867 résultats
1784WRCLIT58272London: Printed for G. Robinson 1784. 2ii2251pp. Octavo. Modern quarter gilt morocco and marbled boards gilt label. Bound without the half-title otherwise a very good fresh copy. First edition in English published the same year as the original French edition. An edition appeared from Dublin as well. The two page introduction quotes from a letter from Paris dated 2 May indicating that two or three editions "have already been seized and seven Booksellers imprisoned . The Memoirs are really written by Voltaire and must soon or late become public. This Voltaire is sort of a malignant spirit who came upon earth only to embitter the cup of life and afterwards laugh at our wry faces." ESTC T1128. Printed for G. Robinson hardcover books
192322200Paris: Rene Kieffer 1923. leather_bound. Orig. full two-toned brown leather covers decorated in blind backstrip lettered in gilt marbled endpapers. Teg. Fine. 54 pages. 24 x 19 cm. Limited edition copy 95 of 500 on velin la forme with 45 vignettes in pochoir by Joseph Hemard. An exquisite copy bound by Kieffer with his label on verso of front cover paste-down. Hémard's lasting fame however lies in his book illustrations - always with a distinctly French character usually comic and often mildly erotic. He was probably the most prolific book illustrator in the first half of the twentieth century in France. Rene Kieffer unknown books
015470Np: De L'Imprimerie De La Societe Litteraire-Typographique; 1785 & 1789. Octavo. In 72 volumes with the scarce two supplemental volumes form an index: Chantreau Cen. Table Analytique Et Raisonnee des Matieres contenues dans les soixante-dix volumes des oeuvres de Voltaire. Paris Chez Deterville Libraire rue du Battoir; 1801. 117 full-page plates which include frontispieces and map. All bound in publishers full calf flat spines fully decorated in gilt red and green contrasting morocco labels gilt marble endpapers all edges red two volumes rebound nearly identical to the set at an earlier date. General shelf wear with a few nicks some chipping to spine ends of a few volumes. From the library of J. Japhet who was a very wealthy London businessman and banker. His firm was instrumental in arbitrage increasing the trading of railroad stock and other noted securities in the latter part of the nineteenth to the early twentieth century in London. Britain soon became the global financial center of the world at that time. His bookplate is within each volume. Overall a very handsome set. A full collation of this particular set can be sent upon inquiry. De L'Imprimerie De La Societe Litteraire-Typographique; 1785 & 1789 unknown books
1760140101London: Printed for G. Kearsly 1760. Small quarto pp. 1-4 1 2-76 drab boards. First edition in English. Semiramis ninth-century queen of Assyria present-day Iraq was until the early twentieth century a figure of legend that had been well-established as of the classical period: begotten of the fish-goddess Atargatis and fed by doves until her rescue by a royal shepherd; bride of general Onnes and successor to his power and eventually to the throne of Assyria; founder of Babylon and every other monument in the region; long-lived brave wise and sexually potent she was turned into a dove at her death and worshipped subsequently as a surrogate of the Assyrian fertility goddess Astarte. Modern archaeological research by Lehman-Haupt and others has largely replaced legend with history but the legend was still alive and well in Voltaire's time. She was a female personification of all that was gaudy and glorious in pre-Christian antiquity and she furnished good material for this tragedy Voltaire's preference in drama composed in 1748 a year after his conte philosophique ZADIG. Voltaire's play has probably had more continuing vitality as the foundation of the libretto of the Rossini opera "Semiramide" 1823 widely considered as one of the best and last operas in the Baroque style. ESTC T62226. The front paste-down bears the bookplate of Alaskan bibliographer James Wickersham who attached to the rear paste-down the mailing label with canceled stamp of the British bookseller McLeish & Sons from whom presumably he obtained this book. Lacks the advertising leaf at rear a very good copy. #140101 Printed for G. Kearsly unknown books
179635912Catskill NY: Printed by T. & M. Croswel for selves and J. Fellows & E. Duyckinck New York 1796. 8 336 pp. Disbound textblock split. Title page engraving of Voltaire by Peter R. Maverick. Good. <br/><br/> An early Catskill imprint; printing began there in 1792. Evans located no earlier American edition of this work; NAIP records a 1795 New York printing with only three locations. The Publisher's preliminary Advertisement notes "the great noise which the following work has made in foreign parts on account of the author's freedom in regard to matters of religion."<br/>Evans 31518. Printed by T. & M. Croswel for selves and J. Fellows & E. Duyckinck, New York unknown books
179665253Catskill: Printed by T. and M. Croswell for selves and J. Fellows & E. Duyckinck New York 1796. First American edition. This edition was first published in 1764. Engraved title with vignette portrait by P. R. Maverick of New York. 12mo. Contemporary sheep morocco label. Careful restoration of spine marginal browning of text browning or staining of endpapers else a very good copy with the contemporary signature of John Gebhard Jr on free endpaper. First American edition. This edition was first published in 1764. Engraved title with vignette portrait by P. R. Maverick of New York. 12mo. The editor notes on the advertisement leaf that he recognizes that there might be criticism for the translation and publication of this work "on account of the author's freedom in regard to matters of religion" but feels that the quality of the work exceeds its criticisms and the "True religion is not afraid of bearing the strictest examination" Library Company of Philadelphia "First American Editions" p. 5; Shipton and Mooney 31518 Printed by T. and M. Croswell for selves and J. Fellows & E. Duyckinck, New York unknown books
1981WRCLIT20753Cambridge: For Presentation to Members of the Roxburghe Club 1981. Quarto. Half morocco t.e.g. Manuscript facsimiles. Edited by Desmond Flower. First edition. Tiny duplicate deaccession stamps on verso of title and once in text carefully erased but still faintly visible otherwise fine. For Presentation to Members of the Roxburghe Club unknown books
179654353London: privately printed by Catherine Maria Bury Countess of Charleville 1796. First Edition large paper copy one of just 5. The first complete English translation. Large 8vo just under 24 cm pp. 227 218. Untrimmed. Bound in later 3/4 red morocco and plain boards rubbed along the extremities without the half title. "Mostly all of the copies were destroyed the freedom of the translation being considered injurious to the memory of Lady Charleville. Only 5 copies were printed on large paper. See the notes to the Renouard copy no. 1349- sale by Sotheby June 30 1834." The preface and notes cover 5 pages. ESTC; T137636.A nice clean tight set. A poem about Joan of Arc. From Wikipedia: "Voltaire was undoubtedly one of the most controversial writers and philosophers of the Enlightenment Age and The Maid of Orleans was also certainly one of his more contentious works. An epic and scandalous satire concerning the life of the not-yet-canonised Joan of Arc "the Maid of Orleans" the poem was outlawed burned and banned throughout a great portion of Europe during the 18th and 19th centuries. Containing mockery and satirical commentary on the life and antics of its subject the poem itself has variously been described as "bawdy" and "licentious". Despite the often sexist and indecent contents of the text its notoriety and contraband status made it one of the most widely read texts concerning Joan of Arc for several centuries. Circulating throughout the banned regions by often surreptitious means the book was read by a large number of the populace. It was also disseminated by Voltaire himself to some of his colleagues and other members of the upper class the circle of people and the portion of society that the text was specifically intended for. The author 1762-1851 was the daughter of Thomas Townley Dawson she married first James Tisdall and then in 1798 Charles William Bury first Earl of Charleville. She was an invalid for many years. privately printed by Catherine Maria Bury, Countess of Charleville unknown books
179231870Paris: Chez Madame Vaux-Fleuri De l'Imprimerie de L. Potier de Lille 1792. First edition. 1-2 title verso blank leaf paged 63-64 with "Avis" and "Errata" 3-74 small woodcuts. 1 vols. 8vo. Later boards uncut. Spine and extremities rubbed with chipping a few leaves with spots else a very good copy. First edition. 1-2 title verso blank leaf paged 63-64 with "Avis" and "Errata" 3-74 small woodcuts. 1 vols. 8vo. According to the editor's "Avis" most of these fugitive pieces appear first here and some which have appeared elsewhere have been amended or corrected. Includes Mr. D. Rhullieres' "La Chanoinesse Conte" "Sur le Buste de Mirabeau" by M. Deseine"sourd et muet de naissance" and "La Mort de Patrocle Tragédie en Deux Actes¶ Commencing on page 25 is the "Epitre a Monsieur de Voltaire du 31 Decembre 1742" with the "Stances" pp. 28-30. On page 31 is the "Reponse de M. De Voltaire du Premier janvier 1743 Chez Madame Vaux-Fleuri [De l'Imprimerie de L. Potier de Lille] unknown books
197790897Norwalk:: Easton Press. Near Fine. 1977. Hardcover. B00H9Z9SJI . Translated from the French by Richard Aldington. Introduction by Paul Morand. Collector's edition. Large octavo bound in gray leather with gilt lettering and design raised bands along spine all edges gilt silk moire endpapers sewn-in ribbon book mark. Near fine.; 131 pages . Easton Press, hardcover books
197331777NY: Limited Editions Club. Very Good. 1973. Hardcover. B000OO2W5S . Translated from the French by Richard Aldington. Introduction by Anatole Broyard. Illustrated by May Neama. This copy is number 969 of a limited edition of 1500 copies. SIGNED by the illustrator. Near fine in a very good some light mottling slipcase. . Limited Editions Club hardcover books
197721158Norwalk:: Easton Press. Near Fine. 1977. Hardcover. B00H9Z9SJI . Translated from the French by Richard Aldington. Introduction by Paul Morand. Collector's edition. Large octavo bound in gray leather with gilt lettering and design raised bands along spine all edges gilt silk endpapers ribbon book mark. Blank Easton Press book-plate affixed to front endpage else about fine.; 131 pages . Easton Press, hardcover books
17755953Geneva: Cramer et Bardin 1775. Edition encadré" volume 11. Volume 11 only of the 40-volume "edition encadré" published in 1775 by Cramer et Bardin the last edition of Voltaire's works published under the author's supervision. Then as now La Pucelle d'Orleans was Voltaire's most consumed work so it is not surprising to find this volume detached from the its 39 companions. Voltaire's greatest poem but not the one you read in school. With Ariosto in mind Voltaire rewrote the Joan of Arc story with all the wit and critical distance of an 18th-century libertine. The result is that France's sainted woman warrior becomes the vehicle for an intelligent and licentious burlesque. Good and right-thinking people have always found it offensive but it doesn't really care. Nice binding charming illustrations. Octavo 21 cm; 420 pages portrait frontispiece by Martinet and 21 engraved plates. Text within typographic borders. Bound in contemporary etched leather scored in gilt. Spine decorated in gilt with leather labels. Marbled endpapers. Boards somewhjat splayed. Negligible loss at head and tail. Hinges starting. Upper joint reinforced. Contents clean. References: Cohen-De Ricci 1042; Bengescu Voltaire IV #2141 [Cramer et Bardin] hardcover books
197750694Lincoln:: Penmaen Press. Near Fine. 1977. Hardcover. Bilingual text: French and English. Translated from the French by Anthony Hecht. Illustrated with six wood engravings by Lynd Ward. Introduction by Arthur Wilson. Limited edition 100 copies. SIGNED by Hecht Ward and Wilson. Light mottling along front gutter else near fine in black cloth and decorated paper covered boards. No slipcase. . Penmaen Press, hardcover books
198191009NY:: Schocken Books. Very Good in Very Good dust jacket. 1981. Hardcover. 0805237852 . Part of the Moonlight Editions series. Translated from the French by Anthea Bell. First printing thus. Very good in a very good minor edge wear with a few short closed edge tears dust jacket. . Schocken Books, hardcover books
1787WRCLIT71108A Geneve 1787. 164pp. 12mo. Old mottled calf gilt label. A number of edges untrimmed. Some spotting and smudging binding rubbed and joints cracked; just a good copy. The second edition noted in Barbier of one of the popular biographies of Voltaire first published the previous year with a portrait not carried over to this edition. BARBIER IV:1018. unknown books
19772284249The Easton Press 1977. Reissue. Full-Leather. Very Good/No Jacket. Sauvage Sylvain. Blank publisher's bookplate laid in. Spine bands and corners a bit scuffed. 1977 Full-Leather. xix 1 131 3 pp. Tall 8vo. Dark grey full leather gilt titles and decorations all edges gilt silk moire endpapers ribbon marker bound in. Translated from the French by Richard Aldington with an introduction by Paul Morand. Color frontispiece and color and black-and-white illustrations by Sylvain Sauvage. Candide The Easton Press hardcover books
1973UVOLCAN00AFLimited Editions Club 1973. Fine. Voltaire Francois Marie Arouet de. Candide Or Optimism. Aldington Translator Richard; Broyard Introduction Anatole; Neama Illustrator May. NY: Limited Editions Club 1973. #915 of 1500. 123pp. Illustrated. 4to. Book condition: Near fine in near fine slipcase with subtly rubbed extremities. Signed by Neama on limitation page. Candide broadside and The Monthly Letter laid-in. Limited Editions Club unknown books
17761316353Londres 1776. Hardcover. Octavo 280 pages; VG; bound in quarter red calf gilt lettering and tooling to paneled spine marbled boards marbled endpapers; half-title present verso of sfep has two early math equations; wide margins; scarce; shelved case 10. The imprint is false; probably printed in the Netherlands. Contrary to the title this edition does not contain "L'evangile de la raison" but does include "Dialogue du douteur & de l'adorateur". Signature marks include "Tome I" but no Vol. 2 is recorded; <br /> <br><br /> <br><br /> Preceeded by a second false imprint printed in Amsterdam by M. M. Rey in 1768;<br /> <br><br /> <br><br /> ESTC Citation No. N12875. 1316353. Shelved Dupont Bookstore. hardcover books
19792312612Pennsylvania: The Franklin Library 1979. Hard Cover. Near Fine/No Jacket. Clave Antoni. Near fine. 1979 Hard Cover. We have more books available by this author!. 154 pp. Black cloth binding with gilt decoration and gilt edges. Decorative endpapers. "Candide ou l'Optimisme /kndid/ kon-DEED5 French: kdid About this soundlisten is a French satire first published in 1759 by Voltaire a philosopher of the Age of Enlightenment.6 The novella has been widely translated with English versions titled Candide: or All for the Best 1759; Candide: or The Optimist 1762; and Candide: Optimism 1947.7 It begins with a young man Candide who is living a sheltered life in an Edenic paradise and being indoctrinated with Leibnizian optimism by his mentor Professor Pangloss.8 The work describes the abrupt cessation of this lifestyle followed by Candide's slow and painful disillusionment as he witnesses and experiences great hardships in the world. Voltaire concludes Candide with if not rejecting Leibnizian optimism outright advocating a deeply practical precept "we must cultivate our garden" in lieu of the Leibnizian mantra of Pangloss "all is for the best" in the "best of all possible worlds". Candide is characterized by its tone as well as by its erratic fantastical and fast-moving plot. A picaresque novel with a story similar to that of a more serious coming-of-age narrative Bildungsroman it parodies many adventure and romance clich The Franklin Library hardcover books
19792265127The Franklin Library 1979. Reissue. Hard Cover. Very Good/No Jacket. Clave Antoni. A few scuffs to gilt on front boards and page ridge. 1979 Hard Cover. 154 4 pp. 8vo. Dark green leather spine green cloth boards gilt titles and decorations all edges gilt marbled endpapers green ribbon marker bound in. Candide The Franklin Library hardcover books
182755591New York: G. H. Evans 1827. First American edition 8vo pp. 8; removed from binding; very good. This edition not in American Imprints or OCLC but both record an 8-page "2nd New York edition" published by Evans in 1829. <br/><br/> [G. H. Evans?] unknown books
176424563Londres: aux depens de la compagnie 1764. 8vo pp. xvi 384; engraved frontispiece and 20 engraved plates; 20th-century full crimson straight-grain morocco by Zaehnsdorf decorative gilt border on covers gilt-paneled spine and preserving the original blue printed wrappers which are bound in. First published without plates at Louvain in 1755. This is likely a 'variorum' edition probably Dutch based on the first authorized edition of 1762 Geneva with variant readings from earlier piracies. Bengesco 491. <br/><br/> aux depens de la compagnie unknown books
192952309London: Scholartis Press 1929. Edition limited to 70 copies printed on handmade paper and signed by the translator this copy no. 7 8vo pp. xv 1 207 1; quarter brown pigskin over brown batik-covered boards title gilt direct on spine t.e.g.; corners bumped; near fine. Nine of the twelve stories included are presented here in English for the first time. <br/><br/> Scholartis Press hardcover books
192950556London: Scholartis Press 1929. Edition limited to 1400 copies 8vo pp. xv 1 207 1; orange paper-covered boards backed in black cloth gilt title direct on spine corners rubbed spine spotted textblock clean and sound in a very good dust jacket with some rubbing to edges and a toned spine. Nine of the twelve stories included are presented here in English for the first time. <br/><br/> Scholartis Press hardcover books