219 résultats
19425878BB1942. Zürich Les belles feuilles 1942. 4°. 2 Bl. 115 4 S. 2 Bl. Mit 1 Frontispiz mehreren Textillustr. u. der Suite in 12 losen Tafeln nach Holzschnitten von Imre Reiner. Lose Bogen in illustr. brosch. Orig.-Umschlag sowie Suite in Bütten-Mappe zus. in Halbpergament-Chemise u. Orig.-Pappschuber dieser leicht berieben u. lichtrandig. SIK II 856 für Reiner. - Unnumeriertes nicht signiertes Ex. von 170 GA 232 mit kompletter Suite in dieser Form normalerweise numeriert u. signiert des ersten Druckes der "Belles Feuilles" auf Rives-Bütten. Imre Reiner 1900-1987 geb. in Ungarn war in den 20er Jahren als Graphiker in London Paris New York und ab 1931 in Ruvigliana bei Lugano als Maler Typograph Graphiker u. Illustrator tätig. unknown
19425878BBZürich, Les belles feuilles, 1942. 4°. (2) Bl., 115 (4) S., (2) Bl. Mit 1 Frontispiz, mehreren Textillustr. u. der Suite in 12 losen Tafeln nach Holzschnitten von Imre Reiner. Lose Bogen in illustr. brosch. Orig.-Umschlag sowie Suite in Bütten-Mappe, zus. in Halbpergament-Chemise u. Orig.-Pappschuber (dieser leicht berieben u. lichtrandig).
196587858Milano Giovanni De Stefanis e Mondadori 1965. Volume in formato atlante cm 425 x 29 piena pelle verde con impressioni oro ai piatti e titolo al dorso. In cofanetto. Pp. 213 5 n.n.; le trenta dette tavole sono a piena pagina e antecedenti ad ogni capitolo. Bella edizione d'Artista in barbe stampata su carta a mano filigranata in 500 esemplari numerati. In perfetto stato di conservazione Milano, Giovanni De Stefanis e Mondadori unknown
19677A PARIS. BOUTAN MARGUIN, EDITEUR. 1967-1969. 18 VOLUMES IN-8 (14,5 X 21 X 70 CENTIMETRES ENVIRON), RELIURE DE L'EDITEUR A LA BRADEL PLEINE PEAU MAROQUINEE ROUGE POUR LES VOLUMES 1 A 5 ET LIE DE VIN POUR LES 13 VOLUMES SUIVANTS, PLAT SUPERIEUR ORNE D'UN DECOR DE FLEURONS DORES, DOS LISSE ORNE DE CAISSONS A FLEURONS DORES, TITRE ET TETE DORES (BOUTAN MARGUIN RELIEUR). ILLUSTRE DE TRES NOMBREUSES REPRODUCTIONS EN NOIR DE GRAVURES D'EPOQUE HORS-TEXTE. BON EXEMPLAIRE.
1977327195Lincoln: Penmaen Press 1977. First edition of this translation deluxe handbound issue limited to 100 roman numeralled copies signed by Anthony Hecht Lynd Ward and Arthur Wilson this copy is one of a few copies for the translator Anthony Hecht as it is designated copy: "AH" by Hecht in place of a roman numeral. 35 pp. 4to. Quarter-cloth decorated paper covered boardsA fine copy in near fine publisher's cloth slipcase box; nicely printed and illustrated. First edition of this translation deluxe handbound issue limited to 100 roman numeralled copies signed by Anthony Hecht Lynd Ward and Arthur Wilson this copy is one of a few copies for the translator Anthony Hecht as it is designated copy: "AH" by Hecht in place of a roman numeral. 35 pp. 4to. Penmaen Press unknown
19291919New York: Literary Guild 1929. Hardcover. Near Fine. Near Fine hardcover in Fair/Good dustjacket Literary Guild hardcover
1928645163Random House 1928. First Thus. Leather Binding. Fine. Copy #1353 of 1470 numbered copies the entire edition signed by artist. Housed in a beautiful custom leather binding in half blue morocco over matching cloth spine with raised bands and gilt tooling edges untrimmed spine a trifle faded with very slight traces of wear. Kent Rockwell illustrator; Over 100 Engraved Illustrations. 111 1 pages. Uncredited English translation; introductory bibliographical note by Charles Edmund Merrill Jr. Notable for being the first book ever to carry the Random House imprint. Printed on all rag French paper by the Pynson Printers April 1928; signed and numbered by Kent on limitation page. Random House unknown
19817397<p>Cambridge: For Presentation to members of the Roxburghe Club 1981 Burgundy morocco over brown cloth boards gilt spine. . Large octavo. . Eight pages of facsimiles in sepia tones. A fine copy.</p> For Presentation to members of the Roxburghe Club, hardcover
1952ILTeVOLT35New York: The Limited Editions Club 1952. 1952. 8vo. pp. 172 2 leaves incl. colophon. leaves with illustrated borders blank leaves & endpapers. numerous hand-coloured text illus. A very good copy in original cloth with elaborate gilt design. with slightly worn slipcase. Limited to 1500 numbered copies. Planned with decorations and illustrations completely finished by the Illustrator Sauvage and produced posthumously at the request of Mme. Sauvage under the supervision of Henri Jonquières printed in Paris on special Lana paper by Priester Frères Paris set in monotype Pastonchi the illustrations key-black printed in collotype by Louis Duval Paris and hand-coloured by Étienne Girardot bound by Russell-Rutter Company NY. LEC Quarto-Millenary 233. Hardcover. [New York]: The Limited Editions Club, 1952. Hardcover
192464121924 broché gris (paperback) in-octavo, dos muet (spine - no title), vignette de titre sur la première de couverture rempliée (label of title on the front cover), tranches non rognées (edges no smoothes), tirage limité - 1 des exemplaires sur papier pur fil (limited edition), illustrations : burins et bois de (engraving and wood-cut engraving of) Louis Latapie, 143 pages, 1924 à Paris Henri Jonquières et Compagnie Editeurs,
1977331919Norwalk Connecticut: Easton Press 1977. First Edition; First Printing. Hardcover. Near Fine Leather Bound. Printed on archival paper with gilded edges. The endsheets are of moire fabric with a silk ribbon page marker. Smyth sewing and concealed muslin joints to ensure the highest quality binding. This book is in full leather with hubbed spines.; 100 Greatest Books Ever Written Collector's Edition. Easton Press hardcover
1977216580Norwalk Connecticut: Easton Press 1977. First Edition; First Printing. Hardcover. Near Fine Leather Bound. Printed on archival paper with gilded bottom and side edges. The endsheets are of moire fabric with a silk ribbon page marker. Smyth sewing and concealed muslin joints to ensure the highest quality binding. This book is in full leather with hubbed spines.; The 100 Greatest Books Ever Written Collector's Edition. Easton Press hardcover
1981312788New York: Franklin Library / Oxford University Press 1981. First Edition; First Printing. Hardcover. Illustrated by Antoni Clave. Near Fine Bound in one quarter premium full leather. Accented in 22kt gold. Printed on archival paper with gilded edges. Decorated endsheets and with a silk ribbon page marker. Smyth sewing and concealed muslin joints.; First Franklin Library Edition. Franklin Library / Oxford University Press hardcover
198579477Oxford: The Inky Parrot Press 1985. patterned paper-covered boards slipcase. Inky Parrot Press. small 4to. patterned paper-covered boards slipcase. x 1411 pages. Printed in an edition limited to 360 numbered copies. Translated by Richard Aldington. Signed by the illustrator Wilton Priestner. Profusely illustrated with slightly disturbing almost surreal line drawings that push the satirical tone of the story itself to a new level. The modern edgy drawings are evidence of the relevancy and adaptability of the work of the eighteenth-century French writer Voltaire. The imagery does not exactly match up with the moment of the story it illustrates but rather offers a highly interpretive version of the events as told by Voltaire. For example whereas the text reads ".she observed Doctor Pangloss in the bushes giving a lesson in experimental physics to her mother's waiting maid a very pretty and docile brunette" the illustration shows a couple copulating in the garden. Paper covered boards and the slipcase also with drawings by Priestner. With shoulder notes. The Inky Parrot Press unknown books
1930000011623New York: Williams Belasco and Meyers 1930 1930. Later edition. Hardcover. Near Fine/Very Good. 8vo. 4 7-144 pp. Navy cloth with gold lettering on the front board and spine gold decoration on the front board. Price of $7.50 on the front panel of the dust jacket. With six full-page illustrations by Mahlon Blaine. With the glassine dustwrapper. Included is a publisher's announcement advertising Blaine's Candide and Aubrey Beardsley's Salome. A striking edition of Voltaire's masterful lampoon of Leibniz' "best of all possible worlds" theory. The jacket and the glassine wrapper have a few chips. Williams, Belasco, and Meyers [1930] hardcover
1985BC06E-008Oxford: The Inky Parrot Press 1985. Book. Illus. by Priestner Wilson. Very Good. Hardcover. 4to - over 9" - 12" tall. Hardcover in Slipcase. Signed by the illustrator. Number 107 / 360. Binding tight and square. Pages clean and free of writing or marks. Spine show an even lightening. BC06Ee. The Inky Parrot Press Hardcover
197763279Lincoln MA: Penmaen Press 1977. Deluxe Limited Edition. Hardcover. SIGNED. 33pp. Quarto 28.5 cm 1/2 black cloth over red marbled boards. Black endleaves. Pages bound in French-fold fashion. Very good plus with bumping to the foot of the spine. Housed in a black cloth slipcase that is in very good condition with light surface and edge wear. Dance 225. Illustrated with six Lynd Ward engravings. Translated by Anthony Hecht. Introduction by Arthur Wilson. Signed by Ward Wilson and Hecht on the limitation page. This Deluxe edition was limited to a 100 roman numeral copies this is copy LI 51. Penmaen Press hardcover
1926WRCLIT59286Paris: René Kieffer 1926. Small quarto. Handsome color lithographed pictorial wrapper over stiff wrappers. About fine in nicked glassine wrapper. First edition in this format. Illustrated with over thirty vignettes and decorations by Braun colored via pochoir. From an edition of 550 numbered copies this is one of five hundred copies on vélin blanc. Monod asserts that despite the colophon publication actually took place in 1930. MONOD 11440. René Kieffer unknown books
1927573Haarlem / New York: J. Enschedé en Zonen for the Bennett Libraries Inc 1927. Limited Edition. Near fine. Clara Tice 1888 - 1973. 8vo 9 x 5 3/4 inches 228 x 147 mm. 2 parts in 1 volume with continuous pagination: 10 182 pp. 7 index 10; 10 etched plates by CLARA TICE including hand-colored frontispiece each with tissue guard with legends printed in red. Copy 541 of the limited edition of 1000 copies set by hand in Didot type and printed on 'papier à la cuve' t.e.g. one page unopened. Etching at p.54 with loss in the lower corner not affecting the image paper somewhat toned at edges and occasional small tears to some sheets but copy is in near fine condition paper supple. Half cloth binding with marbled boards; gilt title on spine slightly rubbed some bumping and wear at corners and edges 2-inch crack to top of front hinge but binding tight and square.<br /> All for the Best. This edition enriched by Clara Tice's racy and whimsical illustrations is an "Exact reprint of the earliest English text" and was printed in Holland by the Johann Enschedé en Zonen of Haarlem founded in 1703. The verso of the title page states it was "set entirely by hand from type cast by Joh. Enschedé en Zonen from original Didot matrices." It bears amusing legends on the tissue guards printed in red: "Their hands strayed"; "Cut off only one of the buttocks"; "Their veils dropt".<br /> <br /> Clara Tice 1888 - 1973 drew racy illustrations at a time when ladies did not engage in such things and when Anthony Comstock's Society for the Suppression of Vice was very active. Tice attracted their unwanted attention for one of her early exhibitions at Polly's Restaurant in Greenwich Village in 1915 and it helped to jump-start her career. Vanity Fair dubbed Tice the "QUEEN OF GREENWICH VILLAGE". According to The New York Times 27 June 1920 she was the first woman in Greenwich village to bob her hair. Tice also created a cartoon strip and posters and she is included in the New York Dada Movement. J. Enschedé en Zonen for the Bennett Libraries Inc unknown
19863087NICE. EDITIONS D'ART SEFER. 1986. 2 VOLUMES PETIT IN-4 (21,5 X 27 X 10 CENTIMETRES ENVIRON) DE 201 + (4) ET 216 + (7) PAGES, RELIURE DE L'EDITEUR A LA BRADEL PLEIN MAROQUIN GRENAT ENTIEREMENT ORNE D’UN RICHE DECOR A FROID REHAUSSE DE FLEURONS DORES, TITRE ET TETE DORES, SOUS ETUI BORDE. ILLUSTRE D’UN FRONTISPICE SUR DOUBLE PAGE, DE 12 PLANCHES HORS TEXTE, AINSI QUE DE LETTRINES ET VIGNETTES, LE TOUT REHAUSSE EN COULEURS AU POCHOIR, DANS LE STYLE DE L’ENLUMINURE. TEXTE DANS UN ENCADREMENT TURQUOISE. PREMIER TIRAGE, LIMITE A 1700 EXEMPLAIRES NUMEROTES, TOUS SUR VELIN D’ARCHES FILIGRANE «ARCHES-SEFER», CELUI-CI PORTANT LE NUMERO 1432. EXEMPLAIRE ENRICHI D’UN ENVOI MANUSCRIT SIGNE DE L’ARTISTE. BEL EXEMPLAIRE, ACCOMPAGNE DE SON CERTIFICAT D’AUTHENTICITE.
19863815NICE. EDITIONS D'ART SEFER. 1986. 2 VOLUMES PETIT IN-4 (21,5 X 27 X 10 CENTIMETRES ENVIRON) DE 201 + (4) ET 216 + (7) PAGES, RELIURE DE L'EDITEUR A LA BRADEL PLEIN MAROQUIN GRENAT ENTIEREMENT ORNE D’UN RICHE DECOR A FROID REHAUSSE DE FLEURONS DORES, TITRE ET TETE DORES, SOUS ETUI BORDE. ILLUSTRE D’UN FRONTISPICE SUR DOUBLE PAGE, DE 12 PLANCHES HORS TEXTE, AINSI QUE DE LETTRINES ET VIGNETTES, LE TOUT REHAUSSE EN COULEURS AU POCHOIR, DANS LE STYLE DE L’ENLUMINURE. TEXTE DANS UN ENCADREMENT TURQUOISE. PREMIER TIRAGE, LIMITE A 1700 EXEMPLAIRES NUMEROTES, TOUS SUR VELIN D’ARCHES FILIGRANE «ARCHES-SEFER», CELUI-CI PORTANT LE NUMERO 819. BEL EXEMPLAIRE, ACCOMPAGNE DE SON CERTIFICAT D’AUTHENTICITE.
1922ILTInVOL37Paris: René Kieffer 1922. 1922. 12mo. pp. 2 p.l. 186 1 leaf. 39 colour illus. by Sylvain Sauvage head & tailpieces title vignette & front cover illus. Uncut in modern half buckram original illus. wrs. bound in short split in spine wrs. bit soiled. Limited to 500 copies 40 on japon with a suite of illus. on China paper. Hardcover. Paris: René Kieffer, 1922. Hardcover
19593354Les Impénitents, 1959. In-4 (280 x 190 mm), 65 pp., (2) ff., 1 frontispice de Roger Vieillard et 12 illustrations de MOROG gravée en taille-douce par J. J. J. RIGAL. En feuilles, couverture rempliée imprimée, chemise et étui cartonnés d'éditeur, bel exemplaire.
19222709701922. hardcover. near fine. Tirée du manuscrit du Père Quesnel. 39 charming color illustrations by Sylvain Sauvage. 186 pages tall square 12mo bound in 3/4 burgundy morocco original wrappers bound in. Paris: René Kieffer 1922. Near fine. Limited to 500 numbered copies.<br/><br/> unknown books
1928elala167Paris: Henri Babou 1928. 1928. 4to. pp. 132 3. numerous text illus. with pochoir hand-colouring. original coloured pictorial wrs. short tears in upper & lower spine slight discolouration from bookmark on title & half-title. First Edition Illustrated by Jacques Touchet Limited to 350 copies this one of 330 on Arches. "No one of Voltaires works shows his anti-religious or at least anti-ecclesiastical animus more strongly. The various title-words of the several articles are often the merest stalking-horses under cover of which to shoot at the Bible or the Church the target being now and then shifted to the political institutions of the writers country his personal foes &c .". Encyc. Brit. 11th Edn. The book was officially condemned and ordered to be burned. Carteret IV 406. 1st Edition. Paris: Henri Babou, [1928]. unknown
