Raymond PEYNET - Jean ANOUILHBiblio.com
162 résultats
195257330s. l.: Le Bélier 1952. Fine. Le Bélier s. l. 1952 19 x 28.50 cm en feuilles sous chemise et étui Edition illustrated with original designs by Raymond Peynet engraved on wood by T. Schmied one of 200 numbered copies on handmade rag paper. Spine of the chemise discolored and foxing to the boards of the latter. Handsome copy. Le Bélier hardcover
195222454Le Belier. 1952. Softcover. Unbound signatures laid into wraps #56 of 40 numbered copies with an extra suite of illustrations fine. Protected by a custom slipcase. ; 4to 11" - 13" tall . Le Belier paperback
1975BN241804Table ronde 1975. 1975. Softcover. L'ARRESTATION: PIECE EN DEUX PARTIES <br/><br/>L'ARRESTATION: PIECE EN DEUX PARTIES JEAN ANOUILH JEAN Table ronde paperback
2018BN244705MAGNARD 2018. 2018. La Répétition ou l'Amour puni - Classiques et Contemporains <br/><br/>La Répétition ou l'Amour puni - Classiques et Contemporains Jean Anouilh MAGNARD unknown
196186352Paris: La Table Ronde 1961. Fine. La Table Ronde Paris 1961 14.50 x 21 cm broché First edition one of 100 numbered copies on Holland paper the deluxe issue after 15 on Japan paper. A handsome full-margined copy. La Table Ronde unknown
25891Paris La Table Ronde 21 février 1977. 1 vol. 140 x 190 mm de 213 p. et 2 f. Broché à toutes marges. . Édition originale. Un des 17 premiers exemplaires sur japon n° VI. Comédie « farce » tardive elle est l'une de ses pièces les plus noires pour laquelle il convoque Guy Tréjean Michel Lonsdale et Catherine Arditi : « comme presque toujours Anouilh a choisi et dirigé les actrices et les acteurs avec beaucoup d'intelligence et de sensibilité. Si Jean Anouilh manifestait envers ses personnages la mesure la rigueur attentive la justesse de coeur qu'il prodigue à ses comédiens il ferait un théâtre plus attachant. Plus dangereux. » Michel Cournot Le Monde 6 décembre 1976. Paris, La Table Ronde, (21 février) 1977. 1 vol. (140 x 190 mm) de 213 p. et [2] f. Broché, à toutes marges. unknown
25889Paris La Table Ronde 20 octobre 1975. 1 vol. 140 x 190 mm de 206 p. et 2 f. Broché à toutes marges. Édition originale. Un des 17 premiers exemplaires sur japon n° II. Nouvelle pièce du cycle des « secrètes » elle est mise en scène au Théâtre de l'Athénée le 20 septembre 1975. Derrière le vernis d'énigme policière Anouilh met en abîme le théâtre de l'aveu et de la manipulation. « L'Arrestation ressemble à un patchwork de ses pièces précédentes : Le Voyageur sans bagages l'Orchestre Leocadia etc. On y retrouve ses personnages favoris son mépris fasciné pour la laideur et la vulgarité des bourgeois et des paumés son regret de la pureté de l'avant-péché de vieillesse. L'Arrestation c'est la revanche imaginaire de l'enfant qui tuerait les adultes au lieu de se laisser tuer par eux. » Le Monde 19 septembre 1975. Paris, La Table Ronde (20 octobre) 1975. 1 vol. (140 x 190 mm) de 206 p. et [2] f. Broché, à toutes marges. unknown
25890Paris La Table Ronde 20 septembre 1976. 1 vol. 140 x 190 mm de 206 p. et 2 f. Broché à toutes marges. Édition originale. Un des 17 premiers exemplaires sur japon n° X. Pièce des « secrètes » le décor du Scénario se passe en août 1939 dans une auberge de la forêt de Fontainebleau où deux cinéastes - interprétés par Jean Barney et Daniel Gélin - bricolent un film pendant qu'Hitler vocifère à la radio : Anouilh y fait une mise en abîme féroce du spectacle et de la manipulation où les deux auteurs croient conduire l'action alors que « le seul scénario prêt à être tourné c'est la guerre ». C'est l'une des premières pièces où apparaît Sabine Azéma qui débute au cinéma la même année. Paris, La Table Ronde, (20 septembre) 1976. 1 vol. (140 x 190 mm) de 206 p. et [2] f. Broché, à toutes marges. unknown
194876671Paris: La Table Ronde 1948. Fine. La Table Ronde Paris 1948 14.50 x 19.50 cm broché First edition one of 112 numbered copies on pur fil Johannot paper deluxe copies. Cover and illustrations by André Barsacq. Spine very slightly sunned small lack at foot of spine handsome interior condition. La Table Ronde unknown
196035984Paris: Les Editions de la Table Ronde 1960. 1960. Very good. INSCRIBED AND SIGNED BY JEAN ANOUILH - Octavo off-white cloth titled between raised bands on the spine with a vignette color portrait of a French army officer on the front cover. With a cream silk bookmark. The corners of the covers are very lightly creased & there is a stain to the tail of the spine. 371 pages plus a 3-page colophon. Very good. <p>First trade edition and first publication of "La Foire d'Empoigne".<p>Inscribed in French and signed in full by the playwright on the half-title: "Pour Honoria Plesch pour la nouvelle annee pour une amitie nouvelle et pour le progres du francais.amicalement / Jean Anouilh / 1er janvier 61".<p>Jean Anouilh 1910-1987 was a French playwright whose career spanned five decades. Though his work ranged from high drama to absurdist farce he is best known for his 1943 adaptation of Sophocles' "Antigone". The play was seen as an attack on Marshal Petain's Vichy government. Anouilh was one of France's most prolific writers in the postwar period. Much of his work addresses themes of maintaining integrity in a world of moral compromise.<p>Costume designer Honoria Plesch 1919-1990 was born in Berlin. In 1933 together with her brother Peter and her family she left Germany and emigrated to England. Her most important professional assignment was as costume designer for the 1947 film "Brighton Rock" starring Richard Attenborough. Plesch was apparently Anouilh's neighbor for a time in Switzerland.<p>The text is in French. Paris: Les Editions de la Table Ronde, 1960. hardcover
1950589518London: Methuen & Co. Ltd 1950. Hardcover. Near Fine/Very Good. First English edition. Translated by Christopher Fry. Near fine in very good dust jacket with a few small flaws. Signed by Fry on the title page. Scarce thus. Methuen & Co. Ltd hardcover
196080192s. l. 1960. Fine. s. l. s. d. circa 1960 14 x 27 cm une feuille Autograph letter signed by Jean Anouilh addressed to the Provençal writer caricaturist and filmmaker Carlo Rim who was notably the friend of Fernandel Raimu and Marcel Pagnol but also of André Salmon and Max Jacob 22 lines in blue ink. ""Dear Carlo Rim I am leaving Paris without having managed to telephone you. I am going to ask you a small thing that would give me great pleasure. I have an old friend daughter of an even older friend Odette Talazac whom you knew. Georgette Talazac who is the ex-wife of Jonatte from the Opera is in trouble. She is stout comical shrewd 45 years old. I help her get extra work when I can she can speak but prefers to appear several times without speaking rather than say one line and disappear. Try to give her extra work with you you would oblige me greatly. Thank you in advance. Yours sympathetically while awaiting another legion of men that will succeed for us! Jean Anouilh. Georgette Talazac 13 bd Malsherbes sic Paris."" unknown
25893Paris La Table Ronde 10 septembre 1981. 1 vol. 140 x 190 mm de 204 pp. et 4 ff. Broché à toutes marges. Édition originale. Un des 17 premiers exemplaires sur japon n° III. La pièce est créée à Paris au Théâtre de l'Atelier 22 septembre 1981 mise en scène Jean Anouilh & Roland Piétri : une « comédie noire » autoportrait féroce d'un écrivain assiégé par les siens et où Anouilh décape les hypocrisies familiales. Un rôle sur mesure pour Bernard Blier qui occupe le rôle principal lequel « Massif poignant sans le moindre pathos compose son personnage avec des grands traits et de fines hachures aiguës méchantes l'habille d'ironie et d'émotion » Le Monde 29 septembre 1981. Paris, La Table Ronde (10 septembre) 1981. 1 vol. (140 x 190 mm) de 204 pp. et [4] ff. Broché, à toutes marges. unknown
25892Paris La Table Ronde 25 août 1975. 1 vol. 140 x 190 mm de 170 p. et 6 f. Broché à toutes marges. Édition originale. Un des 17 premiers exemplaires sur japon n° VI. Courte pièce courte écrite pour le café-théâtre qui n'appelle que quatre rôles elle est mise en scène par Nicole Anouil au café-théâtre des Halles Le Fanal le 29 octobre 1974. C'est une parabole sèche sur la puissance sans amour et l'aveu tardif d'un noir grinçant : un magnat de l'import-export d'un cynisme total se confesse et meurt dans un fauteuil de coiffeur face à une manucure à qui il entend confier ses derniers mots. « La jeune payse de ferme montée à Paris ne flatte pas Mr. Barnett ne dissimule pas son dégoût mais fait la part des choses avec tact et franchise. Merveilleusement jouée par Christine Murillo cette scène laisse rêveur sur la carrière de Jean Anouilh. Pourquoi n'a-t-il pas toujours eu cette saisie complète subtile de ce qui se passe entre les personnes » Le Monde 16 novembre 1974. Paris, La Table Ronde (25 août) 1975. 1 vol. (140 x 190 mm) de 170 p. et [6] f. Broché, à toutes marges. unknown
195371174Paris: La Table Ronde 1953. Fine. La Table Ronde Paris 1953 14.50 x 19.50 cm broché First edition one of 180 numbered copies on Crèvecoeur laid paper deluxe issue. Fine copy. La Table Ronde unknown
015015France Book. Framed. Signed by Authors. Framed photo and undated personal letter to Cher Rene Lagarde by this respected French dramatist. Frame measures approx. 14" by 18". Paperback
1938137449Paris: Editions Georges Marton 1938. Original carbon typescript for the 1938 play in agency wrappers. The play debuted at the Theatre des Mathurins in Paris on January 11 1938 and ran for 100 performances. First published in the collection "Pieces noires" Calmann-Levy 1942 and published in English as "Restless Heart" Methuen 1957. <br /> <br /> Beige agency wrappers 108 leaves with last page of text numbered 105. Carbon typescript. Pages Fine wrapper Very Good bound internally with two gold brads. Editions Georges Marton unknown
195674680New York: Random House 1956. First Edition. Hardcover. Near fine/Near fine. Inscribed by Lillian Hellman on the front flyleaf. An English-language adaption of Jean Anouilh's play L'Alouette 1952 based on the trial of Joan of Arc called The Lark. Leonard Bernstein composed incidental music for the first production which opened on Broadway on November 17 1955. Octavo. Original cloth binding with a photographic illustration inset on the front panel and black and gilt stamping. A near fine copy in a near fine dust jacket with just a hint of edgewear. Random House hardcover
54974London: Methuen and Co. 1950. First edition. Signed by cast members of the first UK production. 12mo. pp.104. A couple of very tiny marks to pp.26-7. Blue cloth gilt title to spine. Head and tail of spine very slightly rubbed gilt a little faded very good indeed. Dust jacket mostly white and so showing a few smudgy marks spine faded and a little chipped at head and tail very good overall. Signed on the cast list by seven of the cast members from the play's first London performance which took place at the Globe Theatre on January 26th 1950. They include Margaret Rutherford Paul Schofield and Claire Bloom. Christopher Fry's 1950 adaptation of Jean Anouilh's satirical play L'Invitation au château. The original French play was first performed on 5th November 1947 at the Théâtre de l'Atelier Paris directed by Peter Brook. 1950 saw productions of Fry's adaptation in London and on Broadway the latter starring Denholm Elliott in his Broadway debut. London: Methuen and Co., 1950. hardcover
26889'Property of: Owen Edwards 112 Fitzjohns Avenue London NW3' Written before 1956 when Marsh moved from 112 Fitzjohns Avenue to Tanza Road. Typescript 242pp. 4to brown paper wraps damage to top of spine but no loss label on front with author "Owen Edwards" and title. A semi-autobiographical novel based on Marsh's experiences during the Second World War in the London Ambulance Service. Initially a "Notice" "The characters in this book are fictitious. Some of the incidents are naturally based on real happenings during the war but they are none of them wholly accurate.". The novel starts with the hero Lang joining the Service. Subjects include: the work environment and fellow-workers; routine work on the Station; shifts; London background; women workers even a "girl driver" ; state of repair of the ambulances; a German colleague; a Welsh colleague; bridge and solo; transporting wounded American soldiers from St Pancras Station; billiards; bedding arrangements inc. "peephole to the girls' room"; the canteen inc. personnel; a communist; inter-station contests first-aid etc; "auxiliaries who cracked up in the raids"; incidents during Blitz; practice and lectures; a "biting" lady instructor; hero wrote first aid based doggerel examples given inc. "The Ballad of the Bones by A. Bonypart" p.99; .; "Occurrence Book"; etc. etc. A comprehensive portrait of the ambulance service and its personnel after the Blitz although Marsh is said to have served during the Blitz.Box 41 'Property of: Owen Edwards, 112 Fitzjohns Avenue, London, NW3' [Written before 1956 when Marsh moved from 112 Fitzjohns Avenue t paperback
194538425Paris: Artra / Comédie des Champs-Elysées 1945. Guy-Charles Revol. FIRST AND ONLY EDITION of this lavish souvenir program commemorating Monelle Valentin's first performance as Thérèse in Jean Anouilh's "La sauvage". 16 pp. Valentin 1905-1979 was a noted actress and the mother of Anouilh's daughter Catherine 1934-1989 herself an actress. EDITION LIMITED TO ONLY 30 NUMBERED COPIES ALL BEAUTIFULLY PRINTED IN TWO COLORS ON FINE LANA WOVE PAPER. With five fine plates four of which are colored by hand depicting Valentin. WITH AN AFFECTIONATE SIGNED INSCRIPTION FROM VALENTIN TO BIBLIOPHILE RAOUL MORLIER for whom this copy was printed originally someone else's name was printed as the recipient of this copy but Valentin blacked that name out and wrote in Moulier's assuring him in the description that the other name was a mistake. Folio. Contents loose as issued in a wrapper made of very thick handmade paper with an embossed portrait of Valentin on the cover and a board folder with a window designed to reveal the embossed portrait. Contents FINE AND BRIGHT; wrapper with a dampstain visible mainly from the back; board folder a bit worn and discolored. ONE OF THE RAREST OF ALL ANOUILH ITEMS: NO COPIES RECORDED IN WORLDCAT. <br/><br/> Artra / Comédie des Champs-Elysées unknown
194986353Paris: La Table Ronde 1949. Fine. La Table Ronde Paris 1949 12 x 19 cm broché First edition one of 87 numbered copies on handmade paper the only deluxe copies. Spine and covers very lightly faded otherwise handsome copy. La Table Ronde unknown
196083376Chesières-sur-Ollon Chesières-sur-Ollon 1960. Fine. Chesières-sur-Ollon Chesières-sur-Ollon s. d. circa 1960 21 x 29.50 cm une feuille Autograph letter signed by Jean Anouilh addressed to the Provençal writer caricaturist and filmmaker Carlo Rim who was notably the friend of Fernandel Raimu and Marcel Pagnol but also of André Salmon and Max Jacob 37 lines in blue ink from his chalet in Chesières-sur-Ollon in Switzerland. Two letters and one word having smudged: the ""C"" of dear Carlo Rim the ""L'"" of the intermission and just above the word ""avec"" Jean Anouilh warmly thanks Carlo Rim who intervened in favor of his son-in-law Alain Tesler so that he would join the staff of the Marseillais filmmaker. He nevertheless recommends not to spare him a way for Jean Anouilh to exorcise his thorny role as father-in-law: ""Les Ecovets Chesières-sur-Ollon Dear Carlo Rim thank you for your kindness. I am sure that you will be pleased with him and the best service you can render him him and me is to keep him busy hard word underlined. It's because of the ""loafer"" side of second assistant directors that I advised him against this phantom position he has already occupied. He illegible word well to direct but I maintain that it's as if one wanted to become a pretty woman and be kept and it's me who pushes him toward production with the worried feeling for the future of a Labiche father-in-law which I took on with a jacket on the wedding day. Dear Carlo Rim if you have a daughter make her a nun the role of father-in-law makes one stupid. Most affectionately yours. Thanks again and see you soon I'm struggling here with a damn play and don't dare return before the intermission for fear of being cut off forever. We will fictitiously decorate Barsacq. Jean Anouilh."" unknown
195664884E-181: Random House. Very Good in Very Good- dust jacket. 1956. First Edition; First Printing. Hardcover. Hardcover. 8vo. Random House New York. 1956. 144 pgs. Signed and inscribed by Lillian Hellman on the FFEP. First Edition/First Printing. DJ has light shelf-wear present to the DJ extremities. Bound in grey cloth with black and white pastedown present to the front board and titles present to the spine. Boards have light wear present to the extremities of the boards. No ownership marks present. Text is clean and free of marks. Binding tight and solid. Play on the story of Joan of Ark starring Julie Harris Boris Karloff & Christopher Plummer; Includes three illustrations from the play. Joan of Arc has inspired many people though the ages through her own inspiration by angel voices that she a young country girl was capable of great achievements commanding her to lead the disheartened Army of France to victory over the invading and much superior forces of England. Because of her independent religious zeal however and despite having successfully carried out her mission she was brought before the Holy Inquisition found guilty of heresy and burned at the stake in front of Rheims Cathedral. This play captures the intense drama of the powerful aura of that short but powerful life. The shock waves of that episode in history has captured the imagination of many writers historians clerics lawyers and most of all people from meager beginnings who pursue their dreams. E-181; 8vo 8" - 9" tall; 144 pages . Random House hardcover
196186321Paris: La Table Ronde 1961. Fine. La Table Ronde Paris 1961 12 x 18.50 cm broché First edition one of 40 numbered copies on pure linen paper the only deluxe copies. Handsome full-margined copy. La Table Ronde unknown
