for limited female participation. "Feminis primariis ætate et forma prestantibus earumque viris eam frequentandi veniam dabant leges". The Academy, like all its sisters, had a symbol or company. It is more than an image and a motto: it is the self-representation that the Academy offers of itself, it indicates its identity. The Coat of arms of the Academy was born on the insistence of Giovanni Battista Guarini (then Prince of the Academy) in 1611: there were numerous proposals and finally what became definitive was accepted: a cloud from which rain falls on the waves of the sea and below towards Lucretian motto « Redit Agmine Dulci »(Returns from the battlefield to sweetness). In 1717 Pope Clement XI wanted to restore it and appointed Alessandro Albani as prince, not yet a cardinal. However, the attempt was unsuccessful and shortly thereafter the Academy finally disappeared.
New English Paperback. Pbo. Mint. Cr. 8vo. (20 x 14 cm). In Turkish. 231 p. A study on question of energy, defense, and Middle East. Stratejik göstergeler ve degerlendirmeler. Enerji, savunma ve Ortadogu konularinda sorunlar ve gelismeler.
In 8o, pp. da 199 a 202, br., 2 tavv. f.t. Piega al piatto. Ottimo. (2074/ SCIENZE NATURALI - MALACOLOGIA - PONTIFICIA ACADEMIA SCIENTIARUM)
Fine English Paperback. Pbo. Cr. 8vo. (20 x 14 cm). In Turkish. 72 p. 1000 copies were printed. Tarih ve akademi. History and academy.
"An analytical guide to printed texts and calendars relating to English and Welsh history issued in general collections..before the end of March 1957". With Index. xi, 674 pages. Red cloth covers with gilt title on spine and front cover. Crease down spine. This book is extra heavy, and may involve extra shipping charges to some countries
