94 résultats
17761316353Londres 1776. Hardcover. Octavo 280 pages; VG; bound in quarter red calf gilt lettering and tooling to paneled spine marbled boards marbled endpapers; half-title present verso of sfep has two early math equations; wide margins; scarce; shelved case 10. The imprint is false; probably printed in the Netherlands. Contrary to the title this edition does not contain "L'evangile de la raison" but does include "Dialogue du douteur & de l'adorateur". Signature marks include "Tome I" but no Vol. 2 is recorded; <br /> <br><br /> <br><br /> Preceeded by a second false imprint printed in Amsterdam by M. M. Rey in 1768;<br /> <br><br /> <br><br /> ESTC Citation No. N12875. 1316353. Shelved Dupont Bookstore. hardcover books
17782690eParis: chez Desnos 1778. 12mo 124 x 68 mm. 4 82 1 pp. Two parts continuously paginated. Engraved frontispiece engraved title letterpress title removed six engraved plates before lettering all with tissue guards; one woodcut vignette of a rose. Small repair to outer blank corner of frontispiece else a fine untrimmed copy. 19th-century green straight-grained morocco gilt sides with triple filt fillets framing a wavy double border with roses spine gilt with roses in compartments turn-ins gilt gilt edges by Dupré stamp-signed on front turn-in; later two-part blue morocco slipcase by Riviere slightly scuffed. Provenance: Sir David Lionel Salomons Broomhill Tunbridge Wells armorial bookplate; Carlo de Poortere bookplate.<br/><br/>Only Edition a special copy with the engravings avant la lettre of a literary almanac in two parts unusually dividing the contributors by sex with part 1 pp. 7-34 containing only poems by women and part 2 only by men. A table at the end of each part lists the authors. In the ladies' section are verses by the mother and daughter Mme and Mademoiselle Deshoulières ou Des Houlières Mlle de Scudery Mme de La Suze Mme de Liancourt and other seventeenth-century i.e. "classical" writers. The male contributors include a few more modern authors notably Voltaire whose 13 occasional verses most dedicated to individual women represent a lighter side of his oeuvre.<br/><br/>The unsigned engravings of scenes set in elegant interiors or pastoral settings show a wedding banquet; a couple engaged in a playful chase with Cupid seizing the woman's dress; Reason Athena with a lion being seduced by folly a female fool complete with rattle bells and crazy hat; a female Narcissus admiring herself in a pond; a courting scene with musical instruments; and a lady daydreaming alone in her bedchamber. Grand-Carteret tells us that these plates along with a seventh plate were also used in a different Desnos almanac Les Caprices de l'Amour et de Baccus printed there with expressive captions. The frontispiece shows the bust of a smiling Voltaire being crowned with stars by one of two attendant muses. Grand-Carteret inattentively suggested that the bust might portray Alexis Piron another contributor not noticing the lightly etched titles of two books held by the recumbent muse namely Charles XII and La Henriade both of course by Voltaire and referring to the poem on p. 41 "A Madame la Marquise de Boufflers en lui envoyant la Henriade & Charles XII."<br/><br/>The rose decor of the binding echoes the woodcut vignette of a rose printed at the end of the publisher's anonymous dedication to all ladies Mesdames. The copy was deliberately bound without the letterpress title; it also does not contain the always optional Tables of losses and wins at the gaming table announced in the subtitle. Copies apparently differed and the almanac may have been reissued periodically. Some copies include a section of music according to Grand-Carteret who dates the almanac to 1789 whereas Cohen-de Ricci dated it to 1781. Both their copies seem to have also lacked a letterpress title: OCLC locates only the BnF copy with the letterpress title dated 1778 it is digitized on Gallica but without the plates.<br/><br/>Bengesco Voltaire Bibliographie de ses Oeuvres IV: 2238; Cohen-de Ricci 37-38 7 or 8 plates; Grand-Carteret 611 7 plates. chez Desnos unknown books
177124235London: T. Carnan 1771. First edition in English of his famous philosophical tale L'Ingénu first published in 1767; 12mo pp. 4 210; contemporary calf-backed marbled boards neatly rebacked black morocco label on spine; two short tears entering the top margin of the title 1 internal page stained else generally very good and sound. An edition was published in Philadelphia in 1778. L'Ingénu is a young man born in Canada of French parents but brought up for twenty years among the Hurons. "He then comes to France and is recognized as the lost nephew of an old French prior and his sister . L'Ingénu's simplicity frankness and good sense produce some comical situations . The story . is both a protest against abuses of power . and an exposure of some of the absurdities of our conventions" Ox. Comp. to French Literature. <br/><br/> T. Carnan hardcover books
192322200Paris: Rene Kieffer 1923. leather_bound. Orig. full two-toned brown leather covers decorated in blind backstrip lettered in gilt marbled endpapers. Teg. Fine. 54 pages. 24 x 19 cm. Limited edition copy 95 of 500 on velin la forme with 45 vignettes in pochoir by Joseph Hemard. An exquisite copy bound by Kieffer with his label on verso of front cover paste-down. Hémard's lasting fame however lies in his book illustrations - always with a distinctly French character usually comic and often mildly erotic. He was probably the most prolific book illustrator in the first half of the twentieth century in France. Rene Kieffer unknown books
1942WRCLIT57612Berne-Bümpliz: Éditions Les Belles Feuilles 1942. Small folio. Loose signatures laid into pictorial wrappers. Near fine in good quarter vellum chemise and slipcase the latter a bit worn with cracks and bumps at a few corners. First edition thus illustrated with ten large wood engravings a number of decorated initials and two decorations by Imre Reiner. From a total edition of 220 copies this is one of 170 copies on Rives signed by the artist with an extra suite of the woodcuts on Rives. An interesting production by the artist/designer/typographer. Éditions Les Belles Feuilles hardcover books
1784WRCLIT58272London: Printed for G. Robinson 1784. 2ii2251pp. Octavo. Modern quarter gilt morocco and marbled boards gilt label. Bound without the half-title otherwise a very good fresh copy. First edition in English published the same year as the original French edition. An edition appeared from Dublin as well. The two page introduction quotes from a letter from Paris dated 2 May indicating that two or three editions "have already been seized and seven Booksellers imprisoned . The Memoirs are really written by Voltaire and must soon or late become public. This Voltaire is sort of a malignant spirit who came upon earth only to embitter the cup of life and afterwards laugh at our wry faces." ESTC T1128. Printed for G. Robinson hardcover books
17681591281768. First Edition. paperback. 182pp. half-title; woodcut title page vignette. sewn; unlettered buff wrappers. N.p. Geneva 1768.<br/><br/> One of Voltaire's best known prose works it came out in many editions the same year. This is presumably the first and conforms to the copy in the Bibliotheque Imperiale.<br/><br/> unknown books
1770WRCLIT25846Paris: Chez la Veuve Duchesne. 1770. Two volumes. Octavo. Full contemporary mottled dyed calf spines gilt extra. Portrait plates and engraved headpieces. Light scattered foxing largely to occasional upper margins some extremity wear with narrow losses at extreme crowns of spines three small external worm holes in lower joint of second volume otherwise a very good set. First this edition containing in the first volume a pictorial title a frontis ten plates and ten headpieces all engraved by de Longueil after drawings by Charles Eisen. There are no illustrations in the second volume which concludes with a number of additional poems and documents by Voltaire. Voltaire's letter to Eisen written after seeing his designs opens the first volume and affirms his belief that the edition will be "plus recherchee." RAY ART OF THE FRENCH ILLUSTRATED BOOK 30. COHEN-DE RICCI 1026/7. SALOMONS p. 172. Chez la Veuve Duchesne... unknown books
176581265London: Printed for Thomas Brown 1765. First edition in English of Voltaire's Pocket Dictionary of Philosophy. Octavo full period calf gilt titles and elaborate gilt tooling to the spine gilt ruled marbled endpapers all edges red. In good condition. One of the most influential thinkers of the French Enlightenment Francois-Marie Arouet know by the nom de plum Voltaire was a resourceful and prolific writer. His works touched nearly every literary form including plays poems novels theoretical essays and scientific treatises. A forthright and candid advocate of civil liberties he frequently criticized the institutions of religious dogma and classism prevalent in 18th century France often doing so through satire to avoid censorship and imprisonment. Printed for Thomas Brown unknown books
1731231308Paris: Josse 1731. First. hardcover. very good. Slim 8vo pp. xxix 3. 110 3 approbation and errata. Decorative copper engraved head-pieces a few contemporary ink annotations full gilt brown calf covers lightly warped and rubbed with a bright gilt heraldic crest on front and back red edges. Paris: J.F. Josse 1731. First Edition. Scarce. Very good.<br/><br/> Josse unknown books
176424563Londres: aux depens de la compagnie 1764. 8vo pp. xvi 384; engraved frontispiece and 20 engraved plates; 20th-century full crimson straight-grain morocco by Zaehnsdorf decorative gilt border on covers gilt-paneled spine and preserving the original blue printed wrappers which are bound in. First published without plates at Louvain in 1755. This is likely a 'variorum' edition probably Dutch based on the first authorized edition of 1762 Geneva with variant readings from earlier piracies. Bengesco 491. <br/><br/> aux depens de la compagnie unknown books
176882403Geneve 1768. First edition of one of Voltaire's best-known works of prose. Octavo original full period calf gilt titles to the spine red morocco spine label raised bands marbled endpapers. In good condition. Rare and desirable. One of Voltaire's finest romances" The Princess of Babylon relays the story of the beautiful Formosanta who travels the world in search of her lover Amazan Barron Fantasy Literature I:88. Subtle in its philosophy Voltaire breaks narrative conventions in this novella to foster Enlightenment values and in the process also "pokes fun at a number of literary traditions" Pearson Fables of Reason 196. The novella saw instant success upon publication and was in such demand that it was being illegally pirated in England and printed under a false imprint of 'Geneva' when it was actually printed in London. hardcover books
179654353London: privately printed by Catherine Maria Bury Countess of Charleville 1796. First Edition large paper copy one of just 5. The first complete English translation. Large 8vo just under 24 cm pp. 227 218. Untrimmed. Bound in later 3/4 red morocco and plain boards rubbed along the extremities without the half title. "Mostly all of the copies were destroyed the freedom of the translation being considered injurious to the memory of Lady Charleville. Only 5 copies were printed on large paper. See the notes to the Renouard copy no. 1349- sale by Sotheby June 30 1834." The preface and notes cover 5 pages. ESTC; T137636.A nice clean tight set. A poem about Joan of Arc. From Wikipedia: "Voltaire was undoubtedly one of the most controversial writers and philosophers of the Enlightenment Age and The Maid of Orleans was also certainly one of his more contentious works. An epic and scandalous satire concerning the life of the not-yet-canonised Joan of Arc "the Maid of Orleans" the poem was outlawed burned and banned throughout a great portion of Europe during the 18th and 19th centuries. Containing mockery and satirical commentary on the life and antics of its subject the poem itself has variously been described as "bawdy" and "licentious". Despite the often sexist and indecent contents of the text its notoriety and contraband status made it one of the most widely read texts concerning Joan of Arc for several centuries. Circulating throughout the banned regions by often surreptitious means the book was read by a large number of the populace. It was also disseminated by Voltaire himself to some of his colleagues and other members of the upper class the circle of people and the portion of society that the text was specifically intended for. The author 1762-1851 was the daughter of Thomas Townley Dawson she married first James Tisdall and then in 1798 Charles William Bury first Earl of Charleville. She was an invalid for many years. privately printed by Catherine Maria Bury, Countess of Charleville unknown books
1901310390New York: St. Hubert Guild 1901. 168 designs.done by the Craftsmen of the St. Hubert Guild many hand-coloured. 22 vols. 8vo. Bound in three quarters crimson morocco gilt spines t.e.g. by Bennett NYC. Fine. 168 designs.done by the Craftsmen of the St. Hubert Guild many hand-coloured. 22 vols. 8vo. St. Hubert Guild unknown books
173327422London: Printed for C. Davis and A. Lyon 1733 1733. First edition. Cf. Bengeso 1558; Sabin 100751 noting Voltaire's letters on William Penn and the Pennsylvania Quakers. Fine copy. 8vo contemporary paneled calf rebacked with a new spine and raised bands. The first appearance of an early and important prose work by Voltaire a series of epistolary observations comparing British and French society culture science and philosophy. Written when he was living in England 1727-28 Voltaire's opinions shed a favorable light on British institutions and individuals including Sir Isaac Newton. Voltaire tells an early version of the apple falling from the tree story that inspired Newton's theory of gravity. When Letters was published on the continent as Lettres Philosophiques 1734 it was condemned by French authorities and precipitated one of Voltaire's many conflicts with the crown. <br/><br/> London: Printed for C. Davis and A. Lyon, 1733 unknown books
1775044596Genève: Cramer et Bardin 1775. Edition encadrée" Complete set of all 40 volumes with the engraved frontispieces where issued all pages printed within the wood-engraved frames octavo format. Uniformly bound in mottled calf with gilt spine trim and lettering; some leather chipping mostly at the head of some spines. all edges marbled. Contents: t. 1 La Henriade divers autres poëmes et toutes les piéces relatives à l'épopée. t. 2-10 Ouvrages dramatiques précédés et suivis de toutes les piéce qui leur sont relatifs. t. 11 La Pucelle d'Orléans poëme suivie du Temple de Gout &c. t. 12-13 Mélanges de poësies &c. t. 14-17 Essai sur les moeurs et l'esprit des nations; et sur les principaux faits de l'histoire depuis Charlemagne jusqu'à Louis XIII. t. 18-20 Siècle de Louis XIV auquel on a joint un précis du siècle de Louis XV et un autre morceau d'histoire. t. 21 Histoire de Charles XII roi de Suède avec les pièces qui y sont relatives. t. 22 Histoire de l'Empire de Russie sous Pierre le Grand divisée en deux parties. t. 23-24 Annales de l'Empire depuis Charlemagne fragmens sur quelques revolutions dans l'Inde fragmens sur l'histoire générale et divers autres morceaux historiques. t. 25-30 Questions sur l'Encyclopédie par des amateurs. t. 31-32 Romans philosophiques élémens de Newton précédés et suivis de divers morceaux intéressans. t. 33-37 Mélanges de littérature d'histoire et de philosophie. t. 38-40 Piéces détachées attribuées à divers hommes célèbres. Cramer et Bardin unknown books
015470Np: De L'Imprimerie De La Societe Litteraire-Typographique; 1785 & 1789. Octavo. In 72 volumes with the scarce two supplemental volumes form an index: Chantreau Cen. Table Analytique Et Raisonnee des Matieres contenues dans les soixante-dix volumes des oeuvres de Voltaire. Paris Chez Deterville Libraire rue du Battoir; 1801. 117 full-page plates which include frontispieces and map. All bound in publishers full calf flat spines fully decorated in gilt red and green contrasting morocco labels gilt marble endpapers all edges red two volumes rebound nearly identical to the set at an earlier date. General shelf wear with a few nicks some chipping to spine ends of a few volumes. From the library of J. Japhet who was a very wealthy London businessman and banker. His firm was instrumental in arbitrage increasing the trading of railroad stock and other noted securities in the latter part of the nineteenth to the early twentieth century in London. Britain soon became the global financial center of the world at that time. His bookplate is within each volume. Overall a very handsome set. A full collation of this particular set can be sent upon inquiry. De L'Imprimerie De La Societe Litteraire-Typographique; 1785 & 1789 unknown books
182896178Paris: Deslangle Freres 1828-34. Finely bound set of the complete works of Voltaire with historic scientific and literary notes. Octavo 97 volumes text in French. Bound in three quarters morocco over marbled boards gilt titles and tooling to the spine in five compartments within raised gilt bands marbled endpapers frontispieces with tissues guards and half-titles as issued. In very good condition. A complete set covering the broad scope of the versatile and prolific writer. One of the most influential thinkers of the French Enlightenment Francois-Marie Arouet know by the nom de plum Voltaire was a resourceful and prolific writer. His works touched nearly every literary form including plays poems novels theoretical essays and scientific treatises. A forthright and candid advocate of civil liberties he frequently criticized the institutions of religious dogma and classism prevalent in 18th century France often doing so through satire to avoid censorship and imprisonment. Deslangle Freres hardcover books
175908228Geneva: Gabriel Cramer 1759. First Edition. Full Leather. Fine. The third of the first four editions according to Bengesco 1436 and the fourth edition according to Wade see Voltaire and Candide 1959 p. 201 dated 1759 with 299 pages clandestinely printed and published by Cramer in Geneva and preceeding the other 16 different editions published throughout Europe in 1759. The present copy conforms to Bengesco 1436 in every respect which is "page by page line for line like the first edition" except for the "que ce ce fut" error on page 103 an error which was introduced by Cramer into the early printings then doubtless not "fixed" as it was correct in the first place. Note that the fleurons agree exactly with Bengesco 1436 as follows: p. 134 is a basket of fruits; p. 228 shows two horns 'a plenty; the fleuron at p. 115 is repeated on pages 179 and 193; fleuron on page 213 is signed N. C. and is repeated on page 279; page 277 is paginated 177. The present copy also agrees with Wade see Voltaire and Candide 1959 p. 201 in every respect including that page 17 is numbered 15. Both the above references to Bengesco and Wade show signatures A-N3 meaning they are bound without the Table of Chapters; the present copy like 7 of the 10 known copies of the first edition shows signatures A-N6 without the final leaves N7 a blank and without N8 instructions to the binder concerning the cancellation of two pairs of leaves B4 B9 and D6 D7. In addition to the above let us state the textual points in the present copy: page 31 B4 an unnecessary paragraph break was eliminated. The words "mais il y a une raison." do NOT start a new paragraph; page 41 B9 several short sentences about the Lisbon earthquake were rewritten as "car dit-il tout ceci est."; page 84 D6 D7 reads "Nos filles se trouverent."; page 103 reads "que ce fut." as explained above was correct to begin with then discovered by Cramer and was not "fixed"; page 125 reads "mais ils se leverent precisement."; page 242 the paragraph beginning "Candide etait afflige."; has been removed by Voltaire while the book was being printed as it was critical of German poets. Pages 121 - 168 signatures F and G are a larger type than the rest of the book. In summation the present copy agrees with the first edition except that the "que ce ce fut." error was discovered and not inserted and the fleurons differ but are by Cramer who printed the first four editions. This a wide margined copy is larger than other copies we have seen at 165 mm x 95 mm; beautifully bound in late 19th Century full tan leather with raised bands and gilt decoration on spine with a brown leather lettering piece marbled end papers all edges gilt; printed on laid paper. The text is remarkably clean and bright; a fine copy. PMM204. <br/><br/> Gabriel Cramer hardcover books
