514 résultats
1906Alibris.0033454New York NY: norrcena society 1906. Hard cover. Good. No dust jacket. CONDITION SMALL STAIN ON UPPER SPINE ON INSIDE FRONT COVER-NAMEPLATE SIGNED BY PREVIOUS OWNERS; HELEN LARRABEE AND CHARLES BURTON ROBBINS. BACK COVER CLOTH HAS SPOTTED STAINS. 178 p. CONDITION SMALL STAIN ON UPPER SPINE ON INSIDE FRONT COVER-NAMEPLATE SIGNED BY PREVIOUS OWNERS; HELEN LARRABEE AND CHARLES BURTON ROBBINS. BACK COVER CLOTH HAS SPOTTED STAINS The Flatey Book and recently discovered Vatican Manuscripts concerning America as early as the Tenth Century Hardcover by Unknown Author=178 PAGES--CONDITION SMALL STAIN ON UPPER SPINE ON INSIDE FRONT COVER-NAMEPLATE SIGNED BY PREVIOUS OWNERS; HELEN LARRABEE AND CHARLES BURTON ROBBINS. BACK COVER CLOTH HAS SPOTTED STAINS-red cloth covers THE FLATEY BOOK AND RECENTLY DISCOVERED VATICAN MANUSCRIPTS CONCERNING AMERICA AS EARLY AS THE TENTH CENTURY. DOCUMENTS NOW PUBLISHED FOR THE FIRST TIME WHICH ESTABLISH BEYOND CONTROVERSY THE CLAIM THAT NORTH AMERICA WAS SETTLED BY NORSEMEN FIVE HUNDRED YEARS BEFORE THE TIME OF COLUMBUS. SAGAS THAT DESCRIBE THE VOYAGES TO-AND CHARACTER OF THE NEW COUNTRY AND LETTERS FROM SEVERAL POPES DIRECTING BISHOPS IN THEIR GOVERNMENT OF THE CHURCH IN THE WESTERN WORLD. ALL REPRODUCTIONS ARE BY ROYAL DANISH SANCTION AND THE PAPAL SECRETARY OF STATE. PUBLISHED BY NORRCENNA SOCIETY-LONDON STOCKHOLM COPENHAGEN BERLIN NEW YORK.1906 norrcena society hardcover
1419BIBLIO-30922Printed by order of the Trustees sold at the British Museum London first editions 1914-1930. 6 vols portfolios with unbound contents 49 cm. various paginations 9-14 pp and 15 or 16 plates per volume: in all 91 plates. Each volume comprises a portfolio case a brochure with a 2 page introduction followed by descriptions of the manuscripts illustrated and detailed descriptions of the plates and a set of unbound plates. The set comprises : Volume I. Hiberno-Saxon and early English schools A.D. 700 to1100 published 1914 11 pp and 16 plates 2 in colour; II. English 12th and 13th centuries published 1915 9 pp and 15 plates 2 in colour; III. English A.D. 1300-1350 published 1921 9 pp and 15 plates 2 in colour; IV. English A.D. 1350-1500 published 1922 9 pp and 15 plates 2 in colour; V. Carolingian and French to early 14th century published 1926 12 pp and 15 plates 2 in colour; VI. French mid 14th to 16th centuries published 1930 14 pp and 15 plates 2 in colour; 6 volumes complete set An ex-library set with small stickers on the front boards Presentation labels library bookplates and/or accession stamps on some front inside boards blindstamps on the brochures and on a few plates. Volume V has a spine-title adddd in ink boards somewhat duststained with occasional minor edgewear contents Good. Printed by order of the Trustees, sold at the British Museum, London, first editions, 1914-1930 hardcover
1960147315N.p.: N.p. 1960. Original typescript for an unpublished young adult novel. Bound in with the text is a brief typed letter addressed to Ilse Lahn an agent with the Paul Kohner agency signed by authors Allen and Dorothy Childs and a 20 cent stamp tucked above the letter. Incomplete as issued with an outline of further chapters in the novel bound in after the text. <br /> <br /> A group of teenage girls attend a school-sponsored cross-country road trip unaware that the trip will crack open previously untapped wells of emotion and uncertainty in their interpersonal relationships and extracurricular activities.<br /> <br /> Set in Burbank CA.<br /> <br /> Housed in a manila mailing envelope lacking wrappers and a title page. 36 leaves with last page of text numbered 33. Typescript on onionskin stock rectos only. Pages Near Fine partially bound with a single paper clip. N.p. unknown
1906307753London : William Clowes by order of the Trustees 1906. First Edition. Hardcover. Near fine set in the original publisher's gilt-blocked and blind-bordered cloth edges very slightly toned. Corners sharp with an overall tight bright and clean impression. Physical description; 3 volumes. Notes; Museum Tuped correspondence loosely inserted. Contents; Vol.I. Sacred vocal music; Vol.II. Secular vocal music; Vol.III. Instrumental music treatises etc. Subjects; British Museum. Department of manuscripts. British Museum ; Catalogs. British Museum. Department of Manuscripts ; Catalogs. British Museum. Department of Manuscripts ; Catalogues. Music Manuscripts. Music Manuscripts Catalogs. Manuscripts Great Britain Catalogs. Music Manuscripts. Music ; Bibliography Mss. Music Mss. Music Manuscripts England London ; Catalogs. Manuscripts England London ; Catalogs. Music libraries Great Britain Catalogs. Music Manuscripts Great Britain Catalogs. Music Bibliography Manuscripts. Music Manuscripts Catalogues. Manuscripts Church Slavic Great Britain ; Catalogs. Music Manuscripts. Manuscripts Great Britain ; Catalogues. Manuscripts ; Catalogs. Composers Catalogs. Sacred vocal music. Instrumental music. Genres; Catalogs. Library catalogs. London : William Clowes, by order of the Trustees hardcover
1947312340Dublin : Stationery Office 1947. First Edition. Softcover. Poor disbound copy. Some slight wear and tear as with age. Text remains well preserved overall; bright and clean. Series; Irish Manuscripts Commission. Physical description; vol. I only: 251 pages ; 25 cm. Notes; ""List of references"": v. 1 p. xii. Contents; V. 1. Parliaments and Councils of mediaeval Ireland; ed. by H.G. Richardson and G.O. Sayles. 1947. Subjects; Ireland. Parliament 1297-1800. Legislative bodies Ireland. Legislative bodies. Ireland History To 1603 ; Sources. Ireland History Sources To 1603. Ireland. Genres; History. Sources. Dublin : Stationery Office paperback
190514097Government Printing Office. Very Good with no dust jacket. 1905. First Edition. Hardcover. Volume 3 of a 34 Volume Set. Rare Volume 3 Threewith deckle edges with signatures uncut. Yellow-Tan Ochre cloth covered boards black spinal titles. Dust darkened page tops. Some light soiling but otherwise a clean unmarked tightly bound copy showing slight shelf/edge wear and gently bumped corners. NOT Ex-Library and tightly bound. . Government Printing Office hardcover
1895S54817London: British Museum 1895-1896. x 823; vi 384 . . HB. 2 vols roy. 8vo orig. cloth gt small nick to head of one spine. Vol. 1 unopened. Good unused set from an institutional library with minimal marking: neat ink stamps to title pages small barcode labels to endpapers small shelf labels to spines. Vol. I: Text; Vol. II: Index. The Stowe Manuscripts are a collection of over 2000 British and Irish manuscripts spanning over nine centuries held by the British Library. They are some of the most famous mediaeval written works in the world. British Museum hardcover
1986933312<p>Wellingborough Northamptonshire: The Aquarian Press 1986. Square binding Extremely tight and Crisp light crease. Light age with a few spots light wrap wear see scan. First Edition/First Printing. Soft Cover. Near Fine. Illus. by Frontispiece Invocation Diagrams "Seal os the Spirit Vassago". 8vo size - over 8¼" tall.</p> The Aquarian Press paperback
1987BIBLIO-58011Bibliothèque nationale Paris first edition 1987. Cloth large 8vo 31 cm. xvi 235 pp 16 colour plates and 256 black-and-white ills on 109 plates. 260 entries. A detailed catalogue of 260 manuscripts in the collection of the Bibliothèque Nationale dating from the seventh century the Echtemach Gospels MS lat. 9389 onwards and either originating in the British Isles or illuminated by continental artisans clearly and strongly influenced by Insular forms. From a review by Robert G. Calkins in Speculum: "The entries are chronologically arranged insofar as possible and include all manuscripts containing any decoration beyond the slightest scribal embellishment without regard to aesthetic criteria. . Almost all manuscripts are illustrated with black-and-white photographs providing details of secondary as well as major decorations.The result is a thorough overview that presents a more balanced visual array of the total production than is usually found in catalogues of illuminated manuscripts. We can discover the range of decoration produced during a given period as well as follow the development of various decorative forms through the centuries the detailed description of manuscripts either previously unpublished or only cursorily mentioned in the literature provides a solid basis for further scholarship. Indeed this catalogue takes its place as an essential companion not only to the previous volumes presenting the collection of the Bibliothèque Nationale but also to the series edited by J. J. G. Alexander A Survey of Manuscripts Illuminated in the British Isles.". Very Good. Bibliothèque nationale, Paris, first edition, 1987 hardcover
1947038379USA: Carl Waring Jones Privately Printed for Professional & Amateur Magicians 1947. Clean light red cloth on boards with gilt titles and gilt devil in formal dress on front cover. Thin touches of old sunning now browned to margins head & foot of spine and fore corners. Edges: light age browning moderate foxing and soiling. Eps: ex-cellotape residue; dusting of foxing and soiling; ffep with name/address name stamp to head and Please Return to bottom with lines crossed over two of the texts. Clean content. Illustrated drawings. Binding is VG albeit being a heavy book now feels a touch loose. 1006p Dj: moderate yellowing soiling light foxing and rubbed wear. Top and bottom edges with wear small open tears and sections missing and chips. Cellotape residue to flaps. 4cm open tear to head of rear flap spine. Ninth Impression Revised Edition. Hb. VG/Good. Carl Waring Jones , Privately Printed for Professional & Amateur Magicians Hardcover
2001x-1903153093York Medieval Pr 2001. Hardcover. New. revised edition. 324 pages. 9.25x6.00x1.00 inches. York Medieval Pr hardcover
190414096Government Printing Office. Very Good with no dust jacket. 1904. First Edition. Hardcover. Volume 2 of a 34 Volume Set. Rare Volume 2 Two. Deckle edges with signatures uncut. Yellow-Tan Ochre cloth covered boards black spinal titles. Dust darkened page tops. Some light soiling but otherwise a clean unmarked tightly bound copy showing slight shelf/edge wear and gently bumped corners. NOT Ex-Library and tightly bound . Government Printing Office hardcover
1899271336London : Printed by order of the Trustees 1899. First Edition. Hardcover. Finely bound in gilt-blocked calf over buckram boards. Slightest suggestion only of dust-dulling and rubbing to the spine bands and panel edges. Remains particularly well-preserved overall; tight bright clean and strong. Provenance : Bookplate of the Bishopgate Institute. Physical description; 5 pt. : 150 facsim. ; 46 cm. Subjects; Autographs — Facsimiles. Manuscripts — Facsimiles. [London] : Printed by order of the Trustees hardcover
1802BIBLIO-15312L. Hansard London first edition 1802. Contemporary tree calf leather lettering-piece on spine gilt-rolled fore-edges spine-bands folio 44 cm. xv 1 618 75 pp. Approximately 26000 entries. The latest printed catalogue of the manuscript and book collection of Sir Robert Cotton 1571-1631: Samuel Pepys called this library "one of the jewels of the Crown of England" it has recently been described as "arguably the most important collection of manuscripts ever assembled in Britain by a private individual" C.J. Wright and it was one of the three founding collections of the British Museum. Among the treasures accumulated by Cotton were: the Lindisfarne Gospels two examples of Magna Carta Beowulf the Old English Martyrology Asser's Life of King Alfred multiple versions of the Anglo-Saxon Chronicle and Bede's Ecclesiastical History the ninth-century Utrecht Psalter the sole copy of Sir Gawain and the Green Knight and a fifth-century Greek Genesis that had once belonged to Origen and critically important state papers from the Tudor and Stuart periods. Planta's catalogue includes a substantial index. Front board held securely by spine-bands but separated down front joint covers rubbed Good. L. Hansard, [London], first edition, 1802 hardcover
186978805Different places: Etudes des notaires 1869-1913. 13 vols. Folio 30x20 cm. Partly with wrappers. Each vol. between 4 and 16 pp. Folts in the middle as usual and other small imperfections. Ventes de terrains et fermes/maisons dans l'Allier. Good legible handwriting. - Added 3 smaller documents "Conservation des hypothèques à Moulins 1847 1850 and 1869. Etudes des notaires unknown
188578800St. Germain des Fossés: Société Coöperative de Consommation des employés P.L.M. 1885-1888. 3 vols. Folio 35 x 20 resp.22 cm. Contemporary boards. With 2 extensive titles written by hand and 1 title pre-printed. Exercise books with squared paper with the names written in alphabetical order in vol. 1 on 28 leaves vol.2 on 20 leaves and in vol. 3 on 20 leaves. The remaining leaves blank. Interesting bookkeeping with the names in nice elegant handwriting of the employees of the important railway company P.L.M. or "Compagnie des chemins de fer de Paris-Lyon-Méditerannée. St. Germain-des-Fossés is an important junction in Departement Allier between Vichy and Moulins - Covers soiled and partly damaged; dark brown spots on the paper tears dog's ears and further traces of using daily the 'Comptes courant'. Société Coöperative de Consommation des employés P.L.M. hardcover
10809À Paris De l'imprimerie de A. Bobée 1818 1 vol. 110 x 175 mm de 3 ff. xxii pp. 1 f. d'errata et 321 pp. Veau granité orné d'un quadruple filet d'encadrement doré sur les plats dos à nerfs orné de filets dorés et à froid fleurons dorés roulettes dorées pièce de titre de maroquin bordeaux titre doré tranches marbrées roulette dorée sur les coupes dentelle intérieure dorée reliure de l'époque. Edition originale. Tirage unique à 200 exemplaires. Traduction de Courier en regard du texte grec. . Parmi les littérateurs de la décadence dans l'époque tragique de la mort de l'Empire romain le carthaginois Apulée fait figure de génie. Ces époques portent toujours d'ailleurs en même temps que leur propre poison quelques éclairs qui suffiraient à les sauver. Avec le Satiricon L'Âne d'or a donné de cette décadence l'une des meilleures représentations. Or il demeure sur les origines de ce texte quelque contradictions. Récit grec qui servit de modèle à Apulée pour L'Âne d'or La Luciade serait soit un abrégé des Métamorphoses son grand oeuvre soit au contraire leur développement. Dans sa préface Paul-Louis Courier qui donna la traduction française du texte tranche net : « . je dis que ceci n'est point un abrégé ; ce n'est point la copie réduite mais l'original au contraire du livre des Métamorphoses qui n'était qu'un développement ou plutôt une pitoyable amplification de celui-ci écrite depuis par quelque autre je crois Lucius ou si l'on veut par Lucius vieilli mal inspiré brouillé avec les Muses ayant perdu toute verve ». Et pour soutenir sa thèse il précise que les anciens n'abrégeaient que les textes historiques et « toujours on s'abstint de toucher aux ouvrages d'imagination ». Passage de la page 27 laissé en blanc comme souvent. À Paris, De l'imprimerie de A. Bobée, 1818 1 vol. (110 x 175 mm) de 3 ff., xxii pp., 1 f. d'errata et 321 pp. Veau granité, o unknown
40667Washington. D.C. Bureau of Statistics. 1877. folio. 4 sheets clipped together: 23x 27cm/ 22x 27cm / 47x 39cm / 44x 59cm/ folded to : 30x 12cm on stiff vellum finished lined paper several blind-stamps "Aflred D. Foster Boston Mass - Notary Public Suffoak Co." two short tears along fold on the largest document black ink fine sgc. ~ Very detailed manuscripts from 1867 with entries each year to 1877 with type of fish and whale oil outlined in very neat handwriting. Addresses to the Hon. Dwight Forster with the blind-stamp of Alfred D. Forster Boston Mass . Notary Public Suffolk Co. Washington. D.C. Bureau of Statistics. 1877 unknown
188511141<p>NP. No date. Circa 1885. THREE ORIGINAL MANUSCRIPT BOOKS. The only one dated belonged to Edith Lane Stow on the Wold and is dated Jan. 21st 1885 the other two have owner names John F Sutton of Selby College Birmingham and Hugh Williams. A mixture of lessons teacher instruction school management and a few mss hymns by Edith and George Lane in 3 text books measuring between 9 and 8.2 x 7.3 and 6.5 inches. An interesting insight into British education of the past. -- More photos available on request.</p> NP. No date. Circa 1885 hardcover
2110502150900324Not Available N.A. Soft Cover. Fine. Volume: 1 Not Available paperback
1906355721906. Ecole Municipale de Tissage de Lyon 1906-1907. In folio. Entièrement manuscrit et avec une belle écriture et une belle présentation. Description des textiles les plus employés à la fabrication des tissus : La Soie - La Laine - Le Coton - Le Lin - Le Chanvre - Le Jute - La Ramie. Le Remettage - Taffetas - Picage en peigne - Sergés. Métier à la grande Tire - Métier à boutons - Métier à la Falconne - Métier Jacquard - Mécanique Vincenzi - Mécanique Verdol - Lisage à tambour - Piquage accéléré - Mise en carte - L'Empoutage - Velours Gandin. Joint un diplôme avec la signature de : Justin Godard et E. Herriot avec la Mention Honorable. Toujours agrémenté avec des échantillons de tissus Cachemire Façonné teint en pièce Taffetas façonné caméléon Satin lancé pour col Petite broderie Fond taffetas piqueté. unknown
19619000530100112878<p>Collectible Rare Ethiopian Illuminated Christian Art 1961. A Foot and a Half Tall! Folio 25 9 p. 32 color plates b/w ills. Good condition Marin County Library Markings. NO pocket. Fairly mild Ex-library markings. Scotch tape stains on boards but no tape. Preliminary page tape residue and that is where most of the libray markings are See 5th Scan B/W Illus. Color Plates Excellent Untouched. The quality and huge Folio scope of the Color plates is awe inspiring and Angelic. The Ethiopian Late Medieval art mixes bright Colorful African and Abstract Celtic with Hebrew and Christian Themes. Lindisfarne and Book of Durrow and Kells is more Western influence than Rome or Greece yet maintain their abstract Magical African and Hebraic Christian inspiration. Angels abide in the art here. See all our Three Geese In Flight Celtic Book Scans Cover Title page Ethiopian script Poor Priliminary page and Three Samples of the Thirty Two Color Master Works. As is.</p> New York Graphic Society Unesco hardcover
15903All three on letterhead of the Department of Manuscripts British Museum London WC. 4 14 and 17 December 1912. Casting an interesting sidelight on the purchasing practices of the British Museum Manuscripts Department. All three items in good condition on lightly-aged paper. Totalling 6pp. 12mo. On three bifoliums. ONE: ALS. 4 December 1912. 3pp. 12mo. As it is 'difficult to advise without further information as to the nature of the old papers' he invites her to 'send them up' so that he can 'report whether there is any probability of their purchase by the Trustees of the British Museum'. If they are 'bulky' he suggests sending 'specimens'. 'Are they deeds local records correspondence private or public' He gives an address advises sending by registered post 'or insured by rail' and states that they would be returned at her expense. TWO: ALS. 14 December 1912. 2pp. 12mo. He has examined 'the old deeds' which are 'all of some interest in connexion with Yorkshire monasteries etc but the best of them the visitation of Gisburn is very imperfect'. He feels she may be 'disappointed as to their monetary value. As none of them are of very early date and there are no seals I do not think I could offer to recommend them to the Trustees for more than an average of four shillings each i.e £2 for the lot'. THREE: ANS. 17 December 1912. 1p. 12mo. Returning the documents by registered post and enclosing '5d surplus stamps'. All three on letterhead of the Department of Manuscripts, British Museum, London, WC. 4, 14 and 17 December 1912. unknown
194229782AB1942. Dublin Stationery Office 1942. Slim Quarto 17 cm x 25 cm. XIV pages 1 leaf 517 pages 1 leaf. Original Hardcover. Excellent condition with some minor signs of wear only. An extremely scarce publication. Includes for example: Da Cunha Letters / Rentals / Seventeenth Century / 18th Century 1705 - 1731 / Thomas 4th Viscount Kenmare's "Book of Observations" / 18th Century 1756 - 1769 / Extracts illustrating the nature and continuity of tenures on the Kenmare Estate / The Estate in Leinster / Nineteenth Century / Estate Accounts / Accounts 1724 - 1778 / Legal Documents: White and Ward Case - Hammond Case - Dixon and Annesley Case - Chamberlain Case - Cardonnel and Lilly Case - Other Cases / Miscellaneous: Book of Hours 15th Century / Patents - 1620 and 1637 / Certificate of Papal Knighthood - Nicholas Plunkett / Miscellaneous Documents 17th Century / Documents related to forfeited Estate / Documents relating to death of Nicholas 2nd Viscount Kenmare / Agreement concerning Mines / Petition of Valentine 3rd Viscount Kenmare concerning Ross Castle / Miscellaneous Documents 1721 - 1724 / Will of Owen Ferris / Papal Bull 1725 / Miscellaneous Documents 1724 - 1727 / Will of William Weldon / Miscellaneous Documents 1731 - 1744 / Linen Company Subscription / Poem on the Death of Ned Hussey / Miscellaneous Documents 1753 - 1760 / Will of Justin McCarthy / Schemes for encouragement of linen manufacture and lime-burning / Advertisements concerning Killarney Fairs and Killarney Markets / Report on commercial and military interests of France in the East / Panegyric Sermon on Thomas 4th Viscount Kenmare / Surveys and Maps / Documents relating to Pedigree's / Funeral Entries 1588 - 1640 / Abstracts from Chancery Rolls etc. 1588 - 1684 / The Browne Kenmare Pedigree With an Appendix: About a tin box which had been found by W.A.Roulston the agent of the Kenmare Estate with Documents Rolls etc. With an Index of Places and Index of Names of Persons / hardcover
255981798 1800 2 1806 and 1807 the last apparently a mistake for 1806. The first from St James’s Square the last from Clifton the others from Sundridge Kent. See the two men’s entries in the Oxford DNB. The five items are in good condition lightly aged with each on a 4to bifolium and all folded for postage. In a neat and attractive hand. The text of each letter is on the first leaf and the first two letters are addressed by Porteus on the reverse of the second leaf each with broken seals in red wax. In Letters Four and Five Porteus lays out his objections to Maurice’s ‘Elegy on the late Right Honourable William Pitt’ published in 1806 under the name ‘T. M.’ ONE St James’s Square 10 April 1898: 1p 4to. Addressed to ‘Revd. Mr Maurice / No. 19. Princes Street / Cavendish Square’. He is ‘overwhelmed by Business’ but hopes to read Maurice’s letter and two pamphlets ‘when I move into the Country’. ‘The Point you are labour is a curious & important one & I have little doubt of your being able to substantiate your opinion.’ TWO Sundridge 26 August 1800: 2pp 4to. Maurice’s letter arrived while he was ‘on a Visit in Oxfordshire’. He thanks him for the enclosed preface ‘which I hope will finish your Labours & afford you Leisure to attend more to your Health’. ‘It is to be lamented that the Situation at the Museum which most of your Friends thought peculiarly adapted to you is become unpleasant to you; & I think it will deserve a little further consideration from you before you resolve upon Exchanging it even if you were permitted. That Permission does not rest solely with the Archbishop; but if you continue in the same mind when I return to London in the Winter & have an opportunity of seeing the Archbishop I will have some conversation with his Grace on the subject & will communicate to him your wishes.’ THREE Sundridge 26 September 1800: 1p 4to. Franked to ‘Revd Mr Maurice / British Museum / London’ from ‘Sevenoakes - August / Twenty Six. 1800 B. London’. He has returned from ‘a Visit in Hampshire’ to find ‘the five last Volumes of the Indian Antiquities which you was so obliging as to send me; & of which I beg that I may be allowed to pay the current Price’’. As Maurice has communicated his wishes ‘to the ABp & Bp of Lincoln’ Porteus will ‘not fail to converse with them on that subject when we meet’. FOUR Sundridge 4 September 1806: 2pp 4to. He is sending a banker’s draft for ten guineas. ‘I have read your Elegy on Mr Pitt & think it has great merit & is written in the true Poetical energy & ardor. To a few expressions & a few lines I have some objections’. One of these is Porteus’s use of the word ‘saviour’: ‘too strong & too sacred an expression to be applied to any human Being however great’. He goes into greater detail in explaining why it is ‘going too far’ to suggest that ‘any of the Human Race immediately after Death is appointed to ‘Minister to Heaven’s Eternal King’â€. Regarding one turn of expression: ‘There are acts of Power that belong solely to the Almighty; & the last expression is so peculiarly appropriated to our blessed Lord that it is surely very improper to preidcate it of any other Person whatever.’ While he is sure that no offence was meant he urges Maurice to ‘reconsider & remove’ all ‘ambiguity’. FIVE Clifton 26 August 1807 but the year apparently a mistake for 1806: 2pp 4to. Having received a ‘pacquet by the Bristol Mail’ he laments that Maurice has not followed his advice ‘both with respect to the Mode of Publication & the Alteration of the Passage to which I objected. - By printing the Poem at your own risque sic on so large & expensive a scale you will I fear again involve yourself in difficulties which you will not easily surmount: & by retaining the Objectionable Line you will I am persuaded prejudice many serious Persons against your Poem which in other respects has considerable merit. - Indeed in looking again at the whole of the Portrait you have drawn of that truly great man whom you celebrate & of whom I think as highly as any man can possibly do I perceive several other expressions which appear to me objectionable - no mortal man however great & good should be dignified with the sacred name of the Saviour of his Country p.117 which should be appropriated solely to the Saviour of the World. Nor should the Almighty be represented as displaying to one of his own Creatures all his vast designs p.122. Nor can any dead Man be the Guardian or Protector of Kingdoms & Empires. P.123. This Power belongs to God alone.’ He gives Maurice ‘full credit for not meaning any Thing improper by such expressions’ and is ‘willing to make all due allowance for the Enthusiasm of a Poet & the flights of an ardent Imagination. But still when he treads so close on hallowed Ground he must proceed with great caution & reverential Awe & not ascribe to any human Being those properties & Powers which are the peculiar Attributes of the omnipotent Sovereign of the Universe’. He ends by stating that he is only writing to Maurice out of an interest ‘for your Credit & that of your Poem’ ‘for indeed in my present precarious state of Health I find writing very inconvenient to me; & it is therefore now my wish that this matter may rest here & that nothing more may be said on the Subject either on your part or mine.’ 1798, 1800 (2), 1806 and 1807 (the last apparently a mistake for 1806). The first from St James’s Square, the last from Clifto unknown